Archives Scrapbooks

The image appears to show a page from a document or a book. The page is bound, as indicated by the presence of holes on the left side, which are typically used for binding with a ring or similar mechanism. The page contains a block of text written in a serif font, and below the main text, there is a smaller acknowledgment section that lists companies and individuals for their contributions. The text on the page discusses the importance of industrial art and the potential of machine-made objects to contribute to a contemporary style. It mentions Richard F. Bach, who is identified as the Director of Industrial Relations at the Metropolitan Museum of Art.

The image shows a beige folder with a clear plastic binding. Inside the folder, there is a white sheet of paper with text printed on it. The text is a quote attributed to Richard F. Bach, who is identified as the Director of Industrial Relations at The Metropolitan Museum of Art. The quote discusses the relationship between industrial art, machine production, and contemporary style, emphasizing the importance of reasonable use of machines and the sincerity of designers.

Below the quote, there is a section that acknowledges the craftsmanship and artistry in the making of a program. It lists the following companies: The Alpine Press, Inc., 289 Congress Street; Batten, Barton, Durstine & Osborne, Inc., 10 State Street; and Tileston & Hollingsworth, 213 Congress Street. These companies are recognized by the Committee on Industrial and Civic Art of the Boston Chamber of Commerce.

This image shows a historical document, likely a program or insert from an exhibition or event, mounted on a larger, aged, cream-colored sheet of paper with three punched holes along the left edge, suggesting it was stored in a binder.

The central focus is a vertically oriented rectangular piece of paper with typewritten text. The text is a quotation in a serif font:

“Objects of industrial art made by machine within the reasonable capacities of the machine are automatically contributions to a contemporary style, the more since they are factors in the economic response of style to life. To call them modernistic is to destroy their potentiality of growth. For these contemporary designs that are machine-produced are not the last word in style: art is not interested in last words. If the objects . . . represent the reasonable use of the machine, the fact should give us hope and courage; if their designers are sincere, we may say with feeling, let us have faith.”

Below the quote, the author is credited:

RICHARD F. BACH,
Director of Industrial Relations,
The Metropolitan Museum of Art.

At the bottom of the page, there is a smaller block of text acknowledging sponsors:

In recognition of the craftsmanship and artistry in the making of this program, the Committee on Industrial and Civic Art of the Boston Chamber of Commerce gratefully acknowledges the following companies:

THE ALPINE PRESS, INC., 289 Congress Street
BATTEN, BARTON, DURSTINE & OSBORNE, INC.,
10 State Street
TIETJEN & HOLLINGSWORTH, 213 Congress Street

The overall appearance is minimalist and typographic, characteristic of mid-20th century design, particularly associated with the modernist and machine-age aesthetics referenced in the text. The document reflects the philosophy of industrial design and its place in art and society, strongly influenced by Bauhaus and modernist thought. The physical presentation — mounted and preserved — suggests it is an artifact of historical or design significance.

The image shows a page from a book or document with text written in black ink on a beige background. The text is in a cursive style and appears to be a quote from an author or expert discussing the role of industrial art and design in contemporary style. The quote emphasizes the importance of considering the reasonable capacities of machines and the potential for growth and innovation in industrial art. The page also includes the author's name, Richard F. Bach, and the title of the book or document, "Industrial Art and Design." The image has a slightly blurry quality, possibly due to the age or condition of the document.

The image is of a page from a book or document. The page is beige and has a rectangular shape. The text on the page is printed in a serif font and is written in black ink. The text appears to be a quote or excerpt from a larger work. The quote is attributed to Richard F. Bach, who is identified as the Director of Industrial Relations at the Metropolitan Museum of Art. The quote discusses the role of machines in producing industrial art and the importance of maintaining a balance between machine-made and handmade objects. The quote is followed by a brief acknowledgment of the craftsmanship and artistry involved in the production of industrial art. The page also includes the names of several companies and organizations, including The Alpine Press, Inc., Batten, Barton, Durstine & Osborn, Inc., and Tileston & Hollingsworth. The page appears to be part of a larger publication or report, as it includes a table of contents and references to other sections of the document. Overall, the image conveys a sense of professionalism and expertise, with a focus on the intersection of art, industry, and technology.

The image shows a document or page from a publication, likely a program or booklet, featuring a quote and an attribution. The page is light beige in color and appears to be part of an archival or historical collection, as suggested by its slightly aged appearance and the protective sleeve it is placed in.

Key Elements in the Image:

1. Quote:

   • The central text is a quote that reads:

     "Objects of industrial art made by machine within the reasonable capacities of the machine are automatically contributions to a contemporary style, the more since they are factors in the economic response of style to life. To call them modernist is to destroy their potentiality of growth. For these contemporary designs that are machine-produced are not the last word in style: if art is not interested in last words: art is not interested in the reasonable use of the machine, the fact should give us hope and courage; if their designers are sincere, we may say with feeling, let us have faith."

   • This quote is attributed to Richard F. Bach, who is identified as the Director of Industrial Relations at The Metropolitan Museum of Art.

