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This image appears to be a historical newspaper clipping or article about the exhibition of Edgar Degas' works at the Fogg Museum. The article is divided into two sections: the left section is the main article, and the right section is labeled "Collections and Critiques," which seems to provide a critique of the exhibition.

The main article, titled "EXHIBITION OF DEGAS OPENS AT FOGG MUSEUM," provides details about the exhibition and the artworks included. It mentions that the show includes 25 works by Degas, with an anonymous loan making its first public appearance. The article notes that the display is the result of an enterprise of art students under the direction of a group of Harvard and Radcliffe students.

The critique section, "Collections and Critiques," discusses the exhibition and highlights some of the most striking works, such as the portraits of Diego Martelli and Jules Finot, the painter. It also mentions other paintings and pastels that are noteworthy, along with the large unfinished canvas "Woman at the Bath." The article concludes by saying that the exhibition was arranged by students doing graduate work in the Fogg Museum, and that the pictures, which have been on display for two weeks, will remain until May 30.

At the bottom of the page, there is a handwritten note that reads "Crimson May 11 1931," which likely indicates the source of the newspaper or the date it was clipped. The paper itself appears to be aged, with a discolored, off-white color, suggesting it is from the early 20th century.

The image is a scanned page of a newspaper or magazine clipping from May 20, 1931, as indicated by the handwritten date at the bottom right corner. The content is related to an exhibition of works by the artist Edgar Degas at the Fogg Art Museum.

The clipping is divided into two main sections:

1. Exhibition of Degas Opens at Fogg Museum:

   • This section discusses an exhibition of 25 works by Edgar Degas, including paintings, pastels, drawings, and monotypes.
   • The exhibition is organized by Harvard and Radcliffe students and will run until May 30.
   • It highlights a large unfinished canvas titled "Woman at the Bath," which is on loan from an anonymous collector and is being shown for the first time.
   • The exhibition emphasizes Degas' work in portraiture rather than his usual subjects of ballet dancers and race-track scenes.
   • The works display Degas' genius as an artist and technician, combining geometric design with studies of occupational scenes and actions.
   • Contributors to the exhibition include Adolph Lewisohn, Knoedler and Company, Durand-Ruel Incorporated, H. J. Sachs '10, Jacques Seligman and Company, and Wildenstein and Company.

2. Collections and Critiques:

   • This section provides a critique of the exhibition, noting that it is one of the most complete showings of Degas' works in the country.
   • It emphasizes the unusual focus on portraiture in this exhibition, with the public typically associating Degas with ballet dancers.
   • The article mentions two striking works: the portrait of Diego Martelli and the three studies for it, as well as the portrait of Jules Finot.
   • Other paintings and pastels are noted for their design, color, and fine drawing.
   • The exhibition is entirely secured and arranged by students doing graduate work in the Fogg Museum.

The page has a light beige or off-white color and shows signs of age, with some discoloration and minor damage. There are also four holes punched along the left margin, suggesting it was part of a binder or folder. The text is printed in a traditional serif font, typical of newspapers or magazines of that era.

This image displays a single, aged page of typewritten text, likely a press release or newspaper clipping from 1931, concerning an art exhibition.

The page is printed on off-white, slightly yellowed paper with three visible hole punches along the left margin, suggesting it was once stored in a binder. The paper shows some signs of wear, including slightly frayed edges.

The text is arranged in two main columns under two distinct headlines:

Left Column:

• Headline: "EXHIBITION OF DEGAS OPENS AT FOGG MUSEUM"
• Sub-headline: "Show Includes 25 Works of Late French Master — Anonymous Loan is Shown to Public for First Time"
• Second Sub-headline (underlined): "DISPLAY IS ENTERPRISE OF ART STUDENTS"
• Body Text: This section details an exhibition of 25 paintings, pastels, drawings, and monotypes by the French artist Edgar Degas (1834–1917) at the Fogg Art Museum. It notes the exhibit, organized by Harvard and Radcliffe students, runs until Saturday, May 30. Key points include the exhibition's emphasis on Degas's portraiture (rather than his typical ballet or race-track scenes), the inclusion of a large, unfinished canvas titled “Woman at the Bath” on public display for the first time (loaned anonymously), and a brief overview of Degas’s artistic development and technique. It also lists contributing donors: Adolph Lewisohn, Knoedler and Company, Durand-Ruel Incorporated, H. J. Sachs ’10, Jacques Seligman and Company, and Wildenstein and Company.
• Handwritten Note (at bottom): "Crimson May 11 1931" — indicating the source is likely The Harvard Crimson newspaper and the date of publication or clipping.

