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ARCH.2003.25, Rendition: 794152
The image is a scanned copy of an article from "The Art Digest" dated December 1st, 1930, page 31. The article is titled "A Review of the Field in Art Education" and specifically subsectioned as "Training Experts."
The content of the article discusses the establishment of the "Courtauld Institute of Art" at the University of London. It details the efforts of Samuel Courtauld, who donated his collection of modern paintings to the British nation, to create an institution that would provide a fully equipped department for the systematic training of students in the history of art, the science of criticism and expertise, and in the higher spheres of museum and gallery administration. The article mentions that the Courtauld Institute would carry a university chair, with the professor acting as the director.
The article also includes contributions from various individuals and institutions, such as Mr. Courtauld providing the entire cost of the institute, Sir Joseph Duveen promising $97,000 for an endowment fund, and Sir Martin Conway, an art authority, presenting his collection of photographs and reproductions of works of art. Additionally, Lord Lee of Fareham has promised to bequeath his entire collection to the institution.
The article includes quotes from Frank Rutter, a critic from the London Sunday Times, and A. P. Laurie of Edinburgh, a famous authority, discussing the potential of the institute and the importance of scientific principles and methods in preserving art treasures. The text is written in a formal and academic tone, reflecting the historical context and the significance of the topic at the time.
The image shows a page from "The Art Digest," dated 1st December, 1930. The page number is 31. The article is titled "A Review of the Field in Art Education" with a subtitle "Training Experts." The text discusses the establishment of the Courtauld Institute of Art at the University of London, which was suggested by Lord Lee of Fareham and supported by Samuel Courtauld. The institute aims to provide systematic training in the history of art, criticism, expertise, and museum and gallery administration. The article mentions contributions from various individuals, including financial support from Mr. Courtauld and Sir Joseph Duveen, and collections from Sir Martin Conway and Lord Lee of Fareham.
The article also includes opinions from Frank Rutter and A.P. Laurie of Edinburgh, who discuss the potential benefits of the institute, particularly in the areas of art restoration, preservation, and scientific research. There are three holes punched on the left side of the page, suggesting it was part of a binder or folder. The physical appearance of the page indicates it is an aged, yellowed print, likely from the early 20th century.
Based on the image provided, here is a detailed description:
This is a historical document, specifically a clipping from a periodical, mounted on a piece of aged, off-white or light beige paper that shows signs of wear. The edges of the mounting paper are uneven and slightly torn, particularly on the right side, suggesting it may have been cut from a larger page or file. Three dark, evenly spaced holes are punched along the left margin, indicating it was likely stored in a binder or folder.
The clipping itself is from “The Art Digest,” dated 1st December, 1930, and is marked as page 31 in the top right corner. The article is titled, in a large, bold sans-serif font: “A Review of the Field in Art Education”.
Below this main heading, the article features a subheading: “Training Experts”. The text discusses the founding of the “Courtauld Institute of Art” at the University of London. Key points mentioned include:
The article is formatted in a traditional newspaper or magazine style, with justified columns and serif typeface. The entire clipping is centered on the aged mounting paper. The overall impression is one of historical archival material, preserved for its significance in the field of art education and institutional history.
In summary: A clipped article from The Art Digest (Dec. 1, 1930) about the founding of the Courtauld Institute of Art, mounted on a worn, hole-punched piece of paper. The article highlights the institute’s mission to train art experts and advocates for scientific methods in art preservation.
The image is a scanned page from the "Art Digest" magazine, dated December 1, 1930. The page contains an article titled "A Review of the Field in Art Education." The article discusses the establishment of the "Courtauld Institute," an institution founded at the University of London, which aims to provide a fully equipped department for the systematic training of students in the history of art. The institute is intended to train scholars of criticism and expertise in the higher spheres of museum and gallery administration and education.
The article mentions that the institute will carry a university chair, with Mr. Courtauld acting as the university chairman, while Sir Joseph Duveen has donated the entire cost of the institute, amounting to £79,000, as an endowment fund. Sir Martin Conway, an art authority, will present his collection of photographs and reproductions of works of art, and Lord Lee of Fareham has promised to bequeath his entire collection. Frank Rutter, a critic of the London Sunday Times, believes that the possibilities of the institute are not hopeful and suggests that it will affect any heightening of our general culture in "art matters" or improve the low standard in the matter of museum administration and exhibition work being done by the Fogg Art Museum at Harvard University.
The article also mentions that Lord Lee's praise of the Courtauld Institute and his suggestion that the department where advanced students can be trained in the work of restoration and preservation of pictures and in the detection of forgeries is indeed needed. However, the author expresses concern that the world of connoisseurs would be horrified and stricken if the formidable number of masterpieces in public and private collections were to be concealed by either overpainting or bad condition, which are often the result of inattentiveness and neglect.
The article concludes with a quote from A.P. Laurie of Edinburgh, who suggests that the institute has a properly equipped laboratory, "The first essential is a thorough knowledge of the pigments used in painting illuminated manuscripts; for any learned society or publication in vain for the time when I searched in vain for any learned society or publication that would publish a research on the history of the pigments used in painting illuminated manuscripts; it was refused on the ground that the subject was of no possible interest or value. The day has gone by for this sort of thing. There are many problems that are awaiting solution and require continued and systematic research in a properly equipped laboratory, and it is also essential that our future curators receive instruction in scientific principles and methods, and that the whole business of preserving our art treasures be made the charge of men of scientific training attached to our great galleries and museums."
