The image is a newspaper article from "The Harvard Crimson" dated Tuesday, October 28, 1930. The headline reads: "Fogg Art Museum Exhibition Displays Findings of Harvard Expedition to Mesopotamia, and Shows Objects of Past Ages."

The article discusses an exhibition at the Fogg Art Museum showcasing findings from Harvard's past three years of excavations in Mesopotamia, particularly in the ancient city of Nuzi. The exhibition highlights the archaeological and artistic significance of the findings, which include sculptures, pottery, and architectural decorations.

Key points from the article include:

1. Historical Context: Mesopotamia, known for its rich history and archaeological significance, has been the site of many excavations. The article mentions the contributions of various ancient civilizations, including the Assyrians and Babylonians.

2. Exhibition Details: The exhibition features objects from the excavations at Nuzi, which was a significant city in ancient times. The finds include pottery, sculptures, and architectural elements.

3. Significance of Finds: The article emphasizes the importance of the findings in understanding the art and culture of ancient Mesopotamia. It highlights the skill and craftsmanship of the ancient artisans, particularly in pottery and sculpture.

4. Archaeological Insights: The exhibition provides insights into the daily life, religious practices, and artistic achievements of the people who lived in Mesopotamia thousands of years ago.

5. Collaboration: The excavations were a collaborative effort between Harvard University and the American School of Oriental Research, with significant contributions from scholars and archaeologists.

The article concludes by emphasizing the educational and cultural value of the exhibition, inviting visitors to explore the rich history and art of ancient Mesopotamia.

The image is a page from the October 28, 1930, edition of The Harvard Crimson, featuring an article titled "Fogg Art Museum Exhibition Displays Findings of Harvard Expedition to Mesopotamia, and Shows Objects of Past Ages."

The article discusses the findings from a Harvard expedition to Mesopotamia, focusing on archaeological discoveries and their implications. The exhibition at the Fogg Art Museum showcases these findings, including various artifacts and inscriptions from the ancient city of Nineveh and other Mesopotamian sites.

Key points include:

1. Exhibition Overview: The exhibition displays materials from both ancient and more recent excavations, emphasizing the historical richness of Mesopotamia.
2. Historical Context: It highlights the archaeological research and discoveries made by the expedition, noting the significance of the inscriptions and objects found.
3. Artistic and Cultural Significance: The article mentions various artifacts like pottery, sculptures, and inscriptions, which illustrate the artistic and cultural advancements of ancient Mesopotamian civilizations.
4. Notable Finds: It mentions specific finds such as a lion figurine and an animal motif from the Babylonian period, which are noted for their artistic value and historical importance.
5. Expert Insights: The article includes descriptions of the artistic techniques and the historical context of these finds, providing a glimpse into the daily lives and cultural practices of the people who lived in these ancient times.

Overall, the article aims to inform readers about the valuable contributions of the Harvard expedition to our understanding of ancient Mesopotamian history and culture.

THE HARVARD CRIMSON

Fogg Art Museum Exhibition Displays Findings of Harvard Expedition to Mesopotamia, and Shows Objects of Past Ages

An exhibition of findings of the Harvard Mesopotamian expedition is being shown at Fogg, and will close on Saturday of this week. Illustrating the progress and results of Harvard's past three years of excavations in Mesopotamia, it is of great interest which of late has arisen in archaeological research in Mesopotamia. Combining as it does material of both purely scientific and artistic importance, it is of great value to those whose minds are open to the past achievements of man.

From very early times the visible remains of the vast empires that centered about the Tigris and Euphrates have been a cause for wonder to the antiquarian—great rock carvings and huge mounds, clearly the sites of cities, but whose names and histories were unknown even before the time of Marco Polo.

In more recent times two pioneers in Mesopotamian archaeology, Layard and Loftus, conducted the first excavations for scientific purposes in that region, and the result of their findings has been the never ending confirmation and growth of Mesopotamian archaeology. Inscriptions for the philologist, man's life cycle fully illustrated for the anthropologist, and objects of beauty for the lover of art. When one thinks of the excavations from Khorsabad, the delicate gold and lapis of the Sumerians at Ur, the gold of the Chaldees, or the subtle modeled terra cotta of the Hittites at Boghaz Keui, one is impressed with the long period of time and the many cultures that have flourished in that region.