2. Acknowledgment:

   • Below the quote, there is a section acknowledging the craftsmanship and artistry involved in the program. It states:

     "In recognition of the craftsmanship and artistry in the making of this program, the Committee on Light, trial and Civic Art of the Boston Chamber of Commerce gratefully acknowledges the following companies:"

   • Two companies are listed:
     • The Alpine Press, Inc., 299 Congress Street, Boston, Dayton, Durfee & Osborne, Inc., 10 State Street
     • Tileston & Hollingsworth, 213 Congress Street

3. Layout and Design:

   • The text is typed in a formal, serif font, typical of mid-20th-century printing styles.
   • The page has a clean, minimalist design with ample white space around the text.
   • The page is perforated with small holes along the left edge, suggesting it may have been part of a bound document or booklet.

4. Protective Sleeve:

   • The page is placed inside a clear, archival-quality plastic sleeve, indicating that it is part of a preserved collection or exhibit. The sleeve has visible creases and a slightly worn edge, hinting at its historical or archival nature.

Context and Interpretation:

• The quote emphasizes the role of industrial art and machine-made objects in shaping contemporary design and style. It reflects a mid-20th-century perspective on modernism and the integration of technology into art and design.
• The acknowledgment of contributing companies suggests that this document is part of a program or exhibition related to industrial design, craftsmanship, or civic art, possibly organized by the Boston Chamber of Commerce.
• The formal tone and attribution to Richard F. Bach, a notable figure in industrial design and museum curation, indicate the document's significance in the context of art and design history.

Overall, the image depicts a historically significant page from a publication or program that highlights the intersection of industrial art, design, and modernism, with a focus on the contributions of both artists and industry.

The image shows a document or page that is part of a larger binder or collection, evident from the three holes punched along the left side, suitable for a three-ring binder. The paper appears to be somewhat old, with a slight yellow tinge indicative of aging. A typed text is partially visible on a lighter-colored rectangular area that seems to be either a page glued to the larger one or a window cut into it to display the text.

The visible text starts with a quote, attributed to Richard F. Bach, which discusses the relationship between industrial art made by machines and the role of these in terms of automatization, economy, and human response. It speaks to the impermanence of machine-produced designs, advocating for "the reasonable use of the machine" and suggests that those designs that "have courage" and "say with feeling" should inspire us to "have faith." The text below the quote acknowledges the craftsmanship and artistry in the making of the quote's printed object and lists several entities, including committees, sponsors, and companies presumably involved in the creation or distribution of the object in question. The last two lines are not entirely readable due to the angle and the overlap with another paper.

The image shows a piece of paper clipped to a larger, beige, hole-punched sheet. The smaller paper contains a printed quote from Richard F. Bach, Director of Industrial Relations at The Metropolitan Museum of Art, discussing the significance and potential of objects of industrial art made by machines. He emphasizes that machine-produced contemporary designs contribute to modern style and that the term "modernistic" limits their growth potential. Bach encourages viewing these objects as representations of hope and courage if created sincerely, asking readers to have faith in their value.

At the bottom of the smaller sheet, there is an acknowledgment that recognizes craftsmanship and artistry in this presentation piece, gave thanks specifically to certain companies for their contributions.

The image shows a beige folder or large sheet with a small pamphlet or insert attached to it by a metal paper clip. The pamphlet contains printed text in a serif font.

The prominent text on the pamphlet reads:

"Objects of industrial art made by machine within the reasonable capacities of the machine are automatically contributions to a contemporary style, the more since they are factors in the economic response of style to life. To call them modernistic is to destroy their potentiality of growth. For these contemporary designs that are machine-produced are not the last word in style: art is not interested in last words. If the objects . . . represent the reasonable use of the machine, the fact should give us hope and courage; if their designers are sincere, we may say with feeling, let us have faith."

• RICHARD F. BACH, Director of Industrial Relations, The Metropolitan Museum of Art.

Below this is another block of smaller printed text acknowledging the craftsmanship and artistry in the making of the program and listing companies that the Committee on Industrial and Civic Art of the Boston Chamber of Commerce thanks.

The companies mentioned are:

• THE ALPINE PRESS, Inc., 289 Congress Street
• BARTEN, BARTON, DURSTINE & OSMORAN, Inc., 10 State Street
• TILSTONE & HOLLINGSWORTH, 213 Congress Street

The overall appearance is quite formal and official, likely part of an exhibition or formal program related to industrial design or art.

The image displays a beige piece of paper with a smaller white insert that contains printed text. The white insert is attached to the beige paper with a hinge or a clip, allowing it to overlap slightly. The text on the white insert includes a quote attributed to Richard F. Bach, Director of Industrial Relations at The Metropolitan Museum of Art, discussing themes of industrial art, machine production, style, and craftsmanship. It emphasizes the positive potential of machine-made designs when approached with sincerity. Below the quote, there is an acknowledgment recognizing the contributions of various organizations to a specific project. The beige paper has two punched holes on the left-hand side, suggesting it is part of a larger document or binder. Clear plastic parts can be seen holding the item securely for display or preservation purposes.