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The image is a page from "The Art Digest," Volume V, Number 7, dated January 1, 1931. The page is titled "America Sends Masterpieces to the Great Persian Exhibition."

The article discusses an upcoming exhibition of Persian art at the Burlington House in London, scheduled to open on January 7 and run until February 28. This exhibition is noted for being the first of its kind in England and is expected to attract significant attention, with an estimated 50,000 visitors. The exhibition will feature artworks from five countries, including sacred mosques and palaces, and will be opened by the Shah of Persia.

The article highlights several art pieces that will be on display, including:

1. A Lustre-Decorated Bottle from the 13th century, owned by Mrs. Horace Havemeyer.
2. A "Riderless and Horse Fighting Dragons" Vessard State Miniature from the 17th century, part of the Paul Sachs Collection.
3. An Engraved Bronze Ewer from the Samuel J. Levinson Collection.
4. A Dish depicting a "Fight Scene" in Polychrome Enamel from the 13th century, part of the M. & R. Stora Collection.
5. A Scythio-Bactrian Bronze Horse from the 1st century, loaned by the Metropolitan Museum of Art.
6. A Bronze Box Chased and Inlaid with Silver from the 12th century, also from the Metropolitan Museum of Art.

The text also mentions the romantic and mysterious journey of these art pieces, which were transported in a fleet of army aeroplanes over a bandit-infested route, accompanied by a British destroyer. The exhibition is organized by the American Institute for Persian Art and Research, with Arthur Upham Pope as the director.

The page includes images of the mentioned art pieces, providing visual context to the descriptions in the article.

The image is a cover page of a magazine titled "The Art Digest," dated January 1, 1931. The main article focuses on "America Sends Masterpieces to the Great Persian Exhibition."

Key points of the article include:

1. Exhibition Location and Date: The exhibition is being held at Burlington House in London, starting on January 5th, continuing through February. It is noted that it will prove more successful than the Dutch exhibition held in 1929.

2. Significance of the Exhibition: The article highlights that this is a significant event for the art of Persia, with over twenty-five countries contributing artifacts. It features a rich array of items, including gold, silver, ivory, glass, lacquer, paintings, and various precious metals.

3. Artifacts Highlighted: Several pieces of art are showcased:

   • A lustre-decorated bottle.
   • A miniature of a "Rustam and Horse Fighting Dragon" from the Timurid Style Collection.
   • Engraved bronze ewer from the Samuel A. Lewis Collection.
   • A Rhages type bowl in polychrome enamels.
   • A Scythian-Achaemenid bronze bit.
   • A bronze box chased and inlaid with silver.

4. Historical and Cultural Context: The exhibition aims to showcase the beauty and historical richness of Persian art, drawing from both public and private collections. It also mentions the historical significance of the items, such as those from the Royal Library and the Treasury of Shah Riza Khan Pahlevi.

5. Logistical Details: The article mentions the diplomatic and logistical efforts involved in transporting these artifacts, including their secret shipment and the involvement of the Persian Government.

6. Sponsorship and Direction: The exhibition is organized by the American Institute for Persian Art and Archaeology, with Arthur Upham Pope as the director.

The article aims to provide readers with a detailed look at the historical, cultural, and logistical aspects of the exhibition, emphasizing the importance and beauty of Persian art.

The image shows the front page of "The Art Digest" magazine, Volume V, Number 7, dated 1st January, 1931. The headline of the featured article is "America Sends Masterpieces to the Great Persian Exhibition." The page includes several black and white photographs of Persian artifacts that are part of the exhibition. These artifacts include:

1. A lustre-decorated bottle from the collection of Mrs. Horace Havemeyer.
2. A miniature painting titled "Rustam and Horse Fighting Dragon," from the Shah Nameh, in the collection of A. C. Paul Sachs.
3. An engraved bronze ewer from the Samuel A. Lewisohn collection.
4. A Rhages type bowl in polychrome enamel, lent by A. C. Balch.
5. A Scytho-Bactrian bronze bit, lent by Mr. W. H. Moore.
6. A bronze box chased and inlaid with silver, lent by St. Louis Museum.

