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The image shows a typewritten document with a quote by Richard F. Bach, who was the Director of Industrial Relations at The Metropolitan Museum of Art. The quote discusses the nature of industrial art produced by machines and its role in contributing to contemporary style.

Key points from the quote include:

• Objects of industrial art created by machines within the machine's capabilities inherently contribute to a modern style.
• The primary criticism of these machine-produced items is that they are not unique or handmade, which some argue is a nostalgic response.
• Bach argues that calling these designs "modernistic" undermines their potential for genuine growth and innovation.
• He emphasizes that contemporary designs should not be judged solely on their resemblance to past styles.
• Bach expresses hope and encouragement for designers, urging faith in their sincerity and creativity.

Below the quote, there is a section detailing the commemoration of craftsman's week, recognizing the contributions of various entities in the field of industrial and civic art. It lists several companies, including:

• The Alkire Press, Inc. at 289 Congress Street
• Barbour Stockwell, Duntins & Osborn, Inc. at 10 State Street
• Tileston & Hollingsworth at 213 Congress Street

The document appears to be part of a larger booklet or pamphlet, as indicated by the hole punches on the left margin.

The image shows an open binder with a single sheet of paper attached to the left side. The paper contains a typed text, which appears to be an excerpt discussing industrial art and design. The text is attributed to Richard F. Bach, Director of Industrial Relations at The Metropolitan Museum of Art. The passage emphasizes the importance of balancing the capabilities of machines with the needs of contemporary design, suggesting that sincere and faithful design can lead to growth and that art should not be limited by current styles.

Below the main text, there is a smaller section that acknowledges the contributions of several companies to a program on industrial and civic art, organized by the Boston Chamber of Commerce. The companies listed include The Alpine Press, Inc., Barton, Durstine & Osborn, Inc., and Tilton & Hollingsworth.

The right side of the binder is empty. The background of the image is a plain, light-colored surface.

The image shows a page from a folder or binder with a text excerpt by Richard F. Bach. The text is as follows:

"Objects of industrial art made by machine within the reasonably capacities of the machine are automatically contributions to a contemporary style, the more since they are factors in the economy. It is true that they destroy the modernistic is to destroy their potentiality of growth. For these contemporary designs that are machine-produced art are not the last word in style; if is not interested in last words. If the objects do not represent the reasonable use of the machine, the designer should go back to the drawing board. If their designers are sincere, we may say with feeling, let us have faith."

Richard F. Bach is identified as the Director of Industrial Relations at The Metropolitan Museum of Art.

Below this quote, there is a smaller note acknowledging contributions for the craftsmanship and artistry in the creation of the program:

"The Alpine Press, Inc., 289 Congress Street
Ravenston, Barton, Durstine & Osborne, Inc.
Tileston & Hollingsworth, 213 Congress Street"

This smaller note is likely thanking the respective companies for their contributions to the project.

The image shows a page from a document that appears to be a typed or printed text, likely from an exhibition catalog or a similar publication. The text on the page is written by Richard F. Bach, who is identified as the Director of Industrial Relations at The Metropolitan Museum of Art.

The main content of the page discusses industrial art and its role in contemporary design:

"Objects of industrial art made by machine within the reasonably capacities of the machine are automatically contributions to a contemporary style, the more since they are factors in the economy. But if they are to be modernistic is to destroy their potentiality of growth. For these contemporary designs that are machine-produced are not the last word in style; art is not interested in last words. If the objects are to represent the reasonable use of the machine, the designer should design them as if they were handmade if their designers are sincere, we may say with feeling, let us have faith."

Below this text, there is an acknowledgment section that reads:

"In recognition of the craftsmanship and artistry in the making of this program, the Committee on Industrial and Civic Art of the Boston Chamber of Commerce warmly acknowledges the following companies:

The Alpine Press, Inc., 289 Congress Street
Raymond, Barton, Durstine & Osborn, Inc., 100 Milk Street
Tileston & Hollingsworth, 213 Congress Street."

The document is held by a metal ring binder, which suggests it is part of a larger collection or series of documents.

The image shows a page from a document, likely a certificate or an acknowledgment sheet, which is bound by a metal ring binder on the left side. The page appears to be printed on light-colored paper.

The text on the page reads as follows:

"Objects of industrial art made by machine within the reasonably capacities of the machine are automatically contributions to a contemporary style, the more since they are factors in the economy of the day. Their sole justification for their modernistic is to destroy their potentiality of growth. For these contemporary designs that are machine-produced are not the last word in style: art is not interested in last words. If the objects ... represent the reasonable use of the machine, the best should be done with them. If their designers are sincere, we may say with feeling, let us have faith."

The text is signed by:

RICHARD F. BACH,
Director of Industrial Relations,
The Metropolitan Museum of Art.

Below this text, there is an acknowledgment section:

In recognition of the craftsmanship and artistry in the making of this program, The Committee on Trial and Civic Art of the Boston Chamber of Commerce gratefully acknowledges the following companies:

THE ALPINE PRESS, INC., 289 Congress Street
RAPSON, BARTON, DURSTINE & OSORNE, INC.
TILSTON & HOLLINGSWORTH, 213 Congress Street

The page appears to be part of a commemorative or recognition document for a program related to industrial art and civic contributions.

