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The image shows a newspaper clipping from "PARNASSUS" about an exhibition titled "Still Life Exhibition at the Fogg Museum." The article discusses how a committee of students from the Museum Course at Harvard University organized the exhibition, which ran from April 5th to April 30th. The goal was to present the history and current trends in still life painting, highlighting its artistic and aesthetic appeal. The exhibition included works by modern artists like Cézanne, Van Gogh, and Matisse, as well as historical pieces by artists such as Van Dyck, Velázquez, and Jan David de Heem. Notable contributions came from various patrons and institutions, including the Marie Harriman Gallery and the Metropolitan Museum of Art. The article also features a reproduction of Vincent van Gogh's painting "Roses," on loan from the same gallery, which was part of the exhibition.

The image is a page from a publication, titled "Parnassus," featuring an article about a "Still Life Exhibition" at the Fogg Museum.

Summary of the Article:

The article discusses a history of still life painting exhibition arranged by a committee of students from Harvard University’s Museum Course. The exhibition, titled "History of Still Life," is being held at the Fogg Art Museum from April 5th to April 30th.

Key Points:

• Objective: The students aim to present the history of still life painting and its present trends, encouraging both aesthetic and historical interest.
• Artists and Works: The exhibition includes still life paintings by notable artists such as Cézanne, Van Gogh, Henri Rousseau, Matisse, Degas, and Walt Kuhn. A particular highlight is a painting by Jan David de Heem, "Barrel of Apples," which is from Durand-Ruel, New York.
• Support: The show is made possible with the generosity of patrons including Wildenstein and Company, New York, and Odilon Redon, through the courtesy of M. Knoedler and Company, New York.
• Additional Artworks: The exhibition also features a canvas of unusual historical interest by Van Dyck and a medallion by "Velvet" Breguet. Historical pictures are supplemented by works from the 16th and 17th centuries, including Dutch and French traditions.
• Contributors: Notable lenders include Duncan Phillips, Esquire of Washington, Duncan Phillips, and Jacques Seligmann Gallery, New York, among others. A Van Gogh painting is also part of the exhibition.

Visual Elements:

• The page includes a reproduction of a still life painting, which appears to be an illustration of flowers, likely part of the exhibition.

The article aims to inform readers about the historical depth and contemporary relevance of still life paintings, showcasing a rich variety of works and artists.

The image is a page from a document titled "PARN ASSUS" with the number "17" in the top right corner. The page is dated March 1960, as indicated by the handwritten notation "Mar 1960" in the upper left corner.

The main content of the page is an article about a "Still Life Exhibition at the Fogg Museum." Here's a detailed summary of the article:

• Committee and Exhibition Background:

  • A committee of students taking a Museum Course at Harvard University arranged an exhibition of the history of still life painting at the Fogg Art Museum in Cambridge from April 5th to April 30th.
  • The exhibition aims to show the development, history, and current trends in still life painting, trying to present a form of art that is both appealing and educational for casual gallery visitors.

• Exhibition Features:

  • The exhibition includes modern still life paintings by artists such as Cézanne, Van Gogh, Henri Rousseau, Matisse, Derain, and Walt Kuhn.
  • Notable pieces include works by Henri Matisse, Paul Cézanne, and others from the Marie Harriman Gallery in New York.
  • The show also includes a 17th-century flower painting by Jan Davidsz de Heem from Durand-Ruel, New York, and a 16th-century interior by Quentin Massys from the Fogg Museum.
  • The exhibition features works by the Dutch masters, including a 17th-century flower painting by Jan Davidsz de Heem and another by Pieter Claesz from the Metropolitan Museum of Art in New York.

• Additional Highlights:

  • A 16th-century interior by Quentin Massys is also part of the exhibition.
  • The show includes a Van Dyck canvas with a historical interest, a 17th-century medallion by Van Dyck, and a Brouwer painting.
  • Works by historical figures such as Jan van Huysum, including a monumental Van Dyck canvas, are included.
  • The exhibition also features a 19th-century interior by a South German artist from the Museum of Fine Arts, Boston.

• Loaned Works:

  • The exhibition includes a Monet painting from the collection of Duncan Phillips, Esquire of Washington, and a Gauguin from Walter E. Sachs, Esquire of New York.
  • Important canvases have been lent by the Museum of Fine Arts, Boston, the Metropolitan Museum of Art, New York, Jacques Seligmann Gallery, New York, and Frank Smith, Esquire of Worcester.

• Image Feature:

  • Below the text, there is a black-and-white photograph of a still life painting by Vincent Van Gogh titled "Roses." It is noted that this work was reproduced through the courtesy of the Marie Harriman Gallery and is part of the exhibition.

The page provides a rich overview of the exhibition's content and significance, highlighting the collaboration and contributions from various art institutions and private collections.

The image is a page from a publication titled "Parnassus," dated March 1949. The main article on the page is titled "Still Life Exhibition at the Fogg Museum."

