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ARCH.2003.25, Rendition: 794080
The image is of a vintage concert program for a performance by the Stradivarius Quartet at the Fogg Art Museum, Harvard University, on Friday evening, November 14, 1930. The program is dated November 15, 1930, and includes details about the venue, the quartet members, and the program of pieces performed. The text mentions three pieces: Mozart's Quartet in D minor, No. 13, Ernest Bloch's "Prelude, Night, Tongataboo," and Brahms's Quartet in A minor, Op. 51, No. 2.
On the right side of the image, there is a clipping from a newspaper article about the concert, titled "Stradivarius Quartet," which discusses the performance and the musicians' playing style. The article is from the Christian Science Monitor, dated November 15, 1930. The program and the newspaper clipping are affixed to a piece of paper with hole punches, suggesting it is part of a collection or scrapbook.
This image is a scanned document from the Christian Science Monitor, dated November 15, 1930. On the left side of the page is a program for a concert by The Stradivarius Quartet at the Fogg Art Museum of Harvard University. The right side contains a newspaper clipping reviewing the concert.
Venue: Central Court of the Fogg Art Museum, Harvard University.
Date and Time: Friday evening, November 14, 1930, at 8:00 o'clock.
Performers:
Programme:
The document provides a historical snapshot of a musical event from 1930, detailing both the program and the critical reception.
This image displays a vintage concert program and a newspaper clipping, mounted together on a single sheet of paper, likely preserved in a collection or scrapbook. The sheet has three punched holes along its right edge, suggesting it was stored in a binder.
This is an official program from a concert held at the Fogg Art Museum, Harvard University, on Friday evening, November 14, 1930, at 8:00 o'clock, in the Central Court.
Event:
** performers:**
Programme:
Quartet in D minor, No. 13 — Mozart
Three pieces by Ernest Bloch:
Quartet in A minor, Op. 51, No. 2 — Brahms
The program is printed on aged, beige-toned paper with a formal, centered layout, using a classic serif typeface.
This is a music review clipped from the Christian Science Monitor, dated November 15, 1930, written under the heading “Stradivarius Quartet” by a reviewer signed “C. S. B.” (likely for Christian Science Bulletin or the paper’s initials).
Summary of the Review:
The article reviews the Stradivarius Quartet’s concert from the previous evening (November 14, 1930), noting that the ensemble’s personnel — Wolfe Wolfinsohn, Alfred Pochon, Nicolas Moldavan, and Gerald Warburg — remained unchanged and delivered a well-received performance.
Key points from the review:
The image captures a fascinating moment in early 20th-century musical culture: a formal concert at a prestigious academic institution, featuring both classical staples (Mozart, Brahms) and modernist works (Bloch), followed by a contemporary critical review. The juxtaposition of the official program and the subjective review offers insight into how avant-garde works were received by audiences and critics of the time. The preservation of both documents on one sheet reflects their historical and archival value.
The aged paper, elegant typography, and thoughtful criticism evoke the cultural sophistication of university-sponsored concerts in the 1930s, highlighting the role of institutions like Harvard in promoting chamber music and new compositions.
Note on the date discrepancy: The program is for November 14, 1930. The newspaper clipping is from the next day, November 15, 1930 — consistent with a same-day review. There is no error — the clipping correctly reviews the concert that occurred the night before.
The image is a printed page from a historical document, likely a program or a review of a classical music concert. The text on the page is divided into two main sections, with a title and a description of the event at the top, and detailed program information below.
The top section features a title "CONCERT" and the name of the event "The Stradivarius Quartet" with a subtitle "Under the Auspices of the Divisions of Music and of the Fine Arts of the Fogg Art Museum - Harvard University." The names of the performers are listed: Wolfe Wolfinson, First Violin; Alfred Pochon, Second Violin; Nicolas Moldavan, Viola; and Gerald Warburg, Violoncello. The date and time of the concert are also mentioned: Friday Evening, November 14, 1930, at 8:00 o'clock.
The bottom section of the page contains the program for the concert, listing two pieces: a "Quartet in D minor, No. 13" by Mozart, and a "Quartet in A minor, Op. 51, No. 2" by Brahms. Each piece is broken down into its movements, with titles and composers.
The right side of the page contains additional text that appears to be a review or commentary on the performance. It discusses the Stradivarius Quartet's reputation, the quality of the instruments, and the effectiveness of the concert. The review mentions the musicians' ability to convey a sense of unity and the audience's enthusiastic response.
