Archives Scrapbooks

The image is a page from "The Harvard Crimson," a student newspaper at Harvard University. It is the ninth edition of the Crimson's reviews of half courses, providing a confidential guide with informal estimates of the work offered for the next semester. The edition is dated Friday, December 11, 1931.

The page includes the following key sections:

1. Headline and Introduction:

   • The headline reads "CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES."
   • The introduction mentions that the guide has had hearty receptions from students who were concerned about the preceding issue of the paper. It notes that the Crimson continues its ninth annual review of half courses, focusing on courses offered by the Faculty of Arts and Sciences during the second semester.

2. Course Reviews:

   • Chemistry 15:
     • Described as an easy course with minimal workload, but it is noted that the course is essential for those concentrating in biological chemistry. It is recommended for premedical students and those majoring in biological sciences. The course is presented by Professor Henderson and is considered the only comprehensive course in biological chemistry.
   • Fine Arts 2a:
     • Described as a course that covers the history of the Fine Arts from the Middle Ages to the Renaissance. It is noted to be a very cursory survey, leaving the student with a jumble of facts. The course is considered a prerequisite for Fine Arts 1d.
   • Fine Arts 1d:
     • The early arts of Ireland are the subject, which is noted to be obscure and dull. The course is recommended for those with a cultural background and is taught by Mr. Porter, who is described as a stimulating lecturer.

3. False Alarm:

   • An article titled "FALSE ALARM" clarifies that Fine Arts 1d will not be given beginning in the fall of 1932 as a full course, contrary to previous announcements. It will be offered formally during the second half of the year. The article discusses the advantages and disadvantages of the planned changes, noting that the course is beneficial for those concentrating in the field and others interested in gaining a foundation in art history.

4. Masthead Information:

   • The masthead lists the editorial team, including Otto Pueschelfusser as President, John S. Hayes as Business Manager, and others in various roles.
   • The Crimson Printing Company's address is provided as Plympton Street, Cambridge 38, Mass.

The page provides a detailed review and commentary on specific courses, offering insights into the workload, relevance, and teaching quality, aimed at helping students make informed decisions about their course selections.

The image contains a page from the Harvard Crimson newspaper dated December 11, 1931. The page features a review of 21 half courses offered for the next semester, titled "Crimson Presents Its Reviews of 21 Half Courses."

The main content includes:

1. Crimson Presents Its Reviews of 21 Half Courses:

   • It is mentioned that the ninth edition of a confidential guide to courses is being published, focusing on the Faculty of Arts and Sciences during the second half of the year. The guide, which is not comprehensive, represents opinions from a few upperclassmen and is not meant to be a complete survey.

2. Chemistry 15:

   • Chemistry 15 is highlighted for its thorough explanation of biological and physiological chemistry. It is suggested that students should not miss this course, as it covers a significant amount of material. Professor Henderson is noted for his quality of teaching.

3. Fine Arts 1d:

   • The course is described as a challenging subject that covers the history of the Fine Arts from the ancient period to the present day. It is noted that this course has been given in a cursory manner and that it is a prerequisite for Fine Arts 4b. The course requires memorization of about 500 pictures and is considered to be quite difficult due to its breadth.

4. Fine Arts 4b:

   • The article mentions that Fine Arts 4b, which is a more concentrated course, will be offered in the second half of the year. The course is intended to provide a more in-depth exploration of the Fine Arts, focusing on the art of Ireland and its cultural background. It is suggested that this course could be given in the second half of the year as a prerequisite to the full course, Fine Arts 1d, to avoid overwhelming students.

The newspaper also lists the officers and members of the Crimson Printing Company and provides a brief biographical note on the Crimson itself, stating it was established in 1857.

The page gives a critical yet informative look at the academic offerings, emphasizing the complexity and necessity of certain courses.

The image shows two pages from "The Harvard Crimson," dated Friday, December 11, 1936. The left page features an article titled "CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES," which is a confidential guide containing informal estimates of the work offered for the next semester. This is noted to be the ninth edition, with the guides having received a hearty reception from students in the past. The article lists several courses, including Chemistry 15 and Fine Arts 14 and 4b, providing brief reviews of each.

• Chemistry 15: Taught by Professor Henderson, the course is recommended for those interested in biochemistry. It covers the chemical aspects of biological processes and is considered a good foundation for further study in the field.

• Fine Arts 14: This course is described as a comprehensive survey of the history of the Fine Arts from the Renaissance to modern times. It is seen as essential for those concentrating in Fine Arts and useful for others as it provides a broad understanding of the subject.

• Fine Arts 4b: Focused on the art of Ireland, this course is aimed at students with an interest in the subject. It is not considered essential for those without a specific interest in Irish art.

The right page contains an article titled "FALSE ALARM," discussing the postponement of Fine Arts 14 from the fall of 1937 to the second half of the year. The article explains the reasons for this decision, emphasizing that the course, which surveys the history of the Fine Arts, is crucial for students concentrating in Fine Arts. The delay is attributed to the need to allow more time for the instructor, Mr. Porter, to prepare, given the extensive scope of the course. The article also mentions that the decision to postpone the course has been met with understanding, as the material cannot be adequately covered in a shorter timeframe.