The article describes a History of Still Life Exhibition organized by a committee of students from Harvard University's Museum Course. The exhibition is held at the Fogg Art Museum in Cambridge from April 5th to April 30th. The exhibition aims to trace the history of still life painting and its present trends, with the hope of making the art form more accessible and appreciated by the general public.

The show features a variety of modern and historical still life paintings, including works by artists such as Cézanne, Van Gogh, Henri Rousseau, Matisse, Derain, and Walt Kuhn. Notable contributions include a 17th-century painting by Maria van Oosterwijck from the Durand-Ruel Gallery, a 16th-century interior by Quentin Matsys from the Museum of Fine Arts in Boston, and a South German interior from A. S. Drey. The exhibition also includes a Van Dyck and a Van Huysum piece, as well as works by artists like Breughel, Jan David de Heem, and others.

The article mentions various patrons and lenders, including Duncan Phillips, Walter E. Sachs, and several museums and galleries. The image on the page is a black-and-white photograph of Vincent van Gogh's "Roses," reproduced through the courtesy of the Marie Harriman Gallery, and it is noted that this piece is part of the exhibition.

The text is written in a formal and detailed manner, providing a comprehensive overview of the exhibition's scope, contributors, and significance.

The image is a newspaper clipping from March 1, detailing an exhibition of still life paintings at the Fogg Museum at Harvard University. Here is a detailed summary:

Title:

Still Life Exhibition at the Fogg Museum

Overview:

A committee of students from a Harvard University course on the important history of still life painting has organized an exhibition at the Fogg Art Museum in Cambridge, running from April 5th to May 1st. The exhibition aims to present and elucidate the history and aesthetic appeal of still life art through carefully selected pictures.

Content:

The exhibition features a variety of notable still life paintings by prominent artists such as:

• Cézanne
• Van Gogh
• Henri Rousseau
• Matisse
• Derain
• Walt Kuhn
• Braque
• Picasso
• Klee

Some specific highlights include:

• "Bananas et Ananas" by Renoir, on loan from Durand-Ruel in New York, which is being publicly shown in the country for the first time.
• Paintings from Wildenstein and Company, New York, including works by Manet and Redon.
• A 17th-century flower painting illustrating the "Death" tradition from the collection of M. Knoedler and Company, New York.

Contributions:

The exhibition has been made possible through the generosity of many patrons and includes works lent by various museums and collectors. Some of the notable lenders are:

• The Dayton Art Institute (Ohio)
• The Wadsworth Atheneum (Hartford)
• The Museum of Fine Arts, Boston
• The Brooklyn Museum, New York
• The Museum of Modern Art, New York
• The Denver Art Museum (Denver)
• The Phillips Academy (Andover)
• The Worcester Art Museum (Worcester)

Special Note:

The exhibition includes a Moner and a Bonnard from the collection of Walter E. Sachs, a Gaughin from the collection of Walter S. Sachs, and significant works from the Museum of Fine Arts in Boston.

Illustration:

The article features an image titled "Roses" by Vincent Van Gogh, depicting a painting of roses, which is part of the exhibition.

Author:

The article is written by Arthur Edwin Bye from Philadelphia.

Overall, the exhibition is designed to be both historically informative and aesthetically engaging, showcasing the evolution and appeal of still life paintings.

The image is a page from a magazine or journal, specifically from an issue dated March 1948, as indicated at the top left corner. The article is titled "Still Life Exhibition at the Fogg Museum."

The article discusses an exhibition of still life paintings at the Fogg Art Museum, organized by a committee of students from the Museum Course at Harvard University. The exhibition, running from April 5th to April 26th, aims to illustrate the development of still life painting through various historical periods, focusing on its aesthetic and historical appeal.

The exhibition includes works from notable artists such as Cornelis van Gogh, Henri Rousseau, and Rembrandt, among others. The paintings and artworks are lent by various galleries and collectors, including the Marie Harriman Gallery in New York and the Metropolitan Museum of Art.

The article highlights specific pieces, such as a 17th-century flower painting by Jan David de Heem and a Renoir painting titled "Bananes et Ananas." It also mentions a unique Odilon Redon painting, "Giant Picasso and a Fine Renoir," which is being shown for the first time in the country.

Additionally, the article features an image of a painting titled "Roses" by Vincent Van Gogh, reproduced from the collection of the Mellon Gallery, and notes that the original still life is at the Fogg Museum.

The text concludes by mentioning various contributors and lenders to the exhibition, including galleries and private collectors.

The image shows a scanned document with a mixture of typewritten and handwritten text, as well as a black-and-white reproduction of a piece of artwork located in the bottom half. The document's typewritten text appears to be an article or announcement titled "DARNASSUS Still Life Exhibition at the Fogg Museum." The text mentions a committee of students taking the initiative to arrange a still life exhibition at the Harvard University Fogg Museum, with a mention of various artists such as De Heem, Van Gogh, and Khrin. The handwritten text at the top left corner "Mar '18" might indicate a date, likely the month and year.

