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The image is a collection of newspaper clippings related to the stained glass work of Wright Goodhue, a prominent artist in the field. Here is a detailed summary of the content:

1. Crimson (Feb. 27)

   • Headline: "Stain Glass Work of Goodhue in Fogg Soon"
   • Content:
     • An exhibition of Goodhue's work, including cartoons, rough designs, and finished sketches of stained glass windows, will be displayed at the Fogg Museum.
     • Goodhue studied at Harvard and was a draftsman for Ralph Adams Cram.
     • He designed windows for various churches, including Trinity Church in Boston and St. Bartholomew's in New York.
     • His work on the windows for Riverside Church in New York was highly praised.
     • Cram described Goodhue as a genius and ranked him next to Aubrey Beardsley in keenness and distinction.

2. Transcript (1st Notice, Mar. 6)

   • Headline: "The Fogg Museum, Harvard, is to Honor Wright Goodhue, Youthful Boston Stained-Glass Artist"
   • Content:
     • The Fogg Museum will display Goodhue's designs and cartoons.
     • The exhibition will run from March 2 to 20.

3. Transcript (2d Notice)

   • Headline: "Fogg Museum Honor"
   • Content:
     • The Fogg Museum is honoring Goodhue's memory with an exhibition of his work.

4. Monitor (Mar. 9)

   • Headline: "Boston Art Notes"
   • Content:
     • The Fogg Art Museum is exhibiting cartoons and a section of a window by Goodhue.
     • Goodhue's work is described as imaginative and of high grade.
     • The exhibition includes drawings, cartoons, and a section of a window.
     • Goodhue's work is noted for its beauty and devotional character.

5. Y (Mar. 9, 1932)

   • Headline: "Goodhue's Memory"
   • Content:
     • The Fogg Museum is displaying Goodhue's work, highlighting his contributions to stained glass art.
     • Goodhue's work is compared to the great period of Gothic cathedrals.
     • His designs are noted for their beauty and the true significance of the function of stained glass.
     • The exhibition includes drawings, cartoons, and a section of a window.

Overall, the clippings highlight the significance of Wright Goodhue's contributions to stained glass art and the upcoming exhibition at the Fogg Museum to honor his work.

The image is a collection of newspaper clippings and articles related to the work and recognition of stained glass artist Wright Goodhue. The clippings are dated between February 27 and March 9, 1932.

1. Top Left Clipping (Goodhue Stained Glass):

   • The article from the "Crimson" newspaper discusses an upcoming exhibition at the Fogg Museum showcasing the work of Wright Goodhue. It highlights Goodhue’s talent and his contributions to stained glass art, noting his innovative designs and his ability to blend artistic expression with religious architecture.

2. Top Right Clippings (Transcripts):

   • Two different transcripts, dated March 1 and March 6 respectively, mention the Fogg Museum’s recognition of Goodhue’s artistic legacy. The first transcript notes that the museum is honoring Goodhue with an exhibition of his work, which includes stained glass pieces and sketches.

3. Bottom Left Clipping (Boston Art Notes):

   • This article from the "Boston Art Notes" discusses Wright Goodhue’s work and its significance. It mentions how Goodhue’s designs were admired for their detailed craftsmanship and innovative spirit, particularly in the application of stained glass in churches. It praises Goodhue’s ability to combine traditional elements with modern techniques.

4. Bottom Right Clippings:

   • The section titled "Displays Work of the Late Boston Designer of Stained-Glass" elaborates on the display of Goodhue’s work at the Fogg Museum. It emphasizes the importance of his contributions to the revival of stained glass art and its significance as a form of religious art that reflects the spiritual essence of the period.

Together, these clippings highlight Wright Goodhue's pivotal role in the revival and recognition of stained glass art in America, with a specific focus on his designs and the Fogg Museum's efforts to celebrate his legacy.

