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Fogg Art Museum Scrapbook, January 1929-December 1931

ARCH.2003.25, Rendition: 794061

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The image is a collage of newspaper clippings and a Harvard Alumni Bulletin, dated October 22nd and October 30th, with additional handwritten notes and stamps on the bottom corners indicating the dates "Transcript Nov. 8, 1930" and "Transcript Nov. 4, 1930." The content of the clippings includes:

  1. Boston Close-Ups from the "Herald" (October 22nd) titled "Boston Close-Ups: Intimate Glimpses Into the Lives of the Great and Near-Great," authored by Mason Ham. This article discusses Edward Waldo Forbes, a lecturer on fine arts and director of the Fogg Art Museum at Harvard, and his academic experiences.

  2. Bust of Fogg Saved from 'Garret from the "Boston American" (October 22nd) discusses the bust of William Hayes Fogg, who is the namesake of the Harvard Museum of Art. The article details the protest by Lyman E. Shorey, who discovered the bust in a storeroom and demanded it be placed in the new museum, while Edward Forbes, the museum director, supported the Bust's relocation.

  3. No Bogus Art "Treasures" Have Been Sold to Harvard from the "Crimson" (October 30th). This article from the Harvard Crimson discusses the stringent procedures for the acquisition and authentication of art at the Fogg Museum, emphasizing the role of the Fine Arts Faculty in vetting all acquisitions.

  4. Harvard Alumni Bulletin Oct. 30 mentions an event for the Harvard Club of Taunton featuring Dean George H. Chase of Harvard Graduate School of Arts and Sciences.

  5. Current Exhibitions lists various exhibitions at Harvard museums, including the Museum of Fine Arts and the Fogg Art Museum, with details on the specific artworks and durations of the exhibitions.

  6. Harvard Calendar outlines Harvard events for the week of November 11th, including lectures, musical performances, and sports fixtures.

The overall theme of the clippings highlights the cultural and academic activities of Harvard in 1930, focusing on the Fogg Art Museum and the institution's commitment to the arts.

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This image appears to be a clipping of several newspaper articles and announcements, primarily related to Harvard University and the Fogg Art Museum. The clippings are from different dates in October and November of 1930, as noted in the handwriting on the clippings.

  1. Boston Close-Ups (Herald, Oct. 22):

    • This article, written by Mason Ham, provides an intimate glimpse into the life of Edward Waldo Forbes, a lecturer on fine arts and director of the Fogg Art Museum at Harvard. It includes a humorous anecdote about Forbes attending a class by Prof. Charles Eliot Norton.
  2. Bust of Fogg Saved from "Garret" (Boston American, Oct. 22):

    • This article discusses the rescue of a marble bust of William Hayes Fogg, the namesake of the Fogg Art Museum, from a storeroom. The bust was moved to a prominent place in the new $1,000,000 edifice of the museum. It mentions Lyman E. Shorey's protests against the bust being in storage and Edward W. Forbes' response.
  3. No Bogus Art "Treasures" Have Been Sold to Harvard (Crimson, Oct. 30):

    • This article addresses concerns about the sale of fake art treasures to Harvard. It states that all objects submitted to the Fogg Museum must be passed on by a jury of the Fine Arts Faculty to ensure authenticity.
  4. Harvard Alumni Bulletin (Oct. 30):

    • This announcement is about the annual dinner of the Harvard Club of Taunton, where Dean George H. Chase of the Harvard Graduate School of Arts and Sciences will be the principal guest.
  5. Current Exhibitions (Transcript, Nov. 8, 1930):

    • This section lists various art exhibitions at public and semi-public galleries, including the Museum of Fine Arts and the Fogg Art Museum. It provides details about the exhibits and their schedules.
  6. Harvard Calendar (Transcript, Nov. 4, 1930):

    • This calendar lists various events and lectures happening at Harvard from the current day through Saturday, November 15. Events include sports games, chapel services, lectures, and recitals.

The clippings are arranged on a plain sheet of paper, possibly for archival or reference purposes. The handwriting on the clippings indicates the dates and sources of the articles.

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This image displays a single sheet of paper, likely from a scrapbook or file, with several newspaper clippings and typed documents attached to it. The paper has three punched holes along its left edge, suggesting it was stored in a binder. The items are dated from late October to early November 1930 and relate primarily to events at Harvard University’s Fogg Art Museum.

