Archives Scrapbooks

The image shows a document with two cut-out sections of text. The left section discusses a Boston event, mentioning "Free guidance at the Museum of Fine Arts this week mornings at 11 o'clock" and details about various exhibitions and lectures, including those on Christian symbolism, American rooms, modern French painting, portrait painting, and etchings and engravings. It also mentions the donation of a fragment of sculpture from the Calcutta museum to the museum by Denman W. Ross.

The right section, titled "IN RE LUCIONI," provides information about an artist named Luigi Lucioni. It describes Lucioni's background, including his North Italian ancestry, his New York upbringing and education, and his brief residence in Italy, which are said to have stimulated his creativity. The text mentions that Lucioni is exhibiting for the first time in Boston at the Casson gallery, Copley square. It also discusses his artistic style and some of his notable works, such as "Stowe Hollow and Hogback," "Vermont Barns," "Blue Green Mountains," and others. The document highlights Lucioni's representation in the permanent collections of several museums and his involvement in various art exhibitions. The date "Oct 18 1931" is written in the top right corner of the document.

This image shows a page with two newspaper clippings glued or taped to it. The page appears to be aged, with a yellowish tint, and has three hole punches on the left side, suggesting it was part of a binder or notebook.

The top clipping is from a newspaper dated "Sunday, October 11, 1931." It is written by F. W. Coburn and discusses free guidance at the Museum of Fine Arts in Boston. The text mentions various topics covered on different days of the week, such as Christian symbolism, American rooms, modern French painting, portrait painting, and etchings and engravings. It also describes a fragment of sculpture from a yakshi or nymph from Bharhut, given to the museum by Denman W. Ross.

The second clipping, titled "IN RE LUCIONI," discusses Luigi Lucioni's first exhibition in Boston at the Casson gallery in Copley Square. It provides a brief biography of Lucioni, mentioning his birth in Malnate, Italy, his arrival in New York at nine years old, and his studies at Cooper Union and the National Academy. The text also highlights his artistic achievements, including his representation in various prestigious art collections and his painting "Anachronism" being invited to the Modern Museum of Art, New York.

There is a handwritten note in the top right corner that reads "Oct 18 1931," possibly indicating when the clippings were saved or the date of the page.

This image displays a single, aged newspaper clipping, likely from a scrapbook or archive, mounted on a larger, off-white sheet of paper with three punch holes visible along its left margin. The paper shows signs of yellowing and slight wear at the edges, particularly a small tear near the bottom left hole.

The clipping is from the “Herald” newspaper, dated Sunday, October 11, 1931. The headline visible at the top reads “IN THE BOSTON”, with the sub-head “By F. W. COBURN”.

The article is composed of two distinct columns of text:

1. Left Column:

   • Begins with information about free guidance at the Museum of Fine Arts.
   • Focuses on a sculptural fragment — the mutilated upper part of a yakshi or yakshini — from Bharhut, recently gifted to the museum by Denman W. Ross. It notes this fragment was once thought to be one of the most glorious in the museum’s collection and was previously in private possession, published by Sir Alexander Cunningham and described by Amanda K. Coomaraswamy.

2. Right Column:

   • Headlined “IN RE LUCIONI”.
   • Focuses on Luigi Lucioni, an artist of North Italian ancestry, describing his upcoming exhibition at the Casson Gallery, Copley Square, Boston, beginning the next day.
   • Provides biographical details: born in 1901 in Malnate, Italy; arrived in New York at age nine; studied art at Cooper Union and the National Academy; won a Tiffany Foundation scholarship.
   • Mentions he is already represented in major collections like the Fogg Art Museum, Harvard University, and the Whitney Museum.
   • Highlights that his 1930 painting “Anachronism” was invited to the Modern Museum of Art’s show of “46 painters under 35 years of age.”
   • Notes his Boston exhibition includes an attractive portrait of Antonia Martinelli, daughter of Giovanni Martinelli (a tenor at the Metropolitan Opera Company).
   • Provides critical commentary on his artistry, noting his preference for “early Italian” landscape styles and his ability to capture Vermont’s “Green Mountains,” “stone walls,” and “magic trees,” despite challenging weather conditions for plein air painting.

In the margin to the right of the clipping, the date “Oct 18 1931” is handwritten in pencil, possibly indicating when the clipping was filed or noted.

Overall, the image is a historical artifact preserving a 1931 review of cultural events in Boston, specifically concerning the Museum of Fine Arts and the artist Luigi Lucioni’s first Boston exhibition.

The image shows a page from a book or magazine with a headline "In the Boston" and a subheading "By F. W. Coburn" above a paragraph of text. The text is about a museum exhibition of sculpture and etchings and engravings by the artist named Luciani. The page has a date of October 11, 1931, and a watermark of "Wet 18 1931" in the upper right corner. The image also shows a small clipping from a newspaper with a headline "In Re Lucien" and a paragraph of text about the artist's background and work.

The image shows a page of a newspaper or magazine with a headline that reads "In the Boston" at the top. Below the headline, there are two columns of text, with the left column featuring an article about an exhibition at the Museum of Fine Arts in Boston. The right column contains another article about an artist named Re Lucioni, who is currently exhibiting his work in Boston for the first time. The page has a date of October 11, 1931, at the top right corner.

The image shows a page from a newspaper or magazine dated Sunday, October 11, 1931, titled "IN THE BOSTON". The page appears to be from a section titled "IN BE LUCIONI", which discusses the work of an artist named Luigi Lucioni. Here is a detailed description:

Layout and Content:

1. Header:

   • The top of the page features the bold, prominent text "IN THE BOSTON", indicating the section or column name.
   • The date "SUNDAY, OCTOBER 11, 1931" is printed at the top left, establishing the publication date.
   • The name "F. W. COBURN" is listed below the date, likely the author or contributor of the article.