The document is a collection of news articles and notes about the stained glass artist, William Goodhue, and his upcoming exhibition at the Fogg Museum. The first article, dated February 27, announces an exhibition of Goodhue's work, highlighting his contributions to stained glass and his mentorship under Ralph Adams Cram. It mentions his notable works, including windows at the Cathedral of St. John the Divine and the Riverside Church. Another article, dated March 9, provides a tribute to Goodhue, who passed away in August 1931, and praises his unique style that blended medieval influences with modern sensibilities. A third article, also from March 9, further honors Goodhue's memory, emphasizing his role in restoring stained glass to prominence in America and his distinctive designs that set him apart from his contemporaries. The document also includes handwritten notes and transcripts, adding context to the printed articles.

The image contains a collection of newspaper clippings related to stained glass artist Charles J. Connick and the recognition of Harry Goodhue's work in stained glass.

1. Crimson - February 27 (Top Left)

   • Title: Stain Glass Work of Goodhue in Fogg Soon
   • The article announces an exhibition of cartoons in black and white, rough designs, and finished sketches of stained glass windows by H. Wright Goodhue. The exhibition will be displayed at the Fogg Museum starting next Wednesday and continuing through the month. Goodhue studied under Ralph Adams Cram and contributed to restoring the art of stained glass in America to a high position.

2. Transcript - March 6 (Top Right)

   • Title: The Fogg Museum, Harvard, is to have the memorial exhibition of Boston stained glass artist's work.
   • This clipping announces an exhibition at the Fogg Museum showcasing the work of Harry Goodhue, including examples of his cartoons and secondary phases of his artistry. The exhibition will run from March 2 to 30.

3. Transcript - March 9, 1932 (Middle)

   • Title: Boston Art Notes
   • The article describes the Fogg Art Museum's exhibition of stained glass designs and cartoons by Wright Goodhue. It highlights Goodhue's contributions to various churches and his innovative designs, particularly the windows for the Riverside Church in New York City. The exhibition includes drawings and preparatory sketches, offering insight into Goodhue’s creative process.

4. Y, March 9, 1932 (Middle Left)

   • Title: Boston Art Notes
   • This section reiterates the details of the Fogg Museum exhibition and mentions specific works, such as the designs for Riverside Church. It praises Goodhue's unique talent and the significance of his work in the modern stained glass renaissance.

5. Fogg Museum Honor (Middle Right)

   • Title: Displays Work of the Late Boston Designer of Stained-Glass
   • The article discusses the exhibition of Goodhue's work at the Fogg Museum, emphasizing the importance of stained glass in the Middle Ages and Goodhue’s role in reviving this art form. It highlights the Gothic spirit of his designs and his technical mastery, noting that the exhibition offers a comprehensive view of his artistic process.

6. Unknown Source (Bottom)

   • This section eulogizes Harry Goodhue, describing his brilliance and the loss felt by the art community upon his early death. It details his contributions, such as the windows for Riverside Church, and his ability to capture the spirit of medieval stained glass. The article also mentions the Fogg Museum's exhibition and the opportunity it provides to understand Goodhue's work.

Overall, these clippings collectively celebrate the life, work, and legacy of Harry Goodhue, a significant figure in the revival of stained glass art in America. They also announce an exhibition at the Fogg Museum showcasing his contributions.

The image is a collection of newspaper clippings and handwritten notes from the early 1930s, focusing on the stained glass work of the artist Wright Goodhue. Here is a detailed summary of each section:

Crimson - Feb. 27

Headline: "Stain Glass Work of Goodhue in Fogg Soon"
Subheadline: "Cram First to Recognize Genius of Stain Glass Artist"

• An exhibition of Goodhue's cartoons in black and white, along with finished sketches of stained glass windows, is set to open at the Fogg Museum in Harvard. This exhibition aims to restore the art of stained glass in America.
• Goodhue, who died in 1931 at the age of 49, studied at Harvard and worked for Ralph Adams Cram, a prominent architect.
• Goodhue's early work included designs for windows in various churches, notably the Sacred Heart Church in Jersey City, N.J.
• Goodhue's windows were praised for their medieval style and ability to evoke the spirit of the famous windows of Chartres Cathedral.
• Ralph Adams Cram and Charles Follen McKim praised Goodhue's work, emphasizing his genius and the impact of his stained glass art.

