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The image shows a newspaper clipping from May 1931, detailing an exhibition of works by Edgar Degas at the Fogg Museum. The exhibition, organized by a group of Harvard art students, includes 35 works by the late French master, comprising paintings, pastels, drawings, and monotypes. Notable pieces include "Woman at the Bath" and a large pastel of a dancer. The article highlights the unique opportunity for the public to see these works, many of which have been loaned by prominent galleries and collectors. It also mentions Degas' artistic style and the range of his subjects, from portraits to ballet dancers and racehorses. The exhibition aims to showcase Degas' versatility and the development of his artistic techniques.

The image shows two newspaper clippings from 1931 regarding an exhibition of works by Edgar Degas at the Fogg Museum.

1. Left Clipping:

   • Title: "Exhibition of Degas Opens at Fogg Museum"
   • Content: The article describes a new exhibition at the Fogg Art Museum showcasing 25 works by Edgar Degas, including paintings, pastels, drawings, and monotypes. The exhibit is an anonymous loan and is open until Saturday, May 36. It is noted that this is an enterprise by art students from Harvard and Radcliffe.
   • Details: The show includes a range of Degas' artistic phases, with a focus on his technical skill and portrayal of ballet dancers and other subjects. There is also mention of a large unfinished canvas titled "Woman at the Bath," which is part of the exhibit.

2. Right Clipping:

   • Title: "Collections and Critiques: Exhibition of Degas Is Now Showing at Fogg"
   • Content: This article reviews the exhibition. It highlights the works that are particularly noteworthy, such as monotypes and pastels depicting singers in Paris cafés.
   • Analysis: The critic appreciates the complete range of Degas' artistic output, noting his proficiency in various mediums and his unique approach to portraiture. The exhibition features works that emphasize Degas' mastery over color, light, and fine detail, which are essential in his portrayal of ballet dancers and other subjects.
   • Additional Information: It mentions the contributions of various galleries and companies in arranging the exhibit and notes that the exhibition will remain open until May 30.

Both clippings provide insights into the significance of the exhibition, the range of Degas' artistic contributions, and the critical reception of his works at the Fogg Museum.

The image shows a newspaper clipping pasted on a light blue background. The clipping is an article titled "EXHIBITION OF DEGAS OPENS AT FOGG MUSEUM." The article discusses an exhibition of 25 works by the late French master Edgar Degas, which is on display at the Fogg Art Museum. The show, organized by Harvard and Radcliffe students, includes paintings, pastels, drawings, and monotypes by Degas, with some items on loan from prominent galleries. The article highlights the range of Degas' work, from his studies of the ballet to his portraits, and notes the inclusion of an unfinished canvas, "Woman at the Bath." The exhibition also features works by other artists, including Adolph Lewisohn, Knoedler and Company, and Jacques Seligman and Company. The article is dated May 1931. The handwritten note at the bottom of the clipping reads "Cambridge, May 1931."

The image is a newspaper clipping from May 11, 1931, featuring an article about an exhibition of works by Edgar Degas at the Fogg Museum. Here are the main points detailed in the article:

1. Exhibition Details:

   • The exhibition includes 25 works by the late French master Edgar Degas.
   • An anonymous loan has made it possible for some of these works to be shown to the public for the first time.

2. Student Involvement:

   • The exhibition is a result of the efforts of a group of Harvard and Radcliffe art students under the direction of various collectors and museums.
   • The exhibition will run from its opening until May 30.

3. Scope and Themes:

   • The works on display include paintings, pastels, drawings, and monotypes, showcasing a wide range of Degas' artistic phases.
   • While Degas is often associated with themes like the race-track, this exhibition highlights his diverse interests, particularly portraiture.
   • One of the notable works on display is "Woman at the Bath," which has been lent by an anonymous collector.

4. Artistic Techniques:

   • The article emphasizes Degas' genius both as an artist and a technician, particularly noting his influence by Ingres and his mastery of combining geometric design with studies of everyday scenes and actions.
   • The exhibition includes works such as "Adolph Menzel," "Dancers in Pink," "Dancer Adjusting Her Shoe," and "Ryel Incorporated, H. J. Suydam."

5. Graduate Student Enterprise:

   • The exhibition also showcases the initiative of graduate students who have arranged the display.
   • The two monotypes on pink paper are particularly highlighted for their unusual technique, representing Degas' innovative approach.

6. Collections and Contributions:

   • The exhibition features works from various collections, including those of Jules Bache, Jacques Seligmann and Company, and Wildenstein and Company.

Overall, the article provides a comprehensive overview of the significance of the Degas exhibition at the Fogg Museum, highlighting its educational value and the breadth of Degas' work on display.

