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ARCH.2003.25, Rendition: 794066
The image appears to be a scanned page from a newspaper, specifically from "The Times," dated October 27, 1930. The page contains two articles.
The first article, titled "Fogg Art Museum Lord Lee's Model Basis of Projected London University Foundation" is a news piece about the acceptance of a proposal by Viscount Lee of Fareham for the foundation of an institute for the study of the history of art and for training art critics and experts at London University. The article mentions the Fogg Art Museum of Harvard University as a model for the proposed institution and highlights the contributions of Samuel Courtauld, an artificial silk manufacturer, and Sir Joseph Duveen, who have pledged significant financial support for the project.
The second article, titled "London and the History of Art," discusses the importance of the proposed art history institute. It elaborates on the need for such an institute in London, which has access to numerous national museums and art galleries. The article also mentions the establishment of a university chair in the history of art and the involvement of prominent figures such as Sir Martin Conway and the Sudeley committee in supporting the project. The piece concludes by emphasizing the educational and cultural significance of the institute in promoting the understanding and appreciation of art.
The page shows some signs of wear, with stains and a slightly yellowed appearance, indicating its age. There is also a handwritten note at the top right corner that reads "The Times Oct. 27, 1930," suggesting that the page might have been saved and annotated for reference.
This image is a scanned or photographed page from a document dated October 27, 1930. The document appears to be a clipping from a publication titled "The Times." The page contains two distinct sections of text, each discussing the establishment of an art history institute in London, inspired by the Fogg Art Museum at Harvard University.
The document highlights the significance of the contributions by key figures and the potential impact of the new institute on art education and appreciation.
This image displays a single sheet of off-white paper, likely from a scrapbook or archive, featuring two newspaper clippings dated October 27, 1930. The paper has three punched holes along its right edge, suggesting it was stored in a binder. Faint handwritten pencil notes, “Oct. 27, 1930” and “The TIMES Oct. 27, 1930”, mark the date and source of the clippings.
The sheet contains two articles, both pasted onto the page:
Left Clipping: “FOGG ART MUSEUM LORD LEE’S MODEL”
This shorter article, from the New York Times (cited at the bottom as “(Copyright, 1930, New York Times)”), is headlined “FOGG ART MUSEUM LORD LEE’S MODEL” and subtitled “Basis of Projected London University Foundation”.
It reports on a proposal by Viscount Lee of Fareham to establish a new Institute for the study of the history of art at London University, modeled after the Fogg Art Museum at Harvard University. The article notes that Samuel Courtauld, an art lover and silk manufacturer, and Sir Joseph Duveen have pledged significant funds—Courtauld $100,000 towards the endowment—to make this possible. It also mentions that the new institute will be named the Courtauld Institute of Art and that Viscount Lee will chair the new university chair in the history of art.
Right Clipping: “London and the History of Art”
This longer article, identified as being from The Times (as handwritten above it), provides a more in-depth commentary on the same subject under the title “London and the History of Art”.
It details that Lord Lee, with the help of fellow art lovers Mr. Samuel Courtauld and Sir Joseph Duveen, has proposed a new educational scheme in the history of art for London University. The article notes that while Oxford was initially considered, London was chosen due to its proximity to major national museums and galleries. The institute will be based in Bloomsbury.
The article explains that the Courtauld Institute of Art will have a professorial chair, a Director who will also manage the institute, and a committee to oversee its development. It emphasizes a key ambition: to own original works of art, which is justified by Lord Lee’s intention to bequeath his own collection to the institute, accumulated over many years.
The piece continues to discuss the educational aims of the institute, which include acquiring deep knowledge of art history and principles, and disseminating that knowledge through museums, schools, and galleries to “educate the whole nation in the meaning and the beauty of art.” It references the recent international conference in Rome and compares the initiative to efforts by the Royal Commission on national museums and the Sutley Committee, highlighting Britain’s need to catch up with international standards in art education and museum management.
Overall Context and Significance
The image documents the public announcement and early journalistic coverage of the founding of the Courtauld Institute of Art in London in 1930. It highlights the key figures involved—Viscount Lee of Fareham, Samuel Courtauld, and Sir Joseph Duveen—and outlines the educational and cultural vision behind the institute, emphasizing its commitment to art scholarship, public outreach, and building a collection of original artworks. The articles reflect the excitement and significance of establishing the first university-based institute for the study of art history in Britain.
This image is a newspaper clipping from The Times, dated October 27, 1930. The clipping features an article titled "London and the History of Art," which discusses the establishment of the Fogg Art Museum at Harvard University, modeled after the London University Foundation. The article highlights the generous gifts made by Lord Lee, Samuel Courtauld, and Sir Joseph Duveen to support the creation of the institute. It emphasizes the importance of the institute for preserving and studying works of art, as well as educating the public about art history. The article also mentions the potential for the institute to become a center for knowledge and appreciation of art, similar to the British Museum.
