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ARCH.2003.26, Rendition: 791587
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The image is a collection of newspaper clippings and notes about an exhibition of sixteenth-century book illustrations at the Fogg Museum. Here is a detailed summary of the content:
Crimson (1st Notice) - March 3:
Crimson (Full Account) - March 22:
Transcript - March 12:
Boston Post - April 17:
Alumni Bulletin - March 4:
The clippings provide a comprehensive overview of the exhibition, highlighting the significance of the books and the artistic techniques used during the sixteenth century.
The image shows a collection of newspaper clippings and articles from March, detailing exhibitions and discussions about sixteenth-century book illustrations.
March 1st Clipping:
March 12th Clipping (Transcript):
March 2nd Clipping (Crimson):
March 4th Clipping (Alumnae Bulletin):
March 17th Clipping (Boston Post):
Overall, the clippings emphasize the historical and artistic significance of sixteenth-century book illustrations, showcasing the evolution of woodcut and engraving techniques through the works of prominent artists.
The document is a collection of news clippings and notes related to an exhibition of sixteenth-century illustrated books at the Fogg Museum. The exhibition, held from March 15 to April 21, features books from the library of Philip Hofer, including works by notable artists such as Durer, Holbein, and Hans Sebald Beham. The clippings describe the transition of book illustration during this period, highlighting the use of woodcuts and the collaboration between artists and woodcutters. The exhibition also includes books from the Harvard College Library and the Print Collection of the Fogg Museum. One clipping mentions another exhibition of stained glass designs by the Wright Goodhue Company. The document is dated March 1938 and includes annotations and notes on the clippings.
The image is a collection of news articles and announcements from a March publication, focusing primarily on sixteenth-century book illustrations and related exhibitions.
Crimson - 1st Notice:
Crimson - Full Account (March 22):
Fogg Museum Exhibit Contains Books From 15th, 16th Centuries:
Transcript (March 12): Exhibition of Sixteenth Century Illustrated Books
Additional Announcements:
Miscellaneous:
Overall, the articles detail an important exhibition of sixteenth-century book illustrations, emphasizing the significance of the artists and the historical value of the works on display.
The image contains several newspaper clippings and a transcript related to an exhibition of sixteenth-century book illustrations at the Fogg Museum. Here's a detailed summary of each section:
Headline and Introduction:
Special Loan Exhibit at Fogg:
Crimson - Full Account:
Transcript - Exhibition of Sixteenth Century Illustrated Books:
Fogg Museum Exhibit:
Additional Clippings:
The clippings collectively highlight the importance and variety of sixteenth-century book illustrations, showcasing the work of prominent artists and the evolution of book design during this period.
The image is a collection of newspaper clippings and articles from March 1921 detailing a special loan exhibit of sixteenth-century book illustrations at the Fogg Museum. Here's a detailed summary of each section:
Headline: Sixteenth Century Book Illustration
Crimson (Full account, Mar.22):
Transcript (Mar.12):
Fogg Museum Exhibit Details (Mar.3):
Boston Post (Apr.17):
Alumni Bulletin (Mar.4):
The articles collectively highlight the significance of the Fogg Museum's exhibit, showcasing the rich history and artistic evolution of book illustrations from the sixteenth century.
This image is a page from a publication or scrapbook with multiple newspaper clippings and handwritten notes regarding a special loan exhibition of 16th-century illustrated books, held at the Fogg Museum. The page is titled “MARCH” with the subtitle “SIXTEENTH CENTURY BOOK ILLUSTRATION.”
The top left section includes a clipping from "Crimson" announcing the exhibit with a brief description of notable works and artists featured, including Holbein, Luther, and Durer.
Below this, there are additional clippings from "Crimson" providing a full account dated March 22nd discussing the types of books and woodcuts on display, their historical significance, and mentioning a library represented by Philip Hofer '21.
The central column contains a clipping from the "Transcript" dated March 12, detailing the exhibition’s highlights and contextual information about the illustrated books from the 15th and 16th centuries, the artists involved, and the themes of the works.
Next to this, there is a clipping from the "Alumni Bulletin" dated March 4, listing the featured items and their relevance to art history, including contributions by Wright Goodhue and Harry Goodhue, specialists in medieval glass revival.
Handwritten notes by someone identified as E.H.Dudley are present near the bottom, including a mention of the "Boston Post" dated April 17 and references related to more exhibitions and follow-up notices outlined at the bottom of the page. There are also small numbers and symbols indicating page organization or content categories.
The image shows a page with articles and clippings regarding sixteenth-century book illustration. The top of the page reads "MARCH" followed by a header "SIXTEENTH CENTURY BOOK ILLUSTRATION." The left column features an article titled "Special Loan Exhibit at Fogg Includes Holbein, Luther, Durer" and has a subtitle "Fogg Museum Exhibit Contains Books From 15th, 16th Centuries." It details a loan exhibition of sixteenth-century illustrated books at the Fogg Museum, mentioning the types of books and specific engravings such as Hans Sebald Beham's "Dance of Death" and "Apocalypse," and works illustrated with woodcuts by Hans Holbein.
On the right is another article with the header "Exhibition of Sixteenth Century Illustrated Books." This article discusses various aspects of the book illustrations of the time, including the type of woodcuts. It also has a briefing about a separate exhibit in the Boston Public Library. Further down, there's a separate note by "L. H. Dudley," and at the very bottom right, there's a mention of "Alumni Bulletin, Mar. 4" discussing two exhibits at the Fogg Art Museum, one of which includes glass works by Harry Goodhue.
The bottom of the left column notes "see April Exhibitions see page following," suggesting that this is a single page from a larger publication or collection of related information. There are some handwritten notes in the margins such as "Crimson," "Full account," and dates like "Mar. 22," possibly indicating highlights or referring to related documents or events. There are two handwritten dates on the right margin as well, "Mar. 12" and "Apr. 17" and the texts seem to have been clipped from a newspaper or a similar publication.
This image shows a page titled "MARCH. SIXTEENTH CENTURY BOOK ILLUSTRATION." The page contains several newspaper clippings and handwritten notes about exhibitions and discussions related to sixteenth-century books and woodcuts, primarily focusing on artwork and book illustrations by artists such as Holbein, Luther, and Durer.
The clippings discuss:
A "Special Loan Exhibit at Fogg" featuring sixteenth-century illustrated books, highlighting works by Durer and Luther, with woodcuts by Hans Sebald Beham and others.
Details about the Fogg Museum exhibit containing books from the 15th and 16th centuries, emphasizing the transition during these years in book illustration and woodcut artistry, mentioning specific artists, styles, and the influence of the German and Italian traditions.
Information on the exhibition of sixteenth-century illustrated books, describing the evolution of book illustrations and engravings, highlighting various notable artists and the different styles and techniques used.
A small note from the Harvard Alumni Bulletin announcing two exhibitions at the Fogg Art Museum, including one on 16th-century book illustration and another featuring stained glass and designs by Harry Goodhue.
Handwritten notes on the page include dates like "Mar. 3," "Transcripts, Mar. 12," and references such as "by T.H. Dudley," "Boston Post, Apr. 17," and directives to "see April Exhibitions" and additional related pages.
The overall theme of the page is focused on the study and exhibition of sixteenth-century illustrated books, woodcuts, and the artistic techniques used in that era.