The article discusses the significance of the exhibition, which includes art from various periods and regions, such as Rhages, Sultanabad, and Gabr, and highlights the importance of this collection, which has been gathered from both public and private collections. The text also mentions the role of Arthur Upham Pope and Phyllis Ackerman of the American Institute for Persian Art and Archaeology in organizing the exhibition. The items were transported from the Persian Gulf to London, where they were displayed before being shipped to the United States.

The image is a page from the January 1, 1931, issue of "The Art Digest," specifically Volume V, Number 7. The main article featured on this page is titled "America Sends Masterpieces to the Great Persian Exhibition."

Key Elements:

1. Headline and Introduction:

   • The article discusses a significant international exhibition of Persian art scheduled to open in Burlington House, London, on January 5.

2. Historical Context:

   • The last major exhibition of Persian art was held in 1926 in Florence, Italy, and before that in Paris in 1912.
   • Arthur Upham Pope, a prominent figure in the study of Persian art, wrote about the upcoming exhibition for The Art Digest.

3. Persian Art Description:

   • The article emphasizes the beauty and historical significance of Persian art, noting that it spans from ancient times to the early 19th century.
   • Persian art is described as varied and encompassing items such as sacred objects, mosque elements, royal treasures, and everyday artifacts.

4. American Contributions:

   • The exhibition includes notable contributions from American collections, particularly the Avery Collection from the Royal Library and the Kevorkian Collection from Shah Riza Khan Pahlevi.

5. Exhibition Details:

   • The exhibition is organized by the American Institute for Persian Art and Archaeology, with Arthur Upham Pope serving as the director.
   • Items in the exhibition include various artworks and artifacts, some of which are depicted in the images.

6. Images:

   • Lustre-Decorated Bottle, XIII Century: Owned by Mrs. Horace Havemeyer.
   • Rustam and Horse Fighting Dragon: A Timurid style miniature from the Shah Nameh, part of the XV Century Paul Sachs Collection.
   • Engraved Bronze Ewer, Samuel C. Lewisohn Collection.
   • Rhages Type Bowl: Featuring polychrome enamels, a XIII Century item lent by A. C. Balch from Pasadena.
   • Scytho-Bactrian Bronze Ritualistic Lion: Lent by Mrs. W. H. Moore.
   • Bronze Box: Charred and inlaid with sugar, a XIV Century item lent by St. Louis Museum.

7. Diplomatic Context:

   • The shipment of these artworks was a significant diplomatic effort, involving the coordination of various officials and detailed security measures to ensure their safe transport.

Conclusion:

The article captures the anticipation and significance of the Persian art exhibition in London, showcasing the diverse and rich cultural heritage of Persian artifacts and the substantial American contributions to this international event.

The image is a vintage newspaper clipping from "The Art Digest," dated January 1, 1931, Volume V, Number 7. The main article is titled "America Sends Masterpieces to the Great Persian Exhibition."

The article discusses an upcoming exhibition at Burlington House, London, which will showcase Persian art. The exhibition is scheduled to open on January 5 and will run through February, with a preview on January 4. It is organized by the Royal Library and the Royal Institute of British Architects, in collaboration with the American Institute for Persian Art and Archaeology.

The article highlights that the exhibition will feature over 200 pieces of Persian art, including:

• Vessels of gold and silver with figures as decorations
• Illuminated manuscripts
• Glass, ivory, and lacquer paintings
• Enamel on gold, silver, and copper
• Gorgeous textiles, rugs, pottery from various regions such as Rhages, Sultanabad, and Gabri
• Sculptures and reliefs

The article notes that the exhibition will display a rich collection of Persian art, emphasizing its historical and artistic significance. It also mentions the involvement of Arthur Upham Pope, the director of the American Institute for Persian Art and Archaeology, who is also co-director of the London show.

Additionally, the article describes the journey of some of the exhibited pieces, including a romantic story of a shipment of precious jewels and manuscripts sent by a Persian prince. These items were transported on a British destroyer, the Bahadur, and were eventually loaded onto a steamer bound for London.

The clipping includes several black-and-white images of Persian artifacts such as a lustre-decorated bottle, a miniature of a "Rustum and Horse Fighting Dragon," an engraved bronze ewer, a Rhages type bowl in polychrome enamels, a Scytho-Bactrian bronze bit, and a bronze box chased and inlaid with silver. Each image is accompanied by a brief description of the artifact.

