Archives Scrapbooks

The image is a collection of newspaper clippings and a photograph, all related to Paul Gardner and the Fogg Museum. Here is a detailed summary of each section:

1. Top Left Section (Image and Text):

   • Image: A portrait of Paul Gardner.
   • Text: Paul Gardner is described as an assistant to the trustees of the William Rockhill Nelson Gallery of Art. He is an architect who has spent a considerable amount of time in Europe studying art and museum work. His expertise includes lighting, wall coverings, and the installation of works of art.

2. Top Right Section (Text):

   • Title: "Clear View of Pictures."
   • Content: Paul Gardner, assistant to the Nelson Gallery Trustees, is also the installation manager of the Esperson Exhibits. He discusses the importance of having a clear view of artworks on walls, avoiding the cluttered look often seen in European galleries. Gardner, who has a background in architecture from Boston Tech and has studied in Europe, is currently working on the Nelson Gallery. He emphasizes the importance of proper lighting and spacing for artworks.

3. Bottom Left Section (Text):

   • Title: "Training for Museum Work."
   • Content: The Fogg Art Museum at Harvard University has announced the appointment of Paul Gardner as a research fellow. He will study the equipment and installation of a modern museum. The training includes courses in museum administration, technology, and intensive study at the Fogg. Gardner has experience in architecture and museum work, having studied in Europe and worked at the Nelson Gallery in Kansas City.

4. Bottom Right Section (Image and Text):

   • Image: A photograph of a sculpture titled "Egyptian Woman and Child" by Harry Wright Goodhue.
   • Text: The sculpture is described as a unique example of art from the late Middle Ages. It is made from a piece of old, smoothed, and rough-hewn timber. The sculpture is part of an exhibition at the Fogg Museum, showcasing the beauty and craftsmanship of medieval art.

5. Additional Notes:

   • The clippings are from various sources, including the "Boston Post" and the "Kansas City Times."
   • The dates mentioned are April 17 and March 5, indicating different publication dates for the articles.

Overall, the image highlights Paul Gardner's role in museum work, his expertise in art installation, and his contributions to the Fogg Museum, along with a feature on a specific artwork exhibited at the museum.

The image appears to be a collage of newspaper clippings and articles related to Paul Gardner and the Fogg Museum.

1. Top Left Clipping (Boston Post, April 1, 1917)

   • Headline: "Assistant to the trustees" is Paul.
   • Content: Describes Paul Gardner’s appointment to the William Rockhill Nelson Gallery of Art. He is trained as an architect and has experience in museum work, having spent time at Harvard University and Europe. Gardner's responsibilities include lighting, wall coverings, and the installation of artworks.

2. Top Middle Clipping (Kansas City Times, March 5)

   • Headline: Paul Gardner and Fogg Museum
   • Content:
     • Discusses Paul Gardner's involvement in the Nelson Gallery of Art Trustees and his suggestions for improvements in the Fogg Museum.
     • Gardner's detailed inspection of the Fogg Museum, which he spends hours daily, and his plans to alter the building’s layout.
     • His background includes a month spent in Boston before returning to Kansas City to oversee the museum’s architecture and curatorial work.
     • He mentions his architectural studies at Boston Tech and extensive experience in European museums over the past ten summers.

3. Top Right Clipping

   • Headline: "Clear View of Pictures" and "Intellects in the Epperson galleries try two weeks..."
   • Content: Focuses on the Epperson galleries and the selection of works on display. It highlights Paul Gardner’s role in selecting and arranging pieces, including his past experience with the Nelson Gallery and the Fogg Museum.

4. Bottom Left Clipping (Training for Museum Work)

   • Headline: Training for Museum Work
   • Content: Describes Paul Gardner’s appointment as a museum assistant at the Fogg Art Museum. The article notes that Gardner received specialized training in museum work, including courses on art history, conservation, and the management of collections.

5. Bottom Right Image (Black Madonna and Child by Harry Wright Goodhue)

   • Content: Features an illustration of "Black Madonna and Child" by Harry Wright Goodhue, displayed at the Fogg Museum. This artwork is noted for its carved, rough-hewn timber and historical significance.

The collage provides a comprehensive look at the career and contributions of Paul Gardner, emphasizing his architectural background and his significant role in museum curation and management.

The image is a scanned page from what appears to be a scrapbook or a clipping, featuring multiple newspaper articles and photographs related to Paul Gardner and the Fogg Museum. Here is a detailed description:

1. Title at the Top:

   • Handwritten text: "PAUL GARDNER AND FOGG MUSEUM"
   • Below that: "Kansas City Times, Mar. 5"

2. Left Side:

   • A large photograph of Paul Gardner, titled "PAUL GARDNER OF WILLIAM ROCKHILL NELSON GALLERY OF ART."
   • Caption under the photo: "Assistant to the trustees is Paul Gardner's present title, but his work at the William Rockhill Nelson Gallery of Art includes decisions in matters of lighting, wall coverings and arrangement, Harvard University, and in Europe."

