Archives Scrapbooks

The image is a newspaper clipping from "The Boston World of Art," dated November 26, 1931. The main feature of the clipping is a portrait titled "Portrait of a Lady" by Etienne Dumonstier, a 16th-century French artist. The portrait is a detailed drawing of a woman wearing a cap and a large ruff, which is characteristic of the period.

The article accompanying the portrait discusses the significance of the artwork and its creator. It mentions that Dumonstier was a contemporary of Leonardo da Vinci and was known for his portraits of French royalty and nobility. The article also highlights the rarity and historical importance of the drawing, which was recently added to the collections of the Boston Museum of Fine Arts.

Additionally, the clipping includes other articles and mentions of art-related events and exhibitions. One article discusses a gift of German wood sculptures to the Fogg Art Museum, while another mentions an exhibition of French modern art at the Fogg Museum. The clipping provides a snapshot of the art scene in Boston during that time, highlighting both historical and contemporary artworks and events.

The image is a newspaper clipping from the 1971 issue of "The Boston World of Art," written by F. W. Coburn. The article discusses two significant artworks added to the collections of the Boston Museum of Fine Arts.

1. "Portrait of a Lady" by Etienne Dumonstier:

   • The article highlights a 16th-century French portrait drawing, specifically mentioning a likeness of a lady wearing a cap and a large ruff, which is part of a series by the artist Etienne Dumonstier. The museum has several Dumonstier works, with one being a portrait of an old man by Lagnaie. The artist, Etienne Dumonstier, was a contemporary of Lagnaie, and the painting is attributed to the latter half of the 16th century.

2. "Stoss for Boston":

   • The article describes an authentic work by Veit Stoss, a renowned German wood sculptor. The sculpture is a remarkable piece from the Museum of Fine Arts, Boston, and is described as an engraving. Stoss is noted for his detailed craftsmanship and the piece is a significant addition to the museum's collection. The engraving is one of a kind and is highly regarded.

Additionally, the article mentions that the Boston Museum of Fine Arts has added several drawings and prints to its collection, including a notable work by Pablo Picasso, which is a self-portrait.

The newspaper clipping also provides a brief historical and artistic context for the pieces, emphasizing their importance and the historical period they represent.

The image shows a newspaper clipping from "The Boston World of Art," dated April 26, 1981. The article, written by F.W. Coburn, discusses various art exhibits and works. The main feature is a portrait titled "Portrait of a Lady" by Etienne Dumonstier, which is described as a 16th-century French drawing added to the collections of the Boston Museum of Fine Arts.

The article also mentions other significant pieces and artists, including a work by the German wood sculptor Veit Stoss, and several important drawings and prints by Rembrandt, Prince Rupert, and other masters. Additionally, it highlights an exhibition of works on paper at the Fogg Art Museum in Cambridge, featuring pieces by artists such as Delacroix, Ingres, and Pablo Picasso.

The clipping is pasted on a light-colored background, and there are some handwritten notes at the top left corner that appear to say "4/26/81."

The image shows a page from "The Boston World of Art," a newspaper section featuring various art-related articles and images. Here's a detailed summary:

1. Main Article - "Portrait of a Lady" by Etienne Dumonstier:

   • The featured artwork is a portrait of a lady by Etienne Dumonstier, a 16th-century French artist.
   • The article discusses the addition of two more 16th-century French portraits to the collection of the Museum of Fine Arts in Boston.
   • The portrait depicts a lady wearing a large ruff, typical of the fashion in the late 16th century.
   • The writer speculates on the identity of the lady, suggesting it might be Gabrielle d’Estrées, the mistress of King Henry IV of France.
   • The portrait is attributed to the Dumonstier family, specifically Etienne Dumonstier, known for his detailed and lifelike works.

2. Side Column - "A Stoss from Boston":

   • This article discusses a significant wood sculpture by Veit Stoss, a renowned German sculptor.
   • The piece, originally part of a larger altarpiece, was acquired by the Museum of Fine Arts.
   • The sculpture is of John the Baptist and is noted for its emotional expression and detailed craftsmanship.
   • The article mentions the historical context of the artwork and its journey from its creation to its current location in Boston.

3. Additional Article - "French 'Modernist' at Fogg":

   • This piece talks about an exhibition at the Fogg Museum featuring the work of Théodore Rousseau, son of Frédéric V of England's royal line.
   • Rousseau was a member of the Barbizon School, a group of landscape painters.
   • The article highlights Rousseau's watercolor techniques and the impressionistic and post-impressionistic qualities of his works.

