Archives Scrapbooks

The image is a scanned copy of a newspaper article titled "THE BOSTON WORLD OF ART," dated February 26, 1931. The article discusses various art collections and acquisitions at the Museum of Fine Arts in Boston. The central part of the article includes a black-and-white illustration of a portrait titled "Portrait of a Lady" by Etienne Dumonstier, a 16th-century French portraitist. The text accompanying the illustration describes the artist and the artwork, noting that the museum owns several Dumonstier portraits. The article also mentions other acquisitions and notable works by artists such as Veit Stoss, Prince Rupert, and Pablo Picasso. The paper has some stains and signs of age, and there are staple marks along the left side, indicating it was likely part of a collection or file. The text is formatted in a traditional newspaper style, with headings, subheadings, and paragraphs.

This image is a scanned page from a newspaper titled "The Boston World of Art," dated "Her. July 26 1931," as written at the top left corner. The newspaper features an article by F. W. Coburn discussing various art-related topics, such as free guidance tours at the Museum of Fine Arts in Boston, new acquisitions of 16th-century French portrait drawings by artists like Etienne Dumonstier and Lagneau, an engraving by Veit Stoss, and exhibits of French modern art at the Fogg Art Museum.

A large black-and-white image of a portrait titled "Portrait of a Lady" by Etienne Dumonstier occupies the right side of the page. The portrait depicts a woman wearing a dark cap and a large ruff collar. Below the image is a caption explaining that this is one of several important drawings and prints added to the collections of the Boston Museum of Fine Arts. The article also mentions other artworks and artists, including Delacroix, Ingres, Corot, Millet, Manet, Van Gogh, Cezanne, and Picasso, highlighting their contributions to the world of art.

The page has three holes punched on the left side, suggesting it was part of a scrapbook or collection. The paper appears aged, with a yellowish tint and some creases and shadows around the edges.

This image shows a single, aged, off-white page from a newspaper or magazine, likely from 1931, as indicated by faint handwritten text "H.32. May 26 1931" in the upper left corner. The page has three punched holes along its left margin, suggesting it was stored in a binder.

The main feature is an article titled "THE BOSTON WORLD OF ART" by F. W. COBURN.

The article is organized into several columns and includes a central photograph of a piece of art.

Here is a breakdown of the content:

1. Main Headline & Author: "THE BOSTON WORLD OF ART" by F. W. Coburn.

2. Lead-in Column (Left):

   • Starts with information about free morning gallery tours at the Museum of Fine Arts on specific days of the week.
   • Discusses the acquisition of two 16th-century French portrait drawings by the museum: one by Etienne Dumonstier (a portrait of a lady) and one by Lagneau (a portrait of an old man). The text notes Dumonstier's work is a "likeness of a lady wearing a cap and a large ruff" and that Lagneau's works were often of the French nobility.

3. Central Feature:

   • Headline: "“Portrait of a Lady”; by Etienne Dumonstier"
   • Photograph: A black-and-white reproduction of a drawing. It depicts the bust of a woman facing slightly to her left. She has a high, dark, curly hairstyle or headdress and wears a dark, high-collared garment. The drawing style is linear and sketchy, typical of a portrait drawing.
   • Caption: "One of several important drawings and prints added this summer to the collections of the Boston Museum of Fine Arts. Dumonstier was a 16th century French portraitist."

4. Left-Column Continuation:

   • Sub-headline: "A VEIT STOSS FOR BOSTON"
   • This section discusses the acquisition of an authentic wood sculpture by Veit Stoss, a German artist. It explains that while the Museum of Fine Arts in Boston acquired the sculpture, neither the Louvre nor the British National Art Museum in London can claim any such work by him. The article mentions Stoss's "Resurrection of Lazarus" and his famous "trials at Cracow."
   • It then profiles Veit Stoss, describing him as a temperamental, elderly man, and notes his famous work, the "main" (likely the high altar) at Cracow, which was "obtained by Curator Henry P. Rossiter."

5. Right-Column (below the photo):

   • This column details other additions to the museum's collection, ranging from Delacroix and Ingres down to modern artists like Corot, Millet, and Manet.
   • Mentions Vincent van Gogh's "Invalid" (likely "L'Invalide"), described as a self-portrait showing him with a high-hatted predecessor and a patch over his left eye.
   • Discusses Cezanne's "Mont Saint Victoire" and some Crannic lithographs.
   • Mentions the "astonishing Pablo Picasso," represented by a large pastel and line drawings of a young boy.
   • Notes that "An entire alcove is given to depictions by Degas," referencing his "memorable Degas show at the Fogg museum."

