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ARCH.2003.25, Rendition: 794299
The image appears to be a page from a publication called "The Harvard Crimson," dated Friday, December 11, 1931. The page is titled "Crimson Presents Its Reviews of 21 Half Courses," and it's the ninth edition of this guide. It provides a review of courses offered by the Faculty of Arts and Sciences during the second half of the semester.
The left-hand side of the page highlights reviews of "Chemistry 15" and "Fine Arts 1d." It discusses the course content, the workload, and the opinion of a few upperclassmen who reviewed it. The Chemistry 15 course, taught by Professor Henderson, is described as covering biological chemistry and its importance for premedical students. Fine Arts 1d is noted for its difficulty and the amount of memorization required.
The right-hand side of the page features a longer article titled "FALSE ALARM." It discusses the change in the start date of Fine Arts 1-d and explains the reasons behind the delay in offering the course as a full one in the fall of 1932. The article mentions the challenges of covering a broad field of art in a limited time and the necessity of adjustments in other courses to accommodate the changes.
The publication is from a time when newspapers were printed on paper with a yellowish tone, and the text is arranged in a traditional newspaper format. The page includes the masthead of "The Harvard Crimson," the printing company details, and the names of the editorial staff.
The image is a page from "The Harvard Crimson," dated Friday, December 11, 1931. The page is divided into two main sections.
On the left side, there is a large article titled "CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES." This section is a confidential guide containing informal estimates of the work offered for the next semester. It is the ninth edition of such a guide, which has received a hearty reception from students and will continue in succeeding issues of the paper. The article reviews courses offered by the Faculty of Arts and Sciences during the second half of the year. It mentions that the guide represents the opinions of a few upperclassmen on second-semester courses that usually have considerable enrollment. Two specific courses are highlighted: Chemistry 15 and Fine Arts 1d. Chemistry 15 is described as essential for all students, especially those concentrating in Fine Arts, and is taught by Professor Henderson. Fine Arts 1d is noted as a challenging course that covers the history of the Fine Arts from the Middle Ages to the present time.
On the right side, there is a section titled "THE HARVARD CRIMSON," which includes information about the newspaper's registration at the Boston Post Office and a list of the newspaper's staff members, including Otto Fuerbringer '32 as President, John S. Hartwell '32 as Business Manager, W. S. Sims, Jr. '33 as Managing Editor, Elting E. Morison '32 as Editorial Chairman, H. L. Morrill '32 as Photographic Chairman, and H. G. Pearson, Jr. '34 as Secretary. Below this, there is an article titled "FALSE ALARM," which discusses the status of Fine Arts 1-d as a full course. The article explains that although it was initially understood that Fine Arts 1-d would be given as a full course starting in the fall of 1932, it will continue to be offered as it was during the second half of the year. The article also mentions Fine Arts 4b and discusses the challenges of covering a broad field like the history of the Fine Arts in a half-year course.
The page is printed on a light beige paper and is placed on a light gray surface. The text is in a serif font, typical of newspapers from that era.
This image shows a single, aged page from The Harvard Crimson, the student newspaper of Harvard University, dated Friday, December 11, 1931. The paper is printed on yellowed, off-white newsprint and laid flat against a plain, light-grey background.
The page is divided into a left-hand column and a right-hand column, each with distinct content.
This section is presented as a Confidential Guide to Courses — an unofficial student review of second-semester classes offered by the Faculty of Arts and Sciences. It is noted as the ninth edition, and the guide is described as having received a “hearty reception” from students and being continued in future issues.
The text explains that the reviews are based on the opinions of a few upperclassmen and are not intended to be a complete survey. They focus on courses typically taken in the second semester that attract considerable enrollment.
Several course reviews are included:
Chemistry 15: Described as a good half-course for premedical students, taught by Professor Henderson. It is noted as being non-laboratory based but covering important biological and physiological facts from a chemical perspective.
Fine Arts 1d: Characterized as “not an easy course,” covering European art history from the Middle Ages to the present. It requires memorization of about 500 pictures, and the review notes its cursory nature, leaving students with “a mere jumble of facts.”
Fine Arts 4b: Referred to as an “obscure and difficult” course on early Irish art, appealing only to a “chosen few.” It is praised for its depth for those truly interested, though the lecturer, Mr. Porter, is described as “not a thrilling lecturer.”
The column continues with a partial review of another course, describing a heavy weekly reading load of 100 pages and bi-weekly tests. Another course, Fine Arts 1c, is mentioned as a prerequisite for Fine Arts 1d, taught by Professor G. H. Egell, and described as the only comprehensive course in the history of Fine Arts at the time.
This section is headed “THE HARVARD CRIMSON” in bold, with publication details underneath:
Below this is the date: FRIDAY, DECEMBER 11, 1931.
