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ARCH.2003.26, Rendition: 791560
Jan. 15 - Feb. 27
An exhibition of fifteenth-century illustrated books is being held at the Fogg Art Museum during January and February.
Through the generosity of the Boston Athenaeum, Carl H. Pforzheimer, Lessing J. Rosenwald, and the Wellesley College Library, it has been possible to assemble a most remarkable collection of books, nearly all in absolutely perfect condition, and many in their original bindings.
Hardly an outstanding center of book-illustration is without an example, and the finest there is. For instance, Augsburg, which produced more illustrated books than any other city in Germany, is represented by a number of superb books by the chief printers, among them the celebrated Holbein Dance of Death, 1493, and the famous Schonsperger Apocalypse, 1498.
The first illustrated book printed in Ulm, the famous World Chronicle of 1488, is represented by a copy in its original binding. This book, with its remarkable illustrations, is one of the finest of the early printed books.
The two important books illustrated with copperplate engravings, the Monte Santo di Dio of 1477 and the Dante of 1481, both printed in Florence, are included in the exhibition. They are especially interesting because in addition to their copperplate illustrations, they are beautifully illuminated. The former belongs to the Fogg Museum, the latter to the Harvard College Library.
There are important French books, including a perfect copy of the Book of Hours of the use of Rome, printed by Verard, and the Dutch books which are exceedingly scarce.
The exhibition is particularly fortunate in being able to include in this exhibition an illustrated manuscript, the famous and beautifully illuminated manuscript of the Boccaccio de Casanova, which is one of the finest of its kind.
In addition to the complete books, illustrations cut from books are shown. Together they present a remarkably complete picture of book illustration in the fifteenth century.
L. H. D.
Crimson Jan.20
Remarkable Collection at Fogg Museum Now Being Shown
An exhibition of fifteenth century illustrated books, which is now being held at the Fogg Art Museum, will continue through February.
Through the generosity of the Boston Athenaeum, Carl H. Pforzheimer, Lessing J. Rosenwald, and the Wellesley College Library, it has been possible to assemble a most remarkable collection of books, nearly all in absolutely perfect condition, and many in their original bindings.
Hardly an outstanding center of book-illustration is without an example, and the finest there is. For instance, Augsburg, which produced more illustrated books than any other city in Germany, is represented by a number of superb books by the chief printers, among them the celebrated Holbein Dance of Death, 1493, and the famous Schonsperger Apocalypse, 1498.
The first illustrated book printed in Ulm, the famous World Chronicle of 1488, is represented by a copy in its original binding. This book, with its remarkable illustrations, is one of the finest of the early printed books.
The two important books illustrated with copperplate engravings, the Monte Santo di Dio of 1477 and the Dante of 1481, both printed in Florence, are included in the exhibition. They are especially interesting because in addition to their copperplate illustrations, they are beautifully illuminated. The former belongs to the Fogg Museum, the latter to the Harvard College Library.
There are important French books, including a perfect copy of the Book of Hours of the use of Rome, printed by Verard, and the Dutch books which are exceedingly scarce.
The exhibition is particularly fortunate in being able to include in this exhibition an illustrated manuscript, the famous and beautifully illuminated manuscript of the Boccaccio de Casanova, which is one of the finest of its kind.
In addition to the complete books, illustrations cut from books are shown. Together they present a remarkably complete picture of book illustration in the fifteenth century.
Monitor Feb.2
At the Fogg Museum there is an absorbing exhibition of books with illustrations made in the fifteenth century. The pictures, cut from wood blocks, are remarkable for their directness and vigor. The leaves from the Boccaccio, made in 1469, are among the finest of their kind.
D. A.
Art News
Saturday, January 30, 1932
A very important loan exhibition of XVth century book illustration is on view at the Fogg Art Museum in Cambridge until February 27. One of the rarest books in the exhibition is the "Regimiento de Principes" by Don Juan de Torquemada, printed at Seville in 1491, which contains some of the finest woodcuts. The exhibition also includes a fine copy of the "Dance of Death" by Holbein, printed in 1493, and the "Schoensperger Apocalypse," printed in 1498. The exhibition is a remarkable collection of the finest examples of book illustration of the fifteenth century.
See article in Bulletin for January.