6. Bottom-Left Column:

   • Sub-headline: "FRENCH “MODERNS” AT FOGG"
   • Details a show at the Fogg Art Museum featuring French Impressionist and Post-Impressionist works in watercolor, pastel, crayon, and other media. These were contributed by interested members of the Harvard summer school and other visitors, with most lent anonymously.

The overall tone of the article is informational and aimed at art enthusiasts in Boston, reporting on recent acquisitions and exhibitions in local institutions. The page is a historical document providing insight into the art world of Boston in 1931.

The image is a page from a newspaper featuring an article titled "The Boston World of Art." The article discusses the addition of two 18th-century French portraits to the Museum of Fine Arts, along with other new acquisitions. The portraits are described as being of a lady and a man, with the man's identity unknown but attributed to the school of Lagneau. The article also mentions the addition of several important drawings and prints to the museum's collection, including works by Denier, Ingres, and others.

The image is a newspaper clipping from "The Boston World of Art," dated July 26, 1931. The clipping is titled "Portrait of a Lady" by Etienne Dumonstiier and features an article by F. W. Coburn. The clipping is a rectangular piece of paper with a headline at the top and a photograph of the painting in the center. The photograph is in black and white and shows a woman in a long dress with her hair tied back. The article discusses the painting and its significance in the art world. The clipping also includes a small caption below the photograph that reads "One of several important drawings and prints added this summer to the collection of the Museum of Fine Arts." The clipping is likely from a newspaper or magazine and was likely published to promote the painting and the museum's collection.

The image shows a page from a publication titled "The Boston World of Art," dated May 26, 1931. The page features a combination of text and an illustration. Here is a detailed description:

Layout and Content:

1. Title and Header:

   • At the top of the page, the title "THE BOSTON WORLD OF ART" is prominently displayed in bold, capitalized letters.
   • Below the title, the byline reads "By F.W. COBURN", indicating the author or contributor of the article.

2. Main Text:

   • The left side of the page contains a block of text discussing art exhibitions and museum acquisitions. The text mentions:
     • Free guidance offered in the galleries of the Museum of Fine Arts each week.
     • Specific days dedicated to different art forms: Tuesday for Spanish art, Wednesday for drawing, Thursday for Chinese and Japanese galleries, and Friday for the enjoyment of color.
     • The addition of two more 16th-century French portrait drawings to the museum's collection.
     • A description of a portrait of a lady wearing a cap and a large ruff, attributed to Etienne Dumonstier, a former court painter to King Henry VIII.
     • Details about the acquisition of 192 crayon portraits by the artist, who was part of the Marly family and associated with the Louvre.
     • A mention of a Vitt Stoss wood sculpture, described as an authentic work by the German master, and its acquisition by the Museum of Fine Arts.
     • A discussion of a portrait by Raphael, acquired by the museum, and its historical significance.

3. Illustration:

   • On the right side of the page, there is a black-and-white illustration labeled "Portrait of a Lady" by Etienne Dumonstier.
   • The illustration depicts a woman in profile, wearing a large, elaborate ruff collar and a cap. Her hair is styled in an elaborate updo, typical of the 16th century.
   • Below the illustration, there is a caption that reads:

     "Portrait of a Lady," by Etienne Dumonstier. One of several important drawings and prints added this summer to the collection of the Boston Museum of Fine Arts. Dumonstier was a 16th century French portraitist.

4. Additional Text:

   • Below the illustration, there is a short paragraph discussing the artist's work, mentioning his contemporaries at the court of Milan and his association with the Medici family.
   • The text also references a Self-Portrait by Dumonstier, noting his high-bred appearance and the patchy condition of the crayon work.
   • Further down, there is a brief mention of other artists and works, including a Pablo Picasso painting and a Raphael portrait.

Design and Style:

• The page has a vintage, newspaper-like design with clear, typed text and a simple, monochromatic illustration.
• The layout is organized, with the main article text on the left and the illustration and related caption on the right, creating a balanced visual composition.
• The page appears to be from an art-focused publication, likely intended for art enthusiasts or museum-goers.

Overall Impression:

The image captures a snapshot of art news from 1931, highlighting recent acquisitions and exhibitions at the Boston Museum of Fine Arts. It emphasizes the addition of significant historical artworks, including portraits by notable artists like Etienne Dumonstier and Raphael, and provides context about their historical and artistic importance. The inclusion of both textual descriptions and a visual representation of one of the artworks enhances the reader's understanding and engagement with the content.

The image depicts a vintage newspaper clipping from "THE BOSTON WORLD OF ART" featuring an article about Etienne Dumontier's portrait of a lady. The clipping is attached to a piece of paper with three holes on the left side, suggesting it was once part of a scrapbook or collection.

