Archives Scrapbooks

The image appears to be a page from a publication titled "The Art Digest" dated September 1, 1931. The page is dedicated to an article titled "Great Tribal Exhibition Will Reveal Indian's True Place in Art." The content of the article discusses an upcoming exhibition of Indian tribal arts, organized by a group of prominent American artists and art lovers. The aim is to present native Indian art to the public as art and win appreciation and support for it.

The page includes several photographs of Native American artworks, including paintings and objects. The top row features images of "Kiowa Newly Weds" by Auchiah, a Kiowa painting titled "Deer in the Forest" by Wo Peen, Pueblo Indian, and a sculpture titled "Mother and Child" by Hokeah, also a Kiowa artist. The bottom row displays a basket by the Tlingit people from Alaska and a silver and turquoise bracelet from the Navajo tribe.

The article mentions the exhibition's itinerary, which includes stops in various cities across the United States, such as Philadelphia, Springfield, Rochester, Buffalo, Boston, and others. The text also highlights the significance of the exhibition, emphasizing the cultural contributions of Native Americans to American art.

This image is a page from The Art Digest, dated 1st September, 1931. The page is titled "Great Tribal Exhibition Will Reveal Indian's True Place in Art" and features several illustrations and descriptions of Native American art, discussing an upcoming exhibition aimed at showcasing the artistry and cultural significance of Native American tribes.

Top Section

• Headline and Images:
  • The headline announces a major exhibition of Native American tribal arts, highlighting its goal to showcase the true place of Native American art in the broader art world.
  • Four distinct images are displayed at the top:
    • Left: A painting titled "Kiowa Newly Wed," by Auchiah, showcasing two figures in traditional Kiowa attire.
    • Center: A painting titled "Deer in the Forest," by Wo Peen, a Pueblo Indian artist, featuring a deer in a minimalist, stylized forest scene.
    • Right: A painting titled "Mother and Child," by Hokeah, also from the Kiowa tribe. It depicts a tender moment between a mother and child.
    • The paintings are credited to the Jacobson Collection.

Middle Section

• Text:
  • The middle section contains a detailed article discussing the organization and significance of the exhibition. It mentions the involvement of prominent American artists and art lovers in promoting Native American art.
  • The text describes the exhibition's extensive tour schedule across various cities in the United States, highlighting the effort to bring Native American art to a wider audience.
  • The article emphasizes the cultural contributions of Native American tribes and the need to preserve and appreciate their artistry. It also mentions the role of the exhibition in encouraging Native Americans to return to their traditional artistic practices.

Bottom Section

• Images and Descriptions:
  • Left: An image of a Tlingit basket from Alaska, showcasing intricate geometric patterns typical of Tlingit craftsmanship.
  • Right: An image of a Navajo silver and turquoise bracelet, highlighting the detailed metalwork and turquoise stones that are characteristic of Navajo jewelry.

The page concludes with a continuation note, indicating that the article continues on page 6 of the publication. The overall tone of the page is one of reverence for Native American art and a commitment to promoting its recognition and appreciation.

This image displays page 5 of The Art Digest, dated 1st September, 1931. It is a vintage newspaper article titled:

“Great Tribal Exhibition Will Reveal Indian’s True Place in Art”

The article announces and promotes a major national exhibition called “The Exposition of Indian Tribal Arts,” organized in 1931 by prominent American artists and art lovers with the goal of showcasing Native American art to the public and winning appreciation for its cultural and aesthetic value.

Key details from the article:

• Exhibition Launch: The exhibit will open on November 30 at the Grand Central Art Galleries in New York, following a month-long initial showing.
• National Tour: After New York, it will tour for over two years to major cities including Philadelphia, Boston, Chicago, Cleveland, Los Angeles, San Francisco, Seattle, and others.
• Purpose: To elevate the perception of Native American art as a significant contribution to American art and culture, challenging the notion that it belongs only to the “remote past.”
• Leadership: The exposition committee is headed by director John Sloan, with prominent artists and scholars serving as officers and advisors, including Charles G. Dawes, George B. Carse, Chauncey J. Hamlin, and others.
• Patronage: It is endorsed by Prof. O. B. Jacobson of the University of Oklahoma, who wrote about Kiowa pictorial art.