The image is a newspaper clipping from May 1931, detailing an exhibition of works by Edgar Degas at the Fogg Art Museum.

The article, titled "Exhibition of Degas Opens at Fogg Museum," highlights the showing of 25 works by the late French master, including paintings, pastels, drawings, and monotypes. This exhibition is the first time many of these works are being displayed to the public. The show is organized by Harvard and Radcliffe students and is scheduled to remain open until May 30, 1931.

Key points from the article include:

1. Display of Various Art Forms: The exhibition features a comprehensive display of Degas' works, including studies of ballet dancers and racehorses, which are less frequently exhibited.

2. Anonymous Loan: A large unfinished canvas, "Woman at the Bath," is on loan from an anonymous collector.

3. Technical Mastery: The article emphasizes Degas' skill and innovation, particularly in his use of monotypes and pastels, which capture the essence of his subjects with remarkable detail.

4. Student Involvement: The exhibition is noted for being a student enterprise, highlighting the involvement of graduate students in organizing the show.

5. New Insights: The show reveals a new side of Degas' artistic technique, particularly in his portraits and studies of dancers and racehorses.

6. Contributors: The exhibition includes works lent by prominent collectors such as Adolph Lewishohn, Knoedler and Company, Durand-Ruel and Company, Jacques Seligman and Company, and Wildenstein and Company.

The clipping also includes a brief note on the date, May 1931, written by hand on the bottom right corner of the page.

The image shows a newspaper clipping from May 1931 detailing an exhibition of works by Edgar Degas at the Fogg Art Museum. The exhibition, titled "Exhibition of Degas," includes 25 works of the late French master, such as paintings, pastels, drawings, and monotypes, and is an enterprise of art students from Harvard and Radcliffe.

Key points include:

• The exhibition features an anonymous loan, which is being shown to the public for the first time.
• The show highlights Degas' genius in various phases of his artistic career, particularly emphasizing his studies of ballet dancers, milliners, and scenes of Parisian life.
• A large unfinished canvas, "Woman at the Bath," is also part of the exhibition, lent by an anonymous collector.
• The exhibition is notable for its comprehensive display of Degas' works, ranging from early sketches to more finished pieces.
• The show is praised for its unusual emphasis on portraiture and for bringing together various significant works by Degas, including those from private collections.
• The exhibition was curated by students and remains open until May 30, 1931.

The clipping also mentions that the works are on display at the Fogg Art Museum, which is one of the first complete showings of Degas' work in the country. The exhibition includes contributions from various collectors and institutions, such as Adolph Lewisohn, Knoedler and Company, Durand-Ruel, and Jacques Seligman and Company.

The image shows a scanned document which seems to be a historical newspaper clipping or an excerpt from a publication, with a date handwritten at the bottom "March 11 1931". The paper includes two columns with titles and text. The left column is titled "EXHIBITION OF DEGAS OPENS AT FOGG MUSEUM" and it discusses details related to an art exhibition featuring the works of French artist Edgar Degas at the Fogg Museum, noting it includes 25 works and is being shown to the public for the first time. The text refers to an anonymous loan, the enterprise of art students, and some specifics about the works displayed, including "La Toilette" and "Women at a Bath".

The right column is titled "Collections and Critiques" with a subtitle "EXHIBITION OF DEGAS IS NOW SHOWING AT FOGG," discussing the exhibition from a different perspective, perhaps a critical review section that comments on the pieces displayed and also refers to the "new side of artist." It mentions the Graduate Student Enterprise and suggests a different interpretation of some works by Degas exhibited at the Fogg Museum.

The document is affixed with four circular marks on the left, indicating it may have been stored in a binder or similar filing system. The paper's edges show signs of wear, and it has a slight discoloration due to age.

The image shows a piece of paper with two newspaper clippings. The clippings announce an exhibition of works by Edgar Degas at the Fogg Museum. The text provides details on the exhibition, noting that it includes 28 works of the late French master and that it is organized by a group of Harvard and Radcliffe students. The exhibition features paintings, pastels, and drawings, including a previously unseen anonymous loan.

The left clipping is titled "Exhibition of Degas Opens at Fogg Museum" and describes the exhibition as an enterprise of art students, focusing on Degas's emphasis on portraiture and a notable canvas titled "Woman at the Bath." The text mentions the involvement of various individuals and companies contributing to the exhibition.

The clipping on the right is titled "Collections and Critiques," detailing the exhibition's features, including two monotypes and several portraits by Degas. It praises the quality and execution of the pieces, highlighting the impact of the exhibition. The handwritten notes at the bottom citing "Crimson May 11, 1931" and "Crimson May 20, 1931" indicate the dates and source of the articles.