The site of the excavations carried on by Harvard University in conjunction with the American School of Oriental Research is the ancient city of Nuffar, now known as the mounded section of Iraq close to the present city of Kirkuk. This place which for 3500 years has been a deserted mound was once the flourishing city of Nuffar, and the excavations have been both commercially and artistically minded. Here for the past three years excavations have been going on under the respective directorships of E. C. K. Wang and L. C. Stiff. The area has been laid bare to give an extremely accurate picture of the lives and customs of the people who lived there prior to the destruction and desertion of the city shortly after 1500 B.C. Great quantities of inscribed cuneiform tablets show the completeness and precision with which business was transacted. The remains of the palace of the king show the great painstakingly kept, nor is the protection against lawsuits more meticulously complete than that inscribed on unbaked clay tablets 3500 years old.

Household utensils of many kinds have been so numerous that here again it is possible to reconstruct with some accuracy the daily life of the people. Of the architecture so much can and should be said that this article would not suffice even to begin it. It is of importance, however, to mention that the use of baked brick for pavements, lower wall facings, and water channels.

In the area cleared there are three separate types of buildings: the temple, the palace, and the house. It is in the latter two and particularly in the temple that most of the material of artistic value has come to light. Here the skill of the people as artisans and their understanding and feeling as real artists is clearly shown.

First among this class of objects should be mentioned the sculpture in glazed terra cotta. That people in Mesopotamia should at so early a date have mastered the art of glaze and been able to use it with such skill and control is almost as important as the modeling of the figures themselves. Antedating the Assyrian and late Babylonian glazing by many hundreds of years, one finds here a fully developed technique where many of the later pieces are merely conventionalized without being studied. It has neither the dull realism of much of the Assyrian works nor the unnatural grotesqueness of many early Sumerian works, coming in the era that it does one finds a link between early naturalism and late realism which takes the best from both and creates a new type of art.

One of the most striking pieces is the board's head (looted by the Iraq Museum). Here again we have real artistry and feeling in the modeling of what was surely, as with the other animals, a symbol of power and strength.

Another lion figure of more elaborate design is worthy of earnest attention. This beast, whose body is covered with rosettes, and whose mane is indicated by a series of spirals, is a fine example of the use of conventionalized ornament. The piece is not a mere copy of the Assyrian, though it is clearly influenced by the Assyrian art of the period. The modeling is sure and the feeling for the animal is real. The piece is not a mere copy of the Assyrian, though it is clearly influenced by the Assyrian art of the period. The modeling is sure and the feeling for the animal is real.

Again the motif is seen in the bronze figure surmounted by three lions, which in spirit resemble the Babylonian rather than the Assyrian. Though the piece is not of great artistic merit, it is an example of a decorated house-hold utensil not without interest.

Perhaps the most important piece is the bronze statuette of a god (looted by the Iraq Museum), tiny in size but executed with great delicacy and feeling. Aside from its purely aesthetic appeal, its similarity to works of the same period in the Levant is of great interest.

Those interested in pottery as well as those whose interests are purely archaeological will find much of interest. One quickly senses that the potter of Nuffar had a feeling for his art that was not bounded by the bit of produce which he was making. Certainly he was a master artisan.

This is not an attempt to enumerate everything that could interest the casual museum visitor or the professional scholar. It is merely to point out that the fine has not been neglected, but merely a very summary review of those pieces in the Fogg Museum exhibition that can not fail to interest both layman and specialist.

The image is a newspaper article from The Harvard Crimson, dated Tuesday, October 25, 1938. The headline reads: "Fogg Art Museum Exhibition Displays Findings of Harvard Expedition to Mesopotamia, and Shows Objects of Past Ages."

The article discusses an exhibition at the Fogg Art Museum showcasing artifacts from the Harvard University archaeological expedition to Mesopotamia. Here are some key points mentioned in the article:

1. Exhibition Details:

   • The exhibition displays findings from the Harvard Mesopotamian expedition, which took place several years prior to the article's publication.
   • The exhibition is located at the Fogg Art Museum, near the Saunders Theatre.

2. Historical Context:

   • The artifacts date back to various periods, illustrating the progress and results of the Harvard expedition.
   • Items include objects from the Tigris and Euphrates civilizations, which were significant centers of ancient Mesopotamian culture.

3. Artifacts and Discoveries:

   • The findings include coins, pottery, and inscriptions from various periods, reflecting daily life and cultural practices.
   • Notable objects include a "Houndshead" unit of many kinds of coins, an elaborate beast figure, and a human-like sculpture with a lion's head from Hittite culture.
   • Several items illustrate early Mesopotamian artistry, such as cylinder seals and sculpted figures.