Here is a breakdown of the clippings:


Top Row (Left to Right):

  1. “BOSTON CLOSE-UPS” from the Herald, Oct. 22

    • Headline: “Intimate Glimpses Into the Lives of the Great and Near-Great”
    • By Mason Ham
    • Features an anecdote about Edward Waldo Forbes, lecturer on fine arts and director of the Fogg Art Museum at Harvard. It describes his teaching style and recounts a classroom story involving him and Professor Charles Eliot Norton.
    • Includes a small cartoon illustration of a man at a desk with the caption: “NOT TO BE REPRINTED IN FULL.”
  2. “BUS. OF FOGG SAVED FROM ‘GARRET’” from the Boston American, Oct. 22

    • Headline: “Great-Nephew of Harvard Museum Namesake Protests, Statue Gets Place of Honor”
    • Reports on the protest by Lyman E. Shovey (great-nephew of William Hayes Fogg) against the planned relocation of the marble bust of Mr. Fogg from a storeroom in the old Fogg building to the new $1,000,000 museum building.
    • Quotes Edward W. Forbes, who explains that the bust was moved to the storeroom when the museum relocated, and that it was intended to be placed in a dignified spot (library or great hall) in the new building.
    • Mentions that the bust was valued at over $1,000.00.
  3. “HARVARD CLUB OF TAUNTON” from the Harvard Alumni Bulletin, Oct. 20

    • Announces that Dean George H. Chase of the Harvard Graduate School of Arts and Sciences will be the principal guest at the annual dinner of the Harvard Club of Taunton, to be held on Wednesday, November 12.

Second Row (Right):

  • “Transcript No. 9, 1930” — “Current Exhibitions”
    • Lists current art exhibitions open to the public or semi-public galleries in the Boston area.
    • Includes exhibitions at the Museum of Fine Arts, Fogg Art Museum (highlighting Russian Loan Exhibition and Contemporary Decorative Metals and Cotton Textiles), and others.
    • Notes that all exhibitions are open free of charge on certain days except Mondays.

Bottom Row (Left to Right):

  1. “NO BOGUS ART ‘TREASURES’ HAVE BEEN SOLD TO HARVARD” — (No source listed, but dated “Crimson Oct. 30”)

    • Reports from the Harvard Crimson that the jury of Fine Arts Faculty must now approve all art purchases at the Fogg Museum.
    • Addresses rumors and a “scare of ‘fake’” art that had been circulating, following a report that the Boston Museum of Fine Arts had recently repurchased spurious paintings.
    • Edward W. Forbes is quoted defending the museum’s collection, stating that all objects were scrutinized and that the old building was inadequate for teaching, while the new one is adequate.
  2. “Harvard Calendar” — Handwritten “Transcript Nov. 4, 1930”

    • A detailed schedule of university events for “TODAY” through “SATURDAY, NOV. 15.”
    • Includes: Soccer games, lectures (e.g., “The Care of the Patient” by Dr. David Cheever), chapel services, French lectures, and a recital by Ivan d’Archiambault.

Overall Context:

The collection documents a significant period of transition and controversy surrounding Harvard’s Fogg Art Museum in late 1930. Key themes include:

  • The move into a new building and the debate over what artifacts (like the Fogg bust) to display.
  • The internal governance of the museum, particularly the newly mandated faculty jury for art purchases.
  • Ongoing public and alumni interest in Harvard’s cultural events and activities.
  • The clippings likely belonged to someone connected to Harvard (perhaps an alumnus or staff member) who was following the museum’s developments and campus life closely.

The paper has a yellowed, aged appearance, consistent with its 1930 date. The handwriting (“Crimson Oct. 30,” “Transcript Nov. 4, 1930”) appears to be notes added by the collector to identify the source and date of each clipping.

It’s a snapshot of early 20th-century university life, museum controversies, and cultural reporting.

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The image appears to be a collection of newspaper clippings and bulletins from the Harvard Alumni Bulletin, dated around November 1930. The clippings cover various topics related to Harvard University, including:

  1. "Boston Close-Ups" - This clipping discusses the Fogg Art Museum at Harvard, focusing on the protests against the naming of the museum after William Hayes Fogg, the great-nephew of Lyman E. Shorey, who donated a significant collection of art to Harvard. The protests led to the museum being renamed.

  2. "BUST OF FOG SAVED FROM 'GARRETT'" - This clipping reports on the protests against the naming of the museum after William Hayes Fogg and how the bust of Fogg was saved from being placed in the museum's garret.

  3. "Harvard Club of Taunton" - This clipping announces an upcoming dinner event for the Harvard Club of Taunton, where Dean George H. Chase of the Harvard Graduate School of Arts and Sciences will be the principal guest.

