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The image is a page from a document describing a Simon Willard clock. Here is a detailed summary of the text and the image:

Text Summary:

• Title: A Simon Willard Clock
• Owner: Mr. Vernon Hall
• Location: Loaned to the Fogg Art Museum
• Clock Description:
  • Long-case clock made by Simon Willard in Roxbury, between 1800 and 1828, with Willard's label.
  • Case made of satinwood with chamfered and reeded chamfered corners.
  • Features include a carved and gilded eagle on the broken-arch pediment, fretted and domed hood, and brass finials.
  • The clock stands eight feet, four inches high, surmounted by the gilded eagle.
  • Case made by William Fisk (1777-1844) of Watertown, Massachusetts.
  • Dial: White ground with a stylized phoenix and gilt scrolls, exceptionally fine.
  • Four spandrels with seasonal themes:
    • Spring: Woman in a leghorn hat with beaded urn.
    • Summer: Woman with a basket of fruit.
    • Autumn: Woman reaping wheat.
    • Winter: Girl in a cape and bonnet, seated before a fire.
  • Dials painted by an unknown English artist employed by Willard.
  • The dial features intricate designs and gold text on a white ground.

Image Description:

• The image shows a tall, elegant long-case clock with a detailed pediment featuring a gilded eagle at the top.
• The clock face is white with intricate designs, including a stylized phoenix and gilt scrolls.
• The clock case is made of satinwood with chamfered and reeded corners, giving it a refined appearance.
• The clock stands on a base, and the overall design is ornate and decorative, reflecting the craftsmanship of the period.

This document provides a detailed description of the clock's design, craftsmanship, and historical significance, highlighting the work of Simon Willard and the artistry involved in its creation.

The image is of a newspaper article titled "A Simon Willard Clock." The article discusses a fine example of a long-case clock made by Simon Willard in Roxbury, between 1806 and 1828, which is currently on loan to the Fogg Art Museum.

Key points from the article include:

1. Clock Description:

   • The clock has mahogany case with satinwood stringing.
   • It has chamfered and fluted corners with brass mounts and a domed hood.
   • The clock stands four inches high and is not including the gilded eagle.

2. Maker and Case:

   • The case was probably made by William Fisk (1770-1844) of Watertown, who worked with Henry Willard and Charles Crane.

3. Clock Features:

   • The dial displays a semi-circle with a phoenix bird in an oval of gilt.
   • The clock's four spandrels depict the seasons, each with a different scene.
     • Spring: A woman in a leghorn hat holding flowers.
     • Summer: A young girl asleep under a tree with a basket of fruit.
     • Autumn: A woman reaping wheat with a sickle.
     • Winter: A girl in a cape and bonnet, covered by a muff.

4. Painting and Craftsmanship:

   • The clock faces were made with painstaking care and were painted with eight to ten coats of paint.
   • The clock's dials and timepieces were painted by John R. Penniman.
   • The figures on the clock are English, with Willard employing an English artist, Charles Bullard (1794-1871), who painted the clock's dials.

5. Historical Context:

   • The article notes that Willard’s work was highly valued, with a typical dial costing between $10 to $20.
   • The clock's detailed seasonal scenes are noted to be an excellent example of Willard’s craftsmanship.

The article provides an insight into the historical and artistic significance of Simon Willard's clock and the intricate details of its design and production.

The image shows a yellowed, typewritten document titled 'A Simon Willard Clock.' The document appears to be an article or a paper, likely of some age given the condition of the paper and the typewriter font. The content discusses a clock made by Simon Willard, with detailed descriptions of its design and craftsmanship. There is a black and white photograph of the clock included in the document, showing a tall case clock with a face that has Roman numerals and several decorative elements. The clock stands on four legs and has a prominent, ornate top. The text provides historical context, mentioning that the clock was loaned to the Fogg Art Museum by Mr. Vernon Hall, and it includes specific details about the clock's case, dial, and other features. The document also references other clock makers and the typical pricing of Willard's clocks.

The image is a detailed article about a Simon Willard clock, specifically a long-case clock, that has been loaned to the Fogg Art Museum by Mr. Vernon Hall.