4. Significance of Findings:

   • The discoveries provide insight into the lives, customs, and art of ancient Mesopotamian people.
   • The artifacts reveal the sophistication and craftsmanship of early Mesopotamian societies.
   • The article notes the importance of the Babylonian and Assyrian art, highlighting the cultural and historical value of the findings.

5. Art and Culture:

   • The exhibition includes examples of early religious artifacts, domestic items, and decorative arts.
   • The artifacts show the blending of functionality and artistry, illustrating the advanced nature of these ancient civilizations.

The article emphasizes the historical and cultural significance of the findings and the ongoing interest in archaeological research at Harvard University.

The image is a newspaper clipping from "The Harvard Crimson," dated Tuesday, October 28, 1930. The article is titled "Fogg Art Museum Exhibition Displays Findings of Harvard Expedition to Mesopotamia, and Shows Objects of Past Ages."

The article discusses an exhibition at the Fogg Art Museum showcasing findings from Harvard's Mesopotamian expedition. The exhibition highlights the progress and results of Harvard's past three years of excavations in the region. The article notes the scientific and artistic achievements, including the discovery of clay tablets, inscribed cuneiform texts, and various artifacts such as statues, pottery, and other objects from ancient Mesopotamian civilizations.

Key points include:

• The excavation sites span from the ancient cities of Ur and Chaldea to the region around the Tigris and Euphrates rivers.
• The findings offer insight into the lives and customs of people from the past, including household utensils, religious artifacts, and administrative documents.
• The exhibition features a variety of artworks, including a lion with a turquoise-colored glaze and a statue of a bearded man.
• The exhibition also includes a variety of pottery and glazed objects, highlighting the artistic achievements of ancient Mesopotamian artisans.
• The article mentions that the displayed objects provide a glimpse into the daily life and artistic accomplishments of ancient civilizations, with some pieces dating back over 4500 years.

The exhibition is noted for its educational value, showcasing the ancient art and artifacts that offer a window into the past.

The image is a newspaper clipping from "The Harvard Crimson" dated Tuesday, October 28, 1930. The article, titled "Fogg Art Museum Exhibition Displays Findings of Harvard Expedition to Mesopotamia, and Shows Objects of Past Ages," describes an exhibition showcasing artifacts from Harvard's Mesopotamian expedition.

Key points from the article include:

1. Exhibition Overview: The exhibition at the Fogg Art Museum presents findings from Harvard's Mesopotamian expedition, with a focus on the archaeological research conducted in the region.

2. Historical Context: The Tigris and Euphrates rivers have been central to human civilization for millennia, with sites like Khorsabad and Ur being significant.

3. Artifacts and Artistry: The exhibition includes various objects such as inscribed cuneiform tablets, inscribed gold and lapis objects, terra cotta figures, and other artifacts. Notable pieces include a head of a bull from Nineveh and a lion couchant in glazed terra cotta from the palace of Sargon II.

4. Artistic Achievements: The article highlights the artistic and technical skills of the ancient Mesopotamian artisans, particularly their mastery of glazing techniques and the use of baked bricks in architecture.

5. Significance of the Artifacts: The objects on display provide insights into the lives and customs of the people who lived in Mesopotamia, giving a vivid picture of their culture and daily life.

6. Artistic Diversity: The exhibition includes a range of art forms, from monumental sculptures to intricate small objects, showcasing the diversity and richness of Mesopotamian art.

7. Cultural and Historical Importance: The article emphasizes the importance of these artifacts in understanding the history and culture of Mesopotamia, from early Sumerian times to the Neo-Assyrian period.

The overall tone of the article is appreciative and informative, detailing the cultural and artistic significance of the artifacts on display.

The image shows a newspaper page from "The Harvard Crimson" dated Tuesday, October 28, 1930. The headline reads: "Fogg Art Museum Exhibition Displays Findings of Harvard Expedition to Mesopotamia, and Shows Objects of Past Ages."

The article discusses an exhibition of findings from the Harvard Mesopotamian expedition, which is being shown at the Fogg Art Museum. It highlights the historical significance of the artifacts from excavations in Iraq, including their artistic and scientific importance. The article describes the evidence of past civilizations uncovered by the expedition, such as architecture, pottery, statues, and other art forms, and emphasizes the detailed and painstaking work involved in documenting these findings. It also touches on the cultural and historical context of the artifacts, particularly focusing on the art and craftsmanship of early Mesopotamian peoples.