The page features four black-and-white illustrations of Native American artworks:

1. Top Left: “Kiowa Newly Weds,” by Auchiah (Kiowa. Jacobson Collection) — a painting or drawing of two Native figures in traditional dress, possibly wedding attire.
2. Top Center: “Deer in the Forest,” by Wa Peen, Pueblo Indian — a more stylized, symbolic painting featuring deer-like figures and ceremonial symbols, framed in a triptych.
3. Top Right: “Mother and Child,” by Hokeah (Kiowa. Jacobson Collection) — an intimate painting of a mother holding or embracing a child.
4. Bottom Left: A photograph of a Basket, Tlingit, Alaska — a woven basket with a bold geometric black-and-white design.
5. Bottom Right: A photograph of a Silver and Turquoise Bracelet, Navajo — a finely detailed silver bracelet adorned with turquoise stones and intricate engraved patterns.

The article emphasizes the “esthetic reason” behind Native art, praising its rhythm, color, and symbolic depth, and quotes scholars who argue that Indian art is “at once classic and modern.” It concludes with a poetic reflection on the endurance of Native artistic tradition and memory.

Overall, the page reflects early 20th-century efforts to legitimize Indigenous art within the broader American and international art canon — though through a paternalistic, “First American” framework common at the time.

(Note: The page is slightly damaged in the upper right corner, where the number “4” is visible, likely from later indexing or archival marking.)

The image is a page from an old magazine featuring an article titled "Great Tribal Exhibition Will Reveal Indian's True Place in Art." The page is dated September 1, 1931, and includes several black-and-white photographs of Native American art and artists.

The article discusses an exhibition of Native American art organized by prominent American artists and art lovers to present and appreciate native Indian art to the public. The exhibition, directed by John Sloan, aims to recognize the great practical tradition of arts and crafts practiced by all tribes.

The article mentions that the exhibition will open on November 30 and run for a month, showcasing examples from the best and most representative tribes. It is hoped that the exhibition will bring Indian art into popular appeal and encourage the Red Man to return to the beautiful art work of his fathers.

The article also highlights the involvement of several prominent figures in organizing the exhibition, including Charles G. Dawes, Hugh Sloan, and Charles M. Schwab. It mentions that the exhibition will tour major cities in 1933, providing opportunities for the nation to view fine Native American art.

The page includes reproductions of two paintings by Kiowa artists, Auchief and Hokeah, and a description of a basket by Tsinka, a Navajo artist. The article emphasizes the importance of recognizing the contributions of Native American artists and the enduring impact of their art throughout history.

The image is a scanned page from a magazine titled "The Art Digest," dated September 1, 1931. The page number is 5, and it features an article titled "Great Tribal Exhibition Will Reveal Indian's True Place in Art."

The page is divided into several sections, including text and images. At the top, there are three black-and-white photographs, each accompanied by a caption. The photographs depict Native American artifacts and art pieces. The first image shows two Native Americans, one of whom is wearing traditional attire and holding a ceremonial object. The second image is a detailed illustration of a scene possibly depicting a ritual or hunting scene, with deer and a Native American figure. The third image shows a close-up of a Native American woman wearing traditional attire.

Below the photographs, there is a paragraph of text that provides context for the exhibition, highlighting the efforts of prominent American artists and art lovers to bring Native American art to the public. It mentions the involvement of various art institutions and individuals in organizing the exhibition, which is set to tour major cities across the United States.

Further down the page, there are additional images of Native American artifacts, including a basket, a silver and turquoise bracelet, and other decorative items. Each image is accompanied by a brief description and the name of the tribe or region it originates from.