• Newspaper Clipping
  • The clipping is from "THE BOSTON WORLD OF ART" and features an article about Etienne Dumontier's portrait of a lady.
  • The article includes a photo of the portrait, which is a black-and-white image of a woman wearing a hat.
  • The article discusses the artist's use of color and technique in the portrait.
• Paper
  • The paper is a light beige color and has three holes on the left side.
  • There is a handwritten date in the top-left corner of the paper, which reads "4/26/21".
  • The paper appears to be aged and worn, with visible creases and tears.

Overall, the image provides a glimpse into the world of art in Boston during the early 20th century, highlighting the work of Etienne Dumontier and his unique approach to portraiture.

The image depicts a newspaper clipping featuring an article titled "THE BOSTON WORLD OF ART" by F.W. Coburn, accompanied by a sketch of a woman's portrait. The article discusses various art exhibitions and events in Boston, including the Museum of Fine Arts' display of French portrait drawings from the 18th century.

Key Points:

• Article Title: "THE BOSTON WORLD OF ART" by F.W. Coburn
• Sketch: A portrait of a woman, likely from the 18th century
• Content: Discussion of art exhibitions and events in Boston, including the Museum of Fine Arts' display of French portrait drawings

Visual Description:

• The clipping is yellowed with age, indicating its vintage nature.
• The text is written in black ink, with the title standing out in bold font.
• The sketch of the woman's portrait is rendered in pencil or charcoal, showcasing delicate lines and shading.
• The overall design of the clipping suggests a classic, timeless aesthetic, evoking a sense of nostalgia and appreciation for the arts.

The image presents a vintage newspaper clipping, "THE BOSTON WORLD OF ART," dated September 26, 1921, featuring an article by F.W. Coburn and a prominent illustration of a portrait.

• Newspaper Clipping
  • The clipping is titled "THE BOSTON WORLD OF ART" in large text at the top.
  • It is dated September 26, 1921, handwritten in the upper-left corner.
  • The clipping is placed on a beige-colored paper with three holes punched on the left side, indicating it was once part of a binder or scrapbook.
• Article
  • The article is written by F.W. Coburn and discusses various art-related topics.
  • The text is divided into three columns, with the left column containing the main article and the right column featuring a large illustration accompanied by a caption.
  • The article mentions several artists and artworks, including Etienne Diemontier's "Portrait of a Lady" and Veit Stoss's "A Veit Stoss for Boston."
  • The article also references the Boston Museum of Fine Arts and its collections.
• Illustration
  • The illustration is a black-and-white portrait of a woman wearing a hat.
  • The portrait is titled "'Portrait of a Lady'; by Etienne Diemontier" and is accompanied by a caption that reads, "One of several important drawings and prints added this summer to the collections of the Boston Museum of Fine Arts, Diemontier was a 14th century French portraitist."
• Background
  • The clipping is set against a light gray background, which provides a neutral contrast to the aged newspaper paper.

In summary, the image showcases a vintage newspaper clipping from "THE BOSTON WORLD OF ART" dated September 26, 1921, featuring an article by F.W. Coburn and a prominent illustration of a portrait by Etienne Diemontier. The clipping provides insight into the art world of the time, highlighting various artists and artworks, as well as the Boston Museum of Fine Arts and its collections.

The image presents a vintage newspaper clipping, titled "THE BOSTON WORLD OF ART," featuring an article about the Boston Museum of Fine Arts. The clipping is yellowed and has three holes punched along its left side.

• Title and Date
  • The title "THE BOSTON WORLD OF ART" is prominently displayed at the top of the clipping.
  • A handwritten date, "Feb 26 1921," is visible in the upper-left corner.
• Main Article
  • The main article discusses the Museum of Fine Arts, with a focus on free guidance offered in the galleries each morning at 11 o'clock.
  • The article highlights the addition of two 16th-century French portrait drawings to the museum's collection.
  • It also mentions the acquisition of a large staff by Etienne Dumontier and a superlative presentation of an old man by Lagneau.
• Image and Caption
  • A black-and-white image of a woman in a hat is featured on the right side of the clipping.
  • The caption below the image reads, "'Portrait of a Lady'; by Etienne Dumontier."
• Additional Articles
  • Two smaller articles are present below the main article.
  • One article discusses a visit to Stoss for Boston, while the other talks about French "modern's" at Fogg.
• Background
  • The clipping is set against a light blue background.

In summary, the image showcases a vintage newspaper clipping from "THE BOSTON WORLD OF ART," featuring articles about the Boston Museum of Fine Arts, including new acquisitions and exhibitions. The clipping also includes images and captions that provide further context and information.