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The image displays a program for the Twentieth Annual Meeting of the College Art Association, held on April 1st, 2nd, and 3rd, 1931, at 20 West 58th Street and The Metropolitan Museum of Art in New York. The schedule is detailed for each day, with various sessions and topics.

Wednesday, April 1st:

• Morning at 20 West 58th Street:

  • Registration at 9:30 AM.
  • Art History Session (9:30 AM - 12:00 PM) presided by Alfred V. Churchill (Smith College):
    1. Gold Glass of the Third and Fourth Centuries by Francis Robinson (Princeton University)
    2. The Bodleian Bookcover by A. D. M. (Princeton University)
    3. The Cloister of San Juan de la Peña by Dorothea C. Shipley (Bryn Mawr)
    4. The Preservation of Oriental Wall Paintings by George Stout (Harvard University)
    5. Thomas Eakins by Francis Henry Taylor (Pennsylvania Museum)

• Afternoon at 20 West 58th Street:

  • Methods and Materials of Teaching Art History (2:30 PM - 5:00 PM) presided by Blake-More Godwin (Toledo Museum):
    1. The Teaching of the Fine Arts in the Liberal Arts College by Clarence Ward (Oberlin College)
    2. Methods of Teaching Art at Wellesley by Myrtilla Avery (Wellesley College)
    3. Some Experiments in Methodology, Research, and Installation by Benjamin March (Detroit Institute of Arts)
    4. Smith College Museum and Its Concentration Policy by Alfred V. Churchill (Smith College)

• Evening at The Metropolitan Museum of Art:

  • Special Topics (8:00 PM - 10:00 PM) presided by Charles R. Morey (Princeton University):
    1. The Textile of the Arabic Period by Maurice Dimond (Metropolitan Museum)

Thursday, April 2nd:

• Morning at 20 West 58th Street:

  • Criticism and Aesthetics (9:30 AM - 12:00 PM) presided by A. Philip McMahon (New York University):
    1. What is Aesthetics? by C. J. Ducasse (Brown University)
    2. Art as Insight by Laurence L. Buermeyer (New York University)
    3. Comparative Ranking: A Proposed Method of Aesthetics by Thomas Munro (Rutgers University)
    4. Rival Types of Art Criticism by Helen H. Parkhurst (Barnard College)
    5. Form in German and Italian Art by Arthur Burkhart (Harvard University)
    6. The Professional as Art Critic by Deane Keller (Yale University)

• Afternoon at 20 West 58th Street:

  • Art History: Medieval, Renaissance, and Modern (2:00 PM - 5:00 PM) presided by Theodore Sizer (Yale University):
    1. A Sheet of Unpublished Studies by Veronese by Agnes Mongan (Harvard University)

The program lists many notable speakers and scholars from various prestigious institutions, focusing on art history, teaching methodologies, and aesthetics.

The image is a program for the Twentieth Annual Meeting of the College Art Association, held in New York from April 1st to April 3rd, 1931. The meeting was hosted at 20 West 58th Street and The Metropolitan Museum of Art.

Here's a detailed summary of the program:

Wednesday, April 1st:

• Morning Session (20 West 58th Street):

  • Registration begins at 20 West 58th Street.
  • ART HISTORY: EARLY CHRISTIAN, MEDIEVAL, ORIENTAL AND AMERICAN
    • Presiding: Alfred V. Churchill, Smith College.
    • Topics:
      1. Gold Glass of the Third and Fourth Centuries by Francis Robinson, Princeton University.
      2. The Bodleian Bookcover by A. D. McDonald, Princeton University.
      3. The Cloister of San Juan de la Peña by Dorothea C. Shipley, Bryn Mawr College.
      4. The Preservation of Oriental Wall Paintings by George Stout, Harvard University.
      5. Thomas Eakins by Francis Henry Taylor, Pennsylvania Museum.

• Afternoon Session (20 West 58th Street):

  • METHODS AND MATERIALS OF TEACHING ART HISTORY
    • Presiding: Blake-More Godwin, Toledo Museum of Art.
    • Topics:
      1. The Teaching of the Fine Arts in the Liberal Arts College by Clarence Ward, Oberlin College.
      2. Methods of Teaching Art at Wellesley by Myrtilla Avery, Wellesley College.
      3. Some Experiments in Methodology, Research, and Installation by Benjamin March, Detroit Institute of Arts.
      4. Smith College Museum and Its Concentration Policy by Alfred V. Churchill, Smith College.

