Archives Scrapbooks

The image displays a printed article with a beige background and a slightly off-center placement, as if it has been placed on a flat surface. The text is arranged in a vertical column on the left side and a horizontal section on the right side. The article appears to be discussing an art exhibition, specifically a show featuring Pablo Picasso's works. The title at the top of the article reads, "Harvard Society Holds a Pablo Picasso Show," authored by F. W. Coburn.

The article mentions details about the exhibition, such as the inclusion of paintings, films, and lectures related to Picasso's work and contributions to art. The article also touches on Pablo Picasso's artistic style and influence, comparing his works to the "Danceuse" and "Ex Cathedra," and discusses Picasso's reputation in the art world. There are annotations on the paper, with a note in pencil on the left side that reads "Harvard Feb 1 1931," indicating when the paper was likely saved or reviewed. The paper has four punched holes on the left side, suggesting it might be part of a loose-leaf binder or document collection.

This image is a scanned document, likely from a newspaper or magazine, with a light beige background. It features two distinct articles about art exhibitions, both of which seem to be related to the Harvard Society for Contemporary Art. The left side of the page has a longer article titled "Harvard Society Holds a Pablo Picasso Show," written by F. W. Coburn. This article discusses various art events and exhibitions, including a film screening, a lecture on Persian art, and the display of paintings by Patrick Gavin and Pablo Picasso. It also mentions many museum accessions of paintings and other artworks.

The right side of the page has a shorter article titled "Picasso the Piquant," which appears to be a continuation or a different perspective on the Picasso exhibition. This article discusses the reactions of native American visitors to the Picasso show and provides some insights into Picasso's artistic style and the impact of his work on the art world.

The document has been punched for a binder, as indicated by the three holes on the left side. There is also a handwritten note on the left margin that reads "Harvard Feb 1 1931," suggesting the date of the document. The overall layout is typical of a newspaper or magazine clipping, with columns of text and a clean, simple design.

This image displays a single, aged sheet of yellowed paper—likely from a typewriter or mimeograph—that has been hole-punched on its left edge, suggesting it was stored in a binder or folder.

Attached to the center of the sheet is a rectangular newspaper clipping, also yellowed with time. The clipping is titled in bold, uppercase letters:

Harvard Society Holds a Pablo Picasso Show

Below the title, the article is credited to:

By F. W. COBURN

The article, dated February 1931 (as handwritten in pencil on the left margin of the sheet: “Harvard Feb. 1 1931”), reports on a Picasso exhibition at the Harvard Contemporary Society for Contemporary Art, located at Harvard Square.

The article is structured into three main sections:

1. “MANY MUSEUM ACCESSIONS” — This section details recent acquisitions by the museum, including portraits of Paul Revere and paintings by Veronese, Paolo, and Tagore, along with prints and a photograph.

2. “PICASSO THE PIQUANT” — This is the main body of the article, offering an overview of Pablo Picasso and his current exhibition. It acknowledges that opinions on Picasso are divided (“whether you like it or dislike it”) and notes the rarity of comprehensive Picasso shows in New England. The article mentions the loan of works by notable collectors and galleries, including Leo Stein, Paul J. Sachs, and the Arts Club of Chicago, and states that 48 works are on display, covering various periods of Picasso’s career.

3. A third, unlabeled section to the right contains a more personal and opinionated commentary on Picasso’s work and public reception. It suggests that “native American visitors” are unlikely to “like” the show and quotes a female observer’s blunt and critical reaction to Picasso’s 1919 painting “Danceuse.” The paragraph concludes by defending Picasso’s technical mastery and professional reputation while playfully acknowledging his provocative approach.

The clipping is affixed to the larger sheet with adhesive, and its edges are uneven, consistent with having been cut by hand from a newspaper. The overall presentation gives the impression of an archival or historical documentation of the event.