Description of the Clock:

1. Maker and Date:

   • The clock was made by Simon Willard in Roxbury between 1806 and 1828.
   • The case is likely crafted by William Fisk (1770-1844) from Watertown, who often collaborated with Willard.

2. Case Details:

   • The case is made of mahogany and is banded with stringings of satinwood.
   • It features chamfered and fluted corners with brass mounts.
   • The design includes a fretted and domed hood with brass finials at each side.
   • The clock stands on eight feet, four inches high, and has a gilded eagle on top.

3. Dial and Paintwork:

   • The dial has a semi-circle at the top with a stylized phoenix bird in an oval of gilt, flanked by gilt scrolls.
   • The clock's dials and timepieces were painted by Charles Bullard (1794-1871) from Boston and Dedham.
   • The scenes on the spandrels depict the four seasons:
     • Top left: A woman with a leghorn hat beside an urn representing spring.
     • Top right: A woman reaping wheat with a sickle for summer.
     • Bottom left: A woman holding flowers in her lap symbolizing autumn.
     • Bottom right: A young girl with a basket of fruit under a tree for winter.

4. Figures:

   • The clock features two English figures, a boy and a girl, dressed in charming clothing.
   • They are seated by a fire, with the girl holding a muff.

5. Historical Context:

   • The clock's paintwork, including the figures and seasonal scenes, was done by an English artist employed by Willard.
   • The artist was paid between $10 and $20 per dial.
   • The designs included a mix of arabesque and scrollwork, and the figures were painted in gold leaf on a white ground.
   • Miss Theodora Willard of Cambridge had a similar clock by the same artist.

The article highlights the exquisite craftsmanship and artistic detail that went into making this Simon Willard clock, making it a notable example of early 19th-century American clock-making.

The image is a newspaper clipping from December 1953 detailing a Simon Willard clock. Here is a summary of the information provided:

Title: A Simon Willard Clock

Summary:
Mr. Vernon Hall has loaned a long-case clock made by Simon Willard, dating between 1806 and 1828, to the Fogg Art Museum. The clock is made of mahogany with inlays and strings of satinwood. It stands approximately four feet high, not including the gilded eagle on top.

The case was likely made for William Fisk (1770-1844) of Watertown, who ranked with Henry Willard (1802-1887) of Roxbury and Charles Crane (1793-1879), both notable clock-case makers. The dial features a stylized phoenix bird in a semi-circle at the top and is set in an oval of gilt with gilt scrolls on each side.

The clock's four spandrels are formed by the circular face of the clock with themes depicting the seasons. The top left spandrel shows a woman seated beside a urn holding flowers in her lap, representing spring. The upper right-hand spandrel depicts another woman reaping wheat with a sickle, symbolizing summer. Winter is represented by a young girl asleep under a tree with a basket of fruit in her lap. Autumn is shown by a girl in a cape and bonnet, seated before a fire, holding her hands covered by a muff.

The clock faces were made with great care, with each dial painted with eight to ten coats of paint. The case and timepieces were rubbed down to a smooth finish, resembling polished ivory. The figures on the clock are English in style, likely painted by Charles Bullard, who worked for Simon Willard and was known for his exquisite painting skills.

The artist, Charles Bullard, was employed by Willard for a significant sum, ranging from $10 to $20 per dial. His usual designs included a combination of arabesque and scroll work, often done in gold leaf. Miss Theodora Willard of Cambridge has an excellent example of this type of clock, and Bullard's work is noted to be of high quality. Bullard, who died around 1828, was a pupil of the Englishman, but never approached his master's skill.

The image is a vintage newspaper article titled "A Simon Willard Clock." The article discusses a long-case clock made by Simon Willard, which was loaned to the Fogg Art Museum by Mr. Vernon Hall.

Key points from the article include:

1. Clock Description:

   • The clock is a fine example of Willard's work from Roxbury, between 1806 and 1828.
   • The case is made of mahogany with inlays and is banded with strings of satinwood.
   • It has chamfered and fluted corners with brass mounts, a domed hood, and a brass finial at each side, with a gilded wooden eagle between the finials.
   • The clock stands approximately four inches high, not including the gilded eagle.

