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The image is a page from a document or pamphlet titled "Burt's Silver Shown at the Fogg Art Museum." It features a photograph of a silver trophy or cup, identified as "The Brown Loving Cup" created by John Burt, a silversmith.

The text on the page provides information about the cup and other pieces by Burt in the Harvard University silver collection. Key points include:

• The Brown Loving Cup and several candlesticks by Burt are part of the University's collection.
• These pieces were originally owned by Samuel Brown, a tutor at Harvard from 1716 to 1728.
• A tankard by William Simpkins, also from Burt's workshop, is included in the exhibit.
• The collection offers a chance to study Burt's work, characterized by simple and dignified designs.
• The cup's engraving mentions it was a gift from Samuel Brown, who was admitted to the College as a youth and later became a tutor.
• Brown's family has a history of contributions to Harvard, with his son and grandson also making significant donations.

The document appears to be a detailed description and historical context for the silver pieces exhibited at the Fogg Art Museum.

The image shows a document from the Fogg Art Museum featuring an article about a significant piece of silverwork by John Burt, specifically the Brown Loving Cup.

1. Title and Image:

   • The title at the top of the page is "Burt’s Silver Shown at the Fogg Art Museum."
   • Below the title, there is a black-and-white photograph of the Brown Loving Cup, which is a silver cup with ornate designs, including a crest and handle.

2. Text Content:

   • The text begins by highlighting the Brown Loving Cup as an outstanding example of New England silversmith work from the 17th to 18th centuries, part of the Harvard University silver collection.
   • It mentions that the museum is displaying not just the Brown Loving Cup but also silver candlesticks by Burt, which were part of a loan exhibition from the University Collection.
   • The cup was originally owned by Nicolas Sever, a tutor at Harvard from 1716 to 1728.
   • A story from the Corporation records of 1723 is provided, detailing how Eldest Son Samuel Brown, who was admitted to the College despite bodily infirmity, received special privileges and honors. Eldest Son Samuel Brown was made a Fellow-Commoner with a large stipend and exempt from certain duties.

The article seems to combine the historical significance of the silverwork with a story of historical privilege and inclusion within an educational institution.

The image displays a yellowed, typewritten document with a photograph of a silver cup. The title of the document reads "Burt's Silver Shown at the Fogg Art Museum." Below the title is an image of a silver cup with two handles, identified as "The Brown Loving Cup, John Burt, Silversmith."

The text begins by noting the outstanding representation of New England silversmiths, specifically John Burt (1690-1745), in the Harvard University silver collection at the Fogg Art Museum. The displayed items include the Brown loving cup and Sever candlesticks, which once belonged to the University. Additionally, there is a loan exhibit of pieces from the Sever family, originally owned by Nicolas Sever, a tutor at Harvard from 1716 to 1728.

The document highlights the significance of this exhibit as an opportunity to study the work of John Burt. It mentions that his simple yet dignified designs, especially the Brown cup, are notable for their architectural elegance. The text then shares an anecdote from the Corporation records of 1723, detailing the story of Samuel Brown, the eldest son of Samuel Brown, who was admitted to Harvard College. The story explains the circumstances under which the Brown loving cup was presented to the college.

The document provides historical context and an interesting narrative, connecting the artifacts to specific individuals and events from the past.

The image is a newspaper clipping that features an article titled "Burt's Silver Shown at the Fogg Art Museum." The article discusses a silver collection at Harvard University, specifically highlighting pieces by John Burt, a silversmith from the period 1690-1745.

Key points from the article include:

1. Collection Overview:

   • The Fogg Art Museum is displaying silver items from the Harvard University silver collection.
   • The collection prominently features work by John Burt, among other New England silversmiths.

2. Highlighted Piece:

   • The Brown loving cup, created by John Burt, is particularly noted.
   • This piece is part of a loan exhibition from the University, with two additional pieces by John Burt also being included.
   • The original collection was the property of Nicholas Sever, a tutor at Harvard from 1716 to 1728, with additional pieces from W. Simpkins and others.

3. Design and Craftsmanship:

   • The Brown loving cup is praised for its simplicity and dignity, with admirable plain surfaces and an architectural form.

4. Historical Context:

   • The article shares an amusing story about the presentation of the loving cup to the College.
   • According to Corporation records from 1723, Samuel Brown, a Fellow of the College, donated the cup.
   • Samuel Brown, described as a youth with laborious infirmity (bodily disabilities), was admitted into the College on errands, which was usual for freshmen at that time.
   • The story mentions that his father, Hon. John Hancocke, endowed the College with a significant value, leading to Samuel Brown being granted privileges beyond those of a typical freshman.

The article includes an image of the Brown loving cup, showing its design and detailing.

The image shows a newspaper or magazine clipping from an exhibition at the Fogg Art Museum, titled "Burt's Silver Shown at the Fogg Art Museum." The main focus is on the silverwork of John Burt (1690-1745), specifically a piece known as the "Brown Loving Cup."

The article highlights the significance of John Burt's work within the context of New England silversmiths, represented by pieces in the Harvard University silver collection. The exhibit includes the Brown Loving Cup and several other candlesticks by Burt, along with a loan exhibit of related items.

The Brown Loving Cup is described as a distinguished piece, originally owned by Nicolas Sever, a Harvard tutor from 1716 to 1728. The cup is noted for its simplicity and dignified design, featuring a cover from the University Collection. The article mentions that the cup is architectonically simple yet elegant.