Then follows a major article titled:
FALSE ALARM
This article addresses a recent rumor that Fine Arts 1d would be offered as a full course beginning in Fall 1932 — a change many felt was needed due to the overwhelming scope of the subject in a half-course format. The article announces that this change will not occur — the course will remain a half-course offered during the second half of the year.
The article laments that the art of the early Christian era and other large segments of art history cannot be properly covered in the limited time frame. It criticizes the "superficiality" of the current format, which it deems inadequate for students specializing in Fine Arts or those seeking a conversational knowledge of art. It cites the “inadequate reading time” and the “condition” that has been introduced (likely referring to the compressed schedule) as factors worsening the problem.
The article concludes by noting that the only apparent reason for the planned change’s cancellation is that necessary adjustments to other courses (like Fine Arts 1c) have not been made — and that the whole department could have remedied the situation. It ends with the observation that, as a result, students concentrating in Fine Arts will “lose no time” — implying they will remain underserved by the current structure.
This page captures a moment of student life and academic culture at Harvard in 1931. It combines a grassroots, student-produced course guide with an editorial response to administrative decisions, revealing student frustrations and priorities — particularly regarding the challenges of studying art history under constrained curricular conditions. The tone is candid, slightly critical, and reflective of students trying to navigate and critique their academic experiences.
The image is a scanned page from the Harvard Crimson, the student newspaper of Harvard University, dated December 11, 1931. The page is divided into two main sections. The upper section contains an announcement about the Crimson's ninth edition of its "Confidential Guide to Courses," which reviews various courses offered by the Faculty of Arts and Sciences for the next semester. The announcement states that the guide will focus on courses with a considerable enrollment and will be continued in future issues.
The lower section of the page features an article titled "FALSE ALARM," which discusses a change in the Fine Arts 1-d course. Initially, it was believed that Fine Arts 1-d would become a full course in the fall of 1932, but it has been announced that the course will be offered only during the second half of the year. The article highlights the challenges of covering a vast field of art history in a single semester and suggests that the course's broad scope makes it difficult for students to gain a comprehensive understanding of the subject. It also mentions the potential for a more focused Fine Arts 1-c course to be introduced in the second half of the year.
The page includes a list of the newspaper's staff members at the bottom, indicating their roles within the publication. The image captures a moment in the history of Harvard University's student journalism, reflecting the editorial focus and concerns of the time.
The image depicts a spread from an old magazine or newspaper, specifically from the "Harvard Crimson." The spread features two columns of text, with the left column titled "CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES" and the right column titled "THE HARVARD CRIMSON."
The left column, which appears to be the main article, discusses the ninth edition of a guide that reviews various half courses offered by the Faculty of Arts and Sciences. The guide is described as a "Confidential Guide" that contains an informal estimate of the workload for the next semester. It is noted that the guide has been well-received by students and will continue to be issued in future semesters. The article mentions that the guide does not attempt to be a complete survey but rather represents the opinions of a few upperclassmen on courses that typically have significant enrollment.
The article then provides specific reviews of two courses: Chemistry 15 and Fine Arts 4b. Chemistry 15 is described as a course that, despite its reputation for being challenging, is well-explained by Professor Henderson. The course covers various aspects of biological and physiological facts from a chemical perspective, including the passage of a piece of steak through the body. Fine Arts 4b, on the other hand, is reviewed as a course that focuses on the early art of Ireland, though it is noted to be obscure and difficult, appealing only to those with a cultural background or interest in delving into the obscure.
The right column contains additional text, including a "FALSE ALARM" section that discusses the announcement of a change in the Fine Arts 1-d course, which was initially planned to begin as a full course in the fall of 1932 but has been postponed to the second half of the year. The column also includes a brief mention of the course's advantages and disadvantages, highlighting the challenges of covering a large proportion of art history within a limited timeframe.
Overall, the spread provides a detailed review of specific courses offered by Harvard University, along with administrative updates and announcements related to course changes.
The image depicts the front page of a newspaper titled "The Harvard Crimson," dated Friday, December 11, 1931. The page is divided into two main sections:
Headline:
"CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES"
This is followed by a subheading:
"Confidential Guide Contains an Informal Estimate of Work Offered for Next Semester"
The text indicates that this is the ninth edition of a guide reviewing half-courses offered by the Faculty of Arts and Sciences for the second half of the academic year.
Content:
The left column introduces the guide, emphasizing that it does not attempt to be a complete survey but represents the opinions of a few upperclassmen on second-semester courses. It highlights the reception of these guides from students, noting that they have had a hearty reception and will continue from succeeding issues of the paper.