The black-and-white artwork depicted is titled "ROSES BY VINCENT VAN GOGH Reproduced at ¾ the height in the mural gallery at Harvard Fogg Museum," suggesting that the image accompanies an exhibition note that provides context for the artwork.

The overall condition of the document appears to be preserved with minor signs of aging and use, including hole punches along one side, suggesting it was collected in a binder or folder. There is a small piece of text at the very bottom, likely the name "Arthur Edwin Bye," which could be the person related to the document or artwork, possibly the author of the article or the person who provided the artwork for reproduction.

The image depicts a page from a publication featuring an article and a black-and-white photograph of a still life painting.

At the top left of the page is a title, "PARNASSUS," and underneath that is another title in bold, "Still Life Exhibition at the Fogg Museum."

The article discusses an exhibition of still life paintings held at the Fogg Museum at Harvard University from April 5th to April 30th. The exhibition showcases various still life paintings, highlighting works by notable artists such as Vincent Van Gogh, Henri Matisse, Braque, Derain, and Walt Kuhn, as well as other historical and contemporary works.

Below the article, in the lower part of the page, is a black-and-white image of a still life painting titled "Roses" by Vincent Van Gogh. The caption indicates it is included in the exhibition.

The page is mounted on paper with what appears to be three-ring binder holes along the right side, suggesting it may be part of a collection or scrapbook related to the exhibition.

The image is a page from a book or magazine featuring a black and white reproduction of a painting titled "Roses" by Vincent Van Gogh. The painting depicts a vase filled with roses. Above the painting, there is a text that provides information about a Still Life Exhibition at the Fogg Museum, Harvard University. The text describes the exhibition as organized by a committee of students at Harvard University, showcasing important history and trends in still life painting. It mentions several notable artists including Cézanne, Van Gogh, Henri Rousseau, Matisse, Derain, Walt Kuhn, Renoir, Picasso, and others whose works are included in the exhibition. The text highlights the generosity of patrons and the diversity of artworks, including classical and modern still life paintings. There are also mentions of lenders of significant artworks and galleries participating in the exhibition. The page has handwritten notes at the top left corner saying "Mar-18" and some other writing faintly visible near the center, which might be a cataloging note. The page has three punched holes on the right side, suggesting it might be part of a binder or archival collection.

The image shows a page from a publication titled "Parnassus", dated March 18. The page is numbered 17 and features an article titled "Still Life Exhibition at the Fogg Museum". The article discusses a still life exhibition organized by a committee of students from Harvard University's Museum Course. The exhibition, held at the Fogg Art Museum in Cambridge from April 5th to April 30th, aims to explore the history of still life painting and its current trends.

Key Points from the Article:

1. Purpose of the Exhibition:

   • The exhibition seeks to present and elucidate the form of art that is still life, which is often underappreciated by casual gallery visitors.
   • The goal is to make still life both historically appealing and aesthetically interesting.

2. Artists and Works Featured:

   • The exhibition includes works by notable artists such as Cézanne, Van Gogh, Henri Rousseau, Matisse, Derain, and Walt Kuhn, lent by the Marie Harriman Gallery in New York.
   • A significant piece is "Bananas et Ananas" by Renoir, which is of special interest as it is the first time this work has been publicly shown in the United States.
   • Other notable artists and works mentioned include Wildenstein and Company (New York), Ollivier Picasso, M. Knoedler and Company (New York), and Arthur Edwin Bre (Philadelphia).

3. Historical and Contemporary Context:

   • The exhibition includes historical pieces, such as a monumental Van Huysum and a canvas by Van Dyck containing a medalion by Van Velde, loaned by the Dury, New York.
   • It also features a Bonard loaned from the collection of Walter E. Sachs, Esquire, of New York, and a Gauguin from the collection of Walter E. Sachs.
   • The exhibition includes 19th-century masterpieces of still life from various museums, such as the Museum of Fine Arts, Boston, the Metropolitan Museum of Art, the Brooklyn Museum, and the Jacques Seligmann Gallery, New York.

4. Visual Element:

   • Below the text, there is a black-and-white illustration labeled "ROSES By VINCENT VAN GOGH". The caption notes that the reproduction is through the courtesy of the Marie Harriman Gallery and is included in an exhibition of still lifes at the Fogg Museum.

Layout and Design:

• The page has a clean, formal layout typical of early 20th-century publications.
• The text is typed, and the illustration is placed below the article, with a caption providing context.
• The top left corner includes a handwritten date, "Mar-18", likely indicating when the page was reviewed or annotated.

Overall Impression:

The page provides a detailed overview of an art exhibition focused on still life painting, highlighting both historical and contemporary works. It emphasizes the educational and aesthetic value of the exhibition, aiming to engage both casual visitors and art enthusiasts. The inclusion of a Van Gogh illustration adds visual interest and underscores the significance of the featured artists.