Archives Scrapbooks

The document is a collection of articles from a publication, likely a newspaper or magazine, with the title 'Collections and Critiques.' The first article discusses the work of R. Arcadius Lyon, a picture-restorer at Harvard, who has revived the old and difficult art of egg-mixed color, a medium that was popular in the fifteenth century. The author, Albert Franz Cochrane, praises Lyon's skill in using this complex and exacting medium, which involves mixing color pigments with egg yolk. Lyon's work, including a portrait of Emperor, is exhibited at the Fogg Museum, showcasing his ability to work in various techniques such as water-color and oil. The article also mentions Lyon's meticulous restoration work on paintings by other masters.

The second article describes an exhibition of French Romanesque capitals from the twelfth century at the Fogg Museum. These capitals, from the abbey of Mountier-Saint-Jean, are noted for their pure design, strength, and delicacy, representing the best of Burgundian work from that era. The capitals depict various scenes, including the Annunciation, the Adoration of the Magi, and the Journey to Emmaus. The carvings are praised for their clear and legible design, suitable for a religious context, and their harmonious proportions.

The final segment briefly mentions a New England interior designed by an unnamed architect, highlighting a living room that successfully blends traditional and modern elements, creating a comfortable and elegant space.

The image is a scanned page from a newspaper or magazine featuring several articles and an advertisement. Here's a detailed summary of the content:

Articles

1. R. Arcadius Lyon, Picture-Restorator at Harvard, Revives an Old and Difficult Art of Egg-Mixed Color

   • By Albert Franz Cochrane
   • This article discusses R. Arcadius Lyon, a picture restorer at Harvard, who has revived the art of egg-mixed color, a technique used extensively in the 16th and 17th centuries. Lyon's work involves using a mixture of egg and pigment, which was not commonly used after the 16th century but has been revived by him. The piece explains the complexity and the skill required to restore these historical paintings accurately.

2. Transcription and Excerpts from a French Romanesque Capital Exhibited at the Fogg Museum

   • The article describes an exhibition of French Romanesque capitals at the Fogg Museum. These capitals are from the 12th century and are known for their intricate carvings and detailed designs. It highlights the craftsmanship and the historical significance of these sculptures, emphasizing their artistic excellence.

   • French Romanesque Capital Description:

     • The article provides a detailed description of a specific capital, which features angels and scenes from biblical stories. It mentions the figures of Gabriel, Elizabeth, and others, along with their symbolic meanings and the architectural context of the building they came from.

Advertisement

• Collections and Critiques
  • French Romanesque Capitals Exhibited
  • This advertisement promotes an exhibit of French Romanesque capitals, similar to the ones described in the article. It highlights the beauty and historical significance of the sculptures, aiming to attract visitors interested in art and history.

Visuals

• Photographs of Capitals:
  • Several images of French Romanesque capitals are included, showing detailed designs and carvings.

Dates and Headings

• The page includes dated headings such as "Trans. Jan. 16" and "Erisman Jan." indicating the publication date or section of the newspaper.

Miscellaneous

• The page also has a handwritten note "Jan. 5" at the top right, suggesting a specific date related to the publication or the notes.

Overall, the page is rich in historical and artistic content, focusing on the preservation and appreciation of medieval art techniques and sculptures.

The image contains newspaper clippings from January 1957, featuring two articles and a photograph.

1. Left Article: "R. Arcadius Lyon, Picture-Restorator at Harvard, Revives an Old and Difficult Art of Egg-Mixed Color"

   • Author: Albert-Franz Cochrane
   • Summary: This article discusses the work of R. Arcadius Lyon, a restorer at Harvard who specializes in reviving egg-tempera paintings. Tempera, a medium of egg yolk mixed with pigment, was commonly used in the 12th to 15th centuries. Lyon has revived this art, restoring and preparing pigments for use. The article highlights his meticulous work on a panel of St. Francis, noting the patience and skill required for such restoration. Lyon's expertise is crucial for preserving and understanding medieval art, as he is one of the few who can accurately restore and interpret these works.

2. Center Article: "French Romanesque Capitals Exhibited"

   • Headline: "Fogg Museum Has Display of Examples of Twelfth Century Sculpture"
   • Summary: This article describes an exhibition at the Fogg Museum featuring Romanesque capitals from the 12th century, specifically from the abbey of Moutier-Saint-Jean. The capitals showcase intricate designs and sculptures, including figures like Gabriel, angels, and various religious scenes. The article emphasizes the aesthetic excellence and historical significance of these medieval sculptures, which were likely carved before 1133. The capitals are described as unique and representative of the period's artistry.