2. Artistic Features:

   • The dial features a stylized phoenix bird with gilt scrolls on each side, and the four spandrels are formed into circular faces depicting the seasons.
   • Spring is represented by a woman in a leghorn hat with flowers, summer by a young girl asleep under a tree with a basket of fruit, autumn by a woman reaping wheat with a sickle, and winter by a girl in a cape and bonnet holding a fire.

3. Clock Faces:

   • The clock faces were meticulously painted with eight coats of paint and rubbed down to a polished ivory finish.
   • The figures on the clock are attributed to John R. Penniman, who was an Englishman hired by Willard.

4. Historical Context:

   • The case was likely made for William Fisk of Watertown, who was associated with Henry Willard and Charles Crane.
   • Simon Willard was a notable clockmaker, active from 1793 to 1879.
   • The article mentions that Willard employed Charles Bullard, who painted the figures on the clock.

5. Additional Information:

   • The clock is an excellent example of the type of work done by Willard and his team, and the artist of the figures is unknown, though it is suggested that Charles Bullard might have been the painter, although he never approached Willard’s level of skill.

The article provides a detailed description of the craftsmanship and artistic elements of the clock, highlighting its historical and cultural significance.

This is an image of an old document or a book page featuring a printed article with the title "A Simon Willard Clock." The page is yellowed and aged, with some discoloration and spots indicative of paper aging. On the left side is a printed black and white image of a Simon Willard tall-case clock. The clock has a classical design with a dark finish and appears to be ornately decorated, as described in the text adjacent to it.

The text elaborates on the specifics of the clock, mentioning that it was made by Simon Willard (1741-1848) or by his family firm. There are some details given about the clock's features, such as the dial showing the time, the size of the clock not including the height of the top piece, and a description of spandrels with scroll motifs.

Beneath the title, there are handwritten markings, possibly a cataloging reference ("L.B. Mc C.S. '83"). The handwriting suggests that the document might be from a library or archive collection, dated to 1983, but the content itself seems to be about the loan of a historic artifact to the Fogg Art Museum by M. Vernon Hall between 1860 and 1882. The article describes the clock's craftsmanship, materials, and the artistic features of the painted faces on the dials.

It's important to note that there might be text on the right side of the image that continues off the visible edge, indicating that what we see is only part of the page. No complete sentences can be read on that side, just fragments like "represents", "painted with c[...]", "[...]ves" and other partial words.

The image depicts a single page from a book or magazine, with a photograph and text centered around "A Simon Willard Clock." The title at the top indicates the subject matter of the page. The text describes a specific long-case clock made by Simon Willard in Roxbury between 1806 and 1828.

The photograph accompanying the text shows a tall grandfather clock with intricate designs and a pendulum visible beneath the clock face. The clock case is made of mahogany, with various inlays and brass details. The dial of the clock appears to be ornately painted, depicting a scene with a girl in a cape and bonnet, seated by a fire.

The text explains the meticulous craftsmanship involved in creating these clocks, highlighting the painted dials of Willard's cases and the detailed English figures, possibly painted by Charles Bullard.

There are two hole punches visible on the left side of the page, which suggests it may have been kept in a binder. The edges of the page show slight signs of wear and may be slightly discolored due to age.

Overall, the page provides a detailed historical account of the craftsmanship and design characteristics of Simon Willard’s clock, accompanied by a visual example.

The image depicts a page from a publication or catalog detailing a Simon Willard clock, likely from a museum or historical archive. The page is titled "A Simon Willard Clock" and appears to be part of a descriptive article or exhibit label. Here is a breakdown of its content:

Text Content:

1. Introduction:

   • The text begins with a mention of Mr. Vernon Hall, who has loaned the clock to the Fogg Art Museum. The clock is described as a fine example of a long-case clock made by Simon Willard in Roxbury, Massachusetts, between 1806 and 1828.

2. Case Description:

   • The clock case is made of mahogany, banded with string, and features inlays and chamfered brass corners.
   • It is rubbed with satinwood, and the corners are mounted with brass mounts, freted and domed hood, and a gilded wooden eagle at the top.
   • The case stands eight feet four inches high, including the gilded eagle.