3. Right Side:

   • An article titled "CLEAR VIEW OF PICTURES IDEA OF ONLY A FEW WORKS ON WALL FAVORED BY EXPERT."
   • The article discusses Paul Gardner's ideas about displaying art, emphasizing that he prefers fewer pictures on the walls for a clearer view. It also mentions his work at the Fogg Museum and his background at Harvard.

4. Bottom Left:

   • A small article titled "Training for Museum Work."
   • This article is from the Boston Post, dated April 1, 1927. It talks about the Fogg Museum's emphasis on training for museum work, mentioning Paul Gardner's role and the appointment of a new secretary for the museum.

5. Bottom Right:

   • Another photograph titled "Black Madonna and Child" by Harry Wright Goodhue, showing an image of the sculpture.
   • Caption under the photo: "At the Fogg Museum, Harvard."

6. Additional Notes:

   • Handwritten notes on the page, including "Goodhue, con." and "Transcript, Mar. 6."

The page is likely part of a collection of articles and photographs related to Paul Gardner's work and contributions to art museums, particularly the Fogg Museum.

The image is a newspaper clipping from the early to mid-20th century, featuring articles about Paul Gardner and the Fogg Museum.

Top Article (Kansas City Times, March 5):

Title: Paul Gardner and Fogg Museum

Headline: Paul Gardner of William Rockhill Nelson Gallery of Art

The article announces that Paul Gardner, previously the assistant to the trustees at the William Rockhill Nelson Gallery of Art in Kansas City, has been appointed the new director of the Fogg Museum at Harvard University. It mentions that Gardner will bring significant changes to the Fogg Museum.

Gardner, who has a background in architecture, spent many years studying and practicing in both the United States and Europe. He has been involved in the installation of art at the Nelson Gallery, where he was trained to be an architect and specialized in lighting.

The article highlights that Gardner is moving up to his new position from his residence at the Sophia Palmer Flats in Kansas City.

Middle Article (Clear View of Pictures):

This section discusses Gardner's expertise and the future plans for the Nelson Gallery. It notes that Gardner has a clear vision and has already been involved in the gallery's operations, including the architectural planning and arrangement of exhibits. The article also mentions Gardner’s extensive study of European architecture and artifacts during his travels.

Bottom Left Article (Boston Post, April 1):

Title: Training for Museum Work

This article also announces Paul Gardner’s appointment to the Fogg Art Museum, emphasizing his qualifications and training. It details Gardner's education and experience, including his graduate work in art museums and his architectural training at Harvard and MIT. It also notes his summer studies in Europe and his hands-on work at the Fogg, which prepared him for the directorship role.

The article discusses the modern approach to museum work, contrasting it with older methods and highlighting the need for specialized training in various museum-related fields.

Right Column (Various Short Notes):

Exhibitions in the Epperson Galleries:
This part mentions a plan to replace current exhibits with new ones, including works by Harold Woodbury Parsons and oriental objects.

Goodhue Cor:
A brief note about an artist from the Middle Ages named Goodhue, who created a notable stained glass work.

Image of Artwork:
There is an image of a sculpture, identified as "Black Madonna and Child," described as a unique young Boston-stained glass work.

Summary:

The newspaper clippings collectively announce Paul Gardner’s new position as the director of the Fogg Museum at Harvard University, detail his qualifications and past experiences, and discuss the future of the Nelson Gallery and modern museum practices.

The image is a collage of newspaper clippings and related materials from March 1917, featuring information about Paul Gardner and the Fogg Museum. Here is a detailed summary:

1. Top Section:

   • The top heading reads: "PAUL GARDNER and FOGG MUSEUM," with the source "Kansas City Times, Mar. 5."
   • There is a black-and-white photograph of Paul Gardner, identified as "Assistant to the trustees" at the William Rockhill Nelson Gallery of Art. The caption under the photo mentions his expertise in installation and decisions on matters of lighting, wall coverings, and other related tasks.

2. Middle Section (Left):

   • A clipping from the Boston Post dated April 17, 1917, discusses Paul Gardner's training for museum work.
   • It highlights his appointment as an assistant to the trustees of the Fogg Art Museum and his extensive training, including summers spent at the Fogg Museum and studies at Harvard University, Boston, and Europe.

