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This image appears to be a scanned document from a newspaper or a publication related to contemporary art in Boston. The document is titled "Contemporary Art Society Formed In Boston" and provides information about the formation and goals of the New England Society of Contemporary Art.

The text in the document discusses the establishment of this society with the aim of introducing Boston and New England residents to the characteristics of contemporary or modern art. It mentions the limited exhibitions available at the time, such as those by the Harvard Society of Contemporary Art, the Pancoast Gallery, and the Boston Society of Independent Artists, and notes that there were very few opportunities for Bostonians to view examples of modern art.

The document also outlines the structure of the society, which includes three classes of members: sustaining, active, and associate. It explains that the active and associate members would contribute financially to the working fund, with the funds intended to cover the cost of exhibitions. Additionally, the text mentions the inclusion of a student class, which would provide art students in New England with opportunities to learn about contemporary art.

The document further details the officers of the society, including Charles Hopkinson as president, Walter H. Kilham as secretary and treasurer, and a board of governors and an advisory board with various names listed. The text also mentions that the first Boston exhibition would take place at the Boston Art Club from December 23rd to January 15th of the following year.

This image shows a yellowed, vintage paper clipping or printed document titled "Contemporary Art Society Formed In Boston." The text is written in a serif font and appears to be a news report or announcement about the formation of a new organization dedicated to promoting contemporary art in Boston and New England. The document lists the purposes, objectives, and structure of the society, including the different classes of membership and the names of the officers and board members. It also mentions that the society has no permanent home but plans to hold exhibitions, with the first one scheduled at the Boston Art Club. Handwritten notes on the left side of the document include "Art News Dec. 14 1929," indicating the source and date of this clipping. The paper has four circular holes on the left side, likely from being stored in a binder.

This image displays a single, aged page of paper, likely from a scrapbook or archive, with three punched holes along its left edge, suggesting it was once filed in a binder.

The page features a newspaper clipping centered on the page. The clipping is enclosed in a thin border and contains a news article with the headline:

Contemporary Art Society Formed In Boston

The article, datelined "BOSTON," announces the formation of the "New England Society of Contemporary Art." Its purpose is to familiarize Boston and New England residents with contemporary or modern art, which the article notes is rarely shown in Boston at the time. It mentions existing but infrequent exhibitions by the Harvard Society, the Faneuil Gallery, and the Boston Society of Independent Artists.

Key points detailed in the article include:

• The society plans to hold at least three exhibitions annually in Boston and additional shows in other New England cities.
• It outlines three membership classes: (a) Sustaining (artists who contribute to a working fund), (b) Active (friends who support the cause financially), and (c) Associate (friends who pay only for exhibition costs). A future student class is mentioned.
• The society currently has no permanent home but held an exhibition at Magnolia over the past summer. Its first Boston show is scheduled for December 23rd to January 15th at the Boston Art Club.
• The officers are listed: Charles Hopkinson (president), Walter H. Kilham (secretary and treasurer).
• The board of governors includes Samuel A. Biglin, Carl G. Cutler, Andrew D. Fuller, Herbert H. Patrick, and Charles H. Pepper.
• The advisory board includes: Frederick C. Bartlett, Robert Treat Paine, 2nd, Paul J. Sachs, Theophile Schneider, Mrs. J. Montgomery Sears, and John T. Spaulding.

Also visible on the page, in the upper left corner, is handwritten text in pencil that reads: “Clad Art / Dec. 4 / ’29,” indicating the article was likely clipped and dated December 4, 1929. The page itself appears yellowed with age, but the text remains highly legible. The photograph is taken against a plain, light-blue background.

The image shows a page from a newspaper with a heading "Contemporary Art Society Formed In Boston" and a subheading "The New England Society of Contemporary Art has been organized with the general purpose of helping to familiarize the people of Boston and New England with the characteristics of contemporary or modern art." The page is dated December 1929. The text is printed in black ink on a white background, and the page has a slightly worn appearance, with some creases and folds.