• Evening Session (Metropolitan Museum of Art, Fifth Avenue and 81st Street):

  • SPECIAL TOPICS
    • Presiding: Charles R. Morey, Princeton University.
    • Topics:
      1. Copti Textiles of the Arabic Period by Maurice Dimand, Metropolitan Museum.

Thursday, April 2nd:

• Morning Session (20 West 58th Street):

  • CRITICISMS AND AESTHETICS
    • Presiding: A. Philip McMahon, New York University.
    • Topics:
      1. What is Aesthetics? by C. J. Ducasse, Brown University.
      2. Art as Insight by Laurence L. Buermeyer, New York University.
      3. Comparative Ranking: A Proposed Method of Aesthetics by Thomas Munro, Rutgers University.
      4. Rival Types of Art Criticism by Helen Huss Parkhurst, Barnard College.
      5. Form in German and Italian Art by Arthur Burkhard, Harvard University.
      6. The Professional as Art Critic by Deane Keller, Yale University.

• Afternoon Session (20 West 58th Street):

  • ART HISTORY: MEDIEVAL, RENAISSANCE AND MODERN (Section A)
    • Presiding: Theodore Sizer, Yale University.
    • Topics:
      1. A Sheet of Unpublished Studies by Veronese by Agnes Mongan, Harvard University.

This detailed program outlines the sessions, topics, and speakers for the annual meeting of the College Art Association in 1931.

The image is a document titled "Program of the Twentieth Annual Meeting of the College Art Association," held in New York at 20 West 58th Street and The Metropolitan Museum of Art from April 1st to April 3rd, 1931. The document is dated March 1931.

Here is a detailed breakdown of the program:

Wednesday, April 1st:

Morning:

• Location: 20 West 58th Street
• Topic: ART HISTORY: EARLY CHRISTIAN, MEDIEVAL, ORIENTAL, AND AMERICAN
• Presiding: Alfred V. Churchill, Smith College
  1. "Gold Glass of the Third and Fourth Centuries" by Francis Robinson, Princeton University
  2. "The Bodleian Bookcover" by A. D. McDonald, Princeton University
  3. "The Cloister of San Juan de la Peña" by Dorothea C. Shipley, Bryn Mawr
  4. "The Preservation of Oriental Wall Paintings" by George Stout, Harvard University
  5. "Thomas Eakins" by Francis Henry Taylor, Pennsylvania Museum

Afternoon:

• Location: 20 West 58th Street
• Topic: METHODS AND MATERIALS OF TEACHING ART HISTORY
• Presiding: Blake-More Godwin, Toledo Museum of Art
  1. "The Teaching of the Fine Arts in the Liberal Arts College" by Clarence Ward, Oberlin College
  2. "Methods of Teaching Art at Wellesley" by Myrtilla Avery, Wellesley College
  3. "Some Experiments in Methodology, Research and Installation" by Benjamin March, Detroit Institute of Arts
  4. "Smith College Museum and Its Concentration Policy" by Alfred V. Churchill, Smith College

Evening:

• Location: Metropolitan Museum of Art, Fifth Avenue and 81st Street
• Topic: SPECIAL TOPICS
• Presiding: Charles R. Morey, Princeton University
  1. "Coptic Textiles of the Arabic Period" by Maurice Dimand, Metropolitan Museum

Thursday, April 2nd:

Morning:

• Location: 20 West 58th Street
• Topic: CRITICISMS AND AESTHETICS
• Presiding: A. Philip McMahon, New York University
  1. "What is Aesthetics?" by C. J. Ducasse, Brown University
  2. "Art as Insight" by Laurence L. Buermeyer, New York University
  3. "Comparative Ranking: A Proposed Method of Aesthetics" by Thomas Munro, Rutgers University
  4. "Rival Types of Art Criticism" by Helen Huss Parkhurst, Barnard College
  5. "Form in German and Italian Art" by Arthur Burkhard, Harvard University
  6. "The Professional as Art Critic" by Deane Keller, Yale University

Afternoon:

• Location: 20 West 58th Street
• Topic: ART HISTORY: MEDIEVAL, RENAISSANCE, AND MODERN
• Presiding: Theodore Sizer, Yale University
  1. "A Sheet of Unpublished Studies by Veronese" by Agnes Mongan, Harvard University

The program details the various sessions, speakers, and topics to be discussed during the meeting, providing a comprehensive schedule for the attendees.

The image is a program for the Twentieth Annual Meeting of the College Art Association, held in New York. The event took place over three days, from April 1st to April 3rd, 1931, at 20 West 58th Street and The Metropolitan Museum of Art.

