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The image shows a newspaper clipping from "The Boston Herald" dated Sunday, May 10, 1951. The clipping is mounted on a larger piece of paper, which has three holes punched along the left side, suggesting it may have been part of a binder or scrapbook.

The headline of the clipping reads "REGALS AT CAMBRIDGE." The article discusses an exhibition of paintings by Harvard and Radcliffe students at the Fogg Art Museum, which opened on May 9th. The exhibition is described as a "summery tribute to spring" and includes various styles such as primitive paintings, race horses, and realistic portraits. Notable works mentioned include "The American Connection" by Robert Rauschenberg and "American Gothic" by Robert McElroy.

The article also highlights a painting by Jules Olitski, which won the John E. Thayer Prize, and mentions other award-winning works, including those by Howard M. Rogers and John Hultberg. The exhibition is noted to be the largest in the show's six-year history, with 118 works displayed. The article concludes by mentioning that the show will travel to Bath, Maine, before being shown at the Currier Gallery of Art in Manchester, New Hampshire.

The image shows a newspaper clipping from "The Boston Herald" dated Sunday, May 10, 1931. The article is titled "Degas at Cambridge."

The clipping discusses an exhibition of paintings by Edgar Degas at Cambridge, which includes works in oil and pastel and drawings. It highlights that these pieces have been secured by Harvard and Radcliffe College. The exhibition runs from May 9 to May 30 at the Fogg Museum.

The article mentions that Degas, an eminent painter of ballet girls, is celebrated for his distinctive style. It also notes Degas's family connections, particularly his friendships with the Morbilli family, including Mlle. Mabelle Morbilli and her husband, who were ballet dancers. The article describes some of the paintings shown, including "The Laundresses," which is on loan from Mrs. Lewis H. Morgan, and "Woman at Bath," which has never been displayed before.

The newspaper clipping is placed on a piece of yellowish paper, likely part of a file or archive.

The image shows a yellowed, clipped newspaper article from "The Boston Herald," dated Sunday, May 10, 1936. The headline of the article reads "DEGAS AT CAMBRIDGE." The article discusses an upcoming exhibition at the Fogg Museum in Cambridge, Massachusetts, which features works by the French artist Edgar Degas. The exhibition includes pastels, drawings, and paintings, some of which have been lent by Harvard and Radcliffe students. The article mentions notable pieces that will be on display, including works that have not been previously exhibited in the United States. It also highlights the historical context and the significance of the pieces, mentioning specific artworks such as "The Laundresses" and "Woman at Bath." The article is neatly attached to a light-colored background, likely a sheet of paper, with a few punch holes visible on the left side, suggesting it might be stored in a binder or folder for preservation.

The image is a newspaper clipping from The Boston Herald, dated Sunday, May 10, 1931. The article is titled "Degas at Cambridge."

The text discusses an exhibition of paintings by Edgar Degas, a renowned French Impressionist artist, which has been secured by Harvard and Radcliffe students and is being displayed at the Fogg Art Museum from May 9 to May 30.

The article highlights that Degas is celebrated for his depictions of ballet girls, racehorses, and portraits of his contemporaries. It mentions that Degas came from an artistic family and had connections with other notable artists, including Mary Cassatt, an American artist.

Additionally, the piece notes that the exhibition features several important works by Degas, including portraits and other significant pieces such as "The Laundress," lent by Howard Mansfield, and "Woman at Bath," which had never been shown before. The display is seen as a remarkable opportunity for art enthusiasts to view these works.

The image shows a newspaper clipping from "The Boston Herald," dated Sunday, May 10, 1931. The article is titled "DEGAS AT CAMBRIDGE."

Here's a detailed summary of the article:

1. Introduction and Context:

   • The article discusses an exhibition of paintings in oil and pastel, along with drawings, by Edgar Degas, which have been secured by Harvard and Radcliffe colleges for display at the Fogg Museum from May 9-30.

2. Degas's Contributions:

   • The exhibition marks the centennial of Degas's first appearance in the United States with his work "The Dance Class" at the Boston Museum of Fine Arts in 1881.
   • Degas was an extraordinary painter of ballet girls and horses, known for his extraordinary compositions and his ability to capture the essence of his subjects.

3. Personal Connections:

   • The article highlights Degas's connections to notable figures, including American painter Mary Cassatt, who was a friend and admirer of his.
   • It mentions his relationship with the Morbilli family, whose daughter, Marie van Goethem, was a subject of his paintings.

4. Exhibition Highlights:

   • The exhibition includes several significant works, such as "The Laundresses," lent by Howard Mansfield, and "Woman at Bath," which is being shown for the first time.

5. Significance of the Exhibition:

   • The event is seen as an important display of Degas's work, featuring some of his most notable pieces.