  4. "Current Exhibitions" - This clipping lists various art exhibitions at Harvard, including the Museum of Fine Arts, which is closed on certain days.

  5. "Harvard Calendar" - This clipping provides a schedule of events at Harvard for the week, including lectures, football games, and other activities.

  6. "NO BOGUS ART 'TREASURES'" - This clipping discusses the sale of art treasures at the Fogg Museum of Fine Arts and the responsibility of the jury of qualified art experts in ensuring the authenticity of the artworks.

  7. "ART QUESTIONED" - This clipping reports on the protests against the naming of the museum after William Hayes Fogg and the concerns raised about the original purpose of the museum.

Overall, the image provides a glimpse into the activities and events at Harvard University during the early 1930s, with a focus on the Fogg Art Museum and its collection of art.

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The image appears to be a compilation of newspaper clippings and documents, likely from the early 20th century. The clippings are arranged in a grid format, with each clipping occupying a separate cell. The clippings cover a range of topics, including:

  1. Boston Close-Ups: This section features intimate glimpses into the lives of notable individuals, such as Edward Waldo Forbes, who was a distinguished art historian and director of the Fogg Art Museum at Harvard University. The text describes Forbes's academic achievements and his role in the art world.

  2. Bust of Fogg Saved from "Garret": This clipping discusses the rescue of a bust of William Hayes Fogg, after whom the Fogg Art Museum was named. The bust was saved from a storage room and placed in a prominent location within the museum.

  3. Current Exhibitions: This section lists various art exhibitions happening at different museums, including the Museum of Fine Arts, the Huntington Avenue-Avenue Museum, and the Fogg Art Museum. The exhibitions feature works by various artists and cover different themes and periods.

  4. Harvard Calendar: This document provides a schedule of events and activities at Harvard University, including lectures, sports events, and social gatherings. The calendar spans from October to November, highlighting the academic and social life at the university.

  5. No Bogus Art "Treasures": This clipping addresses a scandal involving fake art pieces being sold as genuine treasures by the Fogg Museum. The text explains the situation and the steps taken to rectify the issue, emphasizing the importance of authenticity in art.

The overall theme of the image is the intersection of art, academia, and scandal, with a focus on the Fogg Art Museum and its role in the art world. The clippings provide a snapshot of the cultural and academic landscape of the time, highlighting the importance of art institutions and the challenges they face in maintaining authenticity and integrity.

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The image shows a page from a historical newspaper or publication dated October 22, 1930, featuring several headlines and articles. Here's a detailed description:

Layout and Content:

The page is divided into multiple sections, with headlines and accompanying text. The layout includes bold headlines, subheadings, and smaller text, typical of early 20th-century newspaper design.


Left Column:

Headline: "BOSTON CLOSE-UPS"

  • Subheadline: "Intimate Glimpses Into the Lives of the Great and Near-Great"
  • Byline: By FIELD HAMO
  • Content:
    This article discusses Edward Waldo Forbes, the director of the Fogg Art Museum at Harvard. It highlights his personality, achievements, and anecdotes about his interactions with students and colleagues. The article includes a cartoonish illustration of a sign reading "NOT OPENED" and quotes from Forbes, such as "They rather like the story often told about him in the classroom by one student." The piece emphasizes Forbes's role in the museum and his impact on the Harvard community.

Headline: "NO BOGUS ART 'TREASURES' HAVE BEEN SOLD TO HARVARD"

  • Content:
    This article addresses concerns about the authenticity of art acquisitions at the Fogg Museum. It states that no bogus art has been sold to Harvard and mentions that a jury of Fine Arts Faculty must approve all purchases. The article references a controversy involving El Greco, where paintings valued at nearly $100,000 were deemed spurious and reduced in price. It also notes that the Fogg Museum of Art has been accused of accepting a large jury of possibilities, but the museum insists that such accusations are minimal.

Center Column:

Headline: "BUST OF FOGG SAVED FROM 'GARRET'"

  • Subheadline: "Great-Nephew of Harvard Museum Namesake Protests, Statue Gets Place of Honor"
  • Content:
    This article discusses the relocation of a bust of William Hayes Fogg, the namesake of the Fogg Art Museum, from a "garret" (attic) to a place of honor within the museum. It quotes Lyman E. Shorey, a great-nephew of Fogg, who protested the initial placement of the bust. The article details the efforts to move the bust to a more prominent location, including a visit by Shorey, who valued the bust at over $1,000. The bust was eventually placed in a new $1,000,000 addition to the museum, signifying its importance.