The image displays a page from a newspaper or magazine dated January 17, 1932, featuring an article titled "Fifteenth Century Book Illustrations at Fog Museum." Here's a detailed summary:
Fog Museum Exhibition:
Important Books and Manuscripts:
Unique Aspects of the Exhibition:
Additional Notes:
Illustrations:
Overall, the article is rich with details about the historical and artistic value of the illustrated books being showcased at the Fog Museum, emphasizing their significance and the meticulous work involved in their creation.
The image is a transcript of newspaper articles from January 1932, detailing an exhibition of fifteenth-century illustrated books at the Fogg Art Museum in Cambridge. Here's a detailed summary:
Exhibition Overview:
Importance of the Exhibition:
Key Books:
Highlights:
Notable Books and Illustrations:
Significance of the Collection:
Additional Information:
The articles emphasize the rarity and importance of these books, highlighting their historical significance and the effort taken to assemble such a remarkable collection for public viewing.
The image is a newspaper clipping from January and February 1932, detailing an exhibition of fifteenth-century book illustrations held at the Fogg Art Museum in Cambridge, Massachusetts. The exhibition, titled "Fifteenth-Century Book Illustrations," was made possible through the generosity of several donors, including the Boston Athenaeum, Carl H. Pforzheimer, Lessing J. Rosenwald, the Wellesley College Library, and the Harvard College Library.
Key points from the article include:
Exhibition Overview:
Notable Books:
Highlighted Works:
Unique Copies:
Additional Information:
The article concludes with a brief mention of an exhibition at the Fogg Museum of fifteenth-century books with woodcut illustrations, emphasizing the importance of these works in the history of book illustration.
The image is a compilation of newspaper clippings from January and February of an unspecified year, discussing exhibitions of 15th-century book illustrations.
Title: Fifteenth-Century Book Illustrations at Fogg Museum
Content:
An exhibition of fifteenth-century book illustrations is being held at the Fogg Art Museum from January to February. The collection, assembled by several notable libraries and collectors, includes nearly all the remarkable works of early book illustration.
There are mentions of important French books, including a perfect copy of the "Book of Hours" and scarce Dutch books. The Fogg Museum's exhibition is noted for including an illustrated manuscript by Hartmann Schedel and woodcut illustrations from various books.
Title: Collections: Exhibit 15th Century Illustrated Volumes
Content:
The article announces an exhibition at the Fogg Museum featuring a remarkable collection of fifteenth-century illustrated books. The collection will continue through February.
Title: Cambridge
Content:
The article describes a loan exhibition of XVth-century book illustration at the Fogg Art Museum, which opened on February 9. It includes:
The exhibition features the beauty and significance of early Spanish woodcuts and the overall decorative character of the harmonized typefaces.
Content:
The clipping from the Fogg Museum Bulletin announces the same exhibition, highlighting the inclusion of rare and complete books with woodcut illustrations. It notes the exhibition's focus on the art of the fifteenth century, displaying a range of works from various European cities.
The articles collectively highlight the significance and breadth of the Fogg Museum's exhibition on fifteenth-century book illustrations, showcasing rare and important works from different European cities and featuring both printed books and manuscripts. The exhibition is noted for its comprehensive and remarkable collection.
The image shows a document that appears to be a collection of news clippings and articles related to an exhibition of fifteenth-century book illustrations held at the Fogg Museum. The exhibition, titled "Fifteenth-Century Book Illustrations," was held from January 15 to February 29.
Here is a detailed summary of the contents:
Transcript (January 17):
Crimson (January 20):
Monier (February 2):
Art News (January 30, 1932):
The document is annotated with handwritten notes, including references to sending the transcript to Harold Vest and a note to see an article in the Bulletin for January. The overall theme of the document is the celebration and exhibition of rare and historically significant fifteenth-century illustrated books.
This is an image of a document featuring multiple article excerpts from a periodical or newspaper related to book illustrations, specifically highlighting exhibits of 15th-century book illustrations. The selections are dated between January 15 and February 2 and possibly originate from the same year, although the year is not visible.
The top of the document is labeled "Fifteenth Century Book Illustration. Jan. 15 - Feb 2." and includes brief reviews or descriptions of exhibitions and collections of early illustrated books, mentioning exhibits at the Fogg Museum and Harvard College Library, among others.
The texts reference the importance and features of various 15th-century illustrated books, such as examples from Doré and Ptolemy's "Cosmographia" as well as books like "Hypnerotomachia Poliphili" and the Bible. Notable points include references to the level of craftsmanship, illustration quality, material composition, and the rarity of the books displayed.
