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THE SATURDAY REVIEW OF LITERATURE, SEPTEMBER 6, 1930

Gothic Sculpture 1140-1225
FRENCH SCULPTURE OF THE BEGINNING OF THE GOTHIC PERIOD. By MARCEL AUBERT. New York: Harcourt, Brace & Co. 1930. 272 pp. Illustrated. $5.00.
Reviewed by A. KINGSLAND PORTER

The chief advantage of academism (or humanism, as it has been fashionably since the Renaissance) is that it is not a style but a method. It is almost inevitably eclectic. That is perhaps the reason why France, the most academic of all nations, has been a leading center of the modern movement. The greatness of the French academicians may have been due to the fact that they were academic in the best sense of the word. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. They were not pedants. 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The image is a page from the Saturday Review of Literature, dated September 9, 1930. The page primarily discusses a book titled "Gothic Sculpture 1140-1225: French Sculpture of the Gothic Period," authored by Marcel Aubert. The review highlights Aubert's extensive knowledge and scholarly approach to Gothic sculpture, particularly during the period from 1140 to 1225.

Key points from the review include:

• Aubert's advantage of having heard lectures by prominent scholars such as Professor Moore and Professor Cunliffe.
• The book’s comprehensive and detailed study of the subject, offering insights into the evolution of Gothic sculpture through various styles and periods.
• The author's meticulous attention to the evolution of human artistry and the intricacies of medieval sculpture, providing a rich tapestry of historical and artistic insights.

The review also touches on the book's structure and content, noting how Aubert skillfully weaves together the history of Gothic sculpture, blending academic rigor with accessible storytelling.

The review is framed by a typical Saturday Review layout, including advertisements for various publications and books. The bottom part of the page lists other books reviewed in the same issue, such as "The Trap" by Delnoe Connolly, and mentions other notable literary works and events.

The image is a scanned page from "The Saturday Review of Literature," dated September 16, 1939. The page contains reviews of several books and an article about Gothic sculpture.

1. Article on Gothic Sculpture (1140-1225 French Sculpture):

   • The article, titled "French Sculpture of the Beginning of the Gothic Period," is by Marcel Aubert and is reviewed by A. Kingsley Porter.
   • The review discusses the evolution of Gothic sculpture in France, highlighting its academic and humanistic aspects.
   • The text mentions that Gothic sculpture had roots in Romanesque art and was influenced by the intellectual and artistic movements of the time.
   • It praises the work of artists like Monseigneur Aubert for presenting a comprehensive view of the period, noting the transition from Romanesque to Gothic styles and the influence of academic trends.
   • The review appreciates the detailed examination of various masterpieces and the social context in which they were created.

2. Review of "Aristotelian Tragedy" by Duquesne Council:

   • This book review is of "The 'Trap': A Tragedy in Three Days" by the John Day Company.
   • The reviewer, Basil Davenport, critiques the play as a modern interpretation of Aristotelian tragedy.
   • The play is set in the context of a mining strike and follows the traditional structure of Greek tragedy, including elements like a chorus and the downfall of a protagonist due to a fatal flaw.
   • Davenport notes that the play's characters and setting are modern, but the themes and structure align with ancient Greek tragedies.

3. Miscellaneous:

   • The bottom of the page lists various staff and contributors to "The Saturday Review of Literature," including the Managing Editor, William Rose Benét, and other editors and publishers.
   • The page also contains a section of advertisements for other books, including "The Fathers of the Church," edited by Rev. Ludwig Schopp.

The layout of the page is typical for a literary review, with a combination of articles, book reviews, and advertisements.

The image is a page from "The Saturday Review of Literature," dated September 6, 1930. It contains a review of the book "Gothic Sculpture 1140-1225" by Marcel Aubert, published by Houghton Mifflin Company.

The review, titled "Gothic Sculpture 1140-1225: French Sculpture of the Beginning of the Gothic Period," is written by an unnamed reviewer. The book is praised for its comprehensive and detailed analysis of Gothic sculpture, which was previously thought to be an uninspired and repetitive art form. The reviewer highlights Aubert's meticulous scholarship and the book's extensive coverage of the subject, including the impact of the Gothic style on both the Romanesque and the Classical periods.

The review also discusses the historical context of Gothic sculpture, noting its development from Romanesque influences and its subsequent impact on later art forms. The reviewer praises Aubert's ability to convey the aesthetic and historical significance of Gothic art, suggesting that the book is an invaluable resource for scholars and enthusiasts alike.

The review concludes with a mention of the book's translation into English, indicating its importance and accessibility to a wider audience.