4. Smaller Article - From Delacroix and Ingres to Cézanne:

   • This section discusses a collection of letters and notes by Eugène Delacroix and other artists.
   • The letters, addressed to artists like Georges Sand and Vincent van Gogh, provide insights into their lives and artistic processes.
   • The article mentions that the collection includes personal and professional correspondence, offering a glimpse into the art world of the time.

Overall, the page provides a detailed exploration of various artworks and artists, focusing on historical significance, artistic techniques, and the stories behind the pieces.

The image is a newspaper clipping from "The Boston World of Art" dated February 26, 1971. The article, written by F. W. Coburn, discusses new additions to the collections of the Museum of Fine Arts in Boston.

1. New Additions to the Museum:

   • The museum offers free guided tours each weekday, with specific galleries dedicated to different periods and cultures: Ancient Near Eastern, Egyptian, Greek and Roman, Medieval, Renaissance, 17th and 18th century European, 19th century European, American, Far Eastern, Chinese and Japanese, and tapestries.
   • Two 16th-century French portrait drawings by Etienne Dumonstier have been added to the collection. These drawings are a likeness of a lady and an old man by Lagniet, another French artist. The museum owns several other works by Dumonstier.

2. Portrait of a Lady:

   • The featured drawing is "Portrait of a Lady" by Etienne Dumonstier. This piece is a rare example of Dumonstier's work, known for his portraits of French mobility.

3. Veil Stoß for Boston:

   • A work by Veit Stoß, a German wood sculptor and contemporary of Albrecht Dürer, has been added to the collection. This piece is a small crucifix carved in wood, part of the collection of prints at Boston University. Stoß was known for his wood carvings and engravings, and this work is part of his later period when he focused on religious themes.

4. Drawing by Rogg:

   • A drawing by Charles Rogg, a contemporary of Prince Rupert, is also highlighted. Rogg was a mezzotint engraver and a court artist in England. The drawing is a watercolor and pastel portrait, showcasing Rogg's skills and the techniques of his time.

5. Other Additions:

   • The article mentions other notable additions including a self-portrait by an unknown artist, a portrait by Goya, and a drawing by Pablo Picasso. The self-portrait, attributed to a young boy, is a charming depiction of an artist in his early years. The Picasso drawing is a rare, early work by the renowned artist.

Overall, the article emphasizes the enrichment of the museum's collection with significant works of art from various periods and artists.

The image is a newspaper clipping titled "The Boston World of Art" by F. W. Coburn, dated February 26, 1971. The article discusses various artworks and exhibitions at the Boston Museum of Fine Arts.

Key points in the article include:

1. Free Guides: Free guides are available in the galleries of the Museum of Fine Arts on various days, highlighting different types of art: Italian, Spanish, Chinese, and Japanese galleries, and specific themes such as tapestries and the enjoyment of color.

2. Portraits by Etienne Dumontier: The museum has added two 16th-century French portrait drawings by Etienne Dumontier. One is a likeness of a lady wearing a cap and ruff, and the other is a portrait of an old man by Lagrenée. The museum has several works by Dumontier, including a 17th-century portrait of Louis XIV, and also has 192 crayon portraits of French nobility from the same period.

3. "Portrait of a Lady" by Etienne Dumontier: The article features an image of "Portrait of a Lady" by Etienne Dumontier, emphasizing its significance as part of the museum's collection.

4. Authentic Work by Veit Stoß: The museum has acquired an authentic work by Veit Stoß, a German wood sculptor. This work is a fragment of a crucifix, and the museum is attempting to reconstruct the full engraving. The engraving is described as a masterpiece, and the museum is seeking to restore it.

5. Historical Context of Veit Stoß: The article provides historical context about Veit Stoß, mentioning his life and works, including his role as a master sculptor and his later years in Nuremberg.

6. New Acquisitions: The article highlights other new acquisitions, including a drawing by Hogarth and a portrait by Pablo Picasso, which is described as a study for a larger work. There are also mentions of works by other artists such as Delacroix, Ingres, and Goya.

7. Pablo Picasso’s "Invalide": A specific mention of Picasso's "Invalide," which is a self-portrait, is included, with the article noting its significance in relation to his other works.

The clipping provides a snapshot of the museum's collection and recent acquisitions, highlighting the diversity and historical importance of the artworks.

This image shows an old newspaper clipping titled "THE BOSTON WORLD OF ART," written by F.W. Coburn. The page includes several articles discussing various art-related topics, such as museum exhibitions, notable artworks, and art criticism. The page is aged, with some discoloration and wear around the edges, indicating it might be of significant age.

