Archives Scrapbooks

The image is a page from a publication titled "International Studio" dated December 1930. The section is labeled "Notes of the Month." The page features a black-and-white photograph of a late 14th-century French Madonna and Child statue from the Île-de-France region, which is part of the collection of the City Art Museum in St. Louis.

The text accompanying the image provides details about the statue and other artworks. It mentions that the City Art Museum of St. Louis has acquired two medieval chests, one of which is a marriage cassone from Rome, and the other is a Flemish chest with intricate carvings and Gothic arcades. The text also discusses the Madonna statue, noting its historical significance and the fact that it was previously part of the Metropolitan Museum of Art's collection before being transferred to St. Louis.

Additionally, the text highlights the extraordinary interest in Persian art, mentioning the formation of the American Institute for Persian Art and Archaeology. The page concludes with a note about the institute's advisory board, which includes prominent figures in the art world.

The image is a page from the December 1930 issue of "International Studio," specifically the "Notes of the Month" section. The page contains a detailed article about two medieval chests recently acquired by the City Art Museum of St. Louis.

The first chest is described as an important medieval piece from the marriage chest of Isotta da Rimini and Sigismondo Malatesta, originally from the fourteenth century. This chest is notable for its Gothic design and inscriptions.

The second chest is of Flemish origin, dating from the fourteenth or fifteenth century. It features Gothic arcades, lilies, and rosettes, and has a prayer carved into it: "Ave, Maria gratia plena dominus tecum." This chest was originally used in a church to contain altar cloths and priests' vestments.

Additionally, the page features a black-and-white photograph of a late 14th-century French Madonna from the Île-de-France, purchased by the City Art Museum through Joseph Brummer. The Madonna, described as an example of monumental, decorative sculpture, is praised for its decorative quality and the graceful sweep of its body. It has been temporarily installed in the museum's gallery to form a Gothic group.

The article also mentions an increased interest in Persian art, highlighting a lecture by Professor Arthur Upham Pope at the American Institute for Persian Art and Archaeology, and recent archaeological expeditions sponsored by the institute.

The image is a page from the December 1930 issue of "International Studio," specifically the section titled "Notes of the Month."

The page features two main articles with accompanying illustrations:

1. Medieval Chests and Art Acquisitions by the City Art Museum of St. Louis:

   • The article discusses the acquisition of two important medieval chests by the City Art Museum of St. Louis.
   • One chest is of Italian origin, specifically from the marriage of Isotta da Rimini and Sigismondo Malatesta, and was previously featured in an earlier issue of the magazine.
   • The other chest is of Flemish origin, dating from the fourteenth or fifteenth century. It measures 69 inches long, 26 inches high, and 22 inches wide. It features Gothic arches, lilies, and rosettes, and is inscribed with the words "Ave Maria gratia plena dominus tecum," suggesting it was used in a church for altar cloths and priestly vestments.
   • The article also mentions a sculpture of the Madonna and Child from the latter half of the fourteenth century, originally from Île-de-France, now in the museum's collection.

2. Formation of the American Institute for Persian Art and Archaeology:

   • The article highlights the establishment of the American Institute for Persian Art and Archaeology.
   • This initiative is led by Professor Arthur Upham Pope of California, who is the Advisory Curator of Muhammadan Art at the Chicago Art Institute, and an Advisor in Persian Art at the Pennsylvania Museum and School of Industrial Art.
   • The institute aims to sponsor exhibitions and archaeological expeditions, reflecting a significant effort in the field of Persian art and archaeology.

The visual content includes a photograph of a late 14th-century French Madonna from Île-de-France, which is described in detail for its artistic and historical significance. The Madonna sculpture is noted for its decorative quality and the graceful lines of the drapery. The text emphasizes the museum's plans to place the statue as the centerpiece of a Gothic group in an architectural setting.

The image is a page from the December 1920 issue of "International Studio." The page is titled "Notes of the Month" and features a black-and-white photograph of a medieval sculpture.

The text on the page discusses two significant acquisitions by the City Art Museum of St. Louis. The first acquisition is a set of medieval chests, one from the 14th or 15th century Flemish origin and another from Isotta da Rimini and Sigismondo Malatesta. The Flemish chest is described in detail, including its dimensions and decorative elements like carvings and inscriptions. The second acquisition is a Madonna and Child sculpture from the later half of the 14th century, found in the Ile-de-France region. This Madonna is noted for its detailed craftsmanship and its role in an architectural setting.

Additionally, there is an announcement about the establishment of the American Institute for Persian Art and Archaeology, led by Professor Arthur Upham Pope. This institution aims to promote research and exhibitions in Persian art and archaeology, including the recently completed excavations.

The photograph accompanying the text shows the Madonna and Child sculpture in a stylized, graceful pose, with the text highlighting its historical and artistic significance.

The image displays a page from a publication titled "International Studio," dated December 1920. The page is titled "Notes of the Month" and features an article about the City Art Museum of St. Louis. The main focus of the article is the acquisition of two important medieval chests, one of which is described as being of Italian origin from the fifteenth century, and another of Flemish origin from the fourteenth or fifteenth century.

The page also features an illustration of a "Fourteenth Century French Madonna from the Ile-de-France," which is described as a significant example of monumental, decorative sculpture. The text elaborates on the artistic qualities of the Madonna, noting its balanced composition, stylized drapery, and the sense of life and movement it embodies. The statue is temporarily installed in the museum's gallery, with plans for it to eventually form the center of a Gothic group in an architectural setting.

Additionally, the article mentions the museum's interest in Persian art, leading to an upcoming exhibition organized by the American Institute for Persian Art and Archaeology. The institute, led by Professor Arthur Upham Pope, aims to foster interest and support for Persian art and archaeology.

