Transcript

Goya Drawings and Etchings in Loan Exhibition at Fogg

Goya’s prints and drawings are on exhibition at the Fogg Art Museum until March 14. The exhibition is the loan of W. G. Russell Allen of New York and W. G. Russell Allen of New York and Boston, who owns the finest impressions of Goya’s most important prints, and in addition, proofs which are not available elsewhere. Introuvable. All but a few of the subjects will be shown. Of these which are lacking, the most important is the series of European caprices. All of the great series will be on exhibition—The Caprichos, the Disasters of War, the Tauromaquia, and the Bulls of Bordeaux, a series of four lithographs, done when the artist was 82. The series of the Bulls is shown. These series passed through a number of editions, and the plates of the Disasters of War were not published until 1863, long after Goya’s death. The exhibition is of great interest and importance to the student of Goya, and it is a fine opportunity to study the changes which the artist’s imagination and technique underwent in the course of his life.

Goya came at a time when the spirit of the Enlightenment was beginning to be felt in Spain. The country, Spain, ruled over by a weak monarch, Charles IV, was the prey of corrupt and inefficient ministers. The people, and the middle classes in particular, were the victims of the system. The Disasters of War, the series of 82 prints, are a document of the period. They do not depict specific events but represent what might have happened and what probably did happen. The series is a powerful protest against the war and the suffering it caused.

Goya, coming as he did when Spain was fighting for independence, declared himself a liberal and a revolutionary. He abandoned the old classical style which had held sway in Spain for so long, and turned to a more realistic and direct way of seeing. He was a great draftsman, and his figures, even in the most complicated compositions, are always clear and readable. He was also a great colorist, and his use of aquatint in the Disasters of War is particularly effective.

The exhibition includes a number of drawings, some of which are not included in the catalogue. The drawings are of great interest, and they show Goya’s mastery of line. The exhibition is a rare opportunity for the study of Goya’s work in black and white.

Loan Exhibition of Goya’s Prints and Drawings

The loan exhibition of Goya’s prints and drawings now being held at the Fogg Art Museum is the most representative collection of the artist’s work ever held in America. There are only two drawings by the master in this country which are not included in this exhibition. Four of the drawings are studies for prints which are also shown. The “Mala noche” and “She is well-dressed” are for subjects for the Caprichos, the entire series of which is on exhibition. In addition to the finished prints of the latter, there is a proof with Goya’s title written in his hand. A red chalk drawing of “Pedro Romero killing a bull standing still” is a study for the same subject in the series of Bull-Fights, all of which are shown. The “Prisoner tortured” is a drawing for the rare little print of the same subject which hangs by its side. Particularly interesting, also, is the “Man holding back a horse,” a very spirited drawing, which shows Goya’s mastery of line and his extraordinary ability to depict expressive and violent action.

Many of the prints are of very beautiful quality. There are more than a dozen proof impressions, excessively rare, on some of which the titles are written in ink by the artist himself. Early and later impressions placed together show the kind of changes which Goya made in the plates.

The exhibition gives a splendid idea of Goya the artist and the satirist. It will remain until April first.

The image shows a document containing two transcriptions from a newspaper or magazine article dated March 1, 1981, regarding an exhibition of Francisco Goya's prints and drawings.

Left Side:

The article discusses the "Goya Drawings and Etchings in Loan Exhibition at Fogg." It highlights the significance of the exhibition, which features some of Goya's most important prints and drawings. The text notes that while many of Goya's works are in European collections, the exhibition includes a few notable pieces that are less commonly seen. It mentions a few series, such as "The Caprichos," "The Disasters of War," and "The Bullfights," which are being exhibited for the first time in America. The article emphasizes the changes in Goya's art over time, influenced by the political and social turmoil of Spain during his lifetime, particularly during the reign of Charles IV.

Goya's art is noted for its expressive and powerful style, which captures the essence of the time's dramatic events. The exhibition provides a unique opportunity to study Goya's work in black and white, showcasing his mastery in this medium.