3. Photograph:

   • The image is of a French Romanesque capital, displayed at the Fogg Museum. It shows detailed carvings, likely depicting biblical or religious scenes.

4. Additional Notes:

   • There are some handwritten notes and corrections on the clippings, indicating they might have been used for reference or study.

The articles together highlight the importance of art restoration and the historical value of medieval art, particularly focusing on the meticulous work of R. Arcadius Lyon and the detailed sculptures from the 12th century.

The image is a page from a newspaper or magazine, featuring two articles and an illustration.

Left Article: "R. Arcadius Lyon, Picture-Restorator at Harvard, Revives an Old and Difficult Art of Egg-Mixed Color"

Author: Albert Franz Cochrane

• Summary:
  • The article discusses R. Arcadius Lyon, a picture restorer at Harvard, who specializes in the ancient technique of painting with egg tempera, a method used since the Middle Ages.
  • Tempera painting involves mixing pigments with egg yolk, creating a durable and long-lasting paint.
  • Lyon has been working on restoring a painting by an unknown master, which was initially thought to be an oil painting.
  • The article highlights Lyon's meticulous process, including the careful preparation of egg tempera and the challenges of restoring old artworks.
  • It mentions an exhibition of Lyon’s work at the Fogg Museum, showcasing his expertise and the revival of this historical art technique.

Right Article: "Collections and Critiques"

Subheading: "French Romanesque Capitals Exhibited"

• Summary:
  • This article discusses an exhibition at the Fogg Museum featuring French Romanesque capitals from the 12th century.
  • The capitals, sourced from the abbey of Moulière-Saint-Jean, display intricate carvings and depict various biblical scenes and figures.
  • The article describes the detailed craftsmanship, including the use of pure design and the combination of strength and delicacy in the sculptures.
  • Specific details are provided about the capitals, such as the depiction of the bell-ringing scene, the figures of Abla and Zacharias, and the representation of the Virgin Mary and Child.
  • The article also mentions the architectural context and the historical significance of the capitals, indicating that they were part of a larger medieval church structure.

Illustration:

• A photograph of a French Romanesque capital from the Fogg Museum is included, showing the detailed carvings and the scene of a bell-ringing figure.

Additional Notes:

• The page includes some handwritten annotations and dates, indicating that it might have been part of a personal collection or reference material.
• The page is from the January 1953 issue, as indicated by the date stamps.

This detailed summary captures the essence and key points of the articles and the illustration on the page.

The image is a page from a January edition of the Harvard student newspaper, The Harvard Crimson. It contains two main articles and an exhibition review:

1. Article by Albert Franz Cochrane: "R. Arcadius Lyon, Picture-Restorer at Harvard, Revives an Old and Difficult Art of Egg-Mixed Color"

   • This article discusses the work of R. Arcadius Lyon, a picture-restorer at Harvard, who specializes in tempera painting, an ancient method using a mix of egg yolk and color pigments.
   • Lyon has revived this old technique, which had been largely replaced by oil paints during the Renaissance.
   • The article highlights an exhibition of Lyon's tempera paintings in the Germanic Museum, noting the meticulous preparation and skill involved in this art form.
   • Lyon has also restored works by old masters, including a painting by St. Francis at the Fogg Museum.
   • The writer praises Lyon's dedication and craftsmanship, noting that his work requires significant patience and expertise.

2. Exhibition Review: "Collections and Critiques - French Romanesque Capitals Exhibited"

   • This piece reviews an exhibition at the Fogg Museum featuring examples of twelfth-century French Romanesque capitals from the Abbey of Moutier-Saint-Jean.
   • The exhibition showcases the intricate and varied designs of these capitals, which were originally part of a medieval abbey.
   • The capitals depict various subjects, including biblical scenes, symbolic animals, and foliage.
   • One capital illustrates the story of Daniel in the lions' den, with detailed carvings of the figures and setting.
   • Another capital shows the journey of the Three Magi (Wise Men) and the Massacre of the Innocents, highlighting the storytelling aspect of Romanesque art.

Overall, the page provides insights into both the revival of traditional painting techniques and the artistic heritage displayed in medieval sculptures.