Quote Box:

  • A smaller section titled "ART QUESTIONED" discusses the use of the original building of the Fogg Museum, which was used for an art exhibition. It mentions that the building, originally valued at $80,000, should be removed and returned to the old museum.

Right Column:

Headline: "Harvard Alumni Bulletin"

  • Subheadline: "Harvard Club of Taunton"
    • Content:
      This section announces that Dean George H. Chase of the Harvard Graduate School of Arts and Sciences will be the principal guest at the annual dinner of the Harvard Club of Taunton, scheduled for Wednesday, November 12.

Section: "Current Exhibitions"

  • Content:
    This section lists various art exhibitions happening around Boston and Cambridge, including:
    • Museum of Fine Arts, Huntington Avenue: Open daily, closed Mondays.
    • Pennsylvanian Museum, Philadelphia: Open daily, closed Mondays.
    • Russian Icons Loan Exhibition: At the American Russian Institute, through Saturday.
    • International Industrial Exhibition: At the Boston Arena, through Monday.
    • Fogg Art Museum, Cambridge: Open weekdays and Sundays, closed Mondays.
    • William Morris Gallery: Through November 7.

Section: "Harvard Calendar"

  • Content:
    This section provides a schedule of upcoming events at Harvard, including:
    • TODAY: Soccer, Tufts vs. Harvard; Football, Michigan vs. Harvard.
    • TOMORROW: Football, Harvard vs. Yale.
    • WEDNESDAY, NOV. 12: First M.I.T. vs. Harvard football game.
    • THURSDAY, NOV. 13: Lecture on "The Care of the Patient" at the Harvard Medical School.
    • FRIDAY, NOV. 14: Lecture on "Violence and the French Revolution" at Fogg Art Museum.
    • SATURDAY, NOV. 15: Football, Harvard vs. Yale.

Additional Notes:

  • Footer: The bottom of the page includes handwritten notes, such as "Crimson Oct 30" and "Transcript Nov. 4, 1930", indicating that this page may have been part of an archive or collection.
  • Visual Elements: The page includes small illustrations, such as a cartoon of a closed sign and a small graphic in the "Current Exhibitions" section.

Overall Context:

The page captures a snapshot of Harvard University life in October 1930, focusing on art, museum affairs, alumni events, and campus activities. It highlights the importance of the Fogg Art Museum, the controversy surrounding art acquisitions, and the cultural and academic events happening at Harvard during that time. The layout and tone reflect the journalistic style of the era.

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The image presents a collection of newspaper clippings from the 1930s, arranged on a white sheet of paper with holes for binding. The clippings are dated between October and November 1930.

  • Boston Close-Ups
    • The first clipping is titled "BOSTON CLOSE-UPS" and features an illustration of a man sitting at a desk, holding a pipe.
    • The article discusses the life of Dr. Edward Waldo Forbes, the second director of the Fogg Art Museum at Harvard.
    • It highlights his achievements as a professor and his reputation as a man.
    • The article also mentions his interest in many recent and present Harvard undergraduates.
  • Bust of Fogg Saved from "Garret"
    • The second clipping is titled "BUST OF FOGG SAVED FROM 'GARRET'" and reports on the discovery of a marble bust of William Hayes Fogg in a storeroom.
    • The bust was rescued from the storeroom and will be placed in the new $1,000,000 edifice.
    • The article also mentions that Mr. Shorey, who found the bust, was very glad when Mr. Shorey called his attention to the fact that the bust of Mr. Fogg was in a storeroom.
  • Current Exhibitions
    • The third clipping is titled "Current Exhibitions" and lists various art exhibitions happening in Boston.
    • The exhibitions include works by artists such as Edward W. Forbes, Lyman E. Shorey, and William Hayes Fogg.
    • The article also mentions that the exhibitions are open to the public and are listed in the public library.
  • Harvard Calendar
    • The fourth clipping is titled "Harvard Calendar" and lists various events happening at Harvard University.
    • The events include lectures, concerts, and sports games.
    • The article also mentions that the events are open to the public and are listed in the public library.
  • No Bogus Art "Treasures" Have Been Sold to Harvard
    • The fifth clipping is titled "NO BOGUS ART 'TREASURES' HAVE BEEN SOLD TO HARVARD" and reports on the sale of art objects to Harvard.
    • The article states that all purchases at Fogg must be passed on by a jury composed of the Fine Arts Faculty, a group of highly qualified art judges.
    • The article also mentions that a scare of "fake" was thrown into the art world a few days ago when the Boston newspaper revealed that the Boston Museum of Fine Arts had been fleeced of nearly $100,000 for spurious paintings among which was a highly prized canvas supposed to have been by El Greco.
  • Harvard Alumni Bulletin
    • The sixth clipping is titled "HARVARD ALUMNI BULLETIN" and reports on the annual dinner of the Harvard Club of Taunton.
    • The article states that Dean George H. Chase of the Harvard Graduate School of Arts and Sciences will be the principal guest at the annual dinner of the Harvard Club of Taunton, to be held on the evening of Wednesday, November 12.
    • The article also mentions that the dinner will be held at the Harvard Club of Taunton.