Wednesday, April 1st

Morning Session (20 West 58th Street)

• Topic: Art History: Early Christian, Medieval, Oriental, and American
• Presider: Alfred V. Churchill, Smith College
• Presentations:
  1. Gold Glass of the Third and Fourth Centuries by Francis Robinson, Princeton University
  2. The Bodleian Bookcover by A. D. McDonald, Princeton University
  3. The Cloister of San Juan de la Peña by Dorothea C. Shipley, Bryn Mawr
  4. The Preservation of Oriental Wall Paintings by George Stout, Harvard University
  5. Thomas Eakins by Francis Henry Taylor, Pennsylvania Museum

Afternoon Session (20 West 58th Street)

• Topic: Methods and Materials of Teaching Art History
• Presider: Blake-More Godwin, Toledo Museum of Art
• Presentations:
  1. The Teaching of the Fine Arts in the Liberal Arts College by Clarence Ward, Oberlin College
  2. Methods of Teaching Art at Wellesley by Myrtilla Avery, Wellesley College
  3. Some Experiments in Methodology, Research and Installation (read by title) by Benjamin March, Detroit Institute of Arts
  4. Smith College Museum and Its Concentration Policy by Alfred V. Churchill, Smith College

Evening Session (Metropolitan Museum of Art)

• Topic: Special Topics
• Presider: Charles R. Morey, Princeton University
• Presentations:
  1. Coptic Textiles of the Arabic Period by Maurice Dimand, Metropolitan Museum

Thursday, April 2nd

Morning Session (20 West 58th Street)

• Topic: Criticisms and Aesthetics
• Presider: A. Philip McMahon, New York University
• Presentations:
  1. What is Aesthetics? by C. J. Ducasse, Brown University
  2. Art as Insight by Laurence L. Buermeyer, New York University
  3. Comparative Ranking: A Proposed Method of Aesthetics by Thomas Munro, Rutgers University
  4. Rival Types of Art Criticism by Helen H. Parkhurst, Barnard College, Columbia University
  5. Form in German and Italian Art by Arthur Burkhardt, Harvard University
  6. The Professional as Art Critic by Deane Keller, Yale University

Afternoon Session (20 West 58th Street)

• Topic: Art History: Medieval, Renaissance, and Modern (Section A)
• Presider: Theodore Sizer, Yale University
• Presentations:
  1. A Sheet of Unpublished Studies by Veronese by Agnes Mongan, Harvard University

The program details the schedule, topics, presenters, and their affiliations for each session of the conference.

The image displays a program for the Twentieth Annual Meeting of the College Art Association, held on April 1st, 2nd, and 3rd, 1931. The events took place at 20 West 58th Street and The Metropolitan Museum of Art in New York.

Wednesday, April 1st

Morning:
Registration: 20 West 58th Street

Art History: Early Christian, Mediaeval, Oriental, and American (9:30 AM)

• Presiding: Alfred V. Churchill, Smith College

1. Gold Glass of the Third and Fourth Centuries - Francis Robinson, Princeton University
2. The Bodleian Bookcover - A. D. McDonald, Princeton University
3. The Cloister of San Juan de la Peña - Dorothea C. Shipley, Bryn Mawr
4. The Preservation of Oriental Wall Paintings - George Stout, Harvard University
5. Thomas Eakins - Francis Henry Taylor, Pennsylvania Museum

Afternoon:
Methods and Materials of Teaching Art History (2:30 PM)

• Presiding: Blake-More Godwin, Toledo Museum of Art

1. The Teaching of the Fine Arts in the Liberal Arts College - Clarence Ward, Oberlin College
2. Methods of Teaching Art at Wellesley - Myrtilla Avery, Wellesley College
3. Some Experiments in Methodology, Research, and Installation - Benjamin March, Detroit Institute of Arts
4. Smith College Museum and Its Concentration Policy - Alfred V. Churchill, Smith College

Evening:
Metropolitan Museum of Art (Fifth Avenue and 81st Street)
Special Topics (8:00 PM)

• Presiding: Charles R. Morey, Princeton University

1. Coptic Textiles of the Arabic Period - Maurice Dimand, Metropolitan Museum

Thursday, April 2nd

Morning:
Registration: 20 West 58th Street

Criticisms and Aesthetics (9:30 AM)

• Presiding: Philip McMahon, New York University

1. What is Aesthetics? - C. J. Ducasse, Brown University
2. Art as Insight - Laurence L. Buermeyer, New York University
3. Comparative Ranking: A Proposed Method of Aesthetics - Thomas Munro, Rutgers University
4. Rival Types of Art Criticism - Helen Huss Parkhurst, Barnard College, Columbia University
5. Form in German and Italian Art - Arthur Burkhard, Harvard University
6. The Professional as Art Critic - Deane Keller, Yale University

Afternoon:
Art History: Mediaeval, Renaissance, and Modern (2:00 PM)

• Presiding: Theodore Sizer, Yale University (Section A)

1. A Sheet of Unpublished Studies by Veronese - Agnes Mongan, Harvard University

The image is a program for the Twentieth Annual Meeting of the College Art Association, held in New York from April 1st to April 3rd, 1931. The events took place at two locations: 20 West 58th Street and The Metropolitan Museum of Art.

