Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.25, Rendition: 794080
The image is a scanned page from the "Christian Science Monitor," dated November 15, 1930. It features a review of a concert performed by the Stradivarius Quartet at the Fogg Art Museum, Harvard University, on November 14, 1930.
The program for the concert included:
The quartet members were:
The review highlights the quartet's performance, noting their skill and the audience's enthusiasm. The reviewer praises the quartet's ability to convey the emotional depth and technical intricacies of the pieces. The concert was well-received, with the reviewer commending the quartet's interpretation of Mozart's work as particularly impressive, noting the clarity and precision of their playing. The review also mentions the quartet's rendition of Ernest Bloch's pieces, highlighting the emotional resonance and technical skill required.
Overall, the review is highly positive, emphasizing the quartet's mastery and the audience's appreciation of their performance.
The image shows a program from a concert held at the Fogg Art Museum, Harvard University, on Friday evening, November 14, 1930. The concert was performed by the Stradivarius Quartet, under the auspices of the Divisions of Music and of the Fine Arts. The quartet consisted of:
The concert took place in the Central Court of the Fogg Art Museum at 8:00 PM.
The program included three pieces:
Mozart's Quartet in D minor, No. 13:
Ernest Bloch's Prelude, Night, and Tongataboo:
Brahms' Quartet in A minor, Op. 51, No. 2:
The review from the Christian Science Monitor, dated November 15, 1930, by C. S. B., provides a detailed critique of the performance. It praises the quartet's ability to maintain unison and nuance, highlighting the effectiveness of their playing, especially in Bloch's compositions. The review notes the audience's response, the clarity of the performance, and the quartet's adept handling of both Mozart and Brahms's works. It also mentions the audience's appreciation of Bloch's unique style and the quartet's skill in bringing out the subtleties of his music.
The image shows a concert program from the Fogg Art Museum at Harvard University, featuring the Stradivarius Quartet. The concert took place on Friday, November 14, 1930, at 8:00 PM in the Central Court of the Fogg Art Museum.
The program details the following musicians:
The concert program lists the pieces to be performed:
To the right side of the program, there is a newspaper article from the Christian Science Monitor dated November 15, 1930. The article describes the concert by the Stradivarius Quartet, highlighting their exceptional performance and the quality of their music.
The concert was noted for its engaging and well-rounded performances, with the quartet's musicians praised for their craftsmanship and dedication. The article mentions that the quartet's repertoire included both classical and contemporary works, reflecting a blend of tradition and innovation. The concert attracted a significant audience, indicating its cultural importance and the high regard in which the musicians were held.
The image shows a concert program from the Fogg Art Museum at Harvard University, detailing an event held on Friday, November 14, 1930, at 8:00 PM in the Central Court of the Fogg Art Museum. The concert features the Stradivarius Quartet, with Wolfe Wolfinsohn on first violin, Alfred Pochon on second violin, Nicolas Moldavan on viola, and Gerald Warburg on violoncello. The program includes pieces by Mozart, Ernest Bloch, and Brahms. Mozart's Quartet in D minor, No. 13 is listed first, followed by Bloch's "Prelude, Night, Tongatabo," and concluding with Brahms' Quartet in A minor, Op. 51, No. 2. Additionally, there is a handwritten note at the top right corner of the page indicating that the Christian Science Monitor published an article about this concert on November 15, 1930, and a review of the concert is present on the right side of the image, praising the performance and detailing the pieces played.
The image is a program from a concert held at the Fogg Art Museum at Harvard University on November 15, 1930. The concert was performed by the Stradivarius Quartet under the auspices of the Divisions of Music and the Fine Arts.
Stradivarius Quartet Members:
Venue:
Central Court of the Fogg Art Museum
Programme:
Quartet in D minor, No. 13 - Mozart
Prelude, Night, and Tongatabu - Ernest Bloch
Quartet in A minor, Op. 51, No. 2 - Brahms
There is also a brief article on the right side of the image discussing the Stradivarius Quartet. It mentions that the concert was the first of a series of six recitals by the quartet at the Fogg Art Museum. The quartet is noted for using rare instruments crafted by Antonio Stradivari, which are known for their unique sound quality. The article praises the quartet's performance, highlighting their unity and the distinct character each musician brings to the ensemble. It also discusses the pieces by Mozart, Brahms, and Bloch, providing a detailed critique of their performance and the compositions themselves. The article emphasizes the quartet's ability to bring out the nuances in each piece, making the concert a memorable experience.
