Archives Scrapbooks

The image appears to show a page from a document or a book. The page is bound, as indicated by the presence of holes on the left side, which are typically used for binding with a ring or similar mechanism. The page contains a block of text written in a serif font, and below the main text, there is a smaller acknowledgment section that lists companies and individuals for their contributions. The text on the page discusses the importance of industrial art and the potential of machine-made objects to contribute to a contemporary style. It mentions Richard F. Bach, who is identified as the Director of Industrial Relations at the Metropolitan Museum of Art.

The image shows a beige folder with a clear plastic binding. Inside the folder, there is a white sheet of paper with text printed on it. The text is a quote attributed to Richard F. Bach, who is identified as the Director of Industrial Relations at The Metropolitan Museum of Art. The quote discusses the relationship between industrial art, machine production, and contemporary style, emphasizing the importance of reasonable use of machines and the sincerity of designers.

Below the quote, there is a section that acknowledges the craftsmanship and artistry in the making of a program. It lists the following companies: The Alpine Press, Inc., 289 Congress Street; Batten, Barton, Durstine & Osborne, Inc., 10 State Street; and Tileston & Hollingsworth, 213 Congress Street. These companies are recognized by the Committee on Industrial and Civic Art of the Boston Chamber of Commerce.

This image shows a historical document, likely a program or insert from an exhibition or event, mounted on a larger, aged, cream-colored sheet of paper with three punched holes along the left edge, suggesting it was stored in a binder.

The central focus is a vertically oriented rectangular piece of paper with typewritten text. The text is a quotation in a serif font:

“Objects of industrial art made by machine within the reasonable capacities of the machine are automatically contributions to a contemporary style, the more since they are factors in the economic response of style to life. To call them modernistic is to destroy their potentiality of growth. For these contemporary designs that are machine-produced are not the last word in style: art is not interested in last words. If the objects . . . represent the reasonable use of the machine, the fact should give us hope and courage; if their designers are sincere, we may say with feeling, let us have faith.”

Below the quote, the author is credited:

RICHARD F. BACH,
Director of Industrial Relations,
The Metropolitan Museum of Art.

At the bottom of the page, there is a smaller block of text acknowledging sponsors:

In recognition of the craftsmanship and artistry in the making of this program, the Committee on Industrial and Civic Art of the Boston Chamber of Commerce gratefully acknowledges the following companies:

THE ALPINE PRESS, INC., 289 Congress Street
BATTEN, BARTON, DURSTINE & OSBORNE, INC.,
10 State Street
TIETJEN & HOLLINGSWORTH, 213 Congress Street

The overall appearance is minimalist and typographic, characteristic of mid-20th century design, particularly associated with the modernist and machine-age aesthetics referenced in the text. The document reflects the philosophy of industrial design and its place in art and society, strongly influenced by Bauhaus and modernist thought. The physical presentation — mounted and preserved — suggests it is an artifact of historical or design significance.

The image shows a page from a book or document with text written in black ink on a beige background. The text is in a cursive style and appears to be a quote from an author or expert discussing the role of industrial art and design in contemporary style. The quote emphasizes the importance of considering the reasonable capacities of machines and the potential for growth and innovation in industrial art. The page also includes the author's name, Richard F. Bach, and the title of the book or document, "Industrial Art and Design." The image has a slightly blurry quality, possibly due to the age or condition of the document.

The image is of a page from a book or document. The page is beige and has a rectangular shape. The text on the page is printed in a serif font and is written in black ink. The text appears to be a quote or excerpt from a larger work. The quote is attributed to Richard F. Bach, who is identified as the Director of Industrial Relations at the Metropolitan Museum of Art. The quote discusses the role of machines in producing industrial art and the importance of maintaining a balance between machine-made and handmade objects. The quote is followed by a brief acknowledgment of the craftsmanship and artistry involved in the production of industrial art. The page also includes the names of several companies and organizations, including The Alpine Press, Inc., Batten, Barton, Durstine & Osborn, Inc., and Tileston & Hollingsworth. The page appears to be part of a larger publication or report, as it includes a table of contents and references to other sections of the document. Overall, the image conveys a sense of professionalism and expertise, with a focus on the intersection of art, industry, and technology.

The image shows a document or page from a publication, likely a program or booklet, featuring a quote and an attribution. The page is light beige in color and appears to be part of an archival or historical collection, as suggested by its slightly aged appearance and the protective sleeve it is placed in.

Key Elements in the Image:

1. Quote:

   • The central text is a quote that reads:

     "Objects of industrial art made by machine within the reasonable capacities of the machine are automatically contributions to a contemporary style, the more since they are factors in the economic response of style to life. To call them modernist is to destroy their potentiality of growth. For these contemporary designs that are machine-produced are not the last word in style: if art is not interested in last words: art is not interested in the reasonable use of the machine, the fact should give us hope and courage; if their designers are sincere, we may say with feeling, let us have faith."

   • This quote is attributed to Richard F. Bach, who is identified as the Director of Industrial Relations at The Metropolitan Museum of Art.

2. Acknowledgment:

   • Below the quote, there is a section acknowledging the craftsmanship and artistry involved in the program. It states:

     "In recognition of the craftsmanship and artistry in the making of this program, the Committee on Light, trial and Civic Art of the Boston Chamber of Commerce gratefully acknowledges the following companies:"

   • Two companies are listed:
     • The Alpine Press, Inc., 299 Congress Street, Boston, Dayton, Durfee & Osborne, Inc., 10 State Street
     • Tileston & Hollingsworth, 213 Congress Street

3. Layout and Design:

   • The text is typed in a formal, serif font, typical of mid-20th-century printing styles.
   • The page has a clean, minimalist design with ample white space around the text.
   • The page is perforated with small holes along the left edge, suggesting it may have been part of a bound document or booklet.