Wednesday, April 1st

Morning

Location: 20 West 58th Street

• Registration: 20 West 58th Street and 2 West 78th Street

Art History: Mediaeval, Oriental, and American

• 9:30 AM: Alfred V. Churchill, Smith College, presiding
  1. Gold Glass of the Third and Fourth Centuries - Francis Robinson, Princeton University
  2. The Bodleian Bookcover - A. D. McDonald, Princeton University
  3. Two Chinese Jades in the Freer Collection - Dorothea C. Shoemaker, Behr Mauer
  4. The Preservation of Oriental Wall Paintings - George Stout, Harvard University
  5. Thomas Eakins - Francis Henry Taylor, Pennsylvania Museum

Afternoon

Location: 20 West 58th Street

Methods and Materials of Teaching Art History

• 2:30 PM: Blake-More Godwin, Toledo Museum of Art, presiding
  1. The Teaching of the Fine Arts in the Liberal Arts College - Clarence Ward, Oberlin College
  2. Methods of Teaching Art at Wellesley - Myrtilla Avery, Wellesley College
  3. Some Experiments in Methodology, Research and Installation - Benjamin March, Detroit Institute of Arts
  4. Smith College Museum and Its Concentration Policy - Alfred V. Churchill, Smith College

Evening

Location: Metropolitan Museum of Art, Fifth Avenue and 81st Street

Special Topics

• 8:00 PM: Charles R. Morey, Princeton University, presiding
  1. Coptic Textiles of the Arabic Period - Maurice Dimand, Metropolitan Museum

Thursday, April 2nd

Morning

Location: 20 West 58th Street

Criticisms and Aesthetics

• 9:30 AM: A. Philip McMahon, New York University, presiding
  1. What is Aesthetics? - A. E. Ducasse, Brown University
  2. Art as Image - Lawrence L. Buermeyer, New York University
  3. Comparative Ranking: A Proposed Method of Aesthetic Measurement - Thomas Munro, Rutgers University
  4. Ritual Theory of Art Criticism - Helen Huss Parkhurst, Barnard College, Columbia University
  5. Form in German and Italian Art - Arthur Burkhard, Harvard University
  6. The Professional Art Critic - Deline Kuhn, Yale University

Afternoon

Location: 20 West 58th Street

Art History: Mediaeval, Renaissance, and Modern (Section A)

• 2:00 PM: Theodore Sizer, Yale University, presiding
  1. A Sheet of Unpublished Studies by Veronese - Agnes Mongan, Harvard University

The program includes various sessions focusing on different aspects of art history, teaching methods, and special topics related to art and aesthetics. Each session is chaired by a different individual, and presentations are given by scholars from various institutions.

This image features a program from the Twentieth Annual Meeting of the College Art Association. The event was held at 20 West 58th Street and The Metropolitan Museum of Art in New York on April 1st, 2nd, and 3rd, 1931.

Outlined is a detailed schedule for presentations and discussions:

Wednesday, April 1st
Morning (Registration at 20 West 58th Street)

• Theme: Art History (Early Christian, Mediaeval, Oriental, and American)
  • Alfred V. Churchill, presiding
    1. Gold Glass of the Third and Fourth Centuries - Francis Robison, Princeton University
    2. The Bodleian Bookcover - A.D. McDonald, Princeton University
    3. The Cloister of San Juan de la Peña - Dorothea C. Shipley, Bryn Mawr
    4. The Preservation of Oriental Wall Paintings - George Stout, Harvard University
    5. Thomas Eakins - Francis Henry Taylor, Pennsylvania Museum

Afternoon

• Theme: Methods and Materials of Teaching Art History
  • Blake-More Godwin, presiding
    1. The Teaching of the Fine Arts in the Liberal Arts College - Clarence Ward, Oberlin College
    2. Methods of Teaching Art at Wellesley - Myrtilla Avery, Wellesley College
    3. Some Experiments in Methodology, Research, and Installation - Benjamin March, Detroit Institute of Arts
    4. Smith College Museum and Its Concentration Policy - Alfred V. Churchill, Smith College