The image is a page from The Harvard Crimson, dated Friday, December 11, 1931. It includes reviews of 21 half-courses and announces the ninth edition of the Confidential Guide to Courses, which offers an informal evaluation of various courses and instructors.

Key Sections:

Headline and Introduction:

• Crimson Presents Its Reviews of 21 Half Courses: The article discusses the annual Confidential Guide to Courses, which has been published by The Crimson since its inception.
• Confidential Guide Contains an Informal Estimate of Work For Next Semester: The guide is in its ninth edition and is intended to help students with course selection for the upcoming semester.

General Notes on the Guide:

• The guide has been well-received by students and will continue in future issues.
• It offers opinions from a few upperclassmen rather than a comprehensive survey.
• The reviews cover various subjects and typically include a considerable amount of detail.

Specific Course Reviews:

1. Chemistry 15:

   • The course is noted for its heavy reading assignments, around 100 pages weekly.
   • It covers a wide range of topics such as blood and bodily functions.
   • Professor Henderson is praised for his qualifications and engaging lectures, which are particularly recommended for students in Fine Arts 13 due to the biological chemistry content.

2. Fine Arts 4b (Fine Arts 1d mentioned in the false alarm section):

   • The course aims to provide a broad overview of the history of art from the Middle Ages to the present.
   • It is described as very cursory, with a large amount of material covered quickly.
   • The review notes that students interested in deeper cultural background might be disappointed, as the course does not delve deeply into any single topic.

False Alarm Note:

• There was a misunderstanding that Fine Arts 1d would start in the second half of the year. This is clarified, stating that the course will indeed begin as usual in the fall of 1932.
• The advantages and disadvantages of this scheduling are discussed, emphasizing the superficial treatment of the subject matter due to the large scope of the course.

Administrative Information:

• The masthead lists various roles at The Harvard Crimson, including President Otto Fuerbringer, Business Manager John S. Hatfield, and others.

The overall purpose of the guide is to provide students with an informal yet informative perspective on courses to help them make better-informed decisions for their academic schedules.

The image shows a page from the Harvard Crimson newspaper, dated December 11, 1931. The page features a section titled "Crimson Presents Its Reviews of 21 Half Courses," which is a confidential guide containing informal estimates of work offered for the next semester.

Main Sections:

Headline:

Crimson Presents Its Reviews of 21 Half Courses

• Confidential Guide Contains an Informal Estimate of Work Offered for Next Semester
• 9th Edition
• Guides Have Had Hearty Reception from Students—Will be Continued in Succeeding Issues of Paper

Chemistry 15:

• The review notes that Chemistry 15 is not a specialized course but requires a significant commitment.
• Professor Henders is praised for his ability to explain biological chemistry in an understandable manner.
• The course covers a wide range of topics, including the structure of the blood and the efficiency of the body in preserving alkalinity.
• The review concludes that Chemistry 15 is a prerequisite course and is well-suited for premedical students.

Fine Arts 1d:

• Fine Arts 1d covers the history of the Fine Arts from the Renaissance to the present.
• The course is described as a "very best thing" and is highly recommended for those interested in the subject.
• The course is comprehensive, covering a large amount of material, including about 500 pictures.
• It is noted that the course is rigorous but rewarding, with an extensive reading list and frequent tests.

Fine Arts 4b:

• Fine Arts 4b focuses on the early art of Ireland and is taught by Mr. Porter.
• The course is noted for its cultural background and the interest of the professor.
• The review states that Fine Arts 4b is not a prerequisite for Fine Arts 1d and is recommended for those interested in early Irish art.
• The course is described as being more conversational and less rigorous than Fine Arts 1d.

False Alarm:

• The section discusses the initial misunderstanding about Fine Arts 1d being offered as a full course in the fall of 1932.
• The review explains that Fine Arts 1d will be offered only in the second half of the year.
• It mentions the advantages of the change, such as covering a broader range of material and giving students a better understanding of the subject.
• The review concludes that the change is beneficial and necessary.

Additional Information:

• The Crimson staff members listed include Otto Fuerbringer, John S. Hartwell, Elting E. Morison, H. L. Merrill, and H. G. Dewees.
• The printing company is Crimson Printing Company, located at 48 Plympton Street, Cambridge, MA.
• The date of the publication is December 11, 1931.

The image is a page from "The Harvard Crimson," dated Friday, December 11, 1931. The main content of the page is an article titled "Crimson Presents Its Reviews of 21 Half Courses" and "Confidential Guide Contains an Informal Estimate of Work Offered for Next Semester."

The article discusses the ninth edition of a confidential guide to courses, which provides an informal estimate of work offered by the Faculty of Arts and Sciences for the upcoming semester. The guide is not intended to be a comprehensive survey but rather a collection of opinions from a few upperclassmen regarding the courses they took during the second semester.

