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The image is a clipping from a publication titled "Art Digest," specifically from a section called "In the World of Rare Books." The article discusses an exhibition of 15th-century book illustrations held at the Fogg Museum. The featured illustration is a copper plate engraving titled "The Supper in the House of Simon," created by an Italian artist known only as the "Master of the Fogg Art Museum." This piece is from the book "Il Monte Santo Di Dio," printed in Florence in 1477. The article highlights the importance of this exhibition, noting the intricate detail and craftsmanship of the engraving, which contrasts with the ruder style of woodcuts from the same period. The text also mentions that two notable examples of books illustrated with copper plate engravings from this period, printed by Nicolaus Laurenz between 1477 and 1481, are part of the Harvard collections.

The image is a page from a document titled "Art Digest" featuring a segment on rare books. The main focus is an exhibition of XVth Century illustrations at the Fogg Art Museum.

The central illustration is a detailed engraving titled "The Supper in the House of Farisco," taken from "Il Monte Santo Di Dio," published in Florence in 1477. This engraving showcases a religious scene with a figure in a flowing robe, surrounded by foliage and various birds.

Below the illustration, there is a caption explaining the engraving and its historical context. It notes that the Fogg Art Museum held an exhibition of XVth-century book illustrations, highlighting this copper plate engraving as one of the most important items. The caption describes the engraving as a notable example of the period's artistry, emphasizing its quality and the skill of the engraver, Gerolamo da Carpi.

The text further mentions that "Il Monte Santo Di Dio" was printed by Italian and Flemish printers around the same time, with the copper plate engraving being a significant part of the book's illustrations. It also mentions that examples of this type are part of notable collections, including those at Harvard. The engraving is dated from the period between 1477 and 1481, indicating its historical value and the craftsmanship of the era.

The image is a page from an old newspaper or magazine titled "Art Digest," featuring an article titled "In the World of Rare Books." The specific article focuses on an exhibition of 15th-century (XVth) book illustrations at the Fogg Museum.

The main visual element is a detailed engraving titled "The Supper in the House of Fariseo," which is an illustration from "Il Monte Santo Di Dio," printed in Florence in 1477. The engraving depicts a religious scene with a central figure surrounded by foliage and angels.

The accompanying text describes the significance of the exhibition and the illustration:

• The Fogg Art Museum had an exhibition showcasing XVth-century book illustrations.
• The engraving "The Supper in the House of Fariseo" was one of the most important pieces from the book "Il Monte Santo Di Dio."
• The book was printed in Florence in 1477, featuring illustrations by the German artist Gerrit.
• This illustration is noted for its fine line work and craftsmanship.
• The engraving is one of two notable examples of XVth-century books illustrated with copper plate engravings, printed in Florence by Nicolaus Laurenz between 1477 and 1481.
• The copper plate, despite being reused for book illustrations, remains in excellent condition and is considered very rare.

The article notes that examples of both editions are in the Harvard collections.

The image is a newspaper clipping titled "In the World of Rare Books: XVth Century Illustrations at Fogg Museum." It features an article from "Art Digest" and focuses on an exhibit of 15th-century book illustrations held at the Fogg Art Museum.

The main illustration shown in the clipping is titled "The Supper in the House of Farisco," which is an engraving from "Il Monte Santo Di Dio," printed in Florence in 1477. The illustration depicts a religious scene with a central figure, likely Jesus Christ, surrounded by foliage and other figures.

The article mentions that the Fogg Art Museum hosted an exhibition of XVth-century book illustrations, highlighting the copper plate engraving of "The Supper in the House of Farisco" as one of the most important exhibits. It notes that the engraving is characterized by its grace and draftsmanship, with a sharpness that captures the vigor of woodcuts.

The text also explains that "Il Monte Santo Di Dio" is one of two notable XVth-century books illustrated with copper plate engravings printed in Florence by Nicolaus Laurenz between 1477 and 1481. The copper plate was used for book illustrations and these editions are described as beautiful but very rare. Examples of both editions are mentioned to be part of the Harvard collections.

The image is a page from a publication titled "Art Digest," specifically Table 3, featuring an article titled "In the World of Rare Books: XVth Century Illustrations at Fogg Museum."

The article discusses an exhibition at the Fogg Art Museum that showcases XVth-century book illustrations. One of the most significant pieces in the exhibition is a copper plate engraving titled "The Supper in the House of Parisco." This engraving is an illustration from "Il Monte Santo Di Dio," a book printed in Florence in 1477.

The illustration contrasts sharply with the typical Italian woodcut illustrations of the same era, which are described as having a "rude vigor." The copper plate technique used for "The Supper in the House of Parisco" was not as common in Italy at that time but was more prevalent among German and Flemish printers.

The article highlights "Il Monte Santo Di Dio" as one of the notable examples of XVth-century books illustrated with copper plate engravings, printed in Florence by Nicolaus Laurentii between 1477 and an unspecified later date. The copper plate edition is rare, and two editions remain, both preserved in the Harvard collections. The illustration showcases the differences between woodcuts and copper engravings.

The image is a page from an article titled "In the World of Rare Books" from a publication called "Art Digest." The article discusses XVth Century Illustrations at the Fogg Museum.