3. Middle Section (Center):

   • A detailed article from the Kansas City Times titled "Clear View of Pictures: Idea of Only a Few Works on Wall Favored by Expert."
   • The article discusses Paul Gardner's role in the planning and design of the Nelson Gallery of Art Trustees. It mentions his extensive experience and architectural background, including his studies in Europe and his previous work at the Fogg Museum.
   • It also mentions the museum's architectural style and Gardner's intention to present a clear view of the artworks.

4. Middle Section (Right):

   • A smaller clipping discussing the Fogg Museum's approach to displaying art, emphasizing a clear view of the pictures and the idea of showing only a few works on the walls.
   • It mentions the museum's plan to display works in a way that allows visitors to view them effectively.

5. Bottom Section:

   • The bottom right features a photograph of a sculpture titled "Black Madonna and Child" by Harry Wright Goodhue, displayed at the Fogg Museum.
   • There's a brief mention of Goodhue's work and the museum's collection.

6. Miscellaneous Notes:

   • There are handwritten notes and transcriptions at the bottom right, possibly related to the articles or additional information about the museum's exhibitions and works.

Overall, the collage provides a comprehensive overview of Paul Gardner's contributions to the Fogg Museum and his role in the design and installation of artworks in museum settings. It also highlights the museum's approach to art presentation and includes a notable piece of sculpture by Harry Wright Goodhue.

The image is a collage of newspaper clippings and articles related to Paul Gardner, an architect and museum professional, particularly his work with the Fogg Museum and the William Rockhill Nelson Gallery of Art.

1. Top Left Section:

   • A photograph of Paul Gardner is accompanied by a caption indicating his role as an assistant to the trustees of the William Rockhill Nelson Gallery of Art.
   • The article discusses Gardner's responsibilities, which include decisions on matters of lighting, wall coverings, and other elements of art installation.
   • Gardner's background includes training at Harvard University and experience in Europe.

2. Top Middle Section:

   • Headline: "Clear View of Pictures."
   • The article discusses Paul Gardner's idea of having only a few works of art on the walls, a suggestion made during his work at the Eppes Museum.
   • Gardner's extensive training in architecture and his experience in museum work are highlighted. He studied at Boston Tech and worked on various European architecture projects.
   • The text mentions the Fogg Museum's intensive work in preparing for a new building, including the study of restoration and the display of artworks.

3. Top Right Section:

   • A small snippet mentions the Eppeson galleries and the installation of works of art, with Gardner's involvement in this process.

4. Middle Section:

   • The article "Training for Museum Work" from the Boston Post, dated April 17, discusses Gardner's appointment as a trustee at the Fogg Art Museum.
   • It details his coursework and extensive study at the Fogg Museum, including visiting various museums and galleries in Europe and the United States.
   • Gardner's experience and background are emphasized, noting his coursework in architecture and museum work.

5. Bottom Right Section:

   • A photograph of a sculpture titled "Black Madonna and Child" by Harry Wright Goodhue, displayed at the Fogg Museum.
   • The caption mentions the sculpture is carved from an old, abandoned piece of timber.

6. Bottom Left Section:

   • Additional notes and handwritten comments, possibly transcriptions or annotations, related to the articles and photographs.

The collage collectively highlights Paul Gardner's significant role in museum architecture and art display, emphasizing his qualifications and experiences that made him a valuable asset to the institutions he worked with.

This image is a collage of newspaper clippings arranged on a piece of paper. The clippings primarily discuss Paul Gardner and his contributions to the Fogg Museum and the William Rockhill Nelson Gallery of Art.

The top section of the page includes clippings from the Kansas City Times dated March 5. One of these clippings is titled "CLEAR VIEW OF PICTURES" and it describes the idea of having only a few works on a wall, favored by an expert, alongside other discussions related to art exhibitions and museum work. There is also a clipping that shows a photograph and description of Harry Wright Goodhue's artwork "Black Madonna and Child."

In the middle of the page, there's a clipping from the Boston Post, dated April 11, 1917, titled "Training for Museum Work," which discusses the Professional training of artists for tasks related to museum exhibitions and activities.

The clippings collectively provide insights into Gardner's professional life and his influence on art exhibitions in prominent museums, as well as details about significant artworks and museum practices during that period.

The image is a scanned page from a scrapbook or compilation of newspaper articles. On the left-hand side of the page, the top article is titled "PAUL GARDNER OF WILLIAM ROCKHILL NELSON GALLERY OF ART" and includes an article about Paul Gardner, though the details are not fully visible in the image.

Below this is a header from the "Boston Post, Apr. 17.", with a titled section "Training for Museum Work" which appears to discuss the professional training and education necessary for museum work, although the full text is not readable.