2. Main Article:

   • The article is titled "IN BE LUCIONI", which seems to be a subheading or section title.
   • The content discusses Luigi Lucioni, an artist of North Italian ancestry with Nordic framework, who studied at the Cimber and Teutone Academy in New York. The article highlights his artistic career, including:
     • His four New York exhibitions.
     • His early Italian mode of recording landscape in terms of line.
     • His focus on sharp, definitive little studies of everyday scenes, such as houses, maple trees, and farmhouses.
     • His technique of painting outdoors, capturing the annoyances of waxing and waning light.
     • His innovative approach to making complete and comprehensive pictures under difficult conditions.
     • Examples of his works, including "Luceli", "Blue Green Mountain", and "Vermont Stove Hollow".
     • Mentions of his sisters, Alice and Cordula Barnes, and other family members who are also artists.

3. Exhibition Announcement:

   • The article announces an upcoming exhibition of Lucioni’s work at the Casson Gallery in Boston, beginning tomorrow (Monday, October 12, 1931).
   • It notes that Lucioni will display paintings at the gallery, including:
     • A portrait of Antonia Martinelli, the son of the Giovanni Martinelli, a tenor of the Metropolitan Opera Company.
     • Other works such as "Victoriosa" and "Anarchism".
   • The article provides background on Lucioni, including:
     • He was born in Malta, Italy, in 1894.
     • He studied art at the Cooper Union in New York.
     • He won a scholarship to the National Academy of Design at the Tiffany Foundation.
     • He was awarded the Dietz Medal of Honor.
     • He was singled out by the Guggenheim Foundation in 1928 for his first medal of honor.
     • His works are represented in the permanent collection of the Fogg Art Museum at Harvard University, the Ben Uri Gallery, the Ashmolean Museum, Oxford, the Victoria and Albert Museum, London, and the Whitney Museum of Art, New York.

4. Visual Elements:

   • The page has a clean, typed layout typical of early 20th-century newspapers or magazines.
   • There are three circular holes punched along the left margin, likely for binding or filing purposes.
   • The text is organized into paragraphs with clear headings and subheadings, making it easy to follow.

Overall Context:

The page serves as a cultural and artistic review, highlighting Lucioni’s talent, his artistic style, and his growing recognition in the art world. It also promotes an upcoming exhibition, providing readers with details about where and when they can view his work. The tone is informative and appreciative, emphasizing Lucioni’s contributions to American art.

This page offers a glimpse into the art scene of 1931 Boston, showcasing the artist’s unique approach to landscape painting and his rising prominence in the art community.

This image shows an old, yellowed newspaper clipping attached to a larger, lighter sheet of paper. There are three columns of text visible from the newspaper, with the headlines "IN THE" and "IN RE LUCIONI" clearly visible at the top. The date "SUNDAY, OCTOBER 11, 1931" from the newspaper and the handwritten date "Oct 18 1931" in pencil at the top right corner of the mounting paper indicate when the clipping was from and possibly when it was attached to the current paper. The pages appear aged, with some discoloration, and there are holes punched in the left margin, suggesting the pages were once part of a binder or filing system. The text is too small to read in detail here, but it seems to pertain to events and personalities related to that era.

The image depicts a sheet of paper with two clippings from a newspaper. The clippings feature articles that were published on Sunday, October 11, 1931. The articles are pasted onto the paper, and there are three holes punched near the left edge, likely for placing the sheet into a binder or similar organizing system. At the top left corner of the sheet, “Herald” is handwritten, and between the articles, “Oct 11 1931” is also handwritten.

The content of the articles is partially visible. They seem to be discussing events and personalities related to the art world, possibly exhibitions or works by artists. The first article mentions Boston and free guidance at the Museum of Fine Arts, referring to European paintings. The second article talks about an artist (likely Lucioni), mentioning exhibitions in Boston. There is the mention of art museums, awards, and notable figures, indicating it is a discussion of the art and cultural scene of the time.

The image shows a piece of off-white paper with two newspaper clippings glued onto it. The clippings are yellowed with age and contain text in columns.

1. The clipping on the left is larger, with the date "SUNDAY, OCTOBER 11, 1931" at the top and the heading "BOSTON" underneath that. It begins with the line "Free guidance at the Museum of Fine Arts this week mornings at 11 o’clock as follows: Tuesday, Christian symbolism; Wednesday, Armenian rooms; Thursday, modern French painting; Friday, portrait painting; Saturday, etchings and engravings...". The clipping contains an article by F. W. Coburn about exhibits and artists, mentioning Luigi Lucioni who is exhibiting in Boston for the first time.

2. Near the center right of the page is a smaller clipping with the handwritten date "Oct 18 1931" above it. The headline of the smaller clipping is "IN RE LUCIONI" and it talks about Luigi Lucioni’s background and artistic style, noting his North Italian ancestry and mentioning his exhibitions and artistic focuses.

The left edge of the paper has three punched holes and some small tears, indicating it may have been stored in a binder. The top of the larger clipping has a small piece of paper with the word "Herald" handwritten on it. The newspaper clippings are arranged neatly with ample blank space around them on the paper.

A scrapbook page with two small news clippings pasted onto a blank, cream-colored sheet. The page has three punched holes along the left edge and a light pencil note at the top reading “Oct 18 1931.”

• The left clipping is a tall, vertical article with a large, bold header that begins with “IN TH…,” and includes the word “BOSTON” and a date line at the top (SUNDAY, OCTOBER 11, 1931).
• To the right, there is a shorter rectangular clipping with a smaller headline that looks like it starts with “IN RE…,” followed by several lines of text.

The paper shows slight aging and signs of handling, with the edges of the clippings browned.