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ARCH.2003.25, Rendition: 794161
The image shows a document with a typed text on it, placed on a light-colored surface. The document is titled "British Museum To Control Art Laboratory" and contains a news article. The article discusses arrangements made by the Trustees of the British Museum to take over the control of the Laboratory in Russell Square, which handles the cleaning and repair of the Museum's treasures. It mentions the handling of various objects, from prehistoric skeletons to modern art, and how the Laboratory has been instrumental in detecting fakes. The article attributes this information to Dr. Alexander Scott, the Director, who spoke to a "Morning Post" representative about these matters. The document also mentions cases of fakes detected, including a "Mexican" funeral vase and Egyptian bronze vessels ingeniously joined to create a unique shape. The bottom part of the document has a handwritten note that reads "Art News December 13, 1930." The document appears to be from the early 20th century, given the date and the style of the writing.
This image shows a page from a publication, likely a newspaper or magazine clipping, titled "British Museum To Control Art Laboratory." The article discusses the transfer of control of an art laboratory from the Department of Scientific and Industrial Research to the Trustees of the British Museum. The laboratory is responsible for the cleaning, repair, and authentication of museum artifacts, ranging from prehistoric skeletons to modern art.
Key points from the article include:
At the bottom of the page, there is a handwritten note that reads "Art News December 13, 1930," indicating the source and date of the article. The page has three holes punched on the left side, suggesting it was part of a binder or folder.
This image shows a vintage newspaper clipping, mounted on aged, off-white paper with three punch holes along the left margin, suggesting it was saved in a binder. The clipping is from the British Museum and pertains to the control and conservation of art.
Headline:
The main headline reads:
“British Museum
To Control Art
Laboratory”
Byline/Location:
The article begins with “LONDON—”, indicating its origin.
Content Summary:
The article reports that arrangements have been made for the Trustees of the British Museum to assume control of the Laboratory in Russell Square, which is responsible for cleaning and repairing the Museum’s treasures. This lab handles thousands of pounds worth of objects annually, ranging from prehistoric skeletons to modern art. It has been instrumental in detecting many “fakes.”
The laboratory originated from a conversation more than ten years prior between Sir Frederic Kenyon (Director of the British Museum) and the Director of the Department of Scientific and Industrial Research. The war had resulted in a loss of skilled repair personnel and a lack of organized research, making it difficult to maintain pre-war standards or adopt modern scientific methods.
The article cites Dr. Alexander Scott, the Director, who gave examples of fakes detected. One was a “Mexican” funeral vase shaped like a grotesque figure, which turned out to be largely made of modern cement and sand with glue to imitate sandstone. Another case involved two separate Egyptian bronze vessels ingeniously joined to create an “absolutely unique shape.”
Handwritten Note:
Below the clipping, in pen, is a handwritten annotation:
Art News
December 13, 1930
This likely indicates the source and date of publication of the clipping.
Overall Context:
This document provides a historical insight into the early 20th-century institutionalization of scientific conservation and authentication practices at the British Museum, reflecting concerns over art forgery and the need for technical expertise in museum science during the post-war period.
The paper itself shows signs of age — slightly yellowed, with gentle creases and a soft shadow falling across the top, suggesting it was photographed against a neutral background.
The image is a scanned page from a magazine or newspaper, featuring a news article. The article is titled "British Museum To Control Art Laboratory." The page has a beige background and black text. The article discusses the British Museum's decision to take over the control of the Laboratory in Rossall, where the treasures of the Museum are cleaned and repaired. The article mentions that the Laboratory has been instrumental in detecting many fakes and has made significant contributions to the restoration and preservation of artifacts. The article also highlights the expertise of Dr. Alexander Scott, the Director of the Laboratory, who has been involved in the work for more than ten years. The article provides a glimpse into the importance of the Laboratory in maintaining the integrity and authenticity of the Museum's collection.
The image is a photograph of a page of a newspaper. The page is a light cream color, with a black border around the edges. The newspaper is folded in half, with the crease visible on the right side of the image. The page is titled "Art News," and the date "December 13, 1950" is printed at the top of the page. The text on the page is printed in black ink and is arranged in columns. The text is about the British Museum taking control of the Art Laboratory. The text describes the museum's efforts to clean and repair thousands of pounds of objects, including prehistoric skeletons and modern artifacts. The text also mentions the museum's use of scientific and industrial research to detect fakes and improve restoration techniques.
The image shows a scanned document titled "British Museum To Control Art Laboratory", which appears to be a news article or report dated December 13, 1930. The document is typed on a single sheet of paper with a clean, formal layout, and it includes a header and body text.
The main content of the document discusses the transfer of control of the Art Laboratory from the Department of Scientific and Industrial Research to the Trustees of the British Museum. Key points include:
Transfer of Control:
Role of the Laboratory:
Historical Context:
Detection of Fakes:
The document provides insight into the administrative and scientific operations of the British Museum during the early 1930s, emphasizing the importance of the Art Laboratory in preserving and authenticating museum artifacts. It also highlights the historical efforts to combat forgeries and maintain the integrity of the Museum's collection.
This image shows a beige piece of paper with a newspaper clipping pasted on it in the top left corner. The headline of the newspaper clipping reads "British Museum To Control Art Laboratory". Below the headline is a sub-heading or location identifier "LONDON" and the article's text, which appears to describe arrangements made for the British Museum to take over "the Art Research Institute and Laboratory" of some form.
At the bottom left of the beige paper, there's handwritten text which appears to read "Oct News" followed by "December 13, 1930," indicating either the date of the news article or when the clipping was collected or annotated.
There are four circular punched holes, three on the left edge and one on the right, suggesting that the paper was meant for filing or insertion into a binder. The paper and clipping are placed against a white background and appear to be slightly curling at the edges, particularly around the top right corner, which could suggest age or that the paper has been stored rolled up or folded.
The image features a scrapbook page with a newspaper clipping pasted onto it. The clipping contains an article titled "British Museum To Control Art Laboratory." The article discusses the British Museum taking control of the Department of Scientific and Industrial Research Laboratory in London, which had been responsible for examining and detecting art forgeries, including prehistoric relics and modern and contemporary works.
The article mentions various figures involved in the transition, such as Dr. Alexander Scott and Dr. F. W. Feiners. Among the cases highlighted are instances of forgery detection, including a Greek amphora pot and two Egyptian bronze vessels.
Below the newspaper clipping, handwritten text reads "Art News December 13, 1930." The page has three holes punched along the left edge, likely for placement in a binder. The background of the scrapbook page is a solid beige color.
The image features a beige piece of paper with a small newspaper clipping affixed to the top left corner. The clipping is titled "British Museum To Control Art Laboratory" and contains text discussing arrangements for the British Museum to take over an art laboratory for detecting art forgeries. The bottom right of the page features a handwritten note that reads, "Art News, December 13, 1930."
The paper is three-hole punched along the left side, suggesting it is part of a document or binder. The page is otherwise blank apart from the clipping and the handwritten note.