The clipping is preserved on a piece of paper that has been punched with holes, likely for a binder or filing system.

The image shows a yellowed newspaper clipping from "The Boston Herald," dated Sunday, May 10, 1931. The headline of the article is "DEGAS AT CAMBRIDGE."

The article discusses an exhibition of paintings by Edgar Degas at the Fogg Museum, which is now part of Harvard University's Art Museums. The exhibition is noted to include both oil and pastel works, showcasing Degas' skill as a painter of ballet girls and other contemporary subjects. The article mentions that the museum is also exhibiting a number of paintings that have been recently secured by Harvard and Radcliffe Colleges.

The Degas centenary is highlighted, with the exhibition running from May 9 to 30. The article includes a brief mention of Degas' family and his American connections, specifically referencing an American woman, Mrs. M. Morhilli, and her husband, who were close to the artist.

The article also notes the presence of a fascinating study of the period of reconstruction following the Franco-Prussian War. Additionally, it mentions that several important works by Degas, including "The Laundresses," lent by Howard Mansfield, and "Woman at Bath," never before shown, are part of the exhibition. The clipping includes a reference to the Museum of Fine Arts in Boston and the significance of the displayed works.

The image shows a beige sheet of paper with three punched holes along the left edge, likely for placing in a binder. Attached to the upper left area of the paper is a small newspaper clipping from The Boston Herald dated Sunday, May 10, 1931. The clipping contains an article titled "DEGAS AT CAMBRIDGE" and discusses an exhibition of paintings in oil and pastel by Edgar Hilaire Degas (1834-1917) at the Fogg Art Museum in Cambridge. The article highlights the subject matter of Degas' paintings, such as ballerinas, jockeys, and racehorses, noting his American as well as French celebrity. It also mentions other artworks and related historical and artistic items on display at the museum.

The image shows a large, blank, light beige-colored sheet of paper. On the upper right section of the paper, there's a small, rectangular newspaper clipping pasted onto it. The newspaper piece has a title visible at the top that reads "PICTURES AT CAMBRIDGE". Below the title is a block of text, too small to read clearly in this overview image.

On the bottom right, there's a separate line of text that says "THE BOSTON HERALD, SUNDAY, MAY 10, 1931," which provides the source and date of the newspaper clipping.

The left side of the paper shows three punched holes, suggesting that the sheet was intended to be placed in a binder or file. The sheet also shows signs of age, with slight discoloration and the edges appearing to be slightly worn or frayed, particularly noticeable on the right edge.

The image displays a single sheet of paper with two items affixed to it. On the top left portion, there is a small newspaper clipping with the headline "DEGAS AT CAMBRIDGE." Below this section, there is a horizontal strip indicating the source and date: "THE BOSTON HERALD. SUNDAY, MAY 10, 1931." The paper itself has three punched holes on the left-hand side, suggesting it might have been kept in a binder or folder. The sheet is otherwise blank and the edges of the paper appear slightly worn or aged.

The image shows a newspaper clipping from The Boston Herald, dated Sunday, May 10, 1931. The article is titled "Degas at Cambridge" and discusses an exhibition of paintings by the renowned French artist Edgar Degas at the Fogg Art Museum.

Key Details from the Article:

1. Exhibition Overview:

   • The exhibition features paintings in oil and pastel, and drawings by Degas, spanning the years 1884–1921.
   • These works have been secured by Harvard and Radcliffe students for a two-week show at the Fogg Art Museum, running from May 2–30.

2. Degas's Work:

   • The article highlights Degas as an admirable painter of ballet girls, known for his jockey eyes, baleful realism, and portraits.
   • It notes his family connection with the American South, which is said to make him a celebrity in some circles.
   • Degas is described as a fascinating study of the period of realism, with a Southern writer potentially capturing his essence.

3. Notable Works on Display:

   • The exhibition includes historically significant works by Degas, such as:
     • "The Laundresses", lent by Howard J. Sachs.
     • A large unfinished canvas titled "Woman at her Bath", never before shown.

4. Contextual Information:

   • The article mentions Miss Merrill, Degas's wife, who was a famous dancer in the Crochet capital of Count de Gas.
   • It notes that Degas's whole family is present in the show, as depicted in the conversation piece by Degas at the Museum of Fine Arts in Boston.

Visual Description:

• The clipping is printed on light-colored paper with a clean, formal layout typical of newspaper articles from the early 20th century.
• The text is typed in a serif font, and the article is neatly aligned with clear headings and subheadings.
• The date and newspaper name ("The Boston Herald") are prominently displayed at the bottom of the clipping.

This article serves as a historical record of an art exhibition, providing insight into Degas's work and its reception at the time.