The image is a page from a newspaper or magazine, featuring an article about Pablo Picasso's exhibition at the Harvard Society for Contemporary Art. The article is written by E. W. Coburn and is titled "Harvard Society Holds a Picasso Show." The page has a beige background and is divided into two sections. The top section of the page contains the title and a brief introduction to the exhibition. The bottom section of the page provides more details about the exhibition, including the dates, times, and types of works on display. The article also mentions the various donors who contributed to the exhibition, as well as the different periods of Picasso's career that are represented. The page also includes a small illustration of a Picasso painting, as well as a quote from Picasso's friend, Henri Matisse. Overall, the image provides a glimpse into the world of art and culture in the United States during the 1930s, and highlights the significance of Picasso's work and influence during that time.

The image depicts a page from an old newspaper or magazine, specifically from the Harvard Society section. The page is slightly yellowed, indicating its age. The layout is traditional, with a headline at the top and several articles below it.

Headline:

• "Harvard Society Holds a Pablo Picasso Show"
  • By E. W. Coburn

Articles:

1. Main Article:

   • Title: "Harvard Society Holds a Pablo Picasso Show"
   • Author: E. W. Coburn
   • Content:
     • The article describes an exhibition of Pablo Picasso's work held by the Harvard Society.
     • It mentions that the exhibition features various works by Picasso, including paintings, sculptures, and drawings.
     • The exhibition is curated by Timothy Cole and is scheduled to run for a specific period.
     • There is a mention of the diverse reactions of visitors to Picasso's work, highlighting both admiration and criticism.
     • The article also notes the presence of notable figures in attendance, including Dr. Rudolph Meyer Rilfs, who will give a lecture on "The Art of Picasso."

2. Sub-articles:

   • "Many Museum Accessions":

     • This section lists recent acquisitions by the museum, including works by various artists such as John S. Copley, Gilbert Stuart, and William B. Revere.
     • It highlights the diversity of the collection, ranging from portraits to historical paintings.

   • "Picasso the Picaro":

     • This section provides a brief biographical sketch of Pablo Picasso, emphasizing his significance in the art world.
     • It discusses Picasso's early life, his move to Paris, and his influence on modern art.
     • The article also touches on Picasso's relationships with other artists and his impact on the art community.

Visual Elements:

• The page has a clean, straightforward layout with clear headings and subheadings.
• There are no images accompanying the articles, which is typical of older print media.
• The text is dense, with multiple columns and a traditional serif font.

Analysis:

• The article is informative, providing details about the exhibition and the artist.
• It reflects the cultural and academic environment of Harvard, showcasing the institution's engagement with contemporary art.
• The inclusion of visitor reactions adds a layer of public opinion, illustrating the controversial nature of Picasso's work during his time.
• The biographical section offers context for understanding Picasso's place in art history.

Conclusion:

The page from the newspaper or magazine serves as a historical document, capturing a moment in time when the Harvard Society hosted a significant exhibition of Pablo Picasso's work. It provides valuable insights into the reception of modern art in academic circles and the evolving perceptions of Picasso's contributions to the art world.

The image shows a scanned page from a newspaper or magazine article titled "Harvard Society Holds a Pablo Picasso Show" by F. W. Coburn. The article appears to be from a publication dated January 24, 1919, as indicated by the header "PICTASSO THE PIQUANT" and the reference to "Harvard Society Art Quarterly, Jan. 24-Feb. 1, 1919."

Content Overview:

1. Headline and Introduction:

   • The headline announces an exhibition of Pablo Picasso's works held by the Harvard Society.
   • The article discusses the significance of Picasso's "cubist" style and its reception, noting that Picasso is often regarded as a "master" and a "mischief-maker" in the art world.

2. Exhibition Details:

   • The exhibition features 48 works by Picasso, spanning various periods of his career.
   • The works include paintings, drawings, and prints, with examples such as:
     • "The Last of the Wood Engravers" illustrated by Timothy Cole.
     • Paintings by Patrick Gavin, including "The Virgin of Humility" and "The Dead Virgin."
     • Drawings and prints, including studies, portraits, and woodcuts.
   • The exhibition is described as a comprehensive display of Picasso's work, showcasing his evolution and influence.