The image shows a page from a document or booklet, with text printed on it. The text is a quote from Richard F. Bach, who is identified as the Associate Curator of Industrial Relations at The Metropolitan Museum of Art. The quote discusses the significance of industrial art and design, emphasizing that objects made by machines within reasonable capacities can be considered as contributions to contemporary style. It highlights the economic relevance of such styles and the importance of understanding and supporting their growth potential. The quote also touches on the sincerity of designers and its impact on the reception of these objects.

Below the quote, there is an acknowledgment section that recognizes the craftsmanship and artistry in the design and printing of the document. It mentions the contributions of the Board of Trustees, the Design Division of Container Corporation of America, and specific printing companies: Georges Blons, Inc., Alvin Pease, Inc., Batten, Barton, Durstine & Osborn, Inc., and Ticknor & Hollingsworth. The addresses of these companies are also provided.

The page appears to be part of a bound document, as indicated by the visible binding holes on the left side. The background of the image is plain and light-colored, allowing the text to stand out clearly.

The image shows a document or page that is part of a larger binder or collection, evident from the three holes punched along the left side, suitable for a three-ring binder. The paper appears to be somewhat old, with a slight yellow tinge indicative of aging. A typed text is partially visible on a lighter-colored rectangular area that seems to be either a page glued to the larger one or a window cut into it to display the text.

The visible text starts with a quote, attributed to Richard F. Bach, which discusses the relationship between industrial art made by machines and the role of these in terms of automatization, economy, and human response. It speaks to the impermanence of machine-produced designs, advocating for "the reasonable use of the machine" and suggests that those designs that "have courage" and "say with feeling" should inspire us to "have faith." The text below the quote acknowledges the craftsmanship and artistry in the making of the quote's printed object and lists several entities, including committees, sponsors, and companies presumably involved in the creation or distribution of the object in question. The last two lines are not entirely readable due to the angle and the overlap with another paper.

The image shows a piece of paper clipped to a larger, beige, hole-punched sheet. The smaller paper contains a printed quote from Richard F. Bach, Director of Industrial Relations at The Metropolitan Museum of Art, discussing the significance and potential of objects of industrial art made by machines. He emphasizes that machine-produced contemporary designs contribute to modern style and that the term "modernistic" limits their growth potential. Bach encourages viewing these objects as representations of hope and courage if created sincerely, asking readers to have faith in their value.

At the bottom of the smaller sheet, there is an acknowledgment that recognizes craftsmanship and artistry in this presentation piece, gave thanks specifically to certain companies for their contributions.

The image shows a document or page from a publication, likely a program or booklet, featuring a quote and an attribution. The page is light beige in color and appears to be part of an archival or historical collection, as suggested by its slightly aged appearance and the protective sleeve it is placed in.

Key Elements in the Image:

1. Quote:

   • The central text is a quote that reads:

     "Objects of industrial art made by machine within the reasonable capacities of the machine are automatically contributions to a contemporary style, the more since they are factors in the economic response of style to life. To call them modernist is to destroy their potentiality of growth. For these contemporary designs that are machine-produced are not the last word in style: if art is not interested in last words: art is not interested in the reasonable use of the machine, the fact should give us hope and courage; if their designers are sincere, we may say with feeling, let us have faith."

   • This quote is attributed to Richard F. Bach, who is identified as the Director of Industrial Relations at The Metropolitan Museum of Art.

2. Acknowledgment:

   • Below the quote, there is a section acknowledging the craftsmanship and artistry involved in the program. It states:

     "In recognition of the craftsmanship and artistry in the making of this program, the Committee on Light, trial and Civic Art of the Boston Chamber of Commerce gratefully acknowledges the following companies:"

   • Two companies are listed:
     • The Alpine Press, Inc., 299 Congress Street, Boston, Dayton, Durfee & Osborne, Inc., 10 State Street
     • Tileston & Hollingsworth, 213 Congress Street

3. Layout and Design:

   • The text is typed in a formal, serif font, typical of mid-20th-century printing styles.
   • The page has a clean, minimalist design with ample white space around the text.
   • The page is perforated with small holes along the left edge, suggesting it may have been part of a bound document or booklet.

4. Protective Sleeve:

   • The page is placed inside a clear, archival-quality plastic sleeve, indicating that it is part of a preserved collection or exhibit. The sleeve has visible creases and a slightly worn edge, hinting at its historical or archival nature.

Context and Interpretation:

• The quote emphasizes the role of industrial art and machine-made objects in shaping contemporary design and style. It reflects a mid-20th-century perspective on modernism and the integration of technology into art and design.
• The acknowledgment of contributing companies suggests that this document is part of a program or exhibition related to industrial design, craftsmanship, or civic art, possibly organized by the Boston Chamber of Commerce.
• The formal tone and attribution to Richard F. Bach, a notable figure in industrial design and museum curation, indicate the document's significance in the context of art and design history.

Overall, the image depicts a historically significant page from a publication or program that highlights the intersection of industrial art, design, and modernism, with a focus on the contributions of both artists and industry.

The image shows a page from a book or document with text written in black ink on a beige background. The text is in a cursive style and appears to be a quote from an author or expert discussing the role of industrial art and design in contemporary style. The quote emphasizes the importance of considering the reasonable capacities of machines and the potential for growth and innovation in industrial art. The page also includes the author's name, Richard F. Bach, and the title of the book or document, "Industrial Art and Design." The image has a slightly blurry quality, possibly due to the age or condition of the document.