A piece of paper with a news article on it is placed on a white surface. The paper is brown and has a few holes on the left side. The paper is folded in half, and the article is written on the top half. The article is titled "A Review of the Field in Art Education." The article is about the establishment of the Courtauld Institute of Art, which will provide systematic training of students in the history of art, training in the higher spheres of museum and gallery administration, and in the scientific criticism and expertise.
The image shows a scanned page from a publication titled The Art Digest, dated 1st December 1930, and labeled as page 31. The page features an article titled "A Review of the Field in Art Education", with a subheading "Training Experts". The text discusses the establishment of an institution for art education, referred to as the "Courtauld Institute of Art," which is described as being fully equipped to train students in the history of art, criticism, and expertise in the science of museum and gallery administration.
Key points highlighted in the article include:
Initiation of the Institute: The institute was suggested by Lord Lee of Fareham and Samuel Courtauld, who donated a collection of modern paintings to the British nation. The institute is to be housed at the University of London.
Funding and Support: Sir Joseph Duveen has promised £97,000 as an endowment fund, and Martin Conway, an art authority, will serve as the director. Lord Lee of Fareham has also promised to bequeath his entire collection of photographs and reproductions of works of art.
Purpose and Scope: The institute aims to train students in art history, criticism, and the science of museum and gallery administration. It is intended to elevate the general culture in art matters and improve the standard of expertise in museums and galleries.
Expert Opinions: The article cites opinions from notable figures such as Frank Rutter, a critic for the London Sunday Times, and A. P. Laurie, a famous authority on chemistry, who emphasizes the importance of a properly equipped laboratory for scientific research in art.
Scientific Training: The article stresses the need for advanced students to be trained in restoration and preservation of art, as well as the detection of forgeries. It highlights the importance of scientific principles in curating and preserving art treasures, advocating for the integration of scientific training into the responsibilities of future curators of great galleries and museums.
The page appears to be part of a larger discussion on the development of art education and the role of scientific expertise in the preservation and study of art. The text is presented in a formal, journalistic style, typical of early 20th-century art publications. The page has a slightly worn appearance, suggesting it may be an archival or historical document.
This is an image of a weathered newspaper or magazine clipping that's been physically damaged on the right side, with tearing and parts of the page missing. The paper is affixed to a larger, light-brown paper that possibly acts as a mounting or backing sheet, with visible holes from where it has been torn out of its original binding.
The title of the article is "A Review of the Field in Art Education," and the section header is titled "Training Experts." The article discusses the role of experts in art education and seems to specifically mention the opinions and strategies of various individuals associated with art education and conservation. There is a date mentioned on the top right corner that says "The Art Digest, 1st December, 1930," indicating the name of the publication and the date of the issue.
The text within the article is too small to read in detail here, but there are a few names mentioned, such as "Lord Lee of Fareham, Sir Joseph Duveen," and "Frank Rutter," along with institutions like "the Courtauld Institute" and "Harvard University."
Due to the age and the specific reference to the year 1930, this document may hold historical significance regarding the progression and understanding of art conservation and education during that period.
This image features a brown sheet of paper that appears to be a page from a publication. It has three holes punched on the left side, suggesting it may have been intended for insertion into a binder. The main content is an article titled "A Review of the Field in Art Education," specifically focusing on "Training Experts". The article is from "The Art Digest, 1st December, 1930" and is indicated to be on page 31.
The text discusses the establishment of a new institute at the University of London, named the Courtauld Institute, which is aimed at providing comprehensive training in the technical aspects of art. The article explains the institute’s objectives, including offering courses in art history, technique, and criticism. It mentions the involvement of Samuel Courtauld and Lord Lee of Fareham in the founding of the institute, as well as the potential for future education and research in the field of art conservation and museum management.
The document is worn at the edges, particularly the right side where it appears slightly torn. It provides historical information concerning art education and the importance of structured and specialized training in the domain of art history and conservation.
A vintage newspaper clipping mounted on a brown paper page. The page has three punched holes along the left edge and a worn, torn edge. At the top is a bordered title reading “A Review of the Field in Art Education.” Below and to the left is a narrow newspaper clipping with the headline “Training Experts,” containing dense text in a small, old-fashioned font. The top right print notes “The Art Digest, 1st December, 1930” (page 31). The overall look is an old archival clipping from the early 20th century.
This is an image of a beige, slightly worn piece of paper that appears to be a page from a publication, titled "A Review of the Field in Art Education." The document is from The Art Digest, and the date in the corner reads "1st December, 1930."
The title of the article on the page is "Training Experts." The article discusses topics related to art education and the training of individuals in the curation, restoration, and preservation of art, as well as the administration of art institutions. It references achievements and initiatives of notable figures such as Lord Lee of Fareham and Samuel Courtauld. The piece emphasizes the need for systematic training in the art field and highlights proposals for establishing professional laboratories to study materials, techniques, and methods.
The page includes three holes punched along the left side, likely for insertion into a binder. The edges of the page are slightly rough, giving it an aged and historical feel.