There are handwritten notes on the left margin, possibly by the document's owner or a reviewer, and a handwritten label at the bottom "Monitor Feb. 2." Further handwritten comments can be seen at the bottom right and at various points beside the clippings.
One article is titled "Art News" dated Saturday, January 30, 1932, indicating that the articles are likely from around that date.
The document itself appears old, suggesting it is either an original from the time or a reproduction for archival or research purposes. It seems to be part of a collection or research material, evidenced by the methodical compilation and notation.
This image is a scanned piece of paper containing various newspaper clippings about an exhibition at the Fogg Museum titled "Fifteenth Century Book Illustration," scheduled to run from January 15 to February 21. The document appears to be an archival record with handwritten notes indicating the clippings' sources and dates:
The first clipping, dated as from the "Transcript" on January 11, announces the exhibition of fifteenth-century illustrated books. It mentions contributions from notable figures and institutions including Lessing J. Rosenwald, the Harvard College Library, and the Wellesley College Library. It highlights important works such as "The Travels of Marco Polo" (1485 edition), an essay from Aldus (1499), and the Hypnerotomachia Poliphili, printed on December 18, 1499. It also highlights early block books depicting the "Antichrist."
The second clipping, dated January 20 from the "Crimson," also discusses the exhibition and its significance, spotlighting the showcase of fifteenth-century illustrated volumes with special mention of historically important books and copperplate engravings. This clipping provides more detail about specific books, including editions printed in Florence and Ulm, as well as their historical contexts.
The third clipping from "Monitor" on February 2 includes a brief note about the exhibit focusing on the fifteenth-century illustrated books and volumes, emphasizing their importance in book history.
The fourth clipping is a smaller snippet from "Art News," dated January 30, 1932. It speaks to an important loan exhibition of fifteenth-century book illustration at the Fogg Museum, drawing attention to the historical significance and the artistic value of the exhibited works.
Attached to the paper are handwritten notes indicating details such as the sources (Monitor, Transcript, Crimson) and dates relevant to the exhibition. There are brief annotations suggesting there is also an article in a Bulletin from January, and the paper includes the typewritten title of the exhibition at the top.
The image depicts a page from a historical document or publication titled "Fifteenth Century Book Illustration", dated January 15–February 27. The page appears to be a transcript or article discussing an exhibition of fifteenth-century book illustrations held at the Fogg Museum, part of Harvard University. Here is a detailed description:
The page is divided into two main sections:
This section describes an exhibition of fifteenth-century book illustrations at the Fogg Art Museum during January and February.
Key points include:
The text emphasizes the exceptional quality and rarity of the books on display, noting that many are unique or among the only surviving copies.
The document serves as a historical record of a significant exhibition of fifteenth-century book illustrations, highlighting the Fogg Museum's role in preserving and showcasing rare and valuable manuscripts. It provides detailed descriptions of the books on display, emphasizing their artistic and historical importance. The inclusion of dates, titles, and specific details about the books underscores the scholarly and cultural value of the exhibition.
The image is a page from a historical newspaper or magazine, featuring articles about exhibitions of fifteenth-century book illustrations. The page has a title at the top, "Fifteenth Century Book Illustration," and a date, "Jan. 15-Feb. 27," indicating the period of the exhibition. The main body of the page contains two articles.
The first article, titled "Collections a EXHIBIT 15TH CENTURY ILLUSTRATED VOLUMES Remarkable Collection at Fogg Museum Now Being Shown," discusses an exhibition of fifteenth-century illustrated books held at the Fogg Museum. It highlights the rarity and importance of the collection, which includes books in perfect condition and original bindings. The article mentions specific books and illustrations, such as Boccaccio's "Famous Women of Antiquity," "The Book of Hours of the Beated Caxtons," and rare Spanish books. It also notes the inclusion of woodcut illustrations from the fifteenth century.
The second article, titled "Five Block Books," focuses on a subset of the exhibition featuring block books, which are books printed from woodcut blocks. The article describes these block books as unique and rare, with only a few copies in existence. It mentions specific titles, such as "Biblia Pauperum," "Apocalypse," and "Ars Memorandi," and discusses their historical significance and the craftsmanship involved in their creation.
The page also includes smaller text and images, such as a mention of a Cambridge Art Museum exhibition and a small illustration of a book with woodcut illustrations. The overall tone of the articles is informative and appreciative of the historical and artistic value of the fifteenth-century book illustrations on display.