The text continues with commentary on the significance of Native American art, emphasizing its aesthetic and cultural value. It discusses the impact of the exhibition on public perception and appreciation of Native American art, suggesting that it will help to elevate the status of Native American artists and their work within the broader art world.

The article concludes with a note on the importance of preserving and celebrating Native American art, highlighting its unique contributions to the cultural heritage of the United States.

Description of the Image:

The image is a scanned page from a publication titled "The Art Digest," dated 1st September 1931, issue number 5. The page features an article titled "Great Tribal Exhibition Will Reveal Indian’s True Place in Art". The layout includes text, photographs, and illustrations, providing a detailed overview of an upcoming exhibition focused on Native American art.

Layout and Content:

1. Title and Header:

   • The page header prominently displays the title: "Great Tribal Exhibition Will Reveal Indian’s True Place in Art".
   • The publication name, "The Art Digest," and the date, 1st September 1931, are visible at the top.

2. Photographs and Illustrations:

   • Top Left: A photograph of two individuals dressed in traditional Native American attire. The caption identifies them as "Klona Neely 'Worl,' by Auchiah, Kiowa, Jacobson Collection."
   • Top Center: An illustration titled "Deer in the Forest," by Wo Peem, Pueblo Indian (See article for interpretation of symbol)." This depicts a stylized deer in a forest setting.
   • Top Right: A photograph titled "Mother and Child," by Horeah, Korona Jacobson Collection." It shows a close-up of a mother holding a child, dressed in traditional attire.
   • Bottom Left: A photograph of a basket labeled "Basket, Tlingit, Alaska." The basket features intricate geometric patterns.
   • Bottom Right: An illustration of a silver and turquoise bracelet labeled "Silver and Turquoise Bracelet, Navajo." The bracelet showcases detailed craftsmanship with silver and turquoise inlays.

3. Text Content:

   • The main body of the article discusses an upcoming exhibition of Native American art, organized by a group of prominent American artists and art lovers. The exhibition is scheduled to open at the Grand Central Art Galleries in New York on November 30, following a nationwide tour.
   • Key points from the text include:
     • The exhibition aims to showcase the true place of Native American art in the broader context of world art.
     • It highlights the cultural significance and aesthetic value of Native American art forms, such as painting, sculpture, basketry, and jewelry.
     • The article emphasizes the diversity of Native American tribes and their unique artistic traditions.
     • It mentions specific artists and their works, such as Auchiah, Wo Peem, Horeah, and Jacobson, and discusses their contributions to the exhibition.
     • The text also references the historical and cultural context of Native American art, noting its enduring influence and contemporary relevance.

4. Visual Elements:

   • The photographs and illustrations are arranged to complement the text, providing visual examples of the art forms being discussed.
   • The basket and bracelet illustrations highlight the intricate craftsmanship and symbolic meaning often found in Native American art.
   • The photographs of individuals in traditional attire add a human element, showcasing the cultural context and personal stories behind the art.

5. Design and Layout:

   • The page is well-organized, with a clear hierarchy of information. The title is bold and centered, drawing immediate attention.
   • The images are placed strategically to break up the text and provide visual interest.
   • The captions beneath each image provide context and attribution, enhancing the educational value of the page.

Overall Impression:

The page serves as a promotional and informational piece, aiming to generate interest in the upcoming exhibition while celebrating the richness and diversity of Native American art. It combines textual analysis with visual examples to engage readers and highlight the cultural and artistic significance of the works on display. The layout is professional and visually appealing, reflecting the publication's focus on art and culture.

You've provided an image of a printed page from a publication dated September 1931. The page appears to be discussing an art exhibition, with the headline "Great Tribal Exhibition Will Reveal Indian’s True Place in Art." The text below references an "Exposition of Indian Tribal Arts" and mentions various Native American artists and collections.