On the right side of the page, there is an article with the heading "CLEAR VIEW OF PICTURES." This article discusses the evaluation of artworks on a wall by an expert but much of the text is too small to read in detail. Additionally, there is a small black-and-white image of a traditional artifact resembling a sculpted figure or a statue.

The articles are affixed to the page, which has three holes punched on the left margin, indicating that they are part of a binder or folder. Handwritten text at the top of the page suggests the source as "Kansas City Times" and dates it "Mar. 5". There are also handwritten notes on the bottom right of the page indicating that a transcript is available.

This image shows a scrapbook page with multiple newspaper clippings related to Paul Gardner and the Fogg Museum. The clippings discuss topics such as Gardner's work and role at the William Rockhill Nelson Gallery of Art, his training for museum work, and views on art installations.

There are two photos on the page:

• One portrait of Paul Gardner seated, wearing a suit.
• Another photo of a sculpture titled "Black Madonna and Child" by Harry Wright Goodhue, described as a work made from a piece of old, abandoned, and rough-hewn timber.

Handwritten text on the page includes titles like "Paul Gardner and Fogg Museum" with dates from March and notes referencing Boston Post and Kansas City Times. The overall theme centers on museum art curation, Gardner's expertise, and specific pieces in museum collections.

The image is a scanned document that appears to be a collection of newspaper clippings or articles related to Paul Gardner, an assistant to the trustees of the William Rockhill Nelson Gallery of Art in Kansas City. The document is titled "Paul Gardner and Fogg Museum" and is dated March 5, referencing the Kansas City Times. It also includes a reference to the Boston Post dated April 17.

Key Elements in the Image:

1. Title and Header:

• The top of the document reads: "PAUL GARDNER AND FOGG MUSEUM. Kansas City Times: Mar. 5."
• There is also a handwritten note in the top right corner: "Mar. 7."

2. Left Section:

• Headline: "PAUL GARDNER OF WILLIAM ROCKHILL NELSON GALLERY OF ART."
• Image: A black-and-white photograph of Paul Gardner, a man with short hair, wearing a suit and tie. He appears to be middle-aged and is looking directly at the camera.
• Caption: Below the image, there is a caption that reads:

  "Assistant to the trustees" is Paul Gardner's present title, but his work at the William Rockhill Nelson Gallery of Art includes decisions in matters of lighting, wall coverings and the installation of works of art.

3. Central Text:

• The central text is a detailed article discussing Paul Gardner's role, training, and contributions to the Nelson Gallery. Key points include:
  • Gardner is trained as an architect, having studied at the Boston Tech and Harvard University.
  • He has spent many summers visiting European countries and capitals, studying their museums and architecture.
  • His responsibilities at the Nelson Gallery include decisions on lighting, wall coverings, and the installation of artworks.
  • The article highlights his expertise in architecture and his role in maintaining the gallery's structure and aesthetic.

4. Right Section:

• Headline: "CLEAR VIEW OF PICTURES."
• Subheading: "IDEA OF ONLY A FEW WORKS ON WALL FAVORED BY EXPERT."
• Content: This section discusses Gardner's views on museum display practices. It mentions his belief in showcasing only a few works on a wall to allow for a clearer view and better appreciation of the art. The text also references his involvement in the restoration of the Fogg Art Museum and his efforts to preserve the gallery's integrity.
• Quote: Gardner is quoted as saying:

  "I feel that the modern idea of only one or two pictures on a wall is the right idea. No galleries full of old works crowding the sacred space out."

5. Additional Articles:

• Bottom Left: A smaller article titled "Training for Museum Work" discusses Gardner's appointment as a gallery assistant at the Fogg Art Museum, emphasizing his training in museum work, including summers spent studying European museums.
• Bottom Right: Another article titled "Good-Lue Cor." appears to be a brief commentary or opinion piece, though the content is less clear due to the layout.

6. Visual Elements:

• Photographs:
  • On the left, there is a photograph of Paul Gardner.
  • On the right, there is a smaller photograph of an artwork titled "Black Madonna and Child" by Harry Wingfield, described as being "carved from a piece of old, abandoned and rough-browed timber."
• Layout: The document is formatted like a newspaper clipping, with multiple columns of text and accompanying images.

7. Footer:

• At the bottom of the document, there is a handwritten note: "Transcript - Mar. 6."

Overall Context:

The document provides a comprehensive overview of Paul Gardner's professional background, his architectural training, and his role in museum curation and preservation. It highlights his expertise in creating effective display environments for art and his contributions to the Nelson Gallery and the Fogg Art Museum. The inclusion of photographs and quotes adds a personal touch, emphasizing his influence and vision in the field of museum design and art presentation.