Archives Scrapbooks

The image is a document that appears to be a typed article or review about an art exhibition, specifically the Dreyfus Collection. The article was written by Benjamin Rowland Jr. and was published in The Crimson on February 18.

Key points from the article include:

1. Introduction: The article discusses the opportunity to view the Dreyfus Collection, which includes a selection of Renaissance art. The author notes that the Renaissance was not just a period of classical antiquity but also a time of significant interest in the human person.

2. Artworks Mentioned:

   • Verrocchio's David: Described as having a contemplative personality and embodying the Renaissance spirit.
   • Donatello's St. John the Baptist: Embodies spiritual intensity.
   • Desiderio's Portrait of a Boy: Shows a child with an evanescent quality.
   • Pisanello's Medallion Portraits: Small but exquisite, showcasing the artist's skill in characterization.
   • Colleoni by Verrocchio: A powerful equestrian statue.
   • Pollaiuolo's Battle: A bronze relief showcasing dynamic movement.
   • Civitali's St. Sebastian: A terracotta sculpture.
   • Della Robbia's Madonna: A sharply outlined piece.
   • Ambrogio della Robbia's Putti: A playful sculpture.
   • Desiderio's Busts of Children: Described as almost too evanescent.

3. Analysis: The article highlights the contrast between different artworks, such as the firm-fleshed gamin and the delicate boy by Desiderio. It also mentions the exquisite sense of surface texture and the realistic busts by Giovanni degli Albizzi.

4. Conclusion: The article concludes by noting that the exhibition is a worthy example of the master's work and provides a brief analysis of the most important pieces.

Additionally, the document lists other articles and publications where the Dreyfus Collection has been featured, including:

• Herald-Tribune (February 14)
• N.Y. Times (February 15)
• Boston Herald (February 18)
• Boston Science Monitor (February 16)
• Boston Post (February 14)
• Crimson (February 17)
• Art News (February 22)
• Am. Magazine of Art (April)
• The Connoisseur (April)

The document also mentions that these articles, except for two, are all in "The Dreyfus Exhibition Folder."

The image displays a page from a newspaper or magazine featuring an article titled "Dreyfus con." by Benjamin Rowland Jr., dated February 18, and published in the "Crimson," likely referring to Harvard University's student newspaper. The article focuses on the Dreyfus Collection, highlighting Renaissance sculptures and paintings from the Fogg Museum.

Key points of the article include:

1. Highlighted Artworks:

   • Verrocchio: The article discusses the work of Verrocchio, particularly his depiction of the Medici family, which is noted for its realism and emotional depth.
   • Desiderio: The article praises Desiderio’s work, emphasizing its delicate handling and expressive qualities, such as the portrayal of Giovanni degli Albizzi.

2. Characteristics of Renaissance Art:

   • The article highlights the Renaissance era's focus on human personality and the discovery of classical antiquity.
   • The contrast between the lively, muscular portrayals by Verrocchio and the more contemplative, introspective Desiderio is noted.

3. Specific Artworks:

   • Madonna and Child by Desiderio: The article mentions Desiderio’s Madonna and Child for their harmonious and serene depiction.
   • St. John by Donatello: The work is noted for its detailed depiction and emotional depth.

4. Other Articles and Publications:

   • The page also lists other articles published in various newspapers and magazines around the same time, including the Herald Tribune, New York Times, Boston Herald, Boston Science Monitor, Boston Post, Crimson editorial, Art News, Arm Magazine of Art, and The Connoisseur, with dates ranging from February 14 to April.

5. Additional Notes:

   • There are references to specific figures and styles, such as the influence of Lorenzo de' Medici and the works of Lorenzo Ghiberti.

The article overall aims to appreciate the Dreyfus Collection's rich and diverse Renaissance art, emphasizing the significance of each artist’s contributions to human expression and cultural heritage.