There are four visual elements on the page:

• In the upper left, there's a black-and-white reproduction of artwork titled "Kiowa Family Paddling," by Asahki (Miss Annie Lee Collection).
• Towards the center top, there's an artwork named "Deer in a Forest," by Mr. Pohaha, Pueblo Indian, (Sara C. Mier collection).
• On the upper right side, there’s a piece called “Mother and Child,” by Hokeah, also from the Knowlton Collection.
• At the bottom left, there’s a photo of an exhibit titled “Basket, Twined, Apache.”
• Finally, on the bottom right, there’s an image of a "Silver and Turquoise Bracelet, Navajo."

The text is too small to read in detail, but the page layout looks like that of a magazine or newspaper, dedicated to highlighting the cultural significance and artistic achievements of Native Americans. This particular exhibition seems to be aimed at bringing greater appreciation and understanding to Native American art within a broader cultural narrative.

The image is a scanned page from "The Art Digest," dated 1st September 1931, and is titled "Great Tribal Exhibition Will Reveal Indian's True Place in Art." The page features an article discussing the Exposition of Indian Tribal Arts, organized by a group of prominent American art lovers who aim to showcase and appreciate Native American art.

The layout includes photographs of various Native American artworks along with detailed text. The photographs appear to illustrate different forms of art:

1. "Kiowa Natty Frieds" by Aschkinlo, Kiowa, from the Ivins Collection - depicts two figures in traditional attire.
2. "Deer in the Forest" by Wo Peen, Pueblo Indian, from the Ivins Collection - a pictorial depiction featuring deer.
3. "Mother and Child" by Hokosh, Kiowa, from the Ivins Collection - appears to show a seated figure and child.
4. A basket from Tlingit, Alaska - showing intricate patterns and textures.
5. A Silver and Turquoise Bracelet, Navajo - detailed craftsmanship with stones.

The text discusses the exhibition's purpose, the work of its organizers, individual contributors to the exhibition, and the historical significance of the artwork. It references different cities and museums involved, pointing out that the exhibition will display "the true place of Indians in art." The article acknowledges Native American tribes and their artistic contributions, aiming to provide a broader awareness and appreciation for their cultural heritage.

The image is a page from "The Art Digest" dated 1st September 1931. The headline reads: "Great Tribal Exhibition Will Reveal Indian’s True Place in Art." The page contains text discussing Indian Tribal Arts and an exhibition showcasing these arts.

There are five images on the page:

1. The top-left image is titled "'Kiowa Newly Weds,' by Auckiah, Kiowa, Jacobson Collection," depicting two Native American figures.
2. The top-center image shows a piece called "'Deer in the Forest,' by Wo-Peen, Pueblo Indian," which also refers to an article for the interpretation of symbols.
3. The top-right image is titled "'Mother and Child,' by Holekah, Kiowa, Jacobson Collection," showing two figures closely positioned.
4. The bottom-left image shows a "Basket, Tlingit, Alaska."
5. The bottom-right image is a "Silver and Turquoise Bracelet, Navajo."

The text highlights the importance of the exhibition in revealing the true place of Indian art, discussing the participation of prominent American artists and art lovers, the dedication to showcasing Indian art, and the significance and history of Indian artistic expression.

This image is of a page from a publication titled "The Art Digest, 1st September, 1931." The title of the article is "Great Tribal Exhibition Will Reveal Indian's True Place in Art" and discusses a tribal art exhibition. The page includes text extensively describing the significance of tribal art and artifacts, as well as efforts to showcase and honor Native American contributions to art.

The layout features black and white photographs of several art pieces on display, including:

• Two figures labeled "Kiowa, Needy Field’s by Auchiah, Kiowa, Jacobson Collection."
• A mural-style artwork titled "Deer in the Forest, by Wa Povi, Pueblo Indian.*"
• An image of a figure holding a child titled "Mother and Child, by Hokchi, Kiowa, Jacobson Collection.*"
• A woven basket labeled "Basket, Tlingit, Alaska."
• A piece of jewelry labeled "Silver and Turquoise Bracelet, Navajo."

The aesthetics of the artifacts and designs are emphasized, highlighting their cultural and artistic value. The text elaborates on the contributions and cultural importance of these pieces in the context of American art history.