The image is a photograph of a piece of paper that appears to be a news clipping. The clipping is rectangular and has a light cream color. The text on the clipping is written in black ink and is arranged in a single column. The clipping is mounted on a white background, which is slightly larger than the clipping itself. The clipping has a title at the top that reads "Contemporary Art Society Formed In Boston." The text below the title provides information about the formation of the New England Society of Contemporary Artists in Boston. The society was formed with the purpose of familiarizing the people of Boston and New England with the characteristics of contemporary or modern art. The society intends to hold at least three exhibitions each year in Boston and in other important New England cities. The society's board of directors includes Walter H. Kilham, H. Charles Hopkinson, and Samuel D. Biggs. The society's advisory board includes Frederick C. Bartlett, Robert Treat Paine, Jr., Paul J. Sachs, and Montgomery Sears. The society's treasurer is John R. Spaulding. The clipping also mentions that the society has no permanent home but that an exhibition was held at the Boston Art Club during the past summer and that another exhibition will be held at the Magnolia Club from December 23rd to January 14th next year.

The image shows a typed document titled "Contemporary Art Society Formed In Boston". The document appears to be a news article or announcement discussing the establishment of the New England Society of Contemporary Art in Boston. Here is a detailed description:

Header and Title

• The document is titled "Contemporary Art Society Formed In Boston", printed in bold at the top.
• The text is typed on a light-colored sheet of paper, likely from an old newspaper or publication.

Content Overview

The article provides details about the formation of the society and its objectives:

Introduction

• The society was organized with the purpose of helping to familiarize the people of Boston and New England with the characteristics of contemporary or modern art.
• It aims to bridge the gap between the public and modern art, which is rarely shown in Boston.

Key Points

1. Purpose and Goals:

   • The society intends to hold at least three exhibitions each year in Boston, and if funds permit, five exhibitions.
   • Exhibitions will also be held in other important New England cities.
   • The society seeks to provide an opportunity for students of New England to learn about contemporary art movements.

2. Membership:

   • The society is composed of three classes of members:
     • (a) Active members: working artists who contribute to the society.
     • (b) Associate members: friends and well-wishers who support the cause financially.
     • (c) Honorary members: individuals in sympathy with the cause.
   • Funds raised will help pay expenses and, if possible, support a student class.

3. Exhibitions:

   • The first Boston show will be held at the Marlborough Gallery during the past December.
   • The next annual Boston show will be held at the Boston Art Club from December 23rd to January 16th.

4. Leadership:

   • The board of governors includes notable individuals:
     • Charles Hopkinson (president)
     • Walter H. Kilham (secretary and treasurer)
     • Samuel A. Bingin
     • Carl G. Cutler
     • Andrew D. Fuller
     • Herbert H. Patrick
     • Charles H. Pepper
     • Frederick Bartlett
     • Robert Treat Paine, 2nd
     • Paul J. Sachs
     • Theophile Schneider
     • Mrs. J. Montgomery Sears
     • John T. Spaulding

Additional Notes

• The document mentions that the society has no permanent home but plans to hold exhibitions in various locations.
• The text is formal and structured, typical of a news article or announcement from the early 20th century.

Visual Elements

• The document is typewritten, suggesting it is a printed or reproduced copy.
• There are two punched holes on the left margin, indicating it may have been part of a bound collection or archive.
• Handwritten notes are visible in the top-left corner, reading "Old News 1923", suggesting the document is from or related to the year 1923.

Context

The article reflects the early 20th-century interest in modern and contemporary art, highlighting efforts to bring avant-garde art to the public and foster a community of artists and supporters in Boston. The inclusion of prominent names on the board of governors underscores the society's credibility and ambition.

Overall, the document serves as a historical record of the formation and early activities of the New England Society of Contemporary Art in Boston.

The image presents a scanned page of an article from a newspaper or magazine, featuring a beige background with a darker beige border around the edges. The article is titled "Contemporary Art Society Formed in Boston" and is printed in black ink on the page.