Transcript - 1st notice - March 6

• The Fogg Museum at Harvard is hosting an exhibition honoring Wright Goodhue, featuring cartoons, designs, and cartoons for stained glass windows.
• The exhibition will run from March 2 to March 30.

Transcript - 2nd notice

Headline: "Fogg Museum Honor to Goodhue’s Memory"
Subheadline: "Displays Work of the Late Boston Designer of Stained-Glass"

• The Fogg Museum is displaying Goodhue's stained glass designs and cartoons, which will be on exhibit until April 30.
• Goodhue's work is noted for its revival of medieval stained glass art and its significant contribution to the art form.

Monday - March 9

Headline: "Boston Art Notes"
Subheadline: "Fogg Art Museum"

• The Fogg Art Museum is showcasing Wright Goodhue's stained glass designs and cartoons.
• Goodhue's work is compared to the stained glass windows of Chartres, highlighting his ability to capture medieval spirit.
• The exhibition includes preparatory sketches and cartoons for windows, illustrating Goodhue's detailed and intricate designs.
• Goodhue's work is celebrated for its aesthetic and artistic value, with notable examples being displayed at the Fogg Museum.

Handwritten Notes

• The notes emphasize the importance of Goodhue's work in the context of modern stained glass art and its historical significance.
• Goodhue's designs are noted for their complexity and beauty, drawing comparisons to medieval stained glass windows.
• The notes suggest that Goodhue's work is a significant contribution to the art form, blending historical elements with modern techniques.

Overall, the clippings and notes highlight Wright Goodhue's significant impact on the art of stained glass, his innovative designs, and the recognition his work received posthumously.

The image displays several newspaper clippings and articles related to the stained glass work of Wright Goodhue, specifically focusing on his contributions and legacy.

1. Top Left (Crimson, Feb. 27):

   • Title: "Stain Glass Work of Goodhue in Fogg Soon"
   • Cram, an architect, is noted for recognizing Goodhue's genius in stained glass art.
   • Goodhue studied at Harvard and later became renowned for his stained glass work, particularly for his designs at Columbia University and the Sacred Heart Church in Jersey City.
   • An exhibition of his cartoons, designs, and sketches is to be displayed at the Fogg Museum starting Wednesday.

2. Top Center:

   • Title: (no visible title)
   • Describes Goodhue's work in terms of his ability to modernize and revive the art of stained glass, and mentions that his work will be showcased at the Fogg Museum.

3. Top Right (Transcript, 1st notice, Mar. 6):

   • Title: (no visible title)
   • Mentions the display of Goodhue's work at the Fogg Museum, Harvard, which includes his designs for the late Henry Lee Higginson Memorial Chapel at MIT.

4. Middle Left (Mondor, Mar. 9):

   • Title: "Boston Art Notes"
   • Discusses the exhibition at the Fogg Museum, emphasizing the significance of Goodhue's work and the influence of Chartres' Gothic windows on him.
   • It highlights Goodhue's ability to capture the spirit of Chartres windows and his unique contribution to the field.

5. Middle Right (Transcript, 2nd notice):

   • Title: "Fogg Museum Honor's Goodhue's Memory"
   • Describes the importance of Goodhue's work, mentioning that his designs are a rare opportunity to see the medieval spirit of stained glass.
   • The article explains that Goodhue's work was admired for its spiritual quality and its ability to capture the essence of Gothic art.

6. Bottom Right:

   • Title: "Displays Work of the Late Boston Designer of Stained-Glass"
   • Discusses Goodhue's ability to capture the essence of medieval stained glass and his revival of this art form.
   • The article mentions that the Fogg Museum's display is a significant event, showcasing Goodhue's designs and their importance in the history of stained glass.

The articles collectively celebrate Goodhue's contributions to the art of stained glass and highlight his significant impact on the field, particularly through his modern interpretations of medieval techniques. The Fogg Museum is noted as the venue for an exhibition that showcases his work, emphasizing its historical and artistic importance.