Right Side:

The second part of the transcription is titled "Loan Exhibition of Goya's Prints and Drawings." It reiterates that the exhibition is a significant collection of Goya's prints and drawings, the most comprehensive in America. The exhibition includes two drawings by Goya himself and four studies for prints. The drawings include subjects from the "Caprichos" series, such as "Mala noche" and "She is well-dressed." The text also mentions a drawing of "Pedro Romero" and "Man holding a horse," which are notable for their depictions of expressive and violent action.

The article describes the quality of the prints and the significance of the exhibition, which lasts until April 1st. It highlights the rare nature of some of the prints, particularly those written in ink by the artist himself. This exhibition offers an excellent chance to observe Goya's artistic evolution and his mastery of line and expression in his prints.

The image shows a transcript of an article about a loan exhibition of Goya's prints and drawings at the Fogg Art Museum. The document is dated March 1, 1931.

The article discusses the exhibition which includes Goya's prints and drawings, some of which are not widely seen outside of European collections. Key points include:

1. Exhibition Details:

   • The exhibition is a collaboration between the Fogg Art Museum and the W. G. Russell Allen of Boston.
   • It features some of Goya's most important prints and etchings, including "The Caprices," "The Disasters of War," "The Bullfights," and "Los Caprichos."

2. Importance of the Exhibition:

   • The exhibition provides a rare opportunity to study the changes in Goya's work due to wear and tear, as well as the artist's artistic evolution.
   • It highlights the historical context of Goya's time, including the political and social upheavals in Spain.

3. Goya's Artistic Contributions:

   • Goya was a revolutionary artist who depicted the struggles of the people and the misdeeds of the powerful during the Napoleonic invasion and the Spanish struggle for independence.
   • His works were known for their expressive and violent depictions, showcasing his mastery in capturing human emotion and movement.

4. Artistic Techniques:

   • Goya was a skilled draftsman and printmaker, using techniques such as etching and aquatint to create powerful and expressive works.
   • The exhibition includes a variety of proofs and impressions, showing the artist's process and changes made during the creation of his prints.

5. Artistic Legacy:

   • The exhibition offers an opportunity to study Goya's work in black and white, emphasizing his unique ability to convey character and emotion through line and shading.
   • The exhibition runs until April 1st.

The transcript is neatly typed, with some handwritten notes and corrections, and is dated March 4, 1931, indicating it was possibly a draft or a version prepared for publication.

The image shows a transcript of an article titled "Goya Drawings and Etchings in Loan Exhibition at Fogg," dated March 4, 1981. The article discusses a loan exhibition of Francisco Goya's prints and drawings at the Fogg Art Museum. Here's a detailed summary:

Headline:

• Goya Drawings and Etchings in Loan Exhibition at Fogg

Main Article:

• The Fogg Art Museum is exhibiting Goya's prints and drawings, which are considered the most comprehensive collection of the artist's work ever held in America.
• The exhibition includes two original drawings and four studies for prints, including "Mala noche" (Bad Night) and "She is well-dressed," which are subjects for the Caprichos series.
• The exhibition also features a drawing of "Pedro Romero killing a bull standing still," a study for one of the Bullfights series, and a drawing of "Prisoner tortured," which hangs by its side.
• Another notable piece is "Man holding back a horse," a spirited drawing demonstrating Goya's ability to depict expressive and violent action.
• The prints are of high quality, with several proof impressions showing the progression of Goya's changes to the plates.

Historical Context:

• Goya lived during the turbulent period in Spain when Charles IV was king and Napoleon invaded.
• His works, such as the Caprichos series, reflect the horrors of war and the corruption of the monarchy.
• Goya's etchings and drawings are significant as they capture the spirit of the times, offering a revolutionary view of art.
• He was a master draughtsman with a unique ability to express character and movement, using lines and shading to depict dramatic scenes.

Exhibition Details:

• The exhibition gives a comprehensive view of Goya's artistic and satirical works, including drawings and etchings.
• It remains open until April 1st.

The transcript provides a rich historical and artistic context for Goya's works, emphasizing their significance and the opportunity to study them in depth.

The image contains a newspaper article from March 4, 1961, titled "Goya Drawings and Etchings in Loan Exhibition at Fogg." The article discusses a loan exhibition of Francisco Goya's prints and drawings at the Fogg Art Museum.