The column then begins reviewing specific courses, starting with Chemistry 15, which is described as a challenging but essential course for students specializing in chemistry. It mentions the course's focus on biological chemistry, laboratory work, and the importance of understanding chemical processes in the human body. The review also briefly touches on Fine Arts 1d, noting that it is not an easy course but provides a necessary overview of the history of the Fine Arts.
Header:
The top right corner displays the publication details:
Main Article:
The main article is titled "FALSE ALARM" and discusses a change in the Fine Arts curriculum. It explains that Fine Arts 1d, previously offered as a full course in the fall of 1932, will now be offered as a half course during the second half of the year. The article outlines the rationale behind this change, emphasizing the advantages of offering the course as a half course to allow students more time to engage with the material. It also discusses the challenges of covering a vast field of art history in a single semester and argues that the change is necessary to provide a more thorough and meaningful experience for students.
This image provides a glimpse into early 20th-century academic life at Harvard University, emphasizing the role of student publications in shaping educational discussions.
This image features a scanned page from a newspaper. The paper's masthead reads "THE HARVARD CRIMSON," indicating that it is the student newspaper of Harvard University. The date on the paper is "FRIDAY, DECEMBER 11, 1931," showing that this is a historical document.
The left column of the paper has a title "CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES" followed by a subheading "Confidential Guide Contains an Informal Estimate of Work Offered For Next Semester." Beneath this title are several paragraphs providing information about this guide and its reception. Additional textual content continues below, which seems to pertain to chemistry and fine arts courses, offering insight into academic life and student guidance at the time.
The right column includes various articles and announcements. The title "FALSE ALARM" catches the eye, followed by text that references Fine Arts 4r and a planned change in its curriculum. It discusses that the start of 1932 will not witness a full course change as had been previously announced. This column also contains additional commentary on the course and the expectations or perceptions associated with it.
The paper is off-white with some signs of aging such as discoloration and possible slight wear at the edges. The typeface is consistent with newspaper print styles from the early 20th century, and the overall layout is columnar, a classic format for newspapers of that era.
The image displays a page from "The Harvard Crimson," which is a student newspaper. The page is organized into columns of text with news articles and reviews.
On the left side, there is an announcement under the headline "CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES". The announcement describes the ninth annual edition of a guide that offers informal estimates of work for courses offered next semester by the Faculty of Arts and Sciences. The guide has been well received by students in the past and includes reviews by students based on their experiences. The column provides overviews of courses such as Chemistry 15 and Fine Arts 4a, detailing the complexity, workload, reading assignments, and expectations for each.
On the right side, another column from "The Harvard Crimson" dated Friday, December 11, 1931, provides further information. It includes a section titled "FALSE ALARM," discussing the plans and considerations for a "Fine Arts 14d" course expected in the spring which would cover a large field in art history but was postponed until the fall. The article discusses the challenges and necessary depth required for the Fine Arts course, mentioning the faculty members involved and the structure of the anticipated curriculum.
Overall, the image highlights academic course reviews and updates relevant to Harvard students in the early 20th century.
The image shows two newspaper clippings pasted on a light-colored page, presumably from a scrapbook or a similar collection.
The clipping on the left is titled "CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES." It is described as a confidential guide containing an informal estimate of work offered for the next semester, specifically the ninth edition. It mentions that guides have had a hearty reception from students and will be continued in succeeding issues. The text reviews courses in Chemistry 15 and Fine Arts 1d, detailing the course content, difficulty, and recommendations.
The clipping on the right is from "THE HARVARD CRIMSON," dated Friday, December 11, 1931. It contains several details, including names of staff members like Otto Fuerbringer, John S. Hartwell, and others. The main article is titled "FALSE ALARM" and discusses the announcement that Fine Arts 1-d would not be offered as a full course in the fall of 1932 as previously thought. It explains why the change was necessary and the ramifications for students concentrating in Fine Arts, arguing for the necessity of adjustments in course offerings.
The overall tone is academic and informative, focusing on course reviews and university news from the Harvard Crimson newspaper.
The image shows a page from what appears to be a publication or article titled "The Harvard Crimson." The left column is headed "CRIMSON PRESENTS ITS REVIEWS OF 21 HALF COURSES." It highlights the content of a guide comprising informal evaluations of courses being offered starting next semester, specifically the 9th edition. It mentions Chemistry 15 and Fine Arts 4b, providing examples of course descriptions and related comments.
The right column details an excerpt from "The Harvard Crimson" with a mention of Friday, December 11, 1931. An article here, titled "FALSE ALARM," conveys a discussion about changes in a course offering.
The text is printed in a traditional serif typeface with neatly aligned columns. The page seems to explore educational content and specific course evaluations, catered toward students.