In summary, the image presents a collection of newspaper clippings from the 1930s, featuring articles about art, education, and events at Harvard University. The clippings provide insight into the lives of notable individuals, such as Dr. Edward Waldo Forbes and William Hayes Fogg, and highlight the importance of art and education in the community.

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The image depicts a page of newspaper clippings, featuring articles about the Fogg Art Museum at Harvard University. The clippings are arranged in a collage style, with some overlapping each other. The articles appear to be from different newspapers and date back to the early 20th century.

Newspaper Clippings:

  • "BOSTON CLOSE-UPS": This article discusses the Fogg Art Museum's collection of art treasures, including paintings by El Greco and other famous artists.
  • "BUST OF FOGG SAVED FROM 'GARRET'": This article reports on the rescue of a marble bust of William Hayes Fogg, the museum's founder, from a storage room in the new $1,000,000 edifice.
  • "Current Exhibitions": This article lists the current exhibitions at the Fogg Art Museum, including a collection of modern paintings and sculptures.
  • "NO BOGUS ART 'TREASURES' HAVE BEEN SOLD TO HARVARD": This article addresses rumors that the Fogg Art Museum had purchased fake art treasures, stating that all objects submitted to the museum must first be passed on by a jury composed of the Fine Arts Faculty, a group of highly qualified art judges.
  • "Harvard Calendar": This article provides a calendar of events at Harvard University, including lectures, concerts, and exhibitions.

Overall:

The image provides a glimpse into the history of the Fogg Art Museum at Harvard University, highlighting its collection of art treasures, exhibitions, and events. The newspaper clippings offer a unique perspective on the museum's past and its significance in the art world.

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The image depicts a page of newspaper clippings related to the Fogg Art Museum at Harvard University.

The page is divided into six distinct clippings, each featuring a different article or section from various newspapers, including the Herald, Boston American, Harvard Alumni Bulletin, and Crimson. The clippings are arranged in two columns, with three articles on the left-hand side and three on the right-hand side.

The articles are dated between October 20 and November 4, 1930, and cover a range of topics, including the acquisition of a marble bust of William Hayes Fogg, the museum's namesake, and the controversy surrounding the authenticity of certain art pieces. The clippings provide insight into the history and operations of the Fogg Art Museum during this period.

The page appears to be a compilation of relevant news articles, likely created for archival or research purposes. The background of the image is a plain gray color, which helps to focus attention on the newspaper clippings. Overall, the image presents a fascinating glimpse into the history of the Fogg Art Museum and its significance within the art world.

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The image presents a scanned page from a binder, featuring a collection of newspaper clippings and handwritten notes. The page is divided into sections, each containing a different article or note.

  • Newspaper Clippings:
    • The top-left clipping is titled "BOSTON CLOSE-UPS" and discusses the life of Edward Waldo Forbes.
    • The top-center clipping is titled "BUST OF FOGG SAVED FROM 'GARRET'" and reports on the rescue of a marble bust of William Hayes Fogg from a store room.
    • The bottom-left clipping is titled "NO BOGUS ART 'TREASURES' HAVE BEEN SOLD TO HARVARD" and discusses the authenticity of art pieces sold to Harvard.
    • The top-right clipping is titled "Harvard Alumni Bulletin" and announces an event at the Harvard Club of Taunton.
    • The middle-right clipping is titled "Current Exhibitions" and lists various art exhibitions at Harvard.
    • The bottom-right clipping is titled "Harvard Calendar" and provides a schedule of events at Harvard.
  • Handwritten Notes:
    • The top of the page features handwritten notes that read "Boston American Oct. 22", "Harvard Alumni Bulletin Oct. 20", and "Transcript Nov. 8, 1930".
    • The bottom of the page features handwritten notes that read "Crimson Oct. 30" and "Transcript Nov. 4, 1930".

In summary, the image presents a collection of newspaper clippings and handwritten notes related to Harvard University, including articles on art exhibitions, events, and news. The clippings are from various publications, including the Boston American, Harvard Alumni Bulletin, and Transcript. The handwritten notes provide additional context and dates for the clippings.