The image is a page from The Saturday Review of Literature dated September 9, 1939. It contains two reviews of books: one on "Gothic Sculpture 1140-1225" by Marcel Aubert, and another on "Aristotle Tragedy" by Delio Cantimori.

Gothic Sculpture 1140-1225 by Marcel Aubert

• Author: Marcel Aubert
• Reviewed by: A. Kingsley Porter
• Summary: The review praises Aubert's book as a significant contribution to the understanding of Gothic sculpture. Porter highlights Aubert's extensive knowledge of the monuments and the scholarly accuracy of his book. He mentions that Aubert's work provides a comprehensive overview of the development of Gothic sculpture, from the early Romanesque to the high Gothic period. Porter notes that Aubert's analysis is thorough and insightful, covering the stylistic evolution and the influence of various factors on the sculpture.

Aristotle Tragedy by Delio Cantimori

• Author: Delio Cantimori
• Reviewed by: Basil Davenport
• Summary: Davenport reviews Cantimori's exploration of Aristotle's concept of tragedy. He praises the book for its comprehensive analysis and the way it connects Aristotle's ideas to modern tragedy. Davenport notes that Cantimori's work is not just a historical study but also a philosophical inquiry into the nature of tragedy. He mentions that Cantimori's book is meticulously researched and provides a rich tapestry of historical and philosophical insights, making it a valuable contribution to the study of tragedy.

Additional Notes:

• The page also includes a small advertisement for the Saturday Review of Literature and mentions other book reviews and publications.
• The page is from the Saturday Review of Literature, which is a publication that reviews books and literary works.

Overall, the page provides a detailed and insightful look into two significant academic works on art history and literary criticism, each reviewed by knowledgeable experts in their fields.

The image shows a page from "The Saturday Review of Literature" dated September 6, 1930. The page contains two main articles:

1. Gothic Sculpture 1140-1225: French Sculpture of the Beginning of the Gothic Style

   • Author: Marcel Aubert
   • Reviewed by A. Kingsley Porter
   • This article discusses the book by Marcel Aubert, which is a study of early Gothic sculpture. The reviewer, A. Kingsley Porter, praises the book for its comprehensive coverage and detailed analysis of the subject. He highlights the importance of the book in understanding the development of Gothic art and its influence on subsequent artistic movements.

2. Aristotelian Tragedy

   • Author: The John Day Company
   • Reviewed by Isaac Don Levine
   • This article reviews a book titled "Aristotelian Tragedy" published by The John Day Company. The reviewer, Isaac Don Levine, critiques the book for its lack of originality and depth. He argues that the book does not provide new insights into the subject of Aristotelian tragedy and is more of a compilation of existing knowledge rather than a groundbreaking study.

The page also includes a small advertisement for "The Saturday Review" at the bottom right corner, listing the editorial staff and subscription information. The text is printed on aged, yellowed paper, indicating the document's historical nature.

This image shows a single-page view of a newspaper or a magazine, specifically "THE SATURDAY REVIEW OF LITERATURE," dated September 6, 1930. The paper includes elaborately structured text divided into columns and sections that are typical for periodicals of that time.

At the top, the headline "Gothic Sculpture 1140-1225" appears on the left-hand side, while "Aristotelian Tragedy" appears on the right. These look to be the titles of articles or reviews. The text of each article is dense, formatted in columns, and organized in a justified alignment, indicative of formal and information-dense materials, possibly scholarly or critical in nature.

The text is too small to be readable here without zooming in, but from the layout and the visible headings, it is apparent that the content includes historical and literary analyses or discussions. The page also contains the names of the editorial staff on the bottom right, though they are not readable due to the image size.

The paper has aged, showing some discoloration and minor wear, suggesting it is an authentic piece from the mentioned date. There are no illustrations visible on this page; it is solely text-based. It is also worth noting that the actual physical paper appears to be slightly torn and folded at the edges, indicating its delicate condition as a historical document.

This image depicts a page from "The Saturday Review of Literature" dated September 6, 1930. The page contains two main articles, as well as a small notice at the bottom right corner.

1. First Article - Gothic Sculpture 1140-1225:

   • The article discusses French sculpture from the beginning of the Gothic period and provides a comprehensive review of a book titled "Histoire de la Sculpture Francaise," authored by Louis Grodecki. The book was published by F. Heuberger.
   • Reviewed by A. Kingsley Porter, the article offers insights into various aspects of Gothic sculpture, including detailed analysis and mentions of several specific French sculptures and sculptors.
   • It emphasizes the historical significance and artistic qualities of the sculptures from this period, discussing the intricacies of Gothic art and its development.