The document is a page from a journal or notebook, dated February 18, titled 'DREYFUS con.' and 'Crimson.' It contains an article written by Benjamin Rowland, Jr. for the Crimson, discussing the Dreyfus Collection of Italian sculptures from the 15th century. The article highlights the humanist spirit and technical mastery of the works, with particular focus on pieces by Mino da Fiesole, Desiderio da Settignano, and Donatello. The text appreciates the lifelike quality and emotional depth of the sculptures, such as Mino's 'St. John the Baptist,' Desiderio's 'Giannozzo Pucci,' and Donatello's 'St. John the Evangelist.' The page also lists other articles in various publications, including the Herald Tribune, New York Times, Boston Herald, and others, with details of their content and the number of lines or illustrations. The articles seem to be related to art exhibitions and reviews, with some focusing on the Dreyfus Exhibition.

The image displays a newspaper clipping from the publication "Crimson," dated February 18, 1970. The primary article, authored by Benjamin Rowland, Jr., discusses the Dreyfus Collection, a selection of Renaissance art.

Summary of the Main Article:

• Rowland highlights the importance of the Dreyfus Collection, noting it offers a comprehensive view of Renaissance art.
• He emphasizes that the Renaissance period was marked by a renewed interest in humanism and classical antiquity, reflecting the discovery of the classical world's art.
• The article specifically mentions works by Italian sculptors from the era, such as Verrocchio’s "Giuliano del Medic" and Desiderio’s "Giovanna degli Albizzi."
• Verrocchio’s piece is noted for its realistic portrayal and delicate handling, capturing the essence of youth and vitality.
• Desiderio’s work, particularly his Madonna portrait, is praised for its serene and contemplative qualities.
• The article describes the emotional depth and technical skill evident in both artists' works, highlighting Verrocchio’s portrayal of a boy with a noble head and Desiderio’s Madonna with a delicate, almost impressionistic approach.
• The writer contrasts these works with the stiff, less lifelike art of the Gothic period, underlining the Renaissance's advancements in realism and humanistic expression.

Other Articles Mentioned:

• Various other publications have covered the Dreyfus Collection, with mentions in:
  • Herald-Tribune: 19 lines on the Art Page, February 14.
  • College Page: 2½ lines.
  • New York Times: 17 lines, February 18.
  • Boston Herald: 60 lines, February 19.
  • Boston Science Monitor: 20 lines, February 16.
  • Boston Post: 2 illustrations and 20 lines, February 14.
  • Crimson: Editorial with 40 lines, February 17.
  • Art News: 1½ columns by Miss Wilkes, February 22.
  • Art Magazine of Art: April issue, 25 lines.
  • The Connoisseur: April issue, with a cut of Pisano medal, lines not specified.
• The clipping also notes that all these articles, except two, are included in "The Dreyfus Exhibition Folder."

Overall, the article and the additional mentions underscore the significance of the Dreyfus Collection in illustrating the richness and depth of Renaissance art.

The image shows a page from a newspaper or magazine, dated February 18, containing an article about the Dreyfus Collection, written by Benjamin Rowland, Jr. for the Crimson. The article discusses the significance of the Renaissance Humanists' rediscovery of classical antiquity and the impact it had on art. Rowland highlights the works of Verrocchio and Desiderio, noting their ability to capture the essence of their subjects through intricate details and lifelike representations.

Key points include:

• The discovery of classical antiquity by Renaissance Humanists led to a resurgence of interest in human personality and culture.
• Verrocchio's works, such as the portrait of Lorenzo de' Medici, exemplify the revival of classical styles and techniques.
• Desiderio's works, like the Madonna and Child, showcase the delicate and refined techniques of the period.
• The article mentions the contrast between the robust and delicate works of Verrocchio and Desiderio.
• There is a brief mention of other articles published in various newspapers and magazines about the Dreyfus Collection, including the Herald Tribune, New York Times, Boston Herald, Boston Science Monitor, Boston Post, Art News, and the Connoisseur.

The page also lists the line counts of these articles and indicates that the majority are part of the Dreyfus Exhibition Folder, except for the last two articles.

