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ARCH.2003.25, Rendition: 794070
The image appears to be a scanned page from a publication, possibly a magazine or newspaper, dated November 1, 1930. The page contains articles and images related to William Blake, a 19th-century English poet, painter, and printmaker known for his mystical and visionary works.
The top half of the page features two articles about the mysticism of William Blake and his works. The first article, titled "Mysticism of William Blake Seen at the Fogg Art Museum," includes two black-and-white illustrations of Blake's artwork: "Nebuchadnezzar" and "Resurrection of Dry Bones—Ezekiel's Vision." The articles discuss the artist's experiences and the exhibition of his works at the Fogg Art Museum of Harvard University.
The bottom half of the page contains two more articles. The first article, titled "Blake Art Exhibit at Fogg to Be Continued," discusses the continuation of the William Blake art exhibit at the Fogg Museum, which was originally scheduled to end. It provides details about the collection and loans from various institutions and private collectors. The second article, titled "Shadows of Coming Events," discusses a talk scheduled for the following day at the Fogg Museum, which was canceled due to the continuing Blake art exhibit.
The page has some handwritten annotations, including a date of November 18, 1930, and an entry labeled "Trans. Nov. 22," which might indicate a transcription or translation of the articles. The page also has some smudges and signs of aging, suggesting it is a historical document.
This image is a scanned page from a publication, specifically from "The Art Digest" dated November 1, 1930. The page features an article titled "Mysticism of William Blake Seen at the Fogg Art Museum," which discusses an exhibition of William Blake's works at the Fogg Art Museum of Harvard University.
The page includes two black-and-white illustrations:
The text provides a detailed description of William Blake's artistic style and the various forms of his work on display at the exhibition, including paintings, watercolors, pencil sketches, prints, autographed letters, and books. It highlights Blake's versatility as an engraver and his unique approach to his art.
Additionally, there are two smaller articles at the bottom of the page:
The page also has some handwritten notes, including "The Art Digest Nov.1 1930" on the left side and "Crimson Nov.18,1930" and "Trans. Nov.22" at the bottom. The page has three holes punched on the right side, indicating it was likely part of a binder or folder.
This image displays a vintage, yellowed newspaper clipping, likely from the early 20th century, mounted on a piece of paper with three punched holes on the right edge, suggesting it was once in a binder.
The clipping is titled “Mysticism of William Blake Seen at the Fogg Art Museum” and documents a special exhibition of works by the 18th-century British poet, painter, and engraver William Blake, held at the Fogg Art Museum at Harvard University.
Key elements of the clipping include:
Main Article & Artwork: The top section features two black-and-white reproductions of Blake’s works:
Handwritten Notes: There are several handwritten annotations in pencil:
Lower Left Article: Titled “BLAKE ART EXHIBIT AT FOGG TO BE CONTINUED”, it announces that the exhibition, originally scheduled to close the next Sunday, has been extended to December 15. It also notes the addition of key works, most notably the “AMY LOWELL COLLECTION LENT BY WIDENER”—a major donation to the exhibition that includes Blake’s “The Angel Blinds the Dragon” and two copies of Young’s Night Thoughts.
Lower Right Section: The column titled “Shadows of Coming Events” previews upcoming museum events, including a talk by Paul Gardner in the Great Hall of the Fogg Museum on the “Romanesque Capitals and the Carved Ceiling from Dijon.” It also mentions Helen Seymour, a collector of Japanese and Indian textiles and art, who plans to open a small museum in Washington, D.C.
In summary, this clipping is a primary source artifact documenting a significant 1930 art exhibition of William Blake’s work at Harvard. It provides insight into the critical reception and presentation of Blake’s art, lists important lenders (including Amy Lowell’s collection), and includes contemporary context with notes on local events. The handwritten annotations suggest it was collected and saved for reference.
This image is a page from a magazine that features an article about William Blake's art and his exhibition at the Fogg Art Museum. The article includes two images of Blake's artwork, one of which is a tempera painting titled "Nebuchadnezzar" and the other is a watercolor painting titled "Resurrection of Dry Bones-Ezekiel's Fiction." The article also discusses Blake's mysticism and his use of different techniques in his artwork, including engraving, watercolor, and etching. The article mentions that the exhibition at the Fogg Art Museum is one of the most important of the museum, and it includes works from various collections, including the Harvard University Library and the Lowell Collection. The article also mentions upcoming events at the museum, including a talk by Paul Gardner on "Capitals and the Carved Ceiling" and an exhibition of fine textiles belonging to Miss Helen Seymour.
The image depicts a page from a magazine or a publication titled "The Art Digest," dated November 1930. The page is divided into several sections, each containing text and images.
At the top of the page, there is a title, "Mysticism of William Blake Seen at the Fogg Art Museum," accompanied by two black-and-white illustrations of William Blake's artwork. The first illustration is titled "Nebuchadnezzar," and the second is titled "Resurrection of Dry Bones—Ezekiel's Vision." These illustrations are described as tempera paintings lent by Boston's Museum of Fine Arts.
