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ARCH.2003.25, Rendition: 794072
The image appears to be a page from a historical publication, possibly a newspaper or magazine, containing various articles and advertisements. Here's a breakdown of the content:
Left Side:
Center:
Right Side:
Bottom:
Advertisement:
The page is old, with a yellowed appearance, and there are handwritten notes and stamps on it, indicating it has been kept as a clipping or saved for reference.
The image is a composite of several newspaper clippings and handwritten notes, all related to art and lectures, from the year 1930. Here is a detailed description of the contents:
The overall theme of the image is centered around art lectures, exhibitions, and education, specifically related to Rembrandt and the Fogg Art Museum at Harvard University.
This image displays a vintage three-column newsletter or press clipping dated November 17, 1930, from a publication titled “Crimson” at the top left. It appears to be a printed sheet, possibly from a university or museum press service, with three-hole punches along the right edge suggesting it was filed in a binder.
The content is organized into three main columns, each with distinct headlines and articles:
This article, dated Nov. 17, 1930, announces a repeat of the inaugural Norton Lecture on Rembrandt by Professor Arthur Mayer Hind, scheduled for that afternoon at 5 o’clock in the New Lecture Hall of the Fogg Art Museum.
It details the “Widespread Popularity” of the lecture series, prompting the repeat. The second lecture on “Rembrandt’s School” will follow on Wednesday at 8 o’clock, and Professor Hind will also give additional talks on Thursdays at 5 o’clock.
The column lists the full schedule of upcoming lectures for the 1930–31 Norton Lecture series, covering topics such as:
At the bottom, a small boxed notice reiterates the details of the first lecture repeat: “RECEPTION OF THE FIRST LECTURE ON REMBRANDT. ‘Introductory.’ Professor Arthur Mayer Hind. Large Lecture Hall of the Fogg Art Museum, 5 P.M. Nov. 17.”
This article profiles Lessing Rosenwald, a Philadelphia art collector and heir to the Sears-Roebuck fortune, who has amassed a vast collection of Rembrandt prints.
He is quoted as calling the pursuit of collecting Rembrandts “the more exciting hobby of collecting prints and rare books” compared to golf or baseball. He describes his three years of collecting as bringing him “intellectual stimulus and much spiritual peace.”
The article notes that Rosenwald has collected 360 etchings, assembling 200 authentic prints, and values one at $50,000 and another at $40,000. He intends to keep the collection in the family but plans to exhibit it in Philadelphia and Boston.
He concludes, “I love Rembrandt... because of the catholicity of his appeal. In his print making he ran the gamut of human life entire, depicting the highest as well as the most lowly.”
At the bottom, there's a small advertisement for the “MODERN POSTER ANNUAL, Vol. 7, 1931”, endorsed by Peyton Boswell. It’s a 10 x 13 inch looseleaf portfolio priced at $6.00 postpaid, available from Modern Poster Annual, 251 West 98th St., New York.
This section, dated Nov. 1, 1930, announces that London University has accepted a plan to create an “Art Museum School” modeled on the Fogg Art Museum at Harvard.
The school, named the Courtauld Institute of Art, will be headed by Viscount Lee of Fareham, with Samuel Courtauld (a major art patron) serving as director. Courtauld has pledged $100,000 toward an endowment requiring an additional $500,000.
Located at Bloomsbury, the Institute’s organization and curriculum will draw directly from the Fogg Museum’s model.
Conclusion:
This document provides a snapshot of elite American and British art world developments in 1930 — focusing on the growing popularity of Rembrandt scholarship, the rise of private collectors like Rosenwald, and institutional efforts to professionalize art museum education modeled after the Fogg Museum. The newspaper is likely connected to Harvard University or its Fogg Museum, given the repeated references to Harvard and the Norton Lectures.
The image is a spread from a magazine or newspaper featuring two articles. The left page has a headline "FIRST NORTON LECTURE TO BE REPEATED TODAY" and text about a lecture series by Professor Arthur Mayer Hind on Rembrandt, which will be repeated on November 17, 1930, at 5 PM in the New Lecture Hall of the Fogg Art Museum. The dates and topics of the lectures are listed, and there is an advertisement for a "Modern Poster Annual" at the bottom.
The right page has a headline "Exciting" and an article about the Lessing Rosenwald collection of Rembrandt prints, which will be on display at the Fogg Art Museum in November and December 1930. It mentions that the collection will be back in Philadelphia by January and that a school for the study of the history of art and art museum curators will be modeled on the Fogg Art Museum. The article also includes a quote from Mr. Rosenwald about his love for Rembrandt and his intention to keep the collection in the family.
The image depicts a page from a historical publication, likely a magazine or journal, dated November 17, 1930. The page is divided into two columns with several articles and announcements.
In the left column, there is an announcement for the "First Norton Lecture to be Repeated Today," featuring Professor Arthur Mayer Hind. The announcement provides details about the lecture's topic, "The Wide-spread Popularity of the Lectures Warrants Repetition," and the schedule of the subsequent lectures, which cover various subjects related to art and engravings.
The right column contains an article titled "Exciting," which discusses the exhibition of the Lessing Rosenwald collection of Rembrandt prints at the Fogg Art Museum, Harvard. The article highlights the collection's significance, the public's enthusiasm, and the collector's passion for Rembrandt's works. It also mentions the establishment of the Fogg Art Museum Curators' School, which will offer training in art museum curation, and the appointment of Vincent Lee of the University of London as its director.