The image depicts a page from a newspaper, specifically "The Times," dated October 27, 1930. The page contains two main articles, each with distinct headings and content.
The left article is titled "FOGG ART MUSEUM LORD LEE'S MODEL" and discusses the establishment of a new educational institution in London dedicated to the history of art. The article highlights the proposal by Viscount Lee of Fareham for the foundation of this institution, which aims to study the history of art and train art experts in Britain. Lord Lee emphasizes the need for such an institution in London, similar to the Courtauld Institute of Art at the University of London, which was established by the generosity of Mr. Samuel Courtauld and Sir Joseph Duveen. The article also mentions the potential for collaboration with existing art galleries and the appointment of a professional chair in the history of art.
The right article, titled "London and the History of Art," provides additional context and details about the proposed institution. It discusses the aims and processes for its establishment, including the preservation of works of art, the promotion of art education, and the potential impact on the public's appreciation of art. The article mentions the support of the Royal Commission on National Museums and the encouragement from art experts and educators.
Both articles reflect the growing interest and importance of art education and the establishment of institutions dedicated to the study and appreciation of art history in the early 20th century.
The image shows a scanned page from a newspaper or publication dated October 27, 1930, titled "FOGG ART MUSEUM LORD LEE'S MODEL". The page discusses a significant announcement regarding the establishment of an institute for the study of the history of art in Britain. Here is a detailed description:
The article reports on a proposal by Viscount Lee of Fareham to establish an institute for the study of the history of art in Britain. Key points include:
Overall, the image captures a historical moment in the development of art education and scholarship in Britain, highlighting the vision and support behind the establishment of the Institute of Art.
The image shows a scanned newspaper clipping with a heading "FOGG ART MUSEUM LORD LEE'S MODEL," with the subheading "Basis of Projected London University Foundation." The article is dated "Oct. 24, 1930," and it appears to be discussing the commendation by the Viceroy of the United States towards art education and the potential for London to create an institute for the study of the history of art. The right margin also shows a cutoff from another clipping, which mentions "London and the History of Art" and has the date "The Times Oct. 27, 1930." The article mentions various key figures and discusses the significance of art history and the role of the university in art education, referencing specific plans and proposals for a new institute. The text is dense and a bit faded, consistent with an aged newspaper, and the clipping has been hole-punched on the left side, suggesting it may have been kept in a binder or file.
The image shows a page with two newspaper clippings attached to it. The clippings are articles from The Times newspaper, dated October 27, 1930. The first, smaller article is titled "FOGG ART MUSEUM LORD LEE'S MODEL Basis of Projected London University Foundation," and it mentions an acknowledgment of the art of the United States paid by Viscount Lee of Fareham. The second, longer article is titled "London and the History of Art," and discusses a new scheme for education in the history of art announced that day. It elaborates on contributions by notable figures such as Mr. Samuel Courtauld and Sir Joseph Duveen, who made it possible to present the idea of such an institute. The article underscores the significance of art scholarship and preservation and the benefits it brings to public education and appreciation. Both articles are mounted on a sheet with three punch holes on the right side, suggesting it might be part of a collection or archive.
A scrapbook page featuring newspaper clippings about art education in London from October 27, 1930.
The image shows a page with three newspaper clippings attached. At the top, handwritten in ink, is the date "Oct. 27, 1930" and the name "The Times."
The clipping on the left is titled "FOGG ART MUSEUM LORD LEE'S MODEL." It discusses the acceptance by London University of a proposal from Viscount Lee for the foundation of an institute focused on the study of the history of art and for training in critical and expert art. It highlights Lord Lee's generous donation of $100,000 for this purpose and mentions the plan to use funds to expand facilities and render arrangements possible.
The central clipping is titled "London and the History of Art" and elaborates on the new scheme for education in art history announced by Lord Lee. It mentions support from two fellow art-lovers, Mr. Samuel Courtauld and Sir Joseph Duveen, and the aim to establish a professional chair in the History of Art at London University, with a Director to manage the institute. The article discusses the importance of art scholarship, the involvement of British representatives in international art conferences, and the role of museums and galleries in education. It also praises the Sudeley committee’s efforts in connecting the public to museum experiences, emphasizing that the institute's goal is to educate the nation on the meaning and beauty of art.
The right side of the page has only the handwritten notation "The Times Oct. 27, 1930" without accompanying text.
The overall theme of the page is the development of art history education and the establishment of a dedicated institution supported by generous patrons in London during 1930.