The image shows a concert program and a related article from the Christian Science Monitor, dated November 15, 1930.
Concert Program:
Article from Christian Science Monitor:
The article concludes with a positive review of the concert, emphasizing the quartet's ability to balance technical proficiency with artistic expression.
The image shows a page containing two main pieces:
On the left side, there's a printed concert program for a performance by The Stradivarius Quartet at the Fogg Art Museum, Harvard University. The concert is under the auspices of the Divisions of Music and of the Fine Arts and scheduled for Friday evening, November 14, 1930, at 8:00 o'clock in the Central Court of the Fogg Art Museum. The quartet members are listed as:
The program includes:
On the right side, there is a newspaper clipping titled "Stradivarius Quartet" from the Christian Science Monitor, dated November 15, 1930. It is a review of the concert held the previous evening at the Fogg Art Museum. The review praises the quartet, noting the varied timbres, the clarity of the violoncello, and the distinctive individual qualities of each player. It comments on the Mozart and Brahms pieces performed and discusses the particular challenge and style of the pieces by Ernest Bloch. The reviewer remarks on the high level of musicianship and the audience's positive response to the performance. The review is signed with the initials C.S.B.
The page is slightly yellowed and has three punched holes along the right edge, suggesting it was meant to be stored in a binder or collection. Handwritten at the top right is the notation "Christian Science Monitor November 15, 1930", identifying the source and date of the newspaper clipping.
This image shows a vintage concert program for a performance by the Stradivarius Quartet at the Fogg Art Museum – Harvard University. The concert was held under the auspices of the Divisions of Music and of the Fine Arts. The program indicates that the event took place on Friday Evening, November 14, 1930, at 8:00 o'clock at the Central Court of the Fogg Art Museum.
The members of the quartet are Wolfe Wolfinsohn (First Violin), Alfred Pochon (Second Violin), Nicolas Moldavan (Viola), and Gerald Warburg (Violoncello).
The program for the evening included:
Quartet in D minor, No. 13 by Mozart
Prelude Night Tongataboo by Ernest Bloch
Quartet in A minor, Op. 51, No. 2 by Brahms
On the right side of the image is a newspaper clipping from 'Christian Science Monitor,' dated November 15, 1930. The article reviews the Stradivarius Quartet's opening of the season at the Fogg Art Museum, praising the musical selections and the performances of the quartet members. The article specifically highlights a few pieces, such as the Mozart and Brahms quartets, as well as the "Tongataboo" piece by Ernest Bloch. The author of the article signs with the initials "C. S. B."
The concert program and newspaper clipping are preserved on a light brown, age-toned paper, suggesting historical significance and giving a sense of the time period in which the concert took place.
The image depicts a concert program and a newspaper clipping displaying information about a concert by the Stradivarius Quartet at the Fogg Art Museum of Harvard University. The concert took place on the evening of Friday, November 14, 1930, at 8:00 o'clock.
The program lists the members of the quartet:
The performance included:
Adjacent to the program, there is a newspaper clipping from the Christian Science Monitor dated November 15, 1930. The article provides a review of the concert, highlighting the quartet's performance, mentioning the "artistically finished" nature of the playing, and the individuality of each player contributing to the ensemble's unified effect. The pieces by Bloch are mentioned with particular emphasis on their distinct qualities and how they were received by the audience, marking a successful and appreciated concert event.
The image shows a historical concert program from the Fogg Art Museum at Harvard University. The program is titled "Concert by The Stradivarius Quartet" and is dated Friday Evening, November 14, 1930, at 8:00 o'clock, held in the Central Court of the Fogg Art Museum. The concert is under the auspices of the Divisions of Music and Fine Arts at Harvard University.
The concert features the following pieces:
Quartet in D minor, No. 13 – Mozart
Prelude – Ernest Bloch
Quartet in A minor, Op. 51, No. 2 – Brahms
The program also includes a review or commentary on the concert, written by G. S. B.. The review discusses the Stradivarius Quartet's performance, highlighting their skill, the beauty of their instruments (notably the Stradivarius violins), and the audience's positive reception. The review praises the ensemble's interpretation of Mozart, Bloch, and Brahms, noting the emotional depth, technical precision, and the charm of their playing.
This document serves as a historical record of a musical event, showcasing the artistic excellence of the Stradivarius Quartet and the cultural significance of the performance at the Fogg Art Museum.