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ARCH.2003.25, Rendition: 794088
The image shows a page from a publication titled "Creative Art," dated November 1930, Volume 7, Number 5, pages 332-338. The cover of the publication is visible at the top, with the title "The Links of Tradition: A Study of the H. O. Havemeyer Collection" by Alan Burroughs. Below the cover, the page contains several sections of text.
"Current Exhibitions": It lists various art exhibitions at public or semi-public galleries, including Museums of Fine Arts, Fogg Art Museum, Isabella Stewart Gardner Museum, and the Children's Museum of Boston. It provides details about the exhibition dates, times, and admission policies.
"The Charles Eliot Norton Lectures": This section announces a series of lectures by Professor Arthur M. Hind, a former Slade Professor at Oxford University and Assistant Keeper of the Department of Prints and Drawings at the British Museum, London. The lectures are scheduled to take place in the New Lecture Hall, corner of Kirkland and Oxford Streets, and will cover topics such as "Histories," "Portraits," and "Landscapes."
"Calendar Notes": This section provides information about lectures on "Early Italian Engravings and Woodcuts" by Professor Arthur M. Hind, including dates and topics for the remaining lectures in the series. It also mentions a lecture on "Old Master Drawings" by the same professor on December 16.
"Fogg Art Museum": This section announces exhibitions at the Fogg Art Museum, including an exhibition of Rembrandt Etchings and a special loan exhibition of the works of William Blake.
The paper appears to be a mix of printed text and handwritten notes, indicating it might be a collector's item or a personal archive.
This image appears to be a scanned page from a printed document, likely a newsletter or a compilation of articles and notices related to art and cultural events. The document is divided into several sections, each with its own heading and content:
CREATIVE ART:
Current Exhibitions:
Calendar Notes:
The Charles Eliot Norton Lectures:
Recital by Mr. George Copeland:
FOGG ART MUSEUM:
The document also includes handwritten notes such as "Transcript nov. 26," "Gazette nov. 22," and "Gazette nov. 29," which likely indicate the dates of the original publications or sources of the compiled information.
This image displays a page from a historical document, likely a newsletter or magazine, titled “CREATIVE ART”. The page is dated November 1930, V.7, no.5, pp 332-338, and features the article:
“The Links of Tradition”
A Study of the H. O. Havemeyer Collection
by ALAN BURROUGHS
The document is a single sheet of aged, off-white paper with three punched holes on the left margin, suggesting it was once filed or bound. The layout is collage-like, composed of multiple clippings and typed sections pasted onto the page. Handwritten annotations in pencil are visible, labeling clippings as “Transcript No. 26,” “Gazette Nov. 22,” and “Gazette Nov. 29.”
Top Section (Article Headline):
The title and author of the main article are typed in centered, bold font on a slightly discolored rectangular block at the top of the page, indicating it may have been a cover or title page for this issue.
Left Column Clippings:
“Current Exhibitions” (boxed clipping):
A small newspaper-style box lists public art exhibitions at various Boston-area venues: Museum of Fine Arts, Fogg Art Museum, Isabella Stewart Gardner Museum, and Children’s Museum of Boston. Details include hours, admission fees, and special exhibits like “American Indian Pottery,” “Russian icons,” and “Portuguese tiles.”
“CALENDAR NOTES” (below the above clipping):
Announces a lecture series by Professor Arthur M. Hind, Charles Eliot Norton Professor of Poetry, on “Early Italian Engravings and Woodcuts.” Specifics include:
Center Column:
“The Charles Eliot Norton Lectures” (typed text):
Details Professor Arthur M. Hind’s lecture series under the endowed Norton Chair at Harvard. Lectures are scheduled for Wednesday evenings at 8:00 p.m. in the New Lecture Hall, corner of Kirkland and Oxford Streets. The schedule is divided into two half-years:
“Recital by Mr. George Copeland”:
Announces a piano recital by Mr. George Copeland in the John Knowles Paine Concert Hall of the Music Building on Friday evening, December 5, at 8:15 p.m. Tickets available at the Music Building office Wednesday, November 26, between 9–12 a.m.
Right Column Clipping:
Overall Context:
The document is an archival record, possibly assembled by an administrator or researcher, combining typed announcements with newspaper clippings to document public lectures, exhibitions, and events at Harvard’s art institutions (especially the Fogg Art Museum) and the Museum of Fine Arts, Boston, during November 1930. The content reflects the academic and cultural life surrounding the teaching of art history and appreciation in early 20th-century America.
It is clearly a working document, not a published final version, as evidenced by the pasted elements and handwritten labels. The page likely served as a reference or press kit tracking events related to Professor Hind’s Norton Lectures and other arts programming.
The image appears to be a page from an old magazine or journal. The page contains several sections of text, including:
"Creative Art" - This section includes the title "The Links of Tradition" by Alan Burroughs, indicating it may be an article or essay.
"Current Exhibitions" - This section lists various art exhibitions happening at the time, including at the Museum of Fine Arts, Harvard University, and other locations.
"Calendar Notes" - This section provides information about upcoming lectures and events, such as:
"The Charles Eliot Norton Lectures" by Professor Arthur M. Hind, discussing topics like "Early Italian Engravings and Woodcuts."
A lecture by Professor Hind on "Old Master Drawings" on December 11th.
A pianoforte recital by Mr. George Copeland on December 5th.
An exhibition of Rembrandt etchings and a special loan exhibition of William Blake's works at the Fogg Art Museum.
A lecture by Professor Hind on "Book Illustration" on December 4th.
The page also includes dates, times, and locations for the various events and exhibitions listed. The overall tone and content suggest this is an academic or cultural publication from the early 20th century.