Right Column:

• Headline: "Collections and Critiques" (in a larger, serif font)
• Sub-headline: "EXHIBITION OF DEGAS IS NOW SHOWING AT FOGG"
• Second Sub-headline (underlined): "Graduate Student Enterprise Reveals New Side of Artist"
• Body Text: This is a critical review of the same exhibition. It praises it as “one of the most complete showings of the works by this master” and highlights its unusual focus on portraiture. The critic notes that while Degas is often associated with ballet dancers, here the subject appears only in “the brilliant pastel of the two girls behind the scenes.” The review singles out for praise “two monotypes” on pink paper, a portrait of Jules Pino, and three studies of Diego Martelli. It commends the “careful attention from the point of view of design, color, and fine drawing,” attributing the curation’s success to the work of graduate students.
• Handwritten Note (in middle of column): "Crimson May 28 1931" — indicating a later review or mention from the same newspaper.

Overall, the document offers a historical snapshot of a significant 1931 exhibition of Degas’s work at Harvard’s Fogg Museum, organized by students and featuring a notable loan. The two sections function as an announcement and a subsequent critical appraisal, both sourced from The Harvard Crimson.

The image is a newspaper clipping with two articles about an exhibition of Degas's works at the Fogg Museum. The first article, titled "Exhibition of Degas Opens at Fogg Museum," highlights that the exhibition includes 25 works by the late French master, Degas, and features an anonymous loan of a painting that is shown to the public for the first time. The article also mentions that the exhibition is an enterprise of the art students of Harvard and Radcliffe and that it will remain open until Saturday, May 30.

The second article, titled "Collections and Critiques," discusses the current exhibition of paintings, pastels, and drawings by Degas at the Fogg Art Museum. It notes that the exhibition is one of the most complete showings of the artist's works in the country and that it emphasizes portraiture, which is unusual in Degas's work. The article also mentions that the exhibition includes a large unfinished canvas titled "Woman at the Bath," which has been lent by an anonymous collector and is on display for the first time. The article concludes by stating that the exhibition has been entirely secured and arranged by students doing graduate work in the Fogg Museum and that the pictures will remain on display for two weeks.

The image depicts a page from an old newspaper, likely from the early 20th century, featuring two articles about an exhibition of artworks. The articles are titled "Exhibition of Degas Opens at Fogg Museum" and "Collections and Critiques."

The first article, "Exhibition of Degas Opens at Fogg Museum," discusses an exhibition showcasing 25 works by the late French master, Degas. The exhibition includes paintings, pastels, drawings, and monotypes, and it is open to the public for the first time. The article highlights Degas's innovative techniques and his focus on capturing the essence of his subjects, particularly in the context of ballet and race-track scenes. It also mentions that the exhibition reveals a new side of the artist, showcasing his versatility and the breadth of his artistic endeavors.

The second article, "Collections and Critiques," provides additional commentary on the exhibition. It praises Degas's mastery of pastels and his ability to create striking works that offer an interesting study of technique. The article also mentions the inclusion of works by other artists, such as Diego Martelli and Jules Fiot, and emphasizes the importance of design, color, and fine drawing in Degas's work. The exhibition, which has been entirely secured and arranged by students, is described as a careful and thoughtful presentation of Degas's art.

The layout of the page is typical of early 20th-century newspapers, with columns of text and minimal use of images. The articles are written in a formal and descriptive style, reflecting the era's journalistic approach to art criticism. The use of terms like "monotypes" and "pastels" indicates a focus on the technical aspects of Degas's work, while the mention of "ballet dancers" and "race-track scenes" highlights the thematic content of his art. The articles collectively provide a comprehensive overview of the exhibition, celebrating Degas's contributions to the art world and the unique qualities of his work.

The image shows a scanned page from a publication, likely a newspaper or magazine, dated May 24, 1931. The page features two distinct articles separated by a vertical column divider.