The article provides a detailed account of the importance of the exhibition for both specialists and the general public alike. The text is dense and printed in a traditional newspaper column format, with three columns of text on the page. There are also two hole punches on the left side of the page, indicating it might have been stored in a binder or folder.

The image shows a newspaper page from "The Harvard Crimson," dated Thursday, October 23, 1930. The main headline on the page reads: "Fogg Art Museum Exhibition Displays Findings of Harvard Expedition to Mesopotamia, and Shows Objects of Past Ages." Below the headline is an article that spans the entire page with several paragraphs of text detailing the exhibition and discussing the findings of the Harvard Expedition in Mesopotamia, including various artifacts and the implications of such discoveries. The layout is typical of a newspaper from that era, with densely packed text and no images. The page is aged, with some discoloration due to the paper's age, suggesting it is an archival document. There is no visible page number, but the newspaper's name and date are clearly visible at the top.

This image is a scan of a newspaper article from "The Harvard Crimson" dated Tuesday, October 26, 1926. The article is titled "Fogg Art Museum Exhibition Displays Findings of Harvard Expedition to Mesopotamia, and Shows Objects of Past Ages."

The article discusses an exhibition at the Fogg Art Museum showcasing findings from the Harvard Expedition to Mesopotamia. It highlights the significance of the artifacts found, which provide insights into the lives and customs of ancient Mesopotamian people. The article mentions various types of artifacts, including household utensils, religious artifacts, and artistic items, detailing their importance in understanding the history and culture of Mesopotamia.

The paper itself is visibly aged, with some wear and a set of holes punched along the left margin, likely indicating it was stored in a binder. The font is reminiscent of early 20th-century typefaces, consistent with the publication date.

The image shows a page from the Harvard Crimson, dated Tuesday, October 25, 1930. The headline reads: "Fogg Art Museum Exhibition Displays Findings of Harvard Expedition to Mesopotamia, and Shows Objects of Past Ages."

Content Overview:

The article discusses an exhibition at the Fogg Art Museum featuring artifacts and findings from a Harvard expedition to Mesopotamia. Key points include:

1. Exhibition Details:

   • The exhibition is scheduled to close on Saturday.
   • It showcases the results of Harvard's archaeological work in Mesopotamia, highlighting the significance of the discoveries.

2. Archaeological Context:

   • The article emphasizes the historical and cultural importance of the artifacts, which span from early times to the visible remains of ancient empires such as the Tigris and Euphrates civilizations.
   • It mentions the discovery of quartz-carved rock carvings and huge stone figures, which were previously unknown to travelers.
   • The finds include glyptic art (small carved stones used as seals), gold and lapis lazuli from the Sumerians, and terra cotta figurines from the Ur of the Chaldees.

3. Expedition Highlights:

   • The Harvard expedition, led by George Arthur Plimpton, focused on the northern section of Iraq, near the ancient city of Kirkuk.
   • The site is identified as Nuzi, a city that flourished around 2500 B.C. and was later deserted. Excavations revealed a commercially and artistically minded society, with three years of excavations uncovering significant artifacts.
   • Notable discoveries include tablets, clay tablets, and architectural fragments that provide insights into the daily life, customs, and artistic practices of the people.

4. Artistic and Cultural Significance:

   • The article discusses the artistic value of the finds, noting their lightness, convincing naturalism, and delicacy.
   • It compares the artifacts to works from Babylonian and Assyrian art, highlighting their unique qualities and the skill of the artisans.
   • The exhibition includes bronze censers, lion figures, and decorated household items, which are described as both aesthetically pleasing and historically significant.

5. Educational Value:

   • The exhibition is noted as a valuable resource for both laypersons and specialists, offering a comprehensive view of Mesopotamian archaeology and culture.
   • The article emphasizes the educational and aesthetic appeal of the artifacts, encouraging visitors to appreciate the craftsmanship and historical context.

Visual Elements:

• The page is formatted as a newspaper article with a clear headline, subheadings, and structured paragraphs.
• The text is printed in a serif font, typical of early 20th-century newspapers.
• The layout includes a column format, with the date and publication name ("The Harvard Crimson") at the top.

Overall Impression:

The article serves as a promotional piece for the Fogg Art Museum exhibition, aiming to attract visitors by highlighting the historical, artistic, and educational value of the displayed artifacts. It underscores the significance of Harvard's archaeological work in Mesopotamia and the importance of preserving and showcasing these ancient treasures.