The image shows a scanned page of a document, possibly from a periodical or a newsletter, comprising text and a handwritten annotation. The header of the page reads "Goodhue Stained Glass," followed by a date, "Feb. 27," which is likely to refer to the date of publication or event. The text on the page appears to be related to stained glass work and an exhibition. In particular, the focus seems to be on the work of an artist associated with stained glass, with reference to an exhibition at the Fogg Museum.

The main article is titled "STAIN GLASS WORK OF GOODHUE IN FOGG SOON." It discusses an exhibition at the Fogg Museum that features cartoons (in this context, preliminary designs or full-scale drawings for stained glass windows) by an artist named Goodhue. It references various places where the artist's work can be found, such as a chapel at Princeton University.

There's a column of text titled "Boston Art Notes," with the subtitle "Fogg Museum Honor Goodhue's Memory," which probably continues discussing the work and impact of Goodhue in relation to a display at the Fogg Museum.

On the right, we see the beginning of another article with the heading "Transcript," followed by a handwritten note, which appears to be a reference note, possibly indicating the source or reminding the reader to see related content elsewhere.

There is also a date, "MARCH 9, 1932," likely indicating when the content was published or an event date relevant to the articles.

At the bottom, there's another handwritten note that says, "See last column, next page Mar. 1," which directs the reader to continue reading on another page.

The overall theme of the page is historical and artistic in nature, focusing on the stained-glass artistry of Goodhue and his connection to the Fogg Museum and other architectural projects. The document looks aged, suggesting it's an archival record, or a reproduction thereof, used for research or historical reference.

The image shows a scrapbook page dedicated to Edwin Howland Blashfield Goodhue's stained glass work, particularly in the Fogg Museum at Harvard University. The page features several newspaper clippings discussing Goodhue's stained glass artistry, career, and exhibitions:

1. Crimson - Feb. 27: This article talks about an upcoming exhibition in the Fogg Museum that consists of cartoons in black and white, rough designs, and finished sketches of stained glass windows. It mentions how W. Whorf Goodhue did not have prior contributions to the Fogg Museum and highlights his work at Harvard, especially after his death in 1931. It speaks about Goodhue's influences, and contributions to various churches including a Sacred Heart Church in Jersey City and a church in Fort Wayne, Indiana. Specific mentions are made to Ralph Adams Cram recognizing Goodhue's genius at the age of 19 and his capacities to reproduce medieval art with sensitivity and spiritual connection.

2. Transcript - 1st notice, Mar. 6: This short clipping states that the Fogg Museum at Harvard is honoring the memory of Edwin Howland Blashfield Goodhue by exhibiting his sketches, full-sized cartoons, and photographs.

3. Transcript - 2nd notice: This clipping elaborates on how the Fogg Museum honors Goodhue's memory by displaying his work. It touches upon the influence of Middle Ages art on Goodhue's stained glass designs.

4. Monitor Mar. 9, Boston Art Notes: This clipping elaborates on Goodhue's stained glass artistry exhibited in the Fogg Art Museum, indicating it as one of the finest exhibitions of stained glass works. It mentions his collaboration with Ralph Adams Cram and describes his artworks as refined and sensitive, reiterating his ability to evoke a medieval spirit.

5. Additional notice, Mar. 9, 1932: This notice reflects on the delicate portrayal of figures in Goodhue's designs, similar to works seen in Paris museums. It mentions specific churches with his window designs and emphasizes the extraordinary depiction of scenes and characters from the past.

The entire scrapbook page is neatly documented with handwritten notes and captions by the compiler to maintain clear reference to Goodhue's stained glass art legacy.

This image shows a collection of newspaper clippings and typed text pasted on a piece of paper titled "GOODHUE STAINED GLASS," with dates indicating early March and February (Feb. 27, March 6, March 9). The content primarily discusses the stained glass work of Harry Wright Goodhue, a youthful Boston stained glass artist who contributed significantly to the art form in America.