Left Column: "Exhibition of Degas Opens at Fogg Museum"

• Headline: "EXHIBITION OF DEGAS OPENS AT FOGG MUSEUM"
• Subheading: "Show Includes 25 Works of Late French Master—Anonymous Loan is Shown to Public for First Time"
• Main Content:
  • The article discusses an exhibition of works by Edgar Degas, organized by Harvard and Radcliffe students under the direction of a group of art collectors.
  • The exhibition features 25 paintings, pastels, drawings, and monotypes by Degas, spanning from 1834 to 1917.
  • The exhibition is open until Saturday, May 30, and is located at the Fogg Art Museum.
  • Notable loans include works from prominent galleries and collectors in the east.
  • The exhibition emphasizes Degas's work beyond his famous ballet scenes, focusing on his portraiture and other subjects.
  • A large unfinished canvas titled "Woman at the Bath" is highlighted as an anonymous loan, exhibited for the first time.
  • The article also mentions Degas's technical skill and his innovative approach, combining geometric design with brilliant studies of occupational scenes and actions.
  • Contributors to the exhibition include Adolph Loewenpoln, Knoedler and Company, Durand-Ruel Incorporated, H. J. Sachs & Co., Jacques Seligmann and Company, and Wildenstein and Company.

Right Column: "Collections and Critiques"

• Headline: "EXHIBITION OF DEGAS IS NOW SHOWING AT FOGG"
• Subheading: "Graduate Student Enterprise Reveals New Side of Artist"
• Main Content:
  • This article discusses a current exhibition of Degas's works at the Fogg Art Museum, organized by graduate students.
  • The exhibition is noted as one of the most complete showings of Degas's works in the United States.
  • The exhibition includes pastels, drawings, and paintings, with a particular emphasis on portraiture.
  • Notable works mentioned include:
    • Two monotypes on pink paper, which offer an interesting study of singers in Paris cafes.
    • The most striking works are the portraits of Diego Martell and the three studies of Jules Fimet, the painter.
    • Other paintings and pastels, including a careful attention to design, color, and fine drawing, are also highlighted.
  • The exhibition is described as a secure and well-arranged display, entirely planned and executed by students.
  • The article notes that the exhibition will remain at the Fogg Museum for two weeks, until May 30.

Additional Details:

• Date: The page is dated May 24, 1931, as indicated by handwritten notes at the bottom of each column ("Gauchar May 24 1931" and "Cranson May 11 1931").
• Layout: The page has a clean, typed layout with clear headings and subheadings. The text is organized into two columns, typical of newspaper or magazine formatting.
• Content Focus: Both articles focus on Degas's exhibition at the Fogg Museum, highlighting different aspects of his work and the student-led curation efforts.

Overall Impression:

The page provides a detailed account of Degas exhibitions at the Fogg Museum, emphasizing the diversity and depth of his work, as well as the innovative student-led curation efforts. The articles celebrate Degas's artistic genius and the educational value of the exhibitions.

The image displays a page from an old newspaper or magazine, featuring a column titled "Collections and Critiques" and another titled "Exhibition of Degas Opens at Fogg Museum." The page is yellowed with age and has three holes punched in the left margin, suggesting it was once part of a binder or file.

The article on the right side of the page discusses the current exhibition of Degas' paintings, pastels, and drawings at the Fogg Art Museum. It highlights the artist's skillful use of pink paper and the two monotypes that offer an interesting study of an unusual technique, representing the singers in Paris cafes. The article also mentions that the most striking works in the exhibition are undoubtedly the portrait of Degas Martelli and the three studies of it, though a close second is the carefully planned and competently executed portrait of Jules Finot, the painter.

The article on the left side of the page discusses the exhibition of Degas' works at the Fogg Museum, which includes 25 works of late French master - Anonymous Loan is shown to Public for First Time. The display is enterprise of art students, and under the direction of a group of Harvard and Radcliffe students, an exhibition of 25 paintings, pastels, drawings, and monotypes, by Degas (1834-1917), is now on exhibition at the Fogg Art Museum, to remain until Saturday, May 30. The showing, items for which have been lent by prominent galleries and collectors in the east, has been made as complete in range as possible, presenting the late French master in all his various phases.

Contrary to most exhibitions of the work of Degas, emphasis has been laid not on his studies of the ballet and of the race-track, but upon his endeavors in the line of portraiture. Another feature of the show is a large unfinished canvas, "Woman at the Bath," which has been lent by an anonymous collector, and is on exhibition for the first time.