The image is a page from "The Art Digest," a publication that combined with "The Argus of San Francisco" to serve as a compendium of art news and opinion from around the world. This particular issue is Volume V, Number 7, dated January 1, 1931.

The headline of the article is "America Sends Masterpieces to the Great Persian Exhibition." The article discusses the international exhibition of Persian art that was to open at Burlington House in London on January 5, 1931. The exhibition was expected to be a significant success, with over 50,000 attendees at the previous year's show.

The article describes various masterpieces that were to be showcased, including:

1. A Lustre-Decorated Bottle from the collection of Mrs. Horace Hagemeyer.
2. A "Rastrum and Horse Fighting Dragon" in Timurid style from the collection of Mr. C. Paul Sachs.
3. An Engraved Bronze Ewer from the Samuel A. Lewisohn collection.
4. A Rhazes Type Bowl in Polychrome Enamel.
5. A Scytho-Bactrian Bronze Bit.
6. A Bronze Box, Chased and Inlaid with Silver.

The exhibition was a collaborative effort between various international collections, and it aimed to provide a comprehensive view of Persian art, spanning centuries and regions. The article highlights the importance and grandeur of Persian art and the efforts made to assemble these pieces for public viewing.

Additionally, the text mentions the involvement of the American Institute for Persian Art and Archaeology and the role of Arthur Upham Pope as co-director of the London show. The article also includes a brief note about the mysterious shipment of priceless Persian artifacts from Teheran, involving a British destroyer named "Bahram," which had to navigate through dangerous waters to reach London.

This is an image of a vintage publication titled "The ART DIGEST" dated January 1st, 1931, Volume V, Number 7. The headline on the page reads "America Sends Masterpieces to the Great Persian Exhibition."

The page is laid out with articles, images of artistic works, and descriptions. On the left side of the page, there’s an image of a "Luster-Decorated Bottle, XIII C., Horse Head Motif," followed by a short paragraph about England's fourth great International Exhibition devoted to the art of Persia. Below that is a image of a "Rhinoceros Type Vase, Ind. Achaemenian Period. XIIIth C. Lent by R. S. Bach, Esq."

The center column features two images: at the top is a "Rostrum and Horse Fighting Dragon," described as a T'ang Dynasty Miniature from Starkweather, and at the bottom is a "Scythian-Rearing Horse, Ir. Bronze, Lent by Mrs. W. M. Moore."

To the right, there's an image of an "Engraved Bronze Bowl, Sassanid Leontine Decoration," followed by text involving a comparison to the magical "Arabian Nights" of the art of Persia, and mention of a "Night of the Magic Carpet" where distinguished guests observed unique works of art.

At the bottom right is an image of a "Bronze Bowl, Chased and Inlaid with Silver, XVII C. Lent by St. Louis Museum."

The page shows signs of handling and age, with slight wear at the edges and corners, and there is a handwritten note "Jan:31" at the top right corner.

This image is a scan of a page from "The Art Digest," Volume V, Number 7, dated January 1, 1931. The headline reads "America Sends Masterpieces to the Great Persian Exhibition." The publication discusses England's fourth international exhibition dedicated to Persian art, held at Burlington House, London.

Prominent images are displayed on the page, showcasing various artworks included in the exhibition:

1. A lustre-decorated bottle from the XVII century, belonging to Mrs. Horace Havemeyer.
2. A miniature painting depicting "Rustam and Horse Fighting Dragon," from the Shah Namak, belonging to the JC Paul Selski Collection.
3. An engraved bronze ewer from the Samuel I. Lewision Collection.
4. A Rhages-type bowl, polychrome enamel, from the XIII century, belonging to the EJ Bahen Foundation.
5. Scytho-Bactrian bronze bits (horse tack), from Louisianna, lent by Mrs. W.H. Moore.
6. A bronze box, chased and inlaid with silver, XVII-XIIC century, lent by St. Louis Museums.

There is detailed text describing the exhibition objectives, the history, and significance of Persian art. It emphasizes how the exhibition brings forth art pieces previously scattered across the world and provides them a platform for public display in London. The article also mentions noted libraries and museums lending artworks for the exhibition, an indication of international cooperation and scholarly interest in Persian antiquities.