The image is a page from the December 1930 issue of "International Studio," specifically the "Notes of the Month" section. The page features both text and a photograph of a notable piece of art.

Text Summary:

1. Main Article:

   • The article discusses the acquisition of two significant medieval art pieces by the City Art Museum of St. Louis. These acquisitions are expected to be installed within a few years.
   • The first piece mentioned is the marriage casket of Isotta da Rimini, attributed to the artists Maso di Banco and Sigismondo Malatesta. This casket was previously featured in the May issue of "International Studio."
   • The second piece is a Flemish chest from the 14th or 15th century. It is elaborately carved with Gothic arches and various other motifs. The chest was used to store priestly vestments and is now part of the significant medieval acquisitions by the museum.

2. Featured Artwork:

   • The text highlights a Late 14th Century French Madonna from the Île-de-France, which has been loaned to the City Art Museum of St. Louis by Joseph Brummer of New York.
   • The Madonna dates from the latter half of the 14th century and is noted for its remarkable quality and the inspirational sweep of the body, typical of monumental and decorative sculpture.

3. Additional Notes:

   • There is mention of an extraordinary interest in things Persian, with a forthcoming exhibition at Burlington House, organized by the Persian Art Bureau. Professor Arthur Upham Pope is noted for his contributions to Persian art studies.

Photograph Description:

• The photograph shows a detailed statue of the Virgin Mary (Madonna) holding the infant Jesus.
• The Madonna is depicted with gentle inclinations to the left, balancing the infant who is to her right.
• The drapery of the Madonna’s clothing is intricately detailed, emphasizing the strong upward motion and lending an unmistakable lifelike quality to the statue.
• The statue was temporarily installed at the museum in St. Louis, with only the Gothic tapestry background temporarily removed to highlight its features.

Context:

• The text and photograph together emphasize the cultural and artistic significance of these acquisitions and exhibitions, showcasing both European medieval art and Persian art. The detailed descriptions aim to convey the historical and aesthetic value of these pieces.

The image shows a page titled "Notes of the Month" from a publication called International Studio dated December 1930. The page features a black-and-white photograph of a sculpture depicting a Late 14th-century French Madonna from the Ile-de-France region. The statue is of a woman holding a child, both adorned with halos. The Madonna is standing with gentle inclinations to the left, balancing the infant in her arms who is presenting an object.

The text around the photograph discusses the acquisition and description of the sculpture by the City Art Museum of St. Louis, mentioning its Gothic style, size, origin, and artistic features. It also describes the decorative quality of the piece, emphasizing the architectural setting and its historical and cultural significance. The margins contain ornate floral designs framing the title. The left side of the page has discoloration, possibly from tape or aging. The page has three hole punches along the left edge, indicating it might have been stored in a binder.

The image you've provided is of a page from a publication titled "INTERNATIONAL STUDIO" with the headline "Notes of the Month" and a date that appears to be December 1920. The page design has a decorative header with a floral pattern and the page shows signs of aging and handling, including punch holes along the left side suggesting it was once bound in a collection. The main feature on the page is a black and white photograph of a late XIV Century French Madonna from the Ile-de-France, as noted in the caption provided at the bottom of the photograph. The statue appears to depict a standing figure holding a child. The body of the text on the page consists of multiple paragraphs that likely provide context and details related to the topics discussed in this section, but the full content is not fully visible or readable in the image provided.

The image depicts a page from a magazine titled "International Studio" from December 1930. The page is part of the "Notes of the Month" section and contains text discussing various art collections and exhibitions. At the center, there is a black-and-white photograph of a sculpture titled "Late XIV Century French Madonna from the Ile-de-France," showcasing intricate craftsmanship and detailing of the drapery and posture. The text surrounding the image provides information about the collection and highlights specific attributes and historical significance of the artwork.

The image shows a page from a publication titled "Notes of the Month," dated December 1920, and published by the International Studio. The page features a black-and-white photograph of a Late XIV Century French Madonna from the Ile-de-France, prominently displayed in the center. The statue depicts a Madonna holding a child, both dressed in elaborate robes, with the Madonna wearing a crown. The statue is described as an example of monumental decorative sculpture, noted for its high rank due to its decorative quality and the inspiring sweep of the body.

Key Details from the Page:

Left Side (Text):

• The text discusses the acquisition of two important medieval chests by the City Art Museum of St. Louis, likely installed in period rooms.
• It mentions the chests' historical significance, dating from the fourteenth or fifteenth century, and describes their intricate carvings, including Gothic arcades, lilies, and rosettes.
• The text also references the Madonna and Child statue, noting its purchase through Joseph Brummer of New York, dating from the latter half of the fourteenth century. It highlights the statue's removal from the Belgian artist Emile Wauters' collection in 1905 and its significance as an example of monumental decorative sculpture.

Right Side (Text):

• The text elaborates on the Madonna statue, describing its gentle inclinations and the balance between the weight of the infant and the drapery of the Madonna's robes. It emphasizes the upward motion and the sense of life conveyed by the statue, noting its decorative functions and architectural setting.
• The text also mentions an extraordinary Persian carpet housed at the American Institute for Persian Art and Archaeology, highlighting its importance and the involvement of notable figures such as Professor Arthur Upham Pope and other experts in Persian art.

Bottom Caption:

• The caption at the bottom of the photograph identifies the statue as a Late XIV Century French Madonna from the Ile-de-France, crediting the City Art Museum of St. Louis as the source of the image.

Visual Elements:

• The photograph of the Madonna and Child is detailed and central, showcasing the statue's intricate carving and posture.
• The page layout is clean and structured, with a decorative header and a balanced division of text and image.
• The overall design reflects the formal and artistic tone typical of early 20th-century art publications.

This page serves as a historical and artistic commentary, combining visual representation with detailed textual analysis of significant artworks and artifacts.