The image is a page from a newspaper or magazine, dated January 1926, featuring three articles and an image. Here is a detailed summary of each section:

1. Left Column (Trans. Jan. 16):

   • Title: "R. Arcadius Lyon, Picture Restorer at Harvard, Revives an Old and Difficult Art of Egg-Mixed Color"
   • Author: Albert Franck Cochrane
   • Content: The article discusses the art of tempera painting, which involves mixing colors with egg. It highlights the work of R. Arcadius Lyon, a picture restorer at Harvard's Fogg Museum, who has revived this old technique. The article mentions the historical significance of tempera painting, particularly its use by early Italian painters like the Van Eyck brothers. It also discusses the challenges and the meticulous process involved in preparing and using tempera paints. The article concludes by praising Lyon's skill and the importance of his work in preserving this traditional art form.

2. Center Column (Crimson. Jan.):

   • Title: "Collections and Critiques"
   • Subtitle: "French Romanesque Capitals Exhibited"
   • Content: This section announces an exhibition at the Fogg Museum featuring French Romanesque capitals from the twelfth century. These capitals, originally from the abbey of Montier-en-Der, are described as examples of medieval sculpture. The article provides historical context, mentioning that the capitals were part of a church built by Abbot Bernard II and were likely carved before 1145. An image of one of the capitals is included.

3. Right Column:

   • Content: This section describes nine capitals decorated with various figures and scenes, highlighting their artistic and historical significance. Each capital is detailed with its unique carvings, such as a priest of Abia, Elizabeth with a handmaiden, and scenes from the life of a medieval church. The article notes the intricate and imaginative designs, emphasizing the craftsmanship and the cultural importance of these sculptures.

Overall, the page focuses on art restoration, historical artifacts, and the intricate details of medieval sculpture, providing insight into the preservation and appreciation of historical art.

This image displays a page from a collection of newspaper clippings.

1. Top Left:

   • Headline: "R. Arcadius Lyon, Picture-Restorer at Harvard, Revives an Old and Difficult Art of Egg-Mixed Color"
   • Byline: By Albert Franz Cochrane
   • Content: Discusses Tempera, a painting technique involving egg yolk, being revived by R. Arcadius Lyon at Harvard's Fogg Museum. It provides historical context and mentions specific projects and paintings restored using this technique.

2. Top Right:

   • Headline: "Collections and Critiques"
   • Sub-Headline: "French Romanesque Capitals Exhibited"
   • Content: Discusses an exhibition of French Romanesque capitals from the twelfth century at Fogg Museum, emphasizing their design and historical significance. It offers a detailed critique of the sculptures, referring to the craftsmanship and the themes depicted in these art pieces.

3. Bottom Section:

   • Image: Shows a photograph of a "French Romanesque Capital" that is part of the exhibition at the Fogg Museum.
   • Caption: Describes the piece displayed in the image.
   • Content around Image: Provides detailed historical information about the exhibited capitals, including their origins from the valley of the Reomee and their architectural significance.

Overall, the image displays a collection of detailed articles and critiques from various newspapers, presumably dated around January, related to historical art exhibitions at the Fogg Museum, specifically focusing on the restoration techniques of R. Arcadius Lyon and the French Romanesque Capitals exhibition.

The image is a photograph of a page from a publication, notably a newspaper or journal, with a layout comprised of columns of text. The top right corner of the page is labeled "Crimson" and the apparent date "Jan. 5." This indicates the publication may be associated with a place or institution where 'Crimson' is relevant, possibly Harvard University as 'The Harvard Crimson' is the name of the university daily newspaper.

The headline of the main article in bold reads "Collections and Critiques," with the subheading "FRENCH ROMANESQUE CAPITALS EXHIBITED." Beneath this subheading, the article describes an exhibition at the Fogg Museum that features examples of twelfth-century sculpture from the Romanesque period. The article provides details of the pieces on exhibit and discusses aspects of their artistry, symbolism, and historical context.

To the left side of the image, another article with the headline "R. Arcadius Lyon, Picture-Restorer at Harvard, Revives an Old and Difficult Art of Egg Mixed Color" details the work of R. Arcadius Lyon in reviving an old painting technique. The paper looks somewhat aged, with small signs of wear and discoloration. The pages appear to be archived or preserved as there are circular holes punched on the left side, suggesting they could be part of a bound collection or filing system.

Description of the Image:

The image shows a page from a publication, likely a magazine or journal, dated January 16th, with a title header "Crimson Jan." The page is divided into two main sections, each containing text and a small illustration.