Key elements include:

• A heading "STAIN GLASS WORK OF GOODHUE IN FOGG SOON" from the Crimson dated Feb. 27, describing an upcoming exhibition at the Fogg Museum featuring Goodhue’s stained glass cartoons, designs, and sketches.
• A detailed article explaining Goodhue’s background, education at Harvard, early work designing stained glass medallions, and his recognition by Ralph Adams Cram. It also mentions some of Goodhue’s notable works and praise for his craftsmanship and artistry.
• Additional smaller clippings including transcriptions of notices from the Fogg Museum honoring Goodhue's memory and work, and recognizing his contribution.
• An article from "Boston Art Notes" dated March 9, describing the exhibition at the Fogg Art Museum and the quality and characteristics of Goodhue’s stained glass work, comparing it to medieval art and other artists’ sketches and techniques.
• Another article discussing the historical and artistic importance of stained glass, with particular emphasis on Goodhue’s medieval spirit and skillful execution, highlighting his passion and influence.

The page looks like a curated dossier or scrapbook page that compiles various press notices, reviews, and announcements about Harry Wright Goodhue’s stained glass artistry and a commemorative exhibition dedicated to his work at the Fogg Museum.

The image is a scanned page from a newspaper or publication dated February 27, 1933, titled "GOODHUE STAINED GLASS". The page features a detailed article about the stained glass work of Wright Goodhue, a prominent artist in the field of stained glass design. Below is a breakdown of the content and visual elements:

Header and Title

• The top of the page prominently displays the title "GOODHUE STAINED GLASS", indicating the focus of the article.
• The date "Crimson . Feb.27." is noted at the top left, suggesting the publication is from The Crimson, likely a university or local newspaper.

Main Article

• The main article is titled "STAIN GLASS WORK OF GOODHUE IN FOGG SOON", with a subheading: "Cram First to Recognize Genius of Stain Glass Artist."
• The article discusses Wright Goodhue, highlighting his contributions to stained glass art. It mentions that Goodhue, who died in 1931, was recognized by architect Ralph Adams Cram as a genius in the field.
• The article notes that Goodhue studied at Harvard but never earned a degree. It details his early work, including a competition for designing stained glass windows for the J. P. Morgan Memorial Church in the Sacred Heart of the Dominican Church in Jersey City, N.J., which he won at the age of 19.
• The article also references Goodhue’s work on windows for Fort Wayne, Indiana, and his establishment of a design shop in Washington for the Riverside Cathedral in New York City. It emphasizes the historical and artistic significance of his work, particularly the Grisaille windows of Chartres, which inspired his designs.

Side Columns

• Left Column (Transcript Notices):

  • Two small notices are included, labeled "Transcript 1st notice, Mar.6" and "Transcript 2d notice." These appear to be references or citations, possibly from other publications or archives.

• Right Column (Fogg Museum Honor):

  • A section titled "Fogg Museum Honor" discusses the Fogg Museum at Harvard, which is honoring Goodhue's memory. It mentions an exhibition of his stained glass designs and sculptures, scheduled to run from March 2 to 30, 1933.
  • Another section titled "Goodhue’s Memory" provides further context about Goodhue’s legacy, noting that he was one of the few artists of his time to restore stained glass to its position as a major art form in America. It also highlights his influence on modern stained glass design and his role in reviving interest in the medium.

Additional Elements

• Date Stamps:

  • The page includes handwritten notations at the top left corner: "Mar. 4", likely indicating when the page was scanned or archived.
  • At the bottom right, there is a note: "See last columns, next page Mar.7", suggesting this is part of a multi-page article or series.

• Visual Layout:

  • The page is formatted with clear headings, subheadings, and columns, typical of a newspaper or magazine layout.
  • The text is typed, and the page shows signs of age, with some discoloration and slight wear.

Overall Context

The page serves as a tribute to Wright Goodhue, emphasizing his pioneering role in stained glass art and his posthumous recognition. It combines historical context, biographical details, and information about an upcoming exhibition at the Fogg Museum, underscoring the enduring impact of his work on the art form. The inclusion of transcript notices and date stamps suggests the page is part of an archival or historical collection.