2. Second Article - Aristotelian Tragedy:

   • This piece reviews "The Tragedy of Julius Caesar" based on Aristotle’s theories of tragedy.
   • Reviewed by Jean Davidson Clark, the article delves into the principles of Aristotelian tragedy and how they apply to the play, discussing Aristotle’s "Poetics" and its relevance to classical tragedy.
   • The article provides an analysis of how the play measures against Aristotelian criteria, exploring themes, structure, and dramatic elements.

3. Notice – The Saturday Review:

   • A small notice at the bottom right corner mentions the editorial board of "The Saturday Review" and provides information about subscriptions, giving readers details on how to acquire the publication.
   • It lists names of the editorial staff and mentions subscription rates, indicating the publication’s organizational structure.

The page is a monochromatic print with text primarily in varying shades of black and some signs of aging, such as discoloration and wear around the edges. The top edge features three holes, likely indicating it was part of a binder or folio.

The image shows a page from "The Saturday Review of Literature," dated September 6, 1930. The page features two book reviews.

The first review is titled "Gothic Sculpture 1140-1225," discussing French sculpture from the beginning of the Gothic period. It reviews the book by Marcel Aubert, published by Harcourt, Brace & Co. in 1930. The review is written by A. Kingsley Porter and delves into the academic context of Gothic sculpture, its historical evolution, and the scholarly approach of Marcel Aubert. It also discusses the relationship between academia and art appreciation, the characteristics of Gothic sculpture, and specific regional and stylistic elements.

The second review is titled "Aristotelian Tragedy," reviewing the book "The Trap" by Delfino Cinelli, published by John Day Company in 1930. The review is by Basil Davenport and describes the book as a story of strong passions, conflict, and tragedy within the framework of an Aristotelian tragedy. It summarizes the plot involving characters like Stefano, Paolo, and Armida, and comments on the story’s classic and careful economy of style.

At the bottom right corner of the page, there is an editorial section for "The Saturday Review of Literature," listing the editor, managing editor, contributing editors, and publisher information. The publication details and copyright notice for 1930 are also included.

The overall page is slightly aged and yellowed around the edges, with three punched holes along the top edge, suggesting it may have been part of a binder. There is a small piece missing from the bottom right corner.

The image depicts a scanned page from The Saturday Review of Literature, dated September 6, 1930. The page is formatted in a classic newspaper or literary journal style, featuring two main articles and a header with publication details.

Header:

• At the top of the page, the header reads:
  "THE SATURDAY REVIEW OF LITERATURE, SEPTEMBER 6, 1930."
  This indicates the publication's name and the date of the issue.

Left Column:

• The left column contains an article titled "Gothic Sculpture 1140–1225" by Marcel Aubert, a noted French art historian.
• The article begins with an introduction, discussing the academic reception of Gothic sculpture, particularly in France. It critiques the traditional view that Gothic art was merely an academic endeavor and emphasizes the importance of recognizing the artistic genius of figures like Monseir Aubert.
• The text delves into the historical context of Gothic sculpture, its evolution, and its significance in the broader narrative of medieval art. It references various scholars and their perspectives, highlighting the tension between traditional and modern interpretations of Gothic art.

Right Column:

• The right column features an article titled "Aristotelian Tragedy" by Delia Delano, also from New York.
• This article analyzes the play The Job by Compagnia Cicollo, performed at the New York Theatre. The author discusses the play's adherence to Aristotelian principles of tragedy, particularly focusing on the character of Job and his tragic flaws.
• The review explores themes of fate, character, and the tragic hero, drawing parallels to classical tragedy and its modern interpretations. It also touches on the performance aspects, such as the acting and staging.

Footer:

• At the bottom of the page, there is a small section listing editorial staff and contributors, including names such as Henry Rose Canny, Amy Louise Bentley, William Sherer Baker, and Noble A. Catcott.
• The footer also includes a copyright notice:
  "Copyright, 1930, by The Saturday Review of Literature, Inc."
  This indicates the publication's ownership and legal rights.

Design and Layout:

• The page is formatted with clear, justified text, typical of early 20th-century print media.
• The two columns are separated by a vertical line, and the articles are structured with headings, subheadings, and paragraph breaks for readability.
• The overall design is clean and professional, reflecting the formal tone of a literary review.

Content Summary:

The page presents a scholarly discussion of Gothic sculpture and a critical review of a modern tragedy, showcasing the journal's focus on both historical art analysis and contemporary theatrical criticism. The articles are written in an academic tone, aimed at readers interested in art history and literature.