This image shows the front page of "The Art Digest" magazine, Volume V, Number 7, dated January 1st, 1931, published in New York, N.Y. The headline reads "America Sends Masterpieces to the Great Persian Exhibition." The article discusses the exhibition of Persian art, mentioning its historical background and highlights.

There are six images of art pieces featured on the page:

1. Top left: A "Lustre-Decorated Bottle, XVII c.," lent by "Horace H. Havemeyer."
2. Center top: A "Rustam and Horse Fighting Dragon," Timurid Style Miniature from Shah Manah XIV c.p.paul Sacks Collection."
3. Top right: An "Engraved Bronze Ewer, Samuel L. Lewislon Collection."
4. Bottom left: A "Rhages Type Bowl, in Polychrome Enamels, XI-XIII c. Lent by A. C. Balch, Pasadena."
5. Bottom center: A "Scythio-Bactrian Bronze Bit, Laristan. Lent by Mrs. W. H. Moore."
6. Bottom right: "Bronze Box. Chased and Inlaid with Silver. XIV c. Lent by St. Louis Museum."

The article elaborates on the significance of Persian art, the items on display, and the cultural diplomacy behind the exhibition. It mentions the exhibition’s history, various types of artifacts like vessels, enamel, and sculpture, and some distinguished scholars involved. It also references the Arabian Nights and the Persian Gulf in relation to the artifacts, along with a note about a British destroyer involved in the transportation of some items.

The image depicts a page from The Art Digest, a publication from January 1, 1931. The page is titled "America Sends Masterpieces to the Great Persian Exhibition" and serves as an article discussing the fourth International Exhibition of Persian Art, held at the Royal Academy in London.

Key Elements of the Image:

1. Header Information:

   • The top of the page features the publication's name, The Art Digest, along with its offices in New York and editorial details, including a European editor in Paris.
   • The issue is identified as Volume V, Number 7, dated New York, N.Y., 1st January, 1931.

2. Main Article:

   • The article highlights the significance of the exhibition, noting that it is the fourth such event and will continue through February. It mentions that the exhibition is expected to surpass the success of previous Dutch exhibitions, with an estimated attendance of 58,900 visitors by the closing date of March 20.
   • The article emphasizes the diversity of Persian art on display, including items from the sacred libraries and tombs of Persia, the Royal Mosque, and the Treasury of Shah Riza Khan Pahlevi.
   • It also discusses the historical and cultural importance of Persian art, noting its evolution and the difficulty of assembling such a collection due to the rarity and value of the pieces.

3. Illustrations:

   • The page includes several black-and-white illustrations of Persian art objects, each accompanied by captions:
     • Top Left: "Laitre-Decorated Bottle, XIV C. Mrs. Horace Greeley."
     • Top Center: "Restrum and Horse Fighting Dragon," Timurid Style Miniature from Shah Namah, XV C. Paul Sachs Collection."
     • Top Right: "Engraved Bronze Ewer, Samual A. Lewisohn Collection."
     • Bottom Left: "Rhazeri Type Bowl in Polychrome Enamels, XI-XIII C. Lent by A. C. Balch, Pasadena."
     • Bottom Center: "Scytho-Bactrian Bronze Bit, Laristan, Lent by Mrs. W. H. Moore."
     • Bottom Right: "Bronze Box, Chased and Inlaid with Silver, XVII C. Lent by St. Louis Museum."

4. Textual Content:

   • The article describes the exhibition as a gathering of Persian art after centuries of dispersal, featuring vessels, gold, silver, and other materials.
   • It mentions the involvement of notable figures, including the Persian Government, which loaned illuminated manuscripts and rugs, and the King of England, who contributed a large group of artifacts.
   • The article also recounts a romantic anecdote about the shipment of the artifacts, which were transported by a British destroyer and a steamship, with the crew expressing amazement at the treasures.

Overall Impression:

The page combines textual and visual elements to showcase the richness and historical significance of Persian art, emphasizing the collaborative effort of various institutions and individuals in bringing these masterpieces together for the exhibition. The layout and design reflect the magazine's focus on art and culture, providing readers with both informative content and visually engaging illustrations.