A prominent feature of the clipping is a section dedicated to a piece of art called "Portrait of a Lady"; by Etienne Dumontstier. This section includes a reproduction of the work to the right side of the text. However, the face in the reproduced image is obscured. The surrounding columns contain text that seems to provide context and analysis for different works of art, though the fine print is not legible in the current view.

The page itself has been physically archived, as evidenced by the punch holes on the left edge, suggesting it was stored in a binder or a similar filing system. It also has a handwritten annotation in the upper left corner, which appears to read "Nov. 14 '26," possibly indicating the date of the publication or the date it was archived.

This image depicts a newspaper page titled "THE BOSTON WORLD OF ART." It features an article by F.W. Coburn reviewing an exhibition at the Museum of Fine Arts in Boston. The main focus is a piece titled "Portrait of a Lady" by Etienne Dumonstier, described as one of several important drawings and prints added to the museum's collections. The page includes additional text describing various aspects of the exhibition, historical context, and notable artworks from the collection. The text is presented in multiple columns with a visible date written at the top, November 26th, 1931.

The image shows a page from a publication titled "The Boston World of Art," dated May 26, 1931. The page features a combination of text and an illustration. Here is a detailed description:

Layout and Content:

1. Title and Header:

   • At the top of the page, the title "THE BOSTON WORLD OF ART" is prominently displayed in bold, capitalized letters.
   • Below the title, the byline reads "By F.W. COBURN", indicating the author or contributor of the article.

2. Main Text:

   • The left side of the page contains a block of text discussing art exhibitions and museum acquisitions. The text mentions:
     • Free guidance offered in the galleries of the Museum of Fine Arts each week.
     • Specific days dedicated to different art forms: Tuesday for Spanish art, Wednesday for drawing, Thursday for Chinese and Japanese galleries, and Friday for the enjoyment of color.
     • The addition of two more 16th-century French portrait drawings to the museum's collection.
     • A description of a portrait of a lady wearing a cap and a large ruff, attributed to Etienne Dumonstier, a former court painter to King Henry VIII.
     • Details about the acquisition of 192 crayon portraits by the artist, who was part of the Marly family and associated with the Louvre.
     • A mention of a Vitt Stoss wood sculpture, described as an authentic work by the German master, and its acquisition by the Museum of Fine Arts.
     • A discussion of a portrait by Raphael, acquired by the museum, and its historical significance.

3. Illustration:

   • On the right side of the page, there is a black-and-white illustration labeled "Portrait of a Lady" by Etienne Dumonstier.
   • The illustration depicts a woman in profile, wearing a large, elaborate ruff collar and a cap. Her hair is styled in an elaborate updo, typical of the 16th century.
   • Below the illustration, there is a caption that reads:

     "Portrait of a Lady," by Etienne Dumonstier. One of several important drawings and prints added this summer to the collection of the Boston Museum of Fine Arts. Dumonstier was a 16th century French portraitist.

4. Additional Text:

   • Below the illustration, there is a short paragraph discussing the artist's work, mentioning his contemporaries at the court of Milan and his association with the Medici family.
   • The text also references a Self-Portrait by Dumonstier, noting his high-bred appearance and the patchy condition of the crayon work.
   • Further down, there is a brief mention of other artists and works, including a Pablo Picasso painting and a Raphael portrait.

Design and Style:

• The page has a vintage, newspaper-like design with clear, typed text and a simple, monochromatic illustration.
• The layout is organized, with the main article text on the left and the illustration and related caption on the right, creating a balanced visual composition.
• The page appears to be from an art-focused publication, likely intended for art enthusiasts or museum-goers.

Overall Impression:

The image captures a snapshot of art news from 1931, highlighting recent acquisitions and exhibitions at the Boston Museum of Fine Arts. It emphasizes the addition of significant historical artworks, including portraits by notable artists like Etienne Dumonstier and Raphael, and provides context about their historical and artistic importance. The inclusion of both textual descriptions and a visual representation of one of the artworks enhances the reader's understanding and engagement with the content.

The image is a page from a newspaper featuring an article titled "The Boston World of Art." The article discusses the addition of two 18th-century French portraits to the Museum of Fine Arts, along with other new acquisitions. The portraits are described as being of a lady and a man, with the man's identity unknown but attributed to the school of Lagneau. The article also mentions the addition of several important drawings and prints to the museum's collection, including works by Denier, Ingres, and others.