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ARCH.2003.25, Rendition: 794104
The image appears to be a page from an issue of "International Studio," dated December 1930. The page is titled "Notes of the Month." The main focus of the page is an illustration of a statue titled "Late XIV Century French Madonna from the Ile-de-France." The statue depicts the Virgin Mary holding the infant Jesus, dressed in traditional medieval attire, with elaborate drapery and a crown.
The page contains an article discussing the collection of the late Dr. Albert Figdor of Vienna, which was dispersed among buyers. It mentions that the City Art Museum of St. Louis has acquired two important medieval chests, one of which is the marriage cassone of Isotta da Rimini and Sigismondo Malatesta. The other chest is described as being of Flemish origin and dating from the 14th or 15th century.
The article also discusses the "Virgin and Child" statue mentioned above, noting it was purchased through Joseph Brummer of New York and dates from the latter half of the 14th century in the Ile-de-France. It highlights the statue's importance as a monumental, decorative sculpture and attributes much of its decorative quality to the inspiring sweep of its body.
The text at the bottom of the page credits the statue to the City Art Museum, St. Louis, and provides a caption identifying it as a "Late XIV Century French Madonna from the Ile-de-France."
This image is a page from the December 1930 issue of International Studio, a publication focused on art and art criticism. The page features an article titled "Notes of the Month," which discusses various art-related topics and acquisitions.
At the top of the page, there is an ornate decorative header with the title "Notes of the Month" written in an elegant font. Below the header, there is a large photograph of a statue of the Virgin and Child. The statue is described as being from the late 14th century, originating from the Ile-de-France region. The Virgin is depicted wearing a crown and holding the Child, who is holding a small bird.
The text on the page discusses several topics:
The page is formatted with two columns of text, and the photograph of the statue is placed in the center, spanning both columns. The text is written in a formal and descriptive style, providing detailed information about the art pieces and their historical context.
This image displays a single, aged page from a publication, likely a museum or art journal, titled INTERNATIONAL STUDIO. The page is dated Dec. 1930 and features the section “Notes of the Month” at the top, set within an ornamental, floral-style border.
The page is dominated by a large, centrally-placed, black-and-white photograph of a Late XIV Century French Madonna from the Ile-de-France. The sculpture depicts the Virgin Mary standing, crowned and veiled, holding the Christ Child on her left arm. The Christ Child appears to be holding a small bird. The figures are rendered with flowing, graceful drapery and gentle, naturalistic expressions.
Text Content:
The article on the page is largely focused on the City Art Museum of St. Louis and its recent acquisitions.
It begins by announcing that the museum has acquired two important medieval chests from the collection of the late Dr. Albert Figdor of Vienna.
The main subject of the page, however, is the Madonna and Child sculpture shown in the photograph. The text describes it as:
The article concludes with a notice about growing Persian art interest in the U.S., which has led to the formation of the American Institute for Persian Art and Archaeology, mentioning key figures like Professor Arthur Upham Pope.
Physical Details of the Page:
In summary, this is a historical museum bulletin page from December 1930, announcing acquisitions and featuring a detailed description and photograph of a significant 14th-century French Gothic Madonna sculpture now housed at the City Art Museum of St. Louis.
The image appears to be a page from a magazine or journal, with a black and white photograph of a medieval statue of a Madonna and Child. The caption reads "Late 15th Century French Madonna from the Ile-de-France." The text on the page discusses the acquisition of the statue by the City Art Museum of St. Louis and its significance as a rare example of French Gothic sculpture. The article also mentions the installation of two medieval chests in the museum's planned rooms, which will likely house the statue and other medieval objects.
The image shows a page from an old magazine or journal, likely from the early 20th century. The page is divided into two main sections: an article on the left and an image with a caption on the right.
The left side of the page contains a text article titled "Notes of the Month." The article discusses the acquisition of two medieval chests by the City Art Museum of St. Louis. These chests, which were probably installed in a few years in planned rooms of the museum, are described as important examples of medieval craftsmanship. The article mentions that one of the chests, the Madonna and Child, was purchased through Joseph Brummer of New York. The article also briefly mentions the formation of the Persian Institute for Persian Art and Archaeology, attributing its establishment to the efforts of Professor Arthur Upham Pope, Curator of Muhammadan Art at the Chicago Art Institute, and Honorary Advisor in Art to the Persian Government.
The right side of the page features a black-and-white photograph of a medieval statue. The statue depicts a woman, likely the Virgin Mary, holding a child, possibly Jesus. The statue is described in the caption as a "Late XIV Century French Madonna from the Ile-de-France." The statue is ornate, with detailed clothing and a crown, and the child is depicted with curly hair and a serene expression.