Article Content:

• The article discusses the formation of the New England Society of Contemporary Art, which aims to familiarize the public with contemporary and modern art.
• It mentions that the society will hold exhibitions and lectures to educate the public about contemporary art.
• The article also lists the names of the society's officers and advisory board members.

Visual Elements:

• The page has three holes punched along the left side, indicating that it was likely part of a binder or notebook.
• There are two handwritten notes in the top-left corner of the page, one dated "Dec. 14, 1927" and the other illegible.
• The background of the image is a light gray color, providing a neutral contrast to the beige page.

Overall Impression:

• The image appears to be a scanned copy of an old newspaper or magazine article, possibly from the early 20th century.
• The content of the article suggests that it was written during a time when contemporary art was becoming more widely recognized and appreciated in Boston.
• The inclusion of handwritten notes and the aged appearance of the page add to the historical significance of the image.

The image shows a piece of paper with a newspaper clipping about the Contemporary Art Society, which was formed in Boston. The clipping is from an unknown newspaper and is dated 1927.

Key Points:

• The Contemporary Art Society was formed in Boston.
• The society aims to promote contemporary art and provide opportunities for artists to showcase their work.
• The society has been organized with the general purpose of helping to familiarize the people of Boston and New England with the characteristics of contemporary or modern art.
• The society intends to hold at least three exhibitions each year in Boston, and in addition, exhibitions in other important New England cities.
• There are three classes of members: sustaining, composed of those who are willing to contribute in a working fund; active, composed of artists; and associate, composed of friends who are in sympathy with the cause and will help financially.
• Funds derived from active and associate members will just about pay the cost of the exhibitions.
• To these there will be added, if funds permit, a student class.
• Intended especially to give the art students of New England an opportunity to know what is being done in Sears, and John T. Spaulding.

Conclusion:

The Contemporary Art Society was formed in Boston to promote contemporary art and provide opportunities for artists to showcase their work. The society aims to hold at least three exhibitions each year in Boston, and in addition, exhibitions in other important New England cities. The society has three classes of members: sustaining, active, and associate. Funds derived from active and associate members will just about pay the cost of the exhibitions, and if funds permit, a student class will be added to give art students of New England an opportunity to know what is being done in Sears, and John T. Spaulding.

The image depicts a piece of paper with a news clipping about the formation of the Contemporary Art Society in Boston.

The paper is off-white, slightly yellowed, and has four holes punched along its left edge, suggesting it was once part of a binder or folder. The clipping is titled "Contemporary Art Society Formed In Boston" and is written in black text on a white background. The article discusses the establishment of the New England Society of Contemporary Art, its purpose, and its plans for exhibitions and events.

The clipping is positioned near the top of the page, leaving a significant amount of blank space below it. A handwritten note on the left side of the page reads "Oct 1929" and "Boston", likely indicating the date and location of the clipping. The paper is set against a light gray background, which provides a subtle contrast to the off-white color of the paper.

Overall, the image appears to be a scanned or photographed copy of a historical document, possibly from an archive or collection related to art or cultural history.

The image presents a scanned or photographed page from a vintage document, featuring an article about the formation of the Contemporary Art Society in Boston. The page is off-white and has three holes punched along its left edge.

Article Details:

• Title: "Contemporary Art Society Formed In Boston"
• Content: The article discusses the establishment of the New England Society of Contemporary Art, which aims to familiarize the people of Boston and New England with modern art.
• Structure: The text is divided into two columns, with the left column providing an introduction to the society's purpose and goals, while the right column lists the officers and advisory board members.

Page Features:

• Holes: Three holes are punched along the left edge of the page.
• Handwritten Note: A handwritten note is visible on the left side of the page, reading "A.Wheaton Dec.17 1929".
• Background: The page is set against a light gray background.

Overall Impression:

The image appears to be a scanned or photographed page from a vintage document, likely from the early 20th century. The article provides valuable information about the formation of the Contemporary Art Society in Boston, highlighting its purpose and key members.