Degas' genius as an artist, and range as a technician, is particularly marked in this, his most recent showing. Trained in the tradition of Ingres and familiar with the methods of the impressionists among whom he worked, his work soon reached out into new fields, and he combined his peculiar gift of almost geometric design with brilliant studies of occupational scenes and actions. Among those who have contributed to the exhibition are: Adolph Lewisohn, Knoedler and Company, Durand-Ruel Incorporated, H.T. Spack, Jacques Seligman and Company, and Wildenstein and Company.

The background of the image is a light gray color, with a darker gray shadow behind the page. The overall atmosphere suggests a nostalgic and historical feel, evoking a sense of nostalgia for a bygone era.

The image depicts a newspaper clipping from 1931, featuring an article about an exhibition of Degas' works at the Fogg Museum. The clipping is yellowed and has three holes punched along its left edge, suggesting it was once part of a binder or folder.

Article Content

The article discusses the exhibition, which includes 25 paintings, pastels, drawings, and monotypes by Degas. It highlights the significance of the exhibition, noting that it is one of the most complete showings of Degas' works in the country. The article also mentions that the exhibition is open to the public for the first time and will remain on display until Saturday, May 30.

Additional Information

In addition to the article, the clipping includes a handwritten note in pencil at the bottom, which reads "Cresson May 11 1931." This suggests that the clipping was likely saved by someone named Cresson, who may have been interested in the exhibition or Degas' work.

Overall

The image provides a glimpse into the art world of the early 20th century, highlighting the importance of Degas' work and the significance of the exhibition at the Fogg Museum. The clipping serves as a historical record of the event, providing valuable information for art historians and enthusiasts alike.

The image is a scanned copy of a yellowed newspaper clipping on a beige sheet of paper, featuring an article about an art exhibition.

Key Features:

• The clipping is torn on the right side and has four holes punched along the left edge.
• The article is titled "EXHIBITION OF DEGAS OPENS AT FOGG MUSEUM" and "Collections and Critiques".
• The text describes an exhibition of 25 works by Edgar Degas at the Fogg Art Museum.
• The exhibition includes paintings, pastels, drawings, and monotypes from 1834-1917.
• The article highlights Degas' genius as an artist and technician, and notes that the exhibition is a rare opportunity to see his work.

Additional Details:

• The clipping is dated May 1, 1931, and has a handwritten note at the bottom that reads "Cramson May 1 1931".
• The background of the image is a light gray color.

Overall, the image appears to be a historical document related to an art exhibition featuring the works of Edgar Degas.

The image presents a vintage newspaper clipping, likely from 1931, featuring two articles about an exhibition of Edgar Degas' works at the Fogg Museum. The clipping is yellowed with age and has three holes punched along its left side.

• Left Article: "EXHIBITION OF DEGAS OPENS AT FOGG MUSEUM"
  • The article discusses the exhibition of 25 works by Edgar Degas at the Fogg Museum.
  • It highlights that the show includes a large unfinished canvas, "Woman at the Bath," which has been lent by an anonymous collector and is on display for the first time.
  • The exhibition was organized by a group of Harvard and Radcliffe students under the direction of an art museum class.
  • The show features paintings, pastels, drawings, and monotypes by Degas, showcasing his various phases as an artist.
  • The exhibition was open until May 30, 1931.
• Right Article: "EXHIBITION OF DEGAS IS NOW SHOWING AT FOGG"
  • This article provides additional information about the exhibition, describing it as one of the most complete showings of Degas' works undertaken in the country.
  • It emphasizes that the public has become accustomed to associating Degas with ballet dancers, but this exhibition reveals a new side of the artist.
  • The exhibition features a portrait of Jules Pinot, the painter, and other paintings and pastels that demonstrate Degas' skill in design, color, and fine drawing.
  • The exhibition was also open until May 30, 1931.
• Handwritten Notes
  • A handwritten note on the left side of the clipping reads "Ganson May 28 1931."
  • Another note below it reads "Crawson May 11 1931."

In summary, the image showcases a vintage newspaper clipping discussing an exhibition of Edgar Degas' works at the Fogg Museum in 1931. The exhibition featured 25 works by Degas, including paintings, pastels, drawings, and monotypes, and was organized by a group of Harvard and Radcliffe students. The clipping includes handwritten notes with dates and names, adding a personal touch to the historical document.