The image contains a document from February 1954, primarily discussing an article written by Benjamin Rowland, Jr. for the "Crimson." The article, titled "Dreyfus," reflects on the Dreyfus Collection, a display of Renaissance art, and highlights the significance of this era in human history.

Key points from the article include:

1. The Dreyfus Collection showcases great works of art reflecting the Renaissance Humanists' discovery of classical antiquity.
2. The article discusses the works of Verrocchio and Desiderio, focusing on their portrayal of the human personality and the unique characteristics of their art.
3. Verrocchio's pieces, such as the bust of Giuliano del Medici, are noted for their realistic and emotional depth.
4. Desiderio’s work, including the Madonna and Child, is praised for its soft textures and the ability to capture the ever-changing expressions of children.
5. The article also mentions other notable works and artists like Donatello, who created a religiously devout and lifelike St. John, and Pisano’s medallion portraits.
6. The text mentions that the exhibition includes important works by Donatello and others, highlighting the masterful modeling and realistic portrayal of human figures.

Additionally, the document lists various other articles related to the Dreyfus Exhibition, published in different newspapers and magazines such as the Herald Tribune, New York Times, Boston Herald, Boston Science Monumentor, Boston Post, Art News, and Art Magazine of Art. The articles are noted for their length and the inclusion of illustrations. The document also references the Connoisseur magazine and mentions a cut of Pisano's medallion model.

The image features a typed and handwritten document. The left portion contains a typed article titled "The following article was written for the Crimson by Benjamin Rowland, Jr. '28." The text describes the Renaissance artist Desiderio da Settignano and his work, particularly focusing on the Dreyfus Collection and its display at the time. The article elaborates on the characteristics and features of Desiderio's sculptures, emphasizing his portrayal of children and the emotional expressions captured in marble.

In the upper center, there are various handwritten notes, such as "Feb. 12," "DREYFUS," and "Crimson - Feb. 18."

The right section of the document lists "Other Articles in:" followed by handwritten references to other publications and their respective dates and details about articles covering the exhibition. These include the Herald Tribune (Feb 14), N.Y. Times (Feb 18), Boston Herald (Feb 18), Boston Science Monitor (Feb 16), Boston Post (Feb 14), Crimson (Feb 17), Art News (Feb 22), Art Magazine of Art (April), and The Connoisseur (April).

The notes indicate varying lengths and formats of the articles, from lines on pages to illustrations and column measurements. The final handwritten note clarifies that these references, except the last two, are all in "The Dreyfus Exhibition Folder."

Overall, the document is about the Dreyfus Collection's exhibition and the media coverage it received across various publications.

This image shows a scanned document with typed and handwritten text, annotations, and markings. The document has a header in bold that reads "DRYFUS," which appears to be annotated with corrections, suggesting the correct spelling might be "Dreyfus." The paper is dated at the top left corner with "Feb. 12," and there are various dates mentioned throughout.

The bulk of the document contains an article written by Benjamin Rowland, Jr. for "The Crimson" dated February 18, 1928, discussing an art display at the Fogg Museum which seems to include precious works of art.

To the right side of the paper, handwritten notes list several different articles in newspapers such as the "Herald Tribune," "N.Y. Times," "Boston Herald," "Boston Sunday Post," and "The Connoisseur." These notes mention the dates the articles were published, the number of lines they contained, and in one instance the content size referred to as "1½ cols.," presumably meaning columns. There is also mention of an editorial and a reference to "The Dreyfus Exhibition Folder," which likely contains related documents or clippings.

The handwriting and the typed text have notable contrasts, with handwritten annotations providing additional context or corrections to the typed material. The overall appearance of the document indicates it to be of historical or archival interest, probably documenting activities related to the referenced Dreyfus exhibition.

The image shows a piece of paper with typed and handwritten text. At the top center, the word "DREYFUS" is written prominently along with the abbreviation "con." The date "Feb. 12" is written on the top left corner, and "Crimson: Feb. 18" is written just below the header.