Key points include:

• Chemistry 15: A course that is not specialized but covers a broad spectrum of biological and physiological chemistry. It is recommended for pre-medical students and those interested in the intricacies of biological processes.
• Fine Arts 1d: A course that covers the history of Fine Arts from the beginning of the Christian era to the present. It is noted for its extensive reading assignments and is considered a challenging course.
• Fine Arts 1a: This course was initially planned to be a full course but was changed to be offered in the second half of the year. The change was made due to the large amount of material that needs to be covered and the insufficient time allocated for the first half of the year.

The page also includes a list of Harvard Crimson staff members, such as Otto Puerbringer (President), John S. Hartwell (Business Manager), and others. The printing company is listed as the Crimson Printing Company from Plympton Street, Cambridge, MA.

This image features a scanned page from a newspaper. The paper's masthead reads "THE HARVARD CRIMSON," indicating that it is the student newspaper of Harvard University. The date on the paper is "FRIDAY, DECEMBER 11, 1931," showing that this is a historical document.

The left column of the paper has a title "CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES" followed by a subheading "Confidential Guide Contains an Informal Estimate of Work Offered For Next Semester." Beneath this title are several paragraphs providing information about this guide and its reception. Additional textual content continues below, which seems to pertain to chemistry and fine arts courses, offering insight into academic life and student guidance at the time.

The right column includes various articles and announcements. The title "FALSE ALARM" catches the eye, followed by text that references Fine Arts 4r and a planned change in its curriculum. It discusses that the start of 1932 will not witness a full course change as had been previously announced. This column also contains additional commentary on the course and the expectations or perceptions associated with it.

The paper is off-white with some signs of aging such as discoloration and possible slight wear at the edges. The typeface is consistent with newspaper print styles from the early 20th century, and the overall layout is columnar, a classic format for newspapers of that era.

The image displays a page from "The Harvard Crimson," which is a student newspaper. The page is organized into columns of text with news articles and reviews.

On the left side, there is an announcement under the headline "CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES". The announcement describes the ninth annual edition of a guide that offers informal estimates of work for courses offered next semester by the Faculty of Arts and Sciences. The guide has been well received by students in the past and includes reviews by students based on their experiences. The column provides overviews of courses such as Chemistry 15 and Fine Arts 4a, detailing the complexity, workload, reading assignments, and expectations for each.

On the right side, another column from "The Harvard Crimson" dated Friday, December 11, 1931, provides further information. It includes a section titled "FALSE ALARM," discussing the plans and considerations for a "Fine Arts 14d" course expected in the spring which would cover a large field in art history but was postponed until the fall. The article discusses the challenges and necessary depth required for the Fine Arts course, mentioning the faculty members involved and the structure of the anticipated curriculum.

Overall, the image highlights academic course reviews and updates relevant to Harvard students in the early 20th century.

The image shows two newspaper clippings pasted on a light-colored page, presumably from a scrapbook or a similar collection.

The clipping on the left is titled "CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES." It is described as a confidential guide containing an informal estimate of work offered for the next semester, specifically the ninth edition. It mentions that guides have had a hearty reception from students and will be continued in succeeding issues. The text reviews courses in Chemistry 15 and Fine Arts 1d, detailing the course content, difficulty, and recommendations.

The clipping on the right is from "THE HARVARD CRIMSON," dated Friday, December 11, 1931. It contains several details, including names of staff members like Otto Fuerbringer, John S. Hartwell, and others. The main article is titled "FALSE ALARM" and discusses the announcement that Fine Arts 1-d would not be offered as a full course in the fall of 1932 as previously thought. It explains why the change was necessary and the ramifications for students concentrating in Fine Arts, arguing for the necessity of adjustments in course offerings.

The overall tone is academic and informative, focusing on course reviews and university news from the Harvard Crimson newspaper.

The image is a scanned page from the Harvard Crimson, the student newspaper of Harvard University, dated December 11, 1931. The page is divided into two main sections. The upper section contains an announcement about the Crimson's ninth edition of its "Confidential Guide to Courses," which reviews various courses offered by the Faculty of Arts and Sciences for the next semester. The announcement states that the guide will focus on courses with a considerable enrollment and will be continued in future issues.

The lower section of the page features an article titled "FALSE ALARM," which discusses a change in the Fine Arts 1-d course. Initially, it was believed that Fine Arts 1-d would become a full course in the fall of 1932, but it has been announced that the course will be offered only during the second half of the year. The article highlights the challenges of covering a vast field of art history in a single semester and suggests that the course's broad scope makes it difficult for students to gain a comprehensive understanding of the subject. It also mentions the potential for a more focused Fine Arts 1-c course to be introduced in the second half of the year.

The page includes a list of the newspaper's staff members at the bottom, indicating their roles within the publication. The image captures a moment in the history of Harvard University's student journalism, reflecting the editorial focus and concerns of the time.