Key points from the article include:

1. Exhibition Details:

   • The exhibition features Goya's prints and drawings, which are rare in the United States.
   • The works on display include some of Goya's most important prints, such as fine impressions of his renowned series.
   • The Fogg Art Museum is showcasing this collection until April 1st.

2. Historical Context:

   • Goya lived during a tumultuous period in Spain, from the end of the 18th century through the early 19th century. This period included the Peninsular War and the subsequent political upheaval.
   • Initially, Goya was a successful court painter, creating works that pleased the monarchy.
   • As Spain's political climate changed, Goya's work evolved to reflect more personal and dramatic themes, moving away from traditional royal subjects.

3. Artistic Significance:

   • The exhibition provides a unique opportunity to view the progression of Goya's artistry, from his early works to his later, more expressive pieces.
   • The drawings and etchings in the exhibition are noted for their expressive and bold qualities, showcasing Goya's mastery of line and depiction of emotion.
   • Specific works mentioned include preparatory drawings for famous prints, such as "Mala noche" and "She is well dressed," studies for the Caprichos series, and drawings related to "Bull-Fights" and "Pedro Romero."

4. Collection Insights:

   • The collection includes a variety of subjects, from studies for well-known prints to rare pieces that offer a glimpse into Goya’s creative process.
   • The article highlights that this exhibition is one of the most representative collections of Goya's work in America.

Overall, the article emphasizes the importance and rarity of the exhibition, offering readers a comprehensive view of Goya’s artistic evolution and the historical context of his works.

The image is a transcript of a newspaper article titled "Goya Drawings and Etchings in Loan Exhibition at Fogg," dated March 4, 1931. The article discusses an exhibition of Francisco Goya's prints and drawings at the Fogg Art Museum, highlighting that it is the most comprehensive collection of Goya's work ever shown in America. The exhibition includes a variety of rare prints and drawings, some of which are studies for Goya's famous prints like the Caprichos series.

Key points include:

1. Exhibition Details: The exhibition features prints and drawings from European collections, including the Bibliotheque Nationale in Paris and the Prado Museum in Madrid.

2. Rarity and Significance: Many of the pieces are extremely rare, with some impressions being the only ones in existence. The article mentions specific works such as "Mala noche" and "She is well-dressed!", which are part of the Caprichos series.

3. Historical Context: The article provides background on Goya's life and work, noting his revolutionary spirit and how his art was influenced by the political and social upheavals of his time. Goya's shift from court painter to a more introspective and dramatic style is discussed.

4. Artistic Techniques: The article describes Goya's mastery of line and his ability to depict expressive action and movement. It also mentions the changes Goya made in his plates over time.

5. Public Reception: The exhibition is noted for providing a comprehensive study of Goya's work, offering insights into his artistic development and the historical context of his creations.

The article concludes by mentioning that the exhibition will remain until April 1st, encouraging visitors to appreciate the breadth and depth of Goya's artistic contributions.

This image appears to be a photograph of a printed document or an article page. The document is headlined with "Goya Drawings and Etchings in Loan Exhibition at Fogg." This suggests that the text relates to an exhibition of works by the Spanish artist Francisco Goya, specifically his drawings and etchings, and it was on loan at the Fogg Museum at some point in time.

The article details the content of the exhibition and discusses aspects of Goya's art. There is a mention of Goya's "Caprichos" and "Disasters of War," which are famous series of prints by the artist. It also describes the themes explored in his work, such as his satirical engagement with society and his powerful depictions of the human condition. It is stated that the exhibition includes both early and later impressions which demonstrate the changes in Goya's art over time. The article notes that the exhibition is scheduled to remain until April first, although the year isn't visible.

On the right margin of the paper, there are some handwritten notes, including the word "Transcript" followed by what looks like a date, "March 4, 1931", and below that are some letters and numbers, possibly referencing a cataloging system or notations by a researcher or librarian.

The paper exhibits some aging indicated by its off-white to light brown color and the edges appear slightly worn or frayed, suggesting that the document has some historical value and might be an archival item.

The image shows a piece of paper with two newspaper clippings about an exhibition of Goya's drawings and etchings at the Fogg Art Museum. The clippings are glued to the paper, and there are three silver holes punched along the left edge, possibly to place it in a binder.