The left side of the page contains a typed article titled "The following article was written for the Crimson by Benjamin Rowland, Jr. '28." The article discusses the Dreyfus Collection, highlighting a great selection of Renaissance Humanists' discovery of classical antiquity and mentions several artists including Donatello and Desiderio, focusing on the portrayal of human figures and the artistic qualities of specific sculptures.

On the top right side, under the heading "Other Articles in:", there is a list of publications with dates and brief notes about the content:

• Herald-Tribune Feb.14: 19 lines on Art Page, 25 inches on College Page
• N.Y. Times Feb 18: 17 lines
• Boston Herald Feb 18: 6 lines
• Boston Science Monitor Feb 16: 20 lines
• Boston Post Feb 14: 2 illustrations, 20 lines
• Crimson Feb 17: editorial, 40 lines
• Art News Feb 22: 1/2 col., by MaShikes
• Am. Magazine of Art April: 25 lines, cut
• The Connoisseur April p. 285-6: cut of Pisaniello medal

At the bottom right is a note stating that all these articles, except the last two, are in "The Dreyfus Exhibition Folder."

The paper has three hole punches on the right edge and appears to be part of an archival or reference collection documenting media coverage related to the Dreyfus art exhibition.

The image depicts a handwritten page that appears to be a detailed critique or review of an art exhibition, specifically focusing on the works of the artist Dreyfus. The page is dated "Feb. 18" and is titled "Crimson - Feb.18." The content is structured into two main sections:

Left Section:

• Title and Context: The page begins with a header indicating that the following article was written for The Crimson by Benjamin Rowland, Jr., dated February 18, 1958.
• Main Text: The text provides a detailed analysis of Dreyfus's work, discussing his artistic style, technique, and the emotional and intellectual depth of his pieces. Key points include:
  • Dreyfus's ability to capture the "soft play of light" and the "ever-changing expression" of his subjects.
  • His skill in animating the face with sadness, mischief, and youth.
  • The influence of classical antiquity on his work, particularly in the representation of human interest and the discovery of man.
  • The contrast between his works and those of other Renaissance artists, highlighting his unique approach to form, texture, and color.
  • Specific examples of his works are mentioned, such as "The Madonna and Child," "Donatello's St. John the Baptist," and "Desiderio's portrait of a boy."
  • The article also discusses the exhibition's impact, noting the "arrogance and strength" of the works and their ability to evoke a sense of Renaissance vitality.

Right Section:

• Other Articles: This section lists additional articles and their details, likely from various publications. The entries are organized in a structured format, including:
  • Herald Tribune (Feb. 14): 19 lines on Art Page, 25 lines on College Page.
  • N.Y. Times (Feb. 18): 17 lines.
  • Boston Herald (Feb. 18): 60 lines.
  • Boston Science Monitor (Feb. 16): 20 lines.
  • Boston Post (Feb. 14): 2 illustrations, 20 lines.
  • Crimson (Feb. 17): Editorial, 40 lines.
  • Art News (Feb. 22): 1½ cols., by Miss. Wilkes.
  • Am. Magazine of Art (April): 25 lines, 1 cut.
  • The Connoisseur (April): p. 285-6, cut of Pisano medal.
  • A note at the bottom states: "These, except 2 last, are all in The Dreyfus Exhibition Folder."

Visual Characteristics:

• Handwriting: The text is neatly written in cursive, with clear and legible script.
• Annotations: The top of the page includes additional markings, such as "Feb. 18" and "DREYFUS con." (possibly short for "Dreyfus continuation").
• Layout: The page is divided into two columns, with the left column containing the main article and the right column listing related articles and details.

Overall Impression:

The page serves as a comprehensive review of Dreyfus's art, offering insights into his technique, themes, and the critical reception of his work. The right section provides a catalog of related articles, suggesting that this page is part of a larger collection or archive related to the Dreyfus Exhibition. The structured format and detailed annotations indicate careful documentation and analysis.