The page has a historical and cultural significance, as it provides insight into the classical music scene in the early 20th century and the reputation of the Stradivarius Quartet. The review reflects the appreciation and admiration for the musicians' skill and the impact of their performance on the audience.
The image shows a program for a concert by the Stradivarius Quartet, which took place at the Fogg Art Museum at Harvard University on November 14, 1930. The concert is under the auspices of the Divisions of Music and of the Fine Arts. The program includes works by Mozart, Bloch, and Brahms, with specific pieces listed such as "Quartet in D minor, No. 13" by Mozart, "Prelude" and "Night" by Bloch, and "Quartet in A minor, Op. 51, No. 2" by Brahms. The performers are identified as Wolfe Wolfinson, Alfred Pochon, Nicolas Moldavan, and Gerald Warburg, each playing a different instrument. The text also mentions the venue, the Central Court of the Fogg Art Museum, and the time of the concert, which is 8:00 PM. There is additional text on the right side of the program that appears to be a review or commentary on the concert, praising the performance and the quartet's interpretation of the music.
The image shows a historical concert program from the Fogg Art Museum at Harvard University. The program is titled "Concert by The Stradivarius Quartet" and is dated Friday Evening, November 14, 1930, at 8:00 o'clock, held in the Central Court of the Fogg Art Museum. The concert is under the auspices of the Divisions of Music and Fine Arts at Harvard University.
The concert features the following pieces:
Quartet in D minor, No. 13 – Mozart
Prelude – Ernest Bloch
Quartet in A minor, Op. 51, No. 2 – Brahms
The program also includes a review or commentary on the concert, written by G. S. B.. The review discusses the Stradivarius Quartet's performance, highlighting their skill, the beauty of their instruments (notably the Stradivarius violins), and the audience's positive reception. The review praises the ensemble's interpretation of Mozart, Bloch, and Brahms, noting the emotional depth, technical precision, and the charm of their playing.
This document serves as a historical record of a musical event, showcasing the artistic excellence of the Stradivarius Quartet and the cultural significance of the performance at the Fogg Art Museum.
This image shows a vintage concert program for a performance by the Stradivarius Quartet at the Fogg Art Museum – Harvard University. The concert was held under the auspices of the Divisions of Music and of the Fine Arts. The program indicates that the event took place on Friday Evening, November 14, 1930, at 8:00 o'clock at the Central Court of the Fogg Art Museum.
The members of the quartet are Wolfe Wolfinsohn (First Violin), Alfred Pochon (Second Violin), Nicolas Moldavan (Viola), and Gerald Warburg (Violoncello).
The program for the evening included:
Quartet in D minor, No. 13 by Mozart
Prelude Night Tongataboo by Ernest Bloch
Quartet in A minor, Op. 51, No. 2 by Brahms
On the right side of the image is a newspaper clipping from 'Christian Science Monitor,' dated November 15, 1930. The article reviews the Stradivarius Quartet's opening of the season at the Fogg Art Museum, praising the musical selections and the performances of the quartet members. The article specifically highlights a few pieces, such as the Mozart and Brahms quartets, as well as the "Tongataboo" piece by Ernest Bloch. The author of the article signs with the initials "C. S. B."
The concert program and newspaper clipping are preserved on a light brown, age-toned paper, suggesting historical significance and giving a sense of the time period in which the concert took place.
The image depicts a concert program and a newspaper clipping displaying information about a concert by the Stradivarius Quartet at the Fogg Art Museum of Harvard University. The concert took place on the evening of Friday, November 14, 1930, at 8:00 o'clock.
The program lists the members of the quartet:
The performance included:
Adjacent to the program, there is a newspaper clipping from the Christian Science Monitor dated November 15, 1930. The article provides a review of the concert, highlighting the quartet's performance, mentioning the "artistically finished" nature of the playing, and the individuality of each player contributing to the ensemble's unified effect. The pieces by Bloch are mentioned with particular emphasis on their distinct qualities and how they were received by the audience, marking a successful and appreciated concert event.
This image displays a printed concert program from Harvard University's Fogg Art Museum, alongside a newspaper clipping glued beside it. Key details include:
Program Page (Left Side):
Newspaper Clipping (Right Side):
In the upper right corner of the page, it is annotated with "Christian Science Monitor November 15, 1930," likely referencing the source and date of the newspaper clipping.
The image shows a vintage scrapbook page with two items glued to it.
Overall, it looks like a scrapbook page documenting a 1930 concert by the Stradivarius Quartet at Harvard. The page shows aging and yellowing, with a couple of binder holes on the side.