The image shows a sheet of paper with two newspaper clippings attached to it, both related to an exhibition of works by the French artist Edgar Degas at the Fogg Museum. The clippings are titled:

1. "EXHIBITION OF DEGAS OPENS AT FOGG MUSEUM"

   • This article discusses an exhibition of 25 paintings, pastels, drawings, and monotypes by Degas, available until May 30. It highlights that the show features items lent by prominent galleries and collectors and emphasizes portraiture rather than Degas' more commonly seen ballet and race-track subjects. It mentions a large unfinished canvas "Woman at the Bath" lent by an anonymous collector, on display for the first time. The article also notes Degas' technical skill and the contributions of various galleries to the exhibition.

2. "Collections and Critiques: EXHIBITION OF DEGAS IS NOW SHOWING AT FOGG"

   • This commentary notes the exhibition's comprehensive showing of Degas' works and emphasizes the focus on portraiture, especially the portraits of two girls behind the scenes and in small pencil drawings on pink paper. It praises the portraits of Diego Martelli and Jules Pinot for their careful execution and mentions other paintings and pastels for their design, color, and drawing. The exhibition, arranged by students displaying graduate work at the Fogg Museum, has been secured for two weeks until May 30.

Both clippings are dated "Crimson May 11 1931" and "Crimson May 20 1931" respectively, indicating the source as the Harvard Crimson newspaper from 1931. The sheet itself is a standard-sized paper with three holes punched on the left margin, suggesting it might have been part of a scrapbook or archival collection.

The image shows a scanned page from a publication, likely a newspaper or magazine, dated May 24, 1931. The page features two distinct articles separated by a vertical column divider.

Left Column: "Exhibition of Degas Opens at Fogg Museum"

• Headline: "EXHIBITION OF DEGAS OPENS AT FOGG MUSEUM"
• Subheading: "Show Includes 25 Works of Late French Master—Anonymous Loan is Shown to Public for First Time"
• Main Content:
  • The article discusses an exhibition of works by Edgar Degas, organized by Harvard and Radcliffe students under the direction of a group of art collectors.
  • The exhibition features 25 paintings, pastels, drawings, and monotypes by Degas, spanning from 1834 to 1917.
  • The exhibition is open until Saturday, May 30, and is located at the Fogg Art Museum.
  • Notable loans include works from prominent galleries and collectors in the east.
  • The exhibition emphasizes Degas's work beyond his famous ballet scenes, focusing on his portraiture and other subjects.
  • A large unfinished canvas titled "Woman at the Bath" is highlighted as an anonymous loan, exhibited for the first time.
  • The article also mentions Degas's technical skill and his innovative approach, combining geometric design with brilliant studies of occupational scenes and actions.
  • Contributors to the exhibition include Adolph Loewenpoln, Knoedler and Company, Durand-Ruel Incorporated, H. J. Sachs & Co., Jacques Seligmann and Company, and Wildenstein and Company.

Right Column: "Collections and Critiques"

• Headline: "EXHIBITION OF DEGAS IS NOW SHOWING AT FOGG"
• Subheading: "Graduate Student Enterprise Reveals New Side of Artist"
• Main Content:
  • This article discusses a current exhibition of Degas's works at the Fogg Art Museum, organized by graduate students.
  • The exhibition is noted as one of the most complete showings of Degas's works in the United States.
  • The exhibition includes pastels, drawings, and paintings, with a particular emphasis on portraiture.
  • Notable works mentioned include:
    • Two monotypes on pink paper, which offer an interesting study of singers in Paris cafes.
    • The most striking works are the portraits of Diego Martell and the three studies of Jules Fimet, the painter.
    • Other paintings and pastels, including a careful attention to design, color, and fine drawing, are also highlighted.
  • The exhibition is described as a secure and well-arranged display, entirely planned and executed by students.
  • The article notes that the exhibition will remain at the Fogg Museum for two weeks, until May 30.

Additional Details:

• Date: The page is dated May 24, 1931, as indicated by handwritten notes at the bottom of each column ("Gauchar May 24 1931" and "Cranson May 11 1931").
• Layout: The page has a clean, typed layout with clear headings and subheadings. The text is organized into two columns, typical of newspaper or magazine formatting.
• Content Focus: Both articles focus on Degas's exhibition at the Fogg Museum, highlighting different aspects of his work and the student-led curation efforts.

Overall Impression:

The page provides a detailed account of Degas exhibitions at the Fogg Museum, emphasizing the diversity and depth of his work, as well as the innovative student-led curation efforts. The articles celebrate Degas's artistic genius and the educational value of the exhibitions.