The clipping also recounts a historical anecdote about the cup from the Corporation records of 1723. It tells the story of Samuel Brown, who was admitted to Harvard College in 1723. Brown was granted a fellowship and a silver loving cup as part of his benefactions. The story emphasizes the cup's significance in Brown's life and the college's recognition of his contributions. The cup was presented to the college in gratitude for his ancestor's generosity. The article quotes the Corporation records, detailing Brown's admission and the associated privileges and honors.

The image is a document featuring an article titled "Burt's Silver Shown at the Fogg Art Museum." The main focus of the article is the work of John Burt, a silversmith from New England (1690-1745). The article highlights the Brown Loving Cup, one of the pieces by Burt on display at the Fogg Art Museum.

Key points from the article include:

• The Brown Loving Cup is a prominent piece in the exhibit.
• The Fogg Art Museum's exhibit also includes silver candlesticks by Burt, which were part of the University Collection.
• The collection is noted for its historical significance, as the pieces were originally owned by Nicolas Sever, a tutor at Harvard from 1716 to 1728.
• The Brown Loving Cup is described as a fine example of Burt's work, with its simple design and elegant architectural surfaces.
• The article mentions a story from the Corporation records of 1723, detailing the presentation of the cup to Harvard by Samuel Brown, who was admitted to the college under special circumstances due to his bodily infirmity. Samuel Brown's father, also named Samuel Brown, pledged a valuable sum of money and a plate upon his admission.

The document is likely a newspaper clipping or a printed article, given its layout and the style of the text. The image of the Brown Loving Cup is included in the center of the page.

The image depicts a page from a publication or book with the title "Burt's Silver Shown at the Fogg Art Museum." In the center of the page, there is a black and white photograph of an ornate silver cup with two handles, identified as "The Brown Loving Cup, John Burt, Silversmith."

Below the photograph, there is a detailed text description regarding the silver pieces by John Burt (1690-1745), a Harvard University silversmith. The text highlights the significance of these pieces, noting that besides the Brown loving cup and several candlesticks, there is also a loan exhibit consisting of silver by John Burt at the Fogg Art Museum. The text also mentions the historical background of the pieces, including their provenance related to Harvard University and references to the Corporation records of 1723, explaining the reasons for the gift of the cup to the college.

The page appears to be printed on aged paper with two punched holes on the left side, indicating that it may have been kept in a binder or folder. The overall tone of the page is scholarly, focusing on the artistic and cultural importance of John Burt's silverwork.

The image shows a printed page from a publication with a headline that reads "Burt’s Silver Shown at the Fogg Art Museum". Below the headline is a photograph of a silver piece with a caption that reads "The Brown Loving Cup, John Burt, Silversmith."

The body of the text details an exposition of New England silversmiths represented by pieces in the Harvard University collection at the Fogg Art Museum. The focal piece is the Brown Loving Cup on display, created by John Burt between 1690-1745. The text mentions a particular story related to the cup, references its aesthetic qualities, and notes its connection to the University's history. There is also a mention of acquisition details, stating that part of the collection was a gift from Mr. Sinclair, and an invitation to visitors to study the work of Burt.

The page is mounted on a larger beige archival page, and two holes can be seen on the left side of this mounting page, suggesting that it might be part of a binder or collection. On the upper part of the mounting page, a single metallic pin can also be observed.

The image is a photograph of a page from a publication, showcasing an article titled "Burt's Silver Shown at the Fogg Art Museum." The focal point of the page is a monochrome image of a silver loving cup with three handles, crafted by John Burt, a silversmith active from 1690 to 1745. The caption beneath the image reads "The Brown Loving Cup, John Burt, Silversmith."

The article begins with an introductory paragraph in a large font, discussing the significance of John Burt's silver pieces in the Harvard University silver collection. It mentions that the Fogg Art Museum is exhibiting Burt’s works, including the Brown loving cup and additional silver items made by Burt. It gives some historical background and context about the collection, highlighting the original ownership and remarkable features of the pieces.

The text further details the exhibition’s importance in providing insights into John Burt's craftsmanship and style, noting the simplicity and elegance of his designs. Additionally, the article conveys an amusing historical anecdote about the Brown loving cup from the Corporation records of 1723, emphasizing the heritage and artistic merit represented in the exhibition. The page has a three-hole punch along the left side, indicating it might be part of a binder or archive.

The image shows a page from a publication titled "Burt's Silver Shown at the Fogg Art Museum." The page features a black-and-white illustration of a silver cup, identified as "The Brown Loving Cup, John Burt, Silversmith." The cup is prominently displayed in the center of the page, with two handles and a decorative lid, showcasing its elegant design.

Below the illustration, there is a descriptive text that discusses the cup's historical and artistic significance. The text highlights that the cup is part of the John Burt (1690–1745) collection, which includes twelve pieces of silver belonging to Harvard University. It emphasizes the cup's simplicity and dignified design, noting its large and architectural plane surfaces. The text also references a corporate record from 1723 concerning the cup's presentation to the College of Harvard, quoting a passage that describes the cup as a "loving cup."

The page appears to be from an art museum publication or catalog, focusing on the historical and artistic value of the silver piece. The layout includes a clean, formal design with centered text and an illustration that draws attention to the artifact. The overall tone suggests an academic or museum context, providing detailed insights into the cup's provenance and design.