4. Protective Sleeve:

   • The page is placed inside a clear, archival-quality plastic sleeve, indicating that it is part of a preserved collection or exhibit. The sleeve has visible creases and a slightly worn edge, hinting at its historical or archival nature.

Context and Interpretation:

• The quote emphasizes the role of industrial art and machine-made objects in shaping contemporary design and style. It reflects a mid-20th-century perspective on modernism and the integration of technology into art and design.
• The acknowledgment of contributing companies suggests that this document is part of a program or exhibition related to industrial design, craftsmanship, or civic art, possibly organized by the Boston Chamber of Commerce.
• The formal tone and attribution to Richard F. Bach, a notable figure in industrial design and museum curation, indicate the document's significance in the context of art and design history.

Overall, the image depicts a historically significant page from a publication or program that highlights the intersection of industrial art, design, and modernism, with a focus on the contributions of both artists and industry.

The image presents a scanned document featuring a quote from Richard F. Bach, Director of Industrial Relations at The Metropolitan Museum of Art, on a beige paper with three holes on the left side. The quote is centered and reads:

"Objects of industrial art made by machine within the reasonable capacities of the machine are automatically contributions to a contemporary style, the more since they are factors in the economic response of style to life. To call them modernistic is to destroy their potentiality of growth. For these contemporary designs that are machine-produced are not the last word in style; art is not interested in last words. If the objects represent the reasonable use of the machine, the fact should give us hope and courage; if their designers are sincere, we may say with feeling, let us have faith."

Below the quote, the name "RICHARD F. BACH" is displayed in bold, followed by his title and affiliation. At the bottom of the page, a note acknowledges the printing companies involved in the production of the document.

The background of the image features a white surface with shadows cast by the document, suggesting that it was scanned or photographed in a well-lit environment. Overall, the image appears to be a scanned document or a digital representation of a printed page, likely used for educational or informational purposes.

The image presents a page from an old book or document, featuring a quote about industrial art. The page is beige with a slight yellow tint, indicating its age. It has three holes punched along the left side, suggesting it was once part of a binder or folder.

Quote:

The quote is centered on the page and reads:

"Objects of industrial art made by machine within the reasonable capacities of the machine are automatically contributions to a contemporary style, the more since they are factors in the economic response of style to life. To call them modernistic is to destroy their potentiality of growth. For these contemporary designs that are machine-produced are not the last word in style; art is not interested in last words. If the objects... represent the reasonable use of the machine, the fact should give us hope and courage; if their designers are sincere, we may say with feeling, let us have faith."

Author:

The quote is attributed to Richard F. Bach, Director of Industrial Relations at The Metropolitan Museum of Art.

Additional Text:

At the bottom of the page, there is a paragraph of small text that appears to be a dedication or acknowledgement. It reads:

"In recognition of the craftsmanship and artistry in the making of this program, the Committee on Industrial and Civic Art of the Boston Chamber of Commerce gratefully acknowledges the following companies: THE ALPINE PRESS, INC., 269 Congress Street BARTON, BARTON, DUNSTINE & OSBORNE, INC., 10 State Street TELEFON & HOLLINGSWORTH, 213 Congress Street"

Background:

The background of the image is a plain gray color, which helps to highlight the page and its contents.

Overall, the image presents a thought-provoking quote about industrial art and its relationship to modernity, along with a dedication to the companies involved in creating the program.

The image presents a beige, three-hole-punched document with a quote from Richard F. Bach, Director of Industrial Relations at The Metropolitan Museum of Art.

• The document is open to a page featuring a quote from Richard F. Bach.
  • The quote is written in black text on a white background.
  • It discusses the importance of industrial art and its potential for growth.
  • The quote is attributed to Richard F. Bach, Director of Industrial Relations at The Metropolitan Museum of Art.
• The document is bound with three silver rings on the left side.
  • The rings are visible through the holes punched in the paper.
  • The document appears to be a program or booklet.
• The background of the image is light gray.
  • The document casts a shadow on the background.
  • The overall atmosphere suggests a professional or academic setting.

The image effectively conveys the message of the quote and provides context about the document's origin and purpose.

The image presents a scanned or photographed page from a book, featuring a quote by Richard F. Bach, Director of Industrial Relations at The Metropolitan Museum of Art. The page is yellowed and has three holes punched along its left edge, suggesting it was once part of a binder.

• Quote by Richard F. Bach
  • The quote is written in black text on a white background.
  • It discusses the relationship between industrial art, machines, and style.
  • The quote emphasizes the importance of considering the capabilities of machines when creating art.
  • It also highlights the need for designers to be sincere in their work.
• Acknowledgments
  • The acknowledgments section is located at the bottom of the page.
  • It lists several companies that contributed to the making of the program.
  • The companies include:
    • The Alpine Press, Inc.
    • Batten, Barton, Durbine & Osborne, Inc.
    • Tileston & Hollingsworth
• Page Details
  • The page has a yellowed color, indicating age.
  • It has three holes punched along its left edge, suggesting it was once part of a binder.
  • The page appears to be slightly wrinkled or creased.

In summary, the image shows a page from a book featuring a quote by Richard F. Bach and acknowledgments for companies that contributed to a program. The page has a yellowed color and three holes punched along its left edge, indicating it was once part of a binder.