3. Visitor Experience:

   • The article mentions that most native American visitors at the Harvard Contemporary Art Museum were "safely pleased" with the Picasso show.
   • It highlights Picasso's playful and provocative nature, noting his ability to amuse and challenge viewers.
   • A quote from Picasso is included: "No face, it gives a disturbance which Picasso adopts and highly professes." This reflects his innovative approach to art.

4. Artistic Commentary:

   • The article emphasizes Picasso's versatility and creativity, noting his ability to "cap his coin" (i.e., innovate and push boundaries).
   • It describes Picasso as a "picanol" (a playful term used to describe his provocative and unconventional style), suggesting that his work is both challenging and entertaining.

5. Contextual Notes:

   • The article references Picasso's early works, such as "The Dance," painted in 1909, and his later pieces, including "The Weeping Woman."
   • It also touches on Picasso's influence on modern art, noting that his work has been shown in the United States and internationally.

Visual Elements:

• The page is a printed document with a clean, typewritten layout.
• There are handwritten markings on the left margin, including the word "Harvard" and a date "Dec 1921," which may indicate when the page was cataloged or reviewed.
• The text is organized into paragraphs, with clear headings and subheadings to guide the reader.

Overall Impression:

The article provides a detailed and appreciative overview of Picasso's exhibition at Harvard, highlighting both the technical and conceptual aspects of his work. It reflects the contemporary reception of Picasso's art, emphasizing his role as a pioneering figure in modern art. The inclusion of specific works and quotes adds depth and context to the discussion.

This image shows a photograph of a newspaper clipping that is pasted on a larger, beige sheet of paper with three punched holes on the left side, suggesting it's part of a ring binder or similar filing system. At the top of the clipping, the title reads, "Harvard Society Holds a Pablo Picasso Show," indicating the article is about an event related to the artist Pablo Picasso.

The article text is too small to comfortably read in detail here, but you can see several paragraphs that likely discuss the content and significance of the exhibition. On the left margin of the beige paper, handwritten notes can be observed, potentially comments or references related to the article. I cannot read their content from this image. The paper shows some signs of aging, such as slight discoloration and fraying at its edges, suggesting it is of some vintage. There are also faint crease marks indicating it may have been folded or bent in the past.

The image is of a scrapbook page with holes punched on the left side, indicating that it is meant to be placed in a binder. Mounted on the page is a newspaper clipping titled "Harvard Society Holds a Pablo Picasso Show." The article appears to be written by F.W. Coburn and discusses various aspects of the show held at the Museum of Fine Arts, including descriptions of pieces by Picasso and a portrait of John Edward von Meyer showing attributed to various artists such as Henry Marves, Henri Malfroid, and Georges Braque. There is text written by hand in pencil on the left side margin of the scrapbook page that reads "Harvard 12/1/31." The article includes discussions on different artworks, museum accessions, and Picasso's impact on modern art. The image overall reflects the historical documentation of an art show focusing on Picasso’s works.

• A single cream-colored scrapbook page with three binder holes on the left.
• A small, yellowed newspaper clipping attached near the left edge. The headline reads: “Harvard Society Holds a Pablo Picasso Show” with a byline (likely “by F. W. Coburn”).
• The clipping contains dense columns of text about the Picasso show and related museum news.
• The page shows age and wear (slightly browned edges) and there’s a light pencil note written in the margin.
• The rest of the page is blank aside from the clipped article.

The image shows a sheet of paper with two newspaper clippings attached to it. The paper has four holes punched along the left side, indicating it might have been stored in a binder.

The first and larger clipping is titled "Harvard Society Holds a Pablo Picasso Show" and is written by F.W. Coburn. It discusses an event at Harvard's Museum of Fine Arts where paintings by Patrick Gavin and works by Pablo Picasso were displayed. The article mentions the exhibition's schedule, notable paintings, and details about the Picasso show and his artistic style and significance.

The second, smaller clipping is a column from the right side of the first article, providing additional commentary about American visitors' reactions to the Picasso exhibition and describing a specific Picasso artwork called "Dancer," painted in 1919.

There is also handwritten text to the left of the clippings that says "Pruned Feb 1931." The overall presentation indicates a historical archive or scrapbook page documenting the Picasso exhibition at Harvard.