Evening (Metropolitan Museum of Art, Fifth Avenue and 81st Street)

• Theme: Special Topics
  • Charles R. Morey, presiding
    1. Coptic Textiles of the Arabic Period - Maurice Dimand, Metropolitan Museum

Thursday, April 2nd
Morning

• Theme: Criticisms and Aesthetics
  • A. Philip McMahon, presiding
    1. What is Aesthetics? - C. J. Ducasse, Brown University
    2. Art as Insight - Laurence L. Baurmeyer, New York University
    3. Comparative Ranking, A Proposed Method of Aesthetics - Thomas Munro, Rutgers University
    4. Rival Types of Art Criticism - Helen Huss Parkhurst, Barnard College, Columbia University
    5. Form in German and Italian Art - Arthur Burkhard, Harvard University
    6. The Professional as Art Critic - Deane Keller, Yale University

Afternoon

• Theme: Art History (Mediaeval, Renaissance, and Modern)
  • Theodore Sizer, presiding
    1. A Sheet of Unpublished Studies by Veronese - Agnes Mongan, Harvard University

Notations on the page indicate "March, 1931," and "Mar-12" at the top. There is a handwritten marking "PARNASSUS" indicating a section or theme designation. This schedule reflects a well-organized event focusing on various significant art history topics presented by esteemed scholars from top universities and institutions.

This is an image of a typewritten document titled "Program of the Twentieth Annual Meeting of the COLLEGE ART ASSOCIATION" held at "20 West 58th Street and The Metropolitan Museum of Art NEW YORK" from "April 1st, 2nd, 3rd, 1931." The document is labeled "Parnassus" at the top, which may indicate the name of a publication or organization affiliated with the event.

The program outlines a multi-day conference with sessions in the morning, afternoon, and evening, including various topics related to art history, methods of teaching art, and criticisms and aesthetics. Each session lists the titles of the presentations and the names of the presenters, who are affiliated with various universities and institutions such as Princeton University, the Museum of Fine Arts Boston, Harvard University, Rutgers University, Columbia University, Yale University, and others.

On the left margin, handwritten markings indicate the date "Mar - 12," possibly referring to the day the document was annotated or filed. The top right corner has the handwritten text "March, 1931," followed by "Vol. XIII, No. III," indicating the volume and number of an issue which this document may have been part of or related to.

The paper has three holes punched on the left side, suggesting it was originally stored in a binder, and it shows signs of aging with some discoloration.

The image is a scanned copy of a program for the Twentieth Annual Meeting of the College Art Association, held on April 1st, 2nd, and 3rd, 1931, at 20 West 58th Street and The Metropolitan Museum of Art in New York. The program includes a detailed schedule of events, speakers, and topics related to art history, criticism, and aesthetics. The program is divided into three sections: Wednesday, April 1st, Thursday, April 2nd, and Friday, April 3rd. Each section includes morning and afternoon sessions with specific topics, speakers, and locations. The program also includes information about registration, location, and contact details. The program is printed on white paper with black text and has a formal and academic tone.

The image depicts a program for the Twentieth Annual Meeting of the College Art Association, held on April 1st, 2nd, and 3rd, 1931, in New York City. The event took place at 20 West 58th Street and the Metropolitan Museum of Art. The program is divided into three main sections, each corresponding to a different day of the meeting.

The first section, for Wednesday, April 1st, lists several sessions, including "Art History: Early Christian, Mediaeval, Oriental and American," "Methods and Materials of Teaching Art History," and "Special Topics." Each session includes a list of speakers and their respective topics, such as "Gold Glass of the Third and Fourth Centuries" by Francis Robinson and "The Teaching of the Fine Arts in the Liberal Arts College" by Clarence Ward.

The second section, for Thursday, April 2nd, lists sessions on "Criticism and Aesthetics" and "Art History: Renaissance and Modern." Speakers include A. Philip McMahon, who will discuss "Aesthetics," and Charles R. Morey, who will present on "Coptic Textiles of the Arabic Period."

The third section, for Friday, April 3rd, includes sessions on "Art History: Renaissance and Modern" and "Special Topics." Speakers include Theodore Sizer, who will discuss "A Sheet of Unpublished Studies by Veronese," and Agnes Mongan, who will present on "The Professional as Art Critic."

Overall, the program provides a detailed schedule of events and speakers for the Twentieth Annual Meeting of the College Art Association, showcasing a wide range of topics and perspectives in the field of art history and criticism.