The left clipping, titled "Goya Drawings and Etchings in Loan Exhibition at Fogg," provides detailed information about Francisco Goya's works on display, including the themes and Goya's historical context. The right clipping, titled "Loan Exhibition of Goya's Prints and Drawings," gives a brief overview of the exhibition, highlighting the significance and the collection's comprehensiveness. Both clippings mention the duration of the exhibition.

There is a handwritten note above the right clipping that reads "Transcript March 14, 1981." Additionally, there is a lightly visible handwritten word "HUGE" on the right side of the paper, with "New at 14" and "1931" written below.

The image shows a sheet of paper with two newspaper clippings affixed to it. Both clippings discuss an exhibition of Goya's drawings and etchings at the Fogg Art Museum. The left clipping, titled "Goya Drawings and Etchings in Loan Exhibition at Fogg," details the exhibition, mentioning the impressive and rare works on display, such as the Caprices, Disasters of War, Proverbs, and Bullfights series. It describes Goya's artistic style, his focus on expression and character, and the political and social themes reflected in his work.

The right clipping, titled "Loan Exhibition of Goya's Prints and Drawings," highlights the nature of the exhibition as the most representative collection of Goya's prints and drawings held in America, with only two drawings by Goya excluded. It mentions several specific works, including studies for prints like "Mala noche," "She is well-dressed," "Pedro Romero killing a bull standing still," "Prisoner tortured," and "Man holding back a horse." It appreciates Goya's mastery of line, dramatic portrayal of violent action, and the high quality and rarity of many prints.

There is a handwritten note on the page that reads "Transcript March 4, 1931" and the initials "H.C.T" with the date "Mar 14 1931" next to the right clipping. The paper itself has three punched holes along the left margin, suggesting it may have been stored in a binder.

The image depicts a page from a transcript or document detailing a loan exhibition of Francisco Goya's prints and etchings held at the Fogg Art Museum in New York. The document is dated March 4, 1981, as indicated by handwritten notes at the top right corner. The text provides an overview of Goya's work, highlighting key aspects of his artistic contributions and the significance of the exhibition.

Key Details from the Image:

1. Exhibition Context:

   • The exhibition is a loan exhibition of Goya's prints and drawings, being held at the Fogg Art Museum.
   • It is noted as the most important collection of Goya's work ever held in America, with only two drawings by the master included in this exhibition.
   • The exhibition features four drawings: "Mala noche" and "She is dressed," both well-known works.

2. Goya's Artistic Style:

   • Goya is described as a revolutionist in art, breaking away from classical traditions and embracing a more expressive, modern style.
   • His work is characterized by bold lines, dramatic themes, and a focus on social commentary. He often depicted violent and expressive scenes, reflecting the turmoil of his time, including the Napoleonic Wars and the struggles for Spanish independence.
   • Goya's etchings and prints, particularly the "Disasters of War" series, are noted for their powerful and evocative imagery, often depicting the horrors of war and human suffering.

3. Exhibition Highlights:

   • The exhibition includes a red chalk drawing of Goya's "Pedro Romero killing a bull standing still," which is described as a study for a series of bullfights.
   • Another notable piece is the "Prisoner tortured drawing," which is highlighted for its expressive and violent action.
   • The "Man holding back a horse" is mentioned as an example of Goya's mastery of line and spirit, showcasing his ability to depict expressive and dynamic scenes.

4. Artistic Significance:

   • Goya's work is praised for its beauty and expressive quality, with many prints being proof impressions and some rare titles written in ink by the artist himself.
   • The exhibition provides insight into Goya's evolution as an artist and satirist, illustrating the kind of changes he made in his plates over time.

5. Handwritten Annotations:

   • There are handwritten notes in the top right corner, including the words "Transcript", "March 4, 1981", and "H.L.G.E." along with a date "March 4, 1981" and "1931", suggesting the document may have been reviewed or annotated at a later date.

Overall Impression:

The document serves as a curatorial description or press release for the exhibition, emphasizing Goya's historical and artistic importance. It provides context for viewers, explaining the significance of the works on display and highlighting Goya's unique style, social commentary, and technical mastery. The handwritten annotations suggest that this transcript may have been used for internal museum purposes or as a reference for future exhibitions or research.