The overall layout of the page suggests that it is from a publication that focuses on art, history, or cultural topics, providing both textual information and visual content to engage readers.
The image shows a page from a publication titled "Notes of the Month," dated December 1920, and published by the International Studio. The page features a black-and-white photograph of a Late XIV Century French Madonna from the Ile-de-France, prominently displayed in the center. The statue depicts a Madonna holding a child, both dressed in elaborate robes, with the Madonna wearing a crown. The statue is described as an example of monumental decorative sculpture, noted for its high rank due to its decorative quality and the inspiring sweep of the body.
This page serves as a historical and artistic commentary, combining visual representation with detailed textual analysis of significant artworks and artifacts.
The image depicts a page from an international art magazine, featuring a black-and-white photograph of a statue of a woman and child. The page is titled "Notes of the Month" and includes a brief description of the statue, which is described as a 14th-century French Madonna from the Ile-de-France. The text also mentions that the statue is currently on display at the City Art Museum of St. Louis.
The page has a decorative border at the top, with the title written in elegant script. The background of the page is off-white, with a subtle texture that resembles aged paper. There are two holes punched in the left margin, suggesting that the page was once part of a binder or scrapbook.
Overall, the image appears to be a scanned or photographed page from an old art magazine, showcasing a beautiful and historic piece of art.
The image presents a page from an old magazine or newspaper, featuring a prominent article titled "Notes of the Month" at the top. The title is accompanied by an ornate design and the date "Dec. 1930" in the upper right corner.
Article Content
The article discusses the City Art Museum of St. Louis, which has acquired two important medieval chests that will be installed with a few others already planned. The marriage cassone of Isotta da Rimini and Sigismondo Malatesta is described and illustrated before the first Figdor sale on page 67 of last May's International Studio. The other chest is of Flemish origin and dates from the fourteenth or fifteenth century. The size is 69 inches high and 22 inches wide. It is made of oak, the corner pieces extended to form the feet and the front carved with Gothic arcades, lilies and rosettes. Above these are carved the opening words of the prayer Ave, Maria gracia plena dominus tecum. The chest was probably used in a church to contain altar cloths and priests' vestments. Another medieval acquisition at St. Louis is the Virgin and Child appearing on this page. The Madonna purchased through Joseph Brummer of New York, dates from the latter half of the fourteenth century in the Ile-de-France. Formerly it was in the Seminary at Meaux, whence it was removed by the Belgian artist Emile Wauters, after the Seminary was secularized in 1905. As an example of monumental, decorative sculpture the piece occupies a high rank. Much of its decorative quality is due to the inspiring sweep of the body, with its gentle inclinations to the left to balance the weight of the Infant. The beautifully stylized lines of the drapery, falling everywhere into pleasing patterns, have been utilized to emphasize the strong sense of upward motion. There is an unmistakable feeling of life, of a palpitant, living body, but this realism is everywhere sub-servient to the decorative functions of the piece, which was undoubtedly designed for an architectural setting, perhaps upon an elaborate base, flanked by other figures and surmounted by a canopy. It has been temporarily installed at the Museum in gallery 28 from which all the other objects have been removed except the Gothic tapestry in the background, in order to give the piece a semblance of the architectural setting necessary for full appreciation. It is the plan of the management that the statue should eventually form the center of a Gothic group housed in an architectural setting of the period.
Additional Text
The page also includes additional text on the right side, which appears to be a continuation of the article or a separate piece discussing the American Institute for Persian Art and Archeology. The text mentions Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the Persian Government, is largely responsible for both occurrences. Besides sponsoring exhibitions and archeological expeditions, the recently extraordinary interest in things Persian, which has led to the forthcoming exhibition at Burlington House has resulted here in the formation of the American Institute for Persian Art and Archeology. Professor Arthur Upham Pope, of California, Advisory Curator of Muham-madan Art of the Chicago Art Institute, Advisor in Persian Art to the Persian Museum, and Honorary Advisor in Art to the
The image is a page from an old magazine, specifically "International Studio" dated December 1930.
The page is titled "Notes of the Month" and features a large black-and-white photograph of a statue of the Virgin Mary holding the infant Jesus.
Overall, the image presents a fascinating glimpse into the world of art and culture in the early 20th century.
The image presents a vintage page from the "International Studio" magazine, dated December 1930. The page is titled "Notes of the Month" and features an article accompanied by a black-and-white photograph of a medieval statue.
In summary, the image showcases a page from a vintage art magazine, featuring an article about medieval art acquisitions and a photograph of a beautiful statue of the Virgin Mary and Child. The page's design and layout reflect its age, with a classic font and a simple yet elegant composition.