The image is a scanned page from a historical newspaper or magazine, likely from the early 20th century, given the style and typography. The page is divided into several sections, each containing text and some headings. The main content appears to be announcements and information related to art exhibitions, lectures, and museum events.
The top section of the page is titled "CREATIVE ART" and contains a subtitle "November 1930, V.7, no.5, pp 332-338." This indicates the volume, issue number, and page range of the publication. Below this, there is a heading "The Links of Tradition," which suggests an article or series of articles discussing the connection between traditional and contemporary art.
To the right of this section, there is a column titled "Current Exhibitions," listing various art exhibitions happening at the time. The exhibitions are described with brief details, including the venue, dates, and sometimes the type of art on display.
Below the "Current Exhibitions" column, there is a section titled "The Charles Eliot Norton Lectures," which announces a series of lectures by Professor Arthur M. Hind, former Slade Professor of Fine Art at Oxford University and Assistant Keeper of the Department of Prints and Drawings at the British Museum. The lectures are to be held at Harvard University and will cover topics such as "Early Italian Engravings and Woodcuts."
Further down the page, there is a section titled "Calendar Notes," which provides additional information about upcoming events, including lectures by Professor Hind on "Old Master Drawings" and an exhibition of Rembrandt etchings at the Fogg Art Museum.
The bottom section of the page contains an advertisement for the Fogg Art Museum, promoting an exhibition of Rembrandt etchings and a special loan exhibition of the works of William Blake.
The overall layout of the page is typical of early 20th-century publications, with a mix of text, headings, and advertisements. The typography is serif, and the page has a beige background with black text, which was common for printed materials of that era.
The image depicts a page from a publication titled "Creative Art," dated November 1930, Volume 7, Number 5, pages 332–338. The page is divided into several sections, providing information about art exhibitions, lectures, and museum events. Here is a detailed description:
Current Exhibitions Section:
Calendar Notes:
The Charles Eliot Norton Lectures:
Recital by Mr. George Copeland:
The page serves as a cultural and academic bulletin, providing readers with information about upcoming art exhibitions, lectures, and musical performances. It highlights events hosted by institutions such as the Fogg Art Museum, Museum of Fine Arts, Boston, and the Institute of Modern Art, New York, reflecting the rich cultural life of the time. The inclusion of lectures by notable scholars and performances by renowned artists underscores the page's role in promoting intellectual and artistic engagement.
The image shows a page from what appears to be a publication or a bulletin. The top of the page is titled "CREATIVE ART" and indicates it is from November 1930, Volume 7, Number 5, pages 332-338. The article is titled "The Links of Tradition" A Study of the E. O. Havemeyer Collection by Alan Burroughs.
There are various sections on the page with different headings. One section is labeled "Transcript No. 3 & 6," and another section titled "Gazette Nov. 22." Below, there's a section headlined "Current Exhibitions" with a note that all art exhibitions being listed are open to the public and free, along with some excerpts and information about ongoing exhibitions or lectures, with details and dates associated with them.
The bottom left corner has a section named "CALENDAR NOTES," which includes information on lectures about "Early Italian Engravings and Woodcuts" and a lecture titled "Old Master Drawings."
To the right, there is information about the "Charles Eliot Norton Lectures" by Professor Arthur M. Hind and a "Recital by Mr. George Copeland." Additionally, there is mention of an "Exhibition of Rembrandt Etchings" at the Fogg Art Museum and a "Special Loan Exhibition of the works of William Blake."
The paper shows signs of wear and age, such as yellowing, and there are punched holes on the left side, suggesting it was once part of a bound collection or file. There are handwritten annotations in the bottom right of the page, referencing "Gaz. Tte. No. 34."
The image portrays a scrapbook page containing various clippings related to art exhibitions, lectures, and events. The page has annotations with dates such as "Gazette Nov. 22" and "Gazette Nov. 29."
Top Section:
Middle Section:
Bottom Section:
Overall, the page appears to document art-related activities and events taking place around November 1930, providing a snapshot of cultural happenings from the era.
This is a page from a vintage scrapbook or clipping album about art. It features several small newspaper-style clippings arranged on a pale paper page, with two binder holes on the left.
Overall, it’s a curated collection of mid-20th-century art notices and lecture announcements.
The image shows a page with various newspaper clippings and a typed note attached to it.
At the top center, there is a typed note that reads:
"CREATIVE ART
November 1930, V.7, no.5 pp 332-338
"The Links of Tradition"
A Study of the H. O. Havemeyer Collection
by
ALAN BURROUGHS"
Below the typed note on the left side, there is a clipping titled "Current Exhibitions." It mentions that art exhibitions are public or semi-public, lists museums including the Museum of Fine Arts in Huntington Avenue and details about lectures and exhibitions.
Under the "Current Exhibitions" clipping, there is another clipping titled "CALENDAR NOTES," which provides information about lectures on "Early Italian Engravings and Woodcuts" by Professor Arthur M. Hind, held at the Fogg Art Museum in December 1930.
In the top center-right, there is a clipping titled "The Charles Eliot Norton Lectures," detailing lectures by Professor Arthur M. Hind on Rembrandt and the public at Harvard. It includes dates for the first and second half-year lectures and information about a recital by George Copeland on December 5.
At the bottom right, there is a clipping for the "FOGG ART MUSEUM" about an exhibition of Rembrandt etchings and a special loan exhibition of the works of William Blake.
Another vertical clipping on the right side repeats some information about the Fogg Art Museum exhibitions and William Blake.
Handwritten notes identify dates of transcript and gazette as Nov. 26 and Nov. 22, respectively.
Overall, the page is a compiled collection of announcements and information related to art exhibitions, lectures, and recitals from around November 1930, focusing on the Fogg Art Museum and the Harvard community.