Below the main articles, there is an advertisement for the "MODERN POSTER ANNUAL," promoting the collection of the year's best posters, book-jacket designs, magazine covers, cards, etc. The advertisement includes a price and contact information for ordering.
The overall layout of the page is typical of early 20th-century publications, with a mix of textual content and advertisements, reflecting the interests and cultural events of the time.
The image depicts a scanned page from a publication titled "Art Digest," dated November 1, 1930. The page appears to be a newsletter or magazine issue, featuring several articles and announcements related to art and culture. Here is a detailed description:
Header:
Main Articles:
Left Column:
Right Column:
Additional Articles:
Footer:
The page serves as a historical document capturing the cultural and artistic interests of the time, particularly focusing on Rembrandt's work and the establishment of art institutions. It reflects the enthusiasm for art lectures, museum exhibitions, and the growing interest in art education and preservation.
The image being displayed is a page consisting of what appears to be archival newspaper content. The text suggests it was published on November 17, 1930, and the paper is titled "Crimson." At the top left, the header reads "First Norton Lecture to be Repeated Today," followed by a story related to the widespread popularity of lectures.
The central top part of the page is an article titled "Exciting" that mentions 'Lexing Rolland' and a collection of Rembrandt prints, and it also refers to museums and exhibitions in November. This article is cut off on the right side, indicating it continues on another part of the page or newspaper.
On the right side of the page, there is a column for "Art Digest" also dated November 1930, containing articles about the London School of Art, training for art museum curators, and a plan for a school for the study of the history of art and fine arts being accepted by Harvard University.
At the bottom of the page, there's an announcement for the "Repetition of the First Lecture on Rembrandt," which was set to be given by "Professor Arthur Mayger Hind" at the Large Lecture Hall of the Fogg Art Museum.
The page also contains advertisements like "Modern Poster Annual - 1931," indicating a collection of posters from various sources available for viewing.
The visual elements of the page, such as the layout and typography, reflect the newspaper design style typical of the early 20th century. The paper is aged and yellowed, consistent with its preservational state from 1930. There is a handwritten reference at the top left corner that reads "Nov. 17, 1930," and there are some minor tears and folds visible along the edges of the paper, suggestive of wear over time.
The image is a scanned page comprising various newspaper articles and announcements related to art and lectures. The page primarily features three separate articles:
The left article is titled "FIRST NORTON LECTURE TO BE REPEATED TODAY" from the Crimson dated November 19, 1930. It discusses the widespread popularity of Arthur Mayger Hind’s Norton Lectures at Harvard, specifically on Rembrandt. This second lecture titled "The Rembrandt School" is scheduled at 5 o'clock in the New Lecture Hall on a particular Wednesday. It also mentions dates and titles for subsequent lectures to be held in future weeks.
The central article, labeled "Exciting," talks about the extensive collection of Rembrandt prints belonging to Roosenwald, showcased in various museums including the Art Alliance in Philadelphia, the Art Institute of Chicago, and the Pennsylvania Museum. There is a focus on Rosenwald's enthusiasm for Rembrandt’s works, the financial aspect of art investment, and his significant contributions to art collections. There are comments on the broad appeal of Rembrandt’s work, the universal admiration for his prints, and Rosenwald’s contributions to enhancing the accessibility and appreciation of fine art.
The right article from Art Digest dated November 1930 is titled "LONDON SCHOOL TO BE MODELED ON FOGG ART MUSEUM" and describes plans for a new school in London to offer training required by art museum curators. It details that this initiative is accepted by London University and modeled after the Fogg Museum of Art at Harvard University, citing cooperation and endorsement from various entities.
Additionally, there is a small boxed advertisement for the "MODERN POSTER ANNUAL" for the year 1931 found towards the bottom right portion of the image, emphasizing its comprehensive portfolio endorsed by the Art Digest and highlighting its contents like ads, poster stamps, and murals from various artists.
Handwritten annotations are present in several places indicating sources and dates, such as “Crimson Nov. 19, 1930,” "Art Digest Nov. 1930,” and “Museum News Nov. 1930.”
A white scrapbook page loaded with old newspaper and magazine clippings from around 1930.
Several small articles are pasted in columns, all related to Rembrandt, art lectures, and museum education.
Left column features a headline: “FIRST NORTON LECTURE TO BE REPEATED TODAY” with details about lecture dates and speakers.
Center column contains a longer piece headlined with “Exciting,” about the Rosenwald collection of Rembrandt prints at the Fogg Art Museum and related notes.
Right column includes a clipping from Art Digest and a note about the London School being modeled on the Fogg Art Museum, plus a “MODERN POSTER ANNUAL” advertisement.
Handwritten captions in the margins note dates and sources (e.g., Crimson Nov. 19, 1930; Art Digest May 1, 1930) and a caption at the bottom about repeating the first lecture on Rembrandt by Professor Arthur Mayger Hind.
The page shows binder holes on the left edge and has a light, aged paper look.
This image shows a page of text taken from a historical publication. It features multiple columns of articles related to art and academic lectures, with headings such as "First Norton Lecture To Be Repeated Today" and "Exciting." The text discusses topics including art exhibitions, lectures on Rembrandt, and the establishment of a London school modeled on the Fogg Art Museum.
Handwritten notes, likely indicating publication dates, are visible on the page (e.g., "Crimson Nov. 19, 1930" and "Art Digest Nov. 1, 1930"). Additionally, there’s a section advertising the "Modern Poster Annual," a book featuring poster collections.
Three punches are on the right side, suggesting the page could be part of a file or binder. The overall appearance suggests archival material focused on academic and cultural topics.