3. Dial and Hands:

   • The dial is painted with eight to ten coats of paint, rubbed down until the dial face was polished ivory.
   • The hands are made with painstaking care, and the dials and timepieces were painted from eight to ten coats of paint, ensuring a polished finish.

4. Artistic Details:

   • The clock is noted for its English character, with figures that resemble the work of Charles Bulfinch and John R. Penniman.
   • The figures on the clock are attributed to an unknown English artist, possibly Miss Theobara Willard, who was an excellent example of this type of artist.
   • The dial features four spandrels at the top, each depicting a scene of the seasons:
     • Spring: A woman in a legorn hat seated beside an urn, holding flowers.
     • Autumn: A woman reaping wheat with a sickle, showing wheat with a basket of fruit.
     • Summer: A young girl asleep under a tree, with fruit in her lap.
     • Winter: A woman seated before a fire, wearing a cape and bonnet, with her hands covered by a muff.

5. Historical Context:

   • The clock was probably made for Willard by William Fisk (1770–1844) of Watertown, who worked with Henry Willard (1802–1887) of Roxbury and Charles Crane (1782–1879) of Dorchester.
   • Simon Willard was known for his exquisite skill as a clockmaker, and this clock is highlighted as a notable example of his work.

Visual Elements:

• Image of the Clock:
  To the right of the text, there is a black-and-white photograph of the Simon Willard clock. The image shows:
  • The tall, elegant case with its gilded eagle at the top.
  • The clock face with Roman numerals and ornate detailing.
  • The spandrels at the top of the dial, depicting the four seasons, as described in the text.

Overall Impression:

The page provides a detailed and scholarly description of the Simon Willard clock, emphasizing its craftsmanship, artistic design, and historical significance. It highlights the exquisite detailing of the clock, including its paintings, gilded elements, and seasonal spandrels, while also situating it within the broader context of Simon Willard’s work and the artistic influences of the time. The accompanying photograph reinforces the textual description, offering a visual representation of this historic timepiece.

The page appears to be from a museum catalog or exhibition guide, aimed at showcasing the clock’s artistic and historical value.

The image is a scanned page from a book or magazine featuring an article titled "A Simon Willard Clock." The page has two columns of text and an image of a clock. The text describes a long-case clock made by Simon Willard, a renowned clockmaker from Roxbury, Massachusetts, between 1806 and 1828. The clock is described as being made of mahogany, with inlays of satinwood and fluted corners, and featuring brass mounts, a fretted and domed hood, and a brass gilded wooden eagle between two sides. The clock stands eight feet, four inches high, not including the gilded eagle. The clock's case was probably made for Willard by William Fisk (1770-1844) of Watertown, who ranked with Henry Willard (1802-1857) of Roxbury, and Charles Crane (1793-1879) as a notable clock-case maker. The dial, showing the time in the semi-circle at the top, is a stylized phoenix bird in an oval of gilt, with gilt scrolls at each side, and is exceptionally fine. The four spandrels formed by the circular face of the clock have scenes depicting the seasons. The clock's dials and timepieces were painted with paint, and each coat was rubbed down until the dial face was like polished ivory. The figures on Mr. Hall's clock, however, are so English in character that it seems certain they were done by the unknown English artist whom Willard employed. This Englishman was employed by Willard for the then exorbitant pay of from $10 to $20 a dial. His usual designs were a combination of arabesque and scroll work, with cross-hatching, done in gold leaf on a white ground. Miss Theodora Willard of Cambridge has an excellent example of this type. This artist, of whose name there seems to be no record, either died or moved away about 1828. Incidentally, Charles Bullard, who later did so much for Willard, was a pupil of the English lishman, but never approached his master in skill. The little scenes of the seasons with the square case have a woman in a leghorn hat seated beside an urn, holding flowers in her lap, representing spring. The upper right-hand spandrel, representing autumn, has another woman reaping wheat with a sickle under a tree, shown by a young girl asleep with a basket of fruit in her lap. Winter is shown by a young girl asleep with a basket of fruit in her lap.