Below the illustrations, there is a paragraph of text discussing William Blake's artistic style and the significance of his work. It mentions that Blake was trained as an engraver and that his engravings, such as "Book of Job," are considered some of his best work. The text also notes that many of Blake's books are in the exhibition and that original engravings are printed in a yellowish or sepia tone.
Further down the page, there is a section titled "Blake Art Exhibit at Fogg to be Continued," which announces that the exhibition of William Blake's works at the Fogg Museum of Art, Harvard University, will be extended until December 15. The text mentions that several additions have been made to the collection, including water colors and prints, and that these additions are on loan from various individuals.
The page also includes a section titled "Shadows of Coming Events," which previews upcoming events at the Fogg Museum, such as a talk by Paul J. Sachs on "Oriental Art" and an exhibition of Japanese textiles belonging to Miss Helen Saymour.
Overall, the page provides information about an exhibition of William Blake's artwork at the Fogg Museum of Art, highlights the significance of his work, and previews upcoming events at the museum.
The image is a page from The Art Digest dated November 1930, featuring an article titled "Mysticism of William Blake Seen at the Fogg Art Museum." The page includes text and illustrations that describe an exhibition of William Blake's works at the Fogg Art Museum. Here is a detailed breakdown:
Header:
Illustrations:
Main Text:
Exhibition Details:
Additional Sections:
Overall, the image is a historical document that provides insight into the appreciation of William Blake's art in the early 20th century, showcasing his mystical and innovative style through both text and visual representation.
This is a photograph of a printed document that appears to be a page from an old publication. The page features several articles and mentions "The Art Digest" dated November 1, 1930, at the top. The main headline reads, "Mysticism of William Blake Seen at the Fogg Art Museum," indicating that the articles largely concern an exhibit related to the English artist William Blake.
The page includes images of three works of art, presumably by William Blake. The captions identify them as "Wicksteed," a tempera painting by Blake; "Linnell, Lent by Bos-," likely referring to an artwork lent by someone with the last name Linnell or a reference to John Linnell, a close associate of Blake who owned many of his works; and "Resurrection of D[...], Color by W[...]" whose full titles and contexts are not entirely visible due to the cropping of the photograph.
The text in the articles describes aspects of William Blake's artistic approach, referring to his mystical visions, intellectual and imaginative power, and his methods of creating art, which included painting, writing, and engraving. The articles also mention Blake's coloring techniques and that many of the books he created are in the exhibition.
Articles on the right-hand side discuss different topics. One is titled "BLAKE ART EXHIBIT AT FOGG TO BE CONTINUED," indicating an extension of the exhibit, with additional pieces being added to the collection. Another smaller article is titled "Shadows of Coming Events," and it seems to list future events that were upcoming at the time the digest was published.
The document is slightly worn on the edges, with handwritten notes "Crimson Nov. 8 '30" at the bottom left and other writing at the top, suggesting that it was perhaps used as a reference or archived by an individual or institution.
This image is a scanned page from a publication that focuses on the works of William Blake, particularly his exhibition at the Fogg Art Museum.
At the top of the page, there are two black and white images of Blake's artworks. The left image features "Nebuchadnezzar," a tempera painting depicting a human figure crawling on all fours, which is lent by Boston Museum of Fine Arts. The right image is titled "Resurrection of Dry Bones—Exhibit; Vision," a water color showing a dynamic scene of resurrection, lent by Fogg Art Museum's collection.
Below the images is an article titled "Mysticism of William Blake Seen at the Fogg Art Museum," which discusses Blake's visionary and imaginative works, his background, and the significance of his displayed collections at the museum. The article mentions Blake's influence, training as an engraver, and his various forms of artistic expressions, including his "Book of Job."
There are three attached newspaper clippings on the bottom half of the page which provide additional information about the exhibit:
The first clipping, titled "BLAKE ART EXHIBIT AT FOGG TO BE CONTINUED," talks about the extension of the William Blake exhibit due to popular demand. It mentions specific additions to the collection including loans from notable collectors and institutions.
The second clipping, titled "Shadows of Coming Events," highlights other exhibitions and events at the museum including works transferred from the British Museum Exhibition to the Fogg Museum. Edgar Allan Poe's "Great Hall" exhibit is mentioned as well.
The third clipping briefly notes other art collections being represented at the museum, including those by Peter Paul Rubens and John Ruskin.
Handwritten notes indicate the dates and titles of the sources: "The Art Digest Nov. 1, 1930," "Crimson Nov. 18, 1930," and "Trans. Nov. 22."
The page has three hole punches on its left side, suggesting it was intended to be kept in a binder or folder for archival purposes.
This image is a compilation of clippings that appear to discuss an art exhibition focused on the work of William Blake at the Fogg Art Museum. The page contains both text and images, with annotations and explanations about Blake’s art.
Images at the top:
Main Article:
Other clippings:
Annotations:
This assembled document provides context to William Blake’s exhibition, detailing his artistic contributions and the scope of the displayed works.