The main focus of the article is an illustration titled "The Supper in the House of Fariseo," an engraving by Il Monte Sancto Di Dio, printed in Florence in 1477. The engraving is described as an example of the elegant and straightforward style of illustrations from that period, which were often used to decorate the pages of books.

The article also mentions the presence of two notable examples of XVth-century book illustrations in the Harvard collections. These books are illustrated with copper plate engravings, printed by German and Flemish printers between 1477 and 1481. The copper plate process was not a success for book illustrating, and these illustrations remain beautiful but very rare types. The article highlights the rarity and significance of these historical prints.

This image is a magazine or book clipping mounted on a piece of paper, titled "In the World of Rare Books: XVth Century Illustrations at Fogg Museum." The clipping features an illustration from the 15th century book "Il Monte Sancto Di Dio" printed in Florence in 1477. The illustration is identified as "The Supper in the House of Fariseo" and showcases an elaborate and detailed artwork. The accompanying text explains the significance of the copper plate engraving and its contrast to other printing methods used at the same time. The museum showcases examples of these rare illustrations, emphasizing their artistic and historical value.

This image shows a printed page from a publication titled "Art Digest." The heading on the page reads "In the World of Rare Books XVth Century Illustrations at Fogg Museum." Below this heading is an illustration captioned "The Supper in the House of F." This is a reference to a specific piece of artwork, and the style of the illustration appears consistent with woodcut prints from the 15th century, which were commonly used in the reproduction of images during that period.

The text surrounding the illustration discusses an exhibition at the Fogg Art Museum that featured XVth century illustrations, including the Supper at Emmaus and "The Martyrdom of St. Peter." It mentions that the illustrations are from a book called "Monte Sancto di Dio," printed in Florence in 1477. The text also references the materials and techniques involved in creating these illustrations, such as copper plate engravings versus woodcuts. It mentions a comparison between Florentine and German woodcuts, citing the difference in vigor.

The page is mounted on a larger sheet of paper or card, with two punched holes on the left-hand side, indicating it may be part of a binder or archive collection.

The image depicts a page from a publication titled "Art Digest", featuring an article titled "In the World of Rare Books: XVth Century Illustrations at Fogg Museum". The page includes a detailed illustration and accompanying text.

Illustration Description:

• The central illustration is a copperplate engraving depicting a religious or biblical scene.
• At the center stands a central figure, likely representing a saint or divine being, dressed in flowing robes and holding a staff or scepter. The figure appears to be surrounded by angels or cherubs, some of which are holding musical instruments, suggesting a heavenly or celestial setting.
• Below the central figure, there is a group of people gathered around a table, likely representing a supper or meal, which aligns with the caption referencing "The Supper in the House of Fariseo."
• The composition is dynamic, with winged figures and clouds adding depth and movement to the scene. The style is characteristic of Renaissance or Baroque art, with intricate details and dramatic lighting.

Text Description:

• The caption at the bottom of the illustration reads:
  "The Supper in the House of Fariseo." Illustration from "Il Monte Sancto Di Diè," Florence, 1477.
• The accompanying text provides context about the illustration:
  • It is part of an exhibition of XVIth-century book illustrations held at the Fogg Art Museum.
  • The illustration is described as one of the most important exhibits, specifically a copperplate engraving titled "The Supper in the House of Fariseo" from the book "Il Monte Sancto Di Diè", printed in Florence in 1477 by Nicola Laurenzi.
  • The text contrasts this elegant illustration with the coarser woodcuts used by Gerardo di Dio, highlighting the artistic and technical sophistication of the copperplate engraving.
  • It also mentions that "Il Monte Sancto Di Diè" was one of two notable examples of XVIth-century copperplate engravings printed in Florence, alongside works by Man and Fienli printers. Despite its beauty, the copperplate technique was not widely adopted for book illustration at the time.

Layout and Design:

• The page has a clean, structured layout typical of a magazine or journal article.
• The title "In the World of Rare Books" is prominently displayed at the top, with the subtitle "XVth Century Illustrations at Fogg Museum" providing context.
• The illustration is centrally placed, drawing immediate attention, and the text is neatly aligned below it.
• The page also includes a header with the publication name "Art Digest" and a page number ("Feb. 3") in the top-right corner, indicating it is part of a periodical.

Overall Impression:

The image conveys a scholarly and artistic focus, showcasing a historically significant piece of Renaissance-era book illustration. The detailed engraving and informative text highlight the intersection of art, history, and printing techniques, emphasizing the cultural and technical achievements of the period. The page serves both as an educational piece and a celebration of rare and valuable art.

The image is a page from an old magazine, Art Digest, dated February 3, 1940. The page features an article titled "In the World of Rare Books: XVth Century Illustrations at Fogg Museum." The article highlights an exhibition held at the Fogg Art Museum, showcasing XVth-century book illustrations. The page includes a black-and-white illustration titled "The Supper in the House of Farisco," which is described as an illustration from "Il Monte Santo Di Dio" printed in Florence in 1477. The article mentions that the copper plate engraving "The Supper in the House of Farisco" is one of the notable examples of XVth-century books illustrated with copper plate engravings. The article also provides information about the illustration's artist, Nicoloas Laurenz, and the printing years of 1477 and 1481. The article contrasts the elegance and draughtsmanship of the Italian illustration with the rude vigor of the wood cuts used by German printers during the same time. The article mentions that examples of both types of illustrations are in the Harvard collection.