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The image is a scanned newspaper article from September 10, 1930, with the headline "Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians." The article discusses Edmund Quincy, a Bostonian artist, who is exhibiting his paintings of Boston at the Galerie d'Art Contemporain in Paris. The article is written by Thomas Charles Devine and provides commentary on Quincy's work, which is said to depict a more intimate and picturesque aspect of Boston in contrast to the chaotic grandeur typically associated with American cities.

The article is divided into several sections:

1. Headline and Subheadings: The main headline introduces Edmund Quincy and mentions his family's background. Subheadings provide additional context about his paintings and their exhibition in Paris.

2. Main Body of the Article: This section contains the bulk of the text, which is a critique and discussion of Quincy's artwork. It mentions that Quincy's paintings of Boston are seen as charming and quaint by Parisian viewers, who are unfamiliar with the city. The article discusses how Quincy's work contrasts with the typical portrayal of American cities by European artists.

3. Illustrations: There are two black-and-white illustrations of Boston scenes, presumably painted by Quincy. These images depict streets and buildings typical of Boston.

4. Closing Remarks: The article concludes with a brief summary of the writer's thoughts on Quincy's work, emphasizing its charm and historical significance.

The article is presented in a classic newspaper layout with a focus on the text and the two illustrations, which serve to visually represent the subject matter discussed in the article. The newspaper appears to be aged, as indicated by the yellowed paper and the overall coloration.

This image is a newspaper clipping from September 10, 1930, discussing an art exhibition by Edmund Quincy, a descendant of Boston mayors, in Paris. The article is titled "Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians."

The clipping includes two black-and-white illustrations of old Boston scenes, which are described as bringing a bit of Boston to Paris. These illustrations are typical views of old Boston that have surprised Parisian gallery visitors due to the quaint charm and comparative antiquity of the subjects.

The text discusses how many American artists come to France to learn their art and paint French landscapes, but there is a lack of American painters showcasing their own country. Edmund Quincy's exhibition at the Galerie d'Art Contemporain in Paris features many scenes from America, highlighting the happy, intimate, and picturesque aspects of the city.

The article also touches on European conceptions of America, noting that Europeans often regard all Americans as living in skyscrapers and rushing madly about. However, Quincy's paintings show a different side of America, focusing on indigenous American scenes and the charm of everyday spots in Boston.

The writer mentions that Quincy's work is appreciated for its charming sense of detail and composition, and that it does not require the maudlin sentimentality often associated with such subjects. The article concludes by praising Quincy's ability to preserve the likenesses of Boston in his paintings, showing that American cities are not composed exclusively of skyscrapers.

This image displays a vