Archives Scrapbooks

The image is a page from "The Saturday Review of Literature" dated September 6, 1930. It contains two book reviews. The first review, titled "Gothic Sculpture 1140-1225," discusses French sculpture of the beginning of the Gothic period by Marcel Aubert. The reviewer, A. Kingsley Porter, examines Aubert's work, which is described as a simple yet comprehensive statement of the facts of early Gothic sculpture, clearly and learnedly presented. The reviewer touches on the academic and individualistic tendencies in art and the relationship between them.

The second review is titled "Aristotelian Tragedy," discussing "The Trap" by Delfino Cinelli. The reviewer, Basil Davenport, praises the book as an Aristotelian tragedy with strong passions set in conflict by the desire for revenge. The reviewer appreciates the book's ability to evoke strong emotions and the realism of the characters, despite the book being set in a contemporary Italian context.

The page also includes the masthead of "The Saturday Review of Literature," listing the editor, managing editor, contributing editors, and publisher. The masthead also provides details about the publication, including the subscription rates and the address of the publication.

This image shows a page from "The Saturday Review of Literature," dated September 6, 1930. The page is numbered 100 and contains two book reviews.

1. The first review is titled "Gothic Sculpture 1140-1225" and discusses the book "French Sculpture of the Beginning of the Gothic Period" by Marcel Aubert. The review is written by A. Kingsley Porter and provides an in-depth analysis of the book, focusing on the academic approach to art and the transition from Romanesque to Gothic styles.

2. The second review is titled "Aristotelian Tragedy" and discusses the book "The Trap" by Delfino Cinelli. The review is written by Basil Davenport and delves into the plot and characters of the book, highlighting its Aristotelian tragedy elements and the universal themes it explores.

The page also includes a footer with information about the publication, including the editorial staff and subscription details. The page appears to be aged, with some discoloration and wear visible, indicating it is from an older edition of the magazine.

This image displays a single, aged page from The Saturday Review of Literature, dated September 5, 1930. The page is yellowed with age and has three punched holes along its top edge, suggesting it was stored in a binder.

It contains reviews of two books:

1. “Gothic Sculpture 1140-1225” (French Sculpture of the Beginning of the Gothic Period) by Marcel Aubert (New York: Harcourt, Brace & Co., 1930).

   • This review, written by A. Krioukov Porter, is an academic and detailed analysis of the book.
   • The text critiques the book’s focus on “academicism” and its “romantic” approach to the Gothic period.
   • It discusses the book’s treatment of the transition from Romanesque to Gothic sculpture, its emphasis on France, and its analysis of specific monuments like the West Portal of Chartres.
   • The reviewer praises Aubert's illustrations and scholarly approach, calling the book “one of the best productions of the Pegasus Press” and “unavoidably accurate.”

2. “Aristotelian Tragedy: The Trap” by Delfino Cernelli (New York: The John Day Company, 1930).

   • This review, written by Basil Davenport, analyzes the novel The Trap.
   • The reviewer notes that the book is “entire, and poised... as a classic,” and describes its story as a tragedy involving a family’s ruin due to the “resulting struggle, in its bitterness, and in the division it causes in the reader’s sympathies.”
   • The review delves into the characters, particularly Paolo, the “bitter, lord of Ciccini,” and Stefano, his son, framing the novel as a “tragedy of the book’s comes from the fact that Armida and Paolo are more than but for Stefano’s trap they are human beings of strong character.”
   • It also notes that the novel is “told entirely” from the characters’ thoughts.

At the bottom of the page, there is a masthead for The Saturday Review of Literature, listing its Editor Henry Seidel Canby, Managing Editor Amy Loveman, and other staff.

Overall, the image is a historical artifact showcasing literary criticism and scholarly review from the early 20th century, presented in a traditional newspaper-style layout with dense text and serif typography.

This image is a page from "The Saturday Review of Literature," dated September 6, 1930. The page contains several articles, including a review of a book titled "Gothic Sculpture of the Beginning of the Gothic Period" by Marcel Aubert. The review discusses the book's content, which focuses on the Gothic style in sculpture and its historical significance. The review highlights the author's expertise and the book's value for scholars and enthusiasts of Gothic art. Additionally, there are other articles on the page, such as a review of a book titled "Aristotelian Tragedy" by Basil Davenport, which discusses the themes and structure of Aristotelian tragedy in literature. The page also includes advertisements for various books and products, indicating the commercial aspect of the publication.

The image is a scanned page from "The Saturday Review of Literature," dated September 6, 1930. The page is divided into several sections, each featuring different articles and reviews.

At the top of the page, there is a title that reads "The Saturday Review of Literature, September 6, 1930." Below this, there are two main articles:

1. "Gothic Sculpture 1140-1225" by Marcel Aubert: This article appears to discuss the period of Gothic sculpture, focusing on its development and significance. The text is dense and academic, suggesting a detailed analysis of the subject. The author, Marcel Aubert, is noted for his expertise in Gothic art.

2. "Aristotle Tragedy": This section seems to be a review or discussion of Aristotle's work on tragedy. The text is less formal than the previous article, indicating a more interpretative or critical approach.

Further down the page, there is a section titled "The Trap" by Dorothy Canfield Fisher, which is likely a book review. This section is shorter and more concise, focusing on the book's themes and merits.

On the right side of the page, there is a smaller section titled "The Saturday Review," which includes a brief editorial note or announcement. This section is less prominent but still relevant to the publication's content.

The layout of the page is traditional for a literary review, with clear headings and subheadings to differentiate between articles and reviews. The text is printed in a serif font, which was common for publications of this era. The page is slightly aged, with some discoloration and wear, indicating its historical nature.

In summary, the image is a page from a 1930 issue of "The Saturday Review of Literature," featuring articles on Gothic sculpture, Aristotle's tragedy, and a book review of "The Trap" by Dorothy Canfield Fisher. The page reflects the scholarly and critical nature of the publication, aimed at an educated readership interested in literature and the arts.

The image depicts a scanned page from The Saturday Review of Literature, dated September 6, 1930. The page is formatted in a classic newspaper or literary journal style, featuring two main articles and a header with publication details.

Header:

• At the top of the page, the header reads:
  "THE SATURDAY REVIEW OF LITERATURE, SEPTEMBER 6, 1930."
  This indicates the publication's name and the date of the issue.

Left Column:

• The left column contains an article titled "Gothic Sculpture 1140–1225" by Marcel Aubert, a noted French art historian.
• The article begins with an introduction, discussing the academic reception of Gothic sculpture, particularly in France. It critiques the traditional view that Gothic art was merely an academic endeavor and emphasizes the importance of recognizing the artistic genius of figures like Monseir Aubert.
• The text delves into the historical context of Gothic sculpture, its evolution, and its significance in the broader narrative of medieval art. It references various scholars and their perspectives, highlighting the tension between traditional and modern interpretations of Gothic art.

Right Column:

• The right column features an article titled "Aristotelian Tragedy" by Delia Delano, also from New York.
• This article analyzes the play The Job by Compagnia Cicollo, performed at the New York Theatre. The author discusses the play's adherence to Aristotelian principles of tragedy, particularly focusing on the character of Job and his tragic flaws.
• The review explores themes of fate, character, and the tragic hero, drawing parallels to classical tragedy and its modern interpretations. It also touches on the performance aspects, such as the acting and staging.

Footer:

• At the bottom of the page, there is a small section listing editorial staff and contributors, including names such as Henry Rose Canny, Amy Louise Bentley, William Sherer Baker, and Noble A. Catcott.
• The footer also includes a copyright notice:
  "Copyright, 1930, by The Saturday Review of Literature, Inc."
  This indicates the publication's ownership and legal rights.

Design and Layout:

• The page is formatted with clear, justified text, typical of early 20th-century print media.
• The two columns are separated by a vertical line, and the articles are structured with headings, subheadings, and paragraph breaks for readability.
• The overall design is clean and professional, reflecting the formal tone of a literary review.

Content Summary:

The page presents a scholarly discussion of Gothic sculpture and a critical review of a modern tragedy, showcasing the journal's focus on both historical art analysis and contemporary theatrical criticism. The articles are written in an academic tone, aimed at readers interested in art history and literature.

The image shows a page from "The Saturday Review of Literature," dated September 6, 1930. The page is yellowed with age and has two holes at the top, suggesting it was once part of a binder or scrapbook.

• Title and Date
  • The title "THE SATURDAY REVIEW OF LITERATURE" is printed in bold letters at the top of the page.
  • The date "SEPTEMBER 6, 1930" is written below the title.
• Articles
  • There are two articles on the page: "Gothic Sculpture 1140-1225" and "Aristotelian Tragedy."
  • The first article discusses the development of Gothic sculpture in France during the 12th century.
  • The second article explores the influence of Aristotle's works on tragedy in literature.
• Layout
  • The page is divided into two columns, with the articles and their accompanying text arranged in a clear and readable format.
  • The text is written in a serif font, which was common for publications during the early 20th century.
• Design Elements
  • The page features a simple yet elegant design, with a light-colored background and dark text.
  • The use of headings and subheadings helps to organize the content and make it easier to read.
• Overall Impression
  • The page gives the impression of a well-respected and established literary publication from the early 20th century.
  • The content and design suggest a focus on intellectual and cultural pursuits, with an emphasis on art, literature, and philosophy.

In summary, the image shows a page from "The Saturday Review of Literature," dated September 6, 1930. The page features two articles on Gothic sculpture and Aristotelian tragedy, with a clear and readable layout. The design elements, including the use of headings and subheadings, contribute to an overall impression of a well-respected and established literary publication.

The image depicts a page from "The Saturday Review of Literature" dated September 6, 1930. The page is yellowed and features two articles: "Gothic Sculpture 1140-1225" by Marcel Aubert and "Aristotelian Tragedy" by Delfino Cinelli. The articles are presented in a classic serif font, with the title of each article in bold. The page also includes a small advertisement for "The Saturday Review of Literature" at the bottom right corner.

The background of the image is a light gray color, which provides a neutral backdrop for the page. Overall, the image appears to be a scanned or photographed version of the original page, with some minor wear and tear visible around the edges.

The image depicts a yellowed, aged page from "The Saturday Review of Literature" dated September 6, 1930. The page is divided into three columns, featuring book reviews written in a formal, serif font.

Book Reviews:

• The left column reviews "French Sculpture of the Beginning of the Gothic Period" by Marcel Aubert.
• The middle column reviews an unspecified book by Marcel Aubert.
• The right column reviews "The Trap" by Dolf Wyllarde.

Page Features:

• The page has a hole punched at the top, indicating it was once part of a binder or folder.
• A smaller, white page is visible underneath the main page, suggesting that the image may be a scan or photograph of a physical document.
• The background of the image is a light gray color, providing a neutral contrast to the aged page.

Overall:

The image presents a nostalgic glimpse into the past, showcasing a vintage page from a literary review publication. The yellowed paper and formal font evoke a sense of history and tradition, while the content of the page provides insight into the literary tastes and preferences of the time.

The image presents a vintage newspaper clipping from "THE SATURDAY REVIEW OF LITERATURE" dated September 6, 1930. The clipping features three book reviews, each with its own distinct characteristics.

Book Reviews:

• Gothic Sculpture 1140-1225: This review is written in a formal and academic tone, discussing the book's exploration of French sculpture during the Gothic period. The reviewer praises the book's comprehensive coverage of the subject matter, highlighting its value for those interested in art history.
• Aristotelian Tragedy: The second review is also written in a formal tone, focusing on the book's analysis of Aristotelian tragedy. The reviewer notes the book's insightful examination of the genre, appreciating its thoughtful approach to the subject.
• The Saturday Review of Literature: The third section appears to be a table of contents or a list of contributors, providing information about the publication's editorial team and upcoming articles.

Visual Description:

• The clipping is yellowed with age, indicating that it has been preserved for an extended period.
• The text is printed in black ink on a beige-colored paper, which has developed a warm tone over time.
• The clipping is attached to a white background using three holes punched along the top edge, suggesting that it was once part of a binder or folder.
• The overall appearance of the clipping suggests that it is a rare and valuable piece of literary history, offering insights into the literary tastes and preferences of the time.

Background:

• The background of the image is a plain gray color, providing a neutral backdrop for the vintage newspaper clipping.
• The gray background helps to highlight the details of the clipping, making it easier to read and appreciate the content.

Overall, the image presents a fascinating glimpse into the literary world of the early 20th century, showcasing the work of prominent authors and critics of the time.