Left Section:

• Title: "R. Arcadia Lyon, Picture-Retreiver at Harvard, Revives an Old and Difficult Art of Egg-Mixed Color"
• Author: By Albert Franz Cochrane
• Content: The article discusses the revival of an ancient painting technique involving egg-mixed color, attributed to R. Arcadia Lyon, an artist at Harvard. It explores the history and challenges of this medium, which was used in the twelfth century but largely forgotten over time. The text highlights the technical aspects of the technique, its revival, and its significance in the context of contemporary art. The article also mentions an exhibition of works by Mr. Lyon at the Fogg Museum, featuring examples of this unique painting method.

Right Section:

• Title: "Collections and Critiques"
• Subtitle: "French Romanesque Capitals Exhibited"
• Content: This section describes an exhibition of French Romanesque capitals held at the Fogg Museum. The article focuses on the architectural and artistic significance of these twelfth-century sculptures, which are noted for their purity and excellence. It provides details about the exhibition, including the origin of the capitals (from the abbey of Mouster-Saint-Jean near Abbeville) and their historical context. The text also includes a description of a specific capital on display, illustrating its iconography and craftsmanship.

Illustration:

• Location: Positioned between the two text sections.
• Description: The illustration depicts a French Romanesque capital, a type of architectural ornament typical of medieval Romanesque architecture. The capital is intricately carved, featuring religious and symbolic imagery. The caption below the illustration reads: "FRENCH ROMANESQUE CAPITAL which is on exhibition at the Fogg Museum." The illustration serves as a visual representation of the subject matter discussed in the right section of the page.

Additional Details:

• Header: The page includes a header with the date "Trans. Jan. 16." and the title "Crimson Jan."
• Layout: The page is formatted in a classic magazine style, with clear headings, subheadings, and a balanced layout that separates the two main articles.
• Visual Elements: The illustration is small but detailed, providing a glimpse into the subject of the exhibition. The text is typed in a serif font, typical of early 20th-century publications.

Summary:

The image is a page from a publication discussing two distinct topics: the revival of an ancient painting technique using egg-mixed color by R. Arcadia Lyon, and an exhibition of French Romanesque capitals at the Fogg Museum. The page combines textual analysis with a visual representation of one of the exhibition pieces, offering readers insight into both the artistic technique and the historical significance of the displayed artifacts.

The image is a page from an old newspaper or magazine featuring several articles and advertisements. Here is a detailed description:

1. Top Section:

   • The top section of the page features a title and date. The title reads "Trans. Jan. 16." and the date is "Jan. 5." This suggests the page is from a publication that has a recurring section or column with a specific title and date.

2. Article: "R. Arcadian Eyon, Picture-Restorer at Harvard, Receives an Old and Difficult Art of Egg-Mixed Color"

   • This article discusses the restoration of paintings using the technique of egg-mixed color, a method historically used in tempera painting. The author, Albert Franz Cochrane, explains the importance of this technique in art history and its use by artists before the advent of oil paints in the 15th century.
   • The article mentions that the Fogg Museum at Harvard University has an exhibition of 12th-century French Romanesque capitals, showcasing the pure aesthetic excellence of medieval sculpture.
   • The author highlights the work of Mr. R. Arcadian Lyon, a restorer at the Fogg Museum, who has restored paintings using this old technique. The article notes that while egg-mixed color is not as commonly used today, it remains an important historical method.

3. Article: "Collections and Critiques"

   • This section includes a brief discussion about the iconography and subjects depicted in the 12th-century French Romanesque capitals exhibited at the Fogg Museum.
   • The article describes the various figures and scenes carved on the capitals, including representations of Madonna and Child, the angel appearing to Zacharias, and the priest of the church of Abia.

4. Article: "French Romanesque Capitals Exhibited"

   • This article provides more details about the exhibition of 12th-century French Romanesque capitals at the Fogg Museum.
   • It explains that the capitals are from the abbey of Mont-Saint-Jean and are examples of incomparable fashion and architectural form.
   • The article describes the intricate carvings on the capitals, including scenes from the life of Christ, the Journey to Emmaus, and the Resurrection.

5. Advertisement:

   • There is an advertisement for a product related to kitchen and still-life arrangements. The advertisement praises the product for achieving a perfect balance of light and dark, unity, and revealing position.

6. Miscellaneous:

   • The page includes various other text and images, including illustrations of the French Romanesque capitals and a mention of the bell-rope of a church tower.

Overall, the page is a mix of historical art restoration techniques, a detailed description of an art exhibition, and an advertisement for a home decor product. The content is informative and educational, aimed at readers interested in art history and restoration.