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ARCH.2003.25, Rendition: 794223
The image shows a piece of paper with a printed notice. The notice is titled "FOGG MUSEUM BUYS CHINESE WORK" and is dated Saturday, March 28, 1931, from the publication "Art News." The text informs readers that the Fogg Art Museum of Cambridge, Mass., has acquired an ancient Chinese portrait of a woman by a woman, titled "Lady Su Hui," from the Louise E. Bettens Fund. The acquisition is noted to be from the time of the Sung-Yuan dynasties. Additionally, it mentions an important new loan that comprises thirty-eight drawings and watercolors by Gabriel-Charles Gleyre, which have been lent by the Lowell Institute. The paper is attached to a light-colored background, and there are four small holes visible on the left side, suggesting it might be part of a binder or file.
The image shows a page from a publication titled "Art News," dated Saturday, March 28, 1931. The article is titled "FOGG MUSEUM BUYS CHINESE WORK." It discusses the acquisition by the Fogg Art Museum in Cambridge, Massachusetts, of an ancient Chinese portrait from the time of the Sung-Yuan dynasties. The portrait, titled "Lady Su Hui," was painted by Lady Huan To Shen. The article also mentions an important new loan of thirty-eight drawings and watercolors by Gabriel-Charles Gleyre, which have been lent by the Lowell Institute. The page has three holes punched along the left side, suggesting it was part of a binder or file. The background is a light beige color, and the text is in a simple, readable font.
This image displays a single, aged sheet of off-white or cream-colored paper, likely from a file or notebook, as evidenced by the four punched holes along its left edge. The paper exhibits a slightly textured surface and shows signs of aging, with a subtle yellowing and slight discoloration at the top edge.
In the upper left quadrant, there is a small, rectangular clipping from a newspaper or newsletter. This clipping appears to be mounted or taped onto the page.
The clipping contains the following text:
Art News
Saturday, March 28, 1931
FOGG MUSEUM BUYS CHINESE WORK
The Fogg Art Museum of Cambridge, Mass., has recently purchased from the Louise E. Bettens Fund an ancient Chinese portrait of about the time of the Sung-Yuan dynasties. It is a portrait of a woman by a woman, “Lady Su Hui” by Lady Huan To Shen.
An important new loan comprises thirty-eight drawings and water colors by Gabriel-Charles Gleyre. These have been lent by the Lowell Institute.
The text is printed in a typical newspaper serif font. The headline and the publication name are bolded and larger than the body of the article.
The rest of the sheet is blank, emphasizing the historical nature of the clipping. The overall presentation suggests this is an archival document, preserved for its historical or institutional significance, likely related to the Fogg Art Museum's acquisitions and loans from 1931. The clean, minimalist presentation against a neutral light gray background highlights the document itself.
The image is a scanned page from a newspaper, dated Saturday, March 28, 1931. The page features a headline titled "Fogg Museum Buys Chinese Work," which suggests the article is about an acquisition by the Fogg Art Museum at Harvard University. The article mentions that the museum has recently purchased a Chinese painting from the Louise E. Rettens Fund. This painting is described as a portrait of a woman, titled "Lady Su Hui," created during the time of the Sung-Yuan dynasties. The painting is noted for its new loan, which includes thirty-eight drawings and watercolors by Gabriel-Charles Gleyre. These have been lent by the Lowell Institute. The article also includes a small, cropped image of the painting, which appears to be a portrait of a woman in traditional Chinese attire. The background of the image is plain, with the text and image occupying the central part of the page.
The image depicts a page from a newspaper or magazine, dated Saturday, March 28, 1931. The page is titled "Art News" and features an article about the Fogg Museum's acquisition of a Chinese work of art. The article is titled "FOGG MUSEUM BUYS CHINESE WORK."
The article reports that the Fogg Art Museum of Cambridge, Massachusetts, has recently purchased an ancient Chinese portrait from the Louise E. Retten Fund. The portrait depicts a woman named "Lady Su Hui" by Lady Huan To Shen, dating back to the time of the Sung-Yuan dynasties.
The article further mentions that the portrait is accompanied by a new loan of thirty-eight drawings and watercolors by Gabriel-Charles Gleyre, which have been lent by the Lowell Institute.
The page is printed on a light-colored, textured paper, and the text is in black ink. The layout is simple, with the title and date at the top, followed by the article text. There are no images or illustrations accompanying the article.
The article is concise and informative, providing details about the acquisition and the context of the artwork. The use of formal language and the inclusion of specific names and dates suggest that the article is intended for an educated audience interested in art and cultural history.
Overall, the image captures a moment in art history, highlighting the Fogg Museum's commitment to acquiring significant works of art and the importance of preserving and sharing cultural heritage.
The image shows a typed document titled "FOGG MUSEUM BUYS CHINESE WORK" from Art News, dated Saturday, March 28, 1931. The document announces that the Fogg Art Museum of Cambridge, Massachusetts, has recently acquired an ancient Chinese portrait from the Louise E. Rettenmund Fund. The portrait is described as an important work from the Sung-Yuan dynasties, depicting a woman known as "Lady Su Hai" by Lady Huan To Shen.
Additionally, the document mentions that the museum has also purchased thirty-eight drawings and watercolors by Gabriel-Charles Gleyre, which have been lent by the Lowell Institute. The text is printed on a light-colored paper with a clean, formal layout, typical of news clippings or museum announcements from the early 20th century. The document appears to be preserved, with visible perforations along the left edge, suggesting it may have been part of a bound collection or archive.
The image presents a scanned copy of an old newspaper clipping, featuring a headline that reads "FOGG MUSEUM BUYS CHINESE WORK" in bold black text. The article is dated Saturday, March 28, 1931, and is attributed to the Fogg Art Museum of Cambridge, Massachusetts.
Key Points:
Summary:
The image shows a scanned copy of an old newspaper clipping from 1931, featuring an article about the Fogg Art Museum's purchase of a Chinese work. The clipping is printed on yellowed paper with a small hole punch and has a light gray background.
The image depicts a news article about the Fogg Museum's acquisition of a Chinese work, dated Saturday, March 28, 1931. The article is printed on a piece of paper with three holes punched along the left side, suggesting it was once part of a binder or folder.
Key Details:
Visual Elements:
Overall, the image presents a historical news article about the Fogg Museum's acquisition of a significant Chinese work, highlighting the museum's commitment to collecting and preserving cultural artifacts.
The image presents a scanned or photographed page of a newspaper clipping, titled "FOGG MUSEUM BUYS CHINESE WORK," dated Saturday, March 28, 1931. The clipping is from "Art News" and is printed on aged paper with a yellowish hue.
Clipping Details:
Page Characteristics:
Overall Impression:
The image appears to be a historical document or archive related to art history, specifically highlighting the acquisition of Chinese artwork by the Fogg Art Museum. The aged paper and the content of the clipping suggest that it is an original document from the early 20th century.
The image presents a scanned or photographed page from an old newspaper or document, featuring a news article about the Fogg Museum's acquisition of Chinese artwork.
In summary, the image shows a page from an old newspaper or document with a news article about the Fogg Museum's acquisition of Chinese artwork, including an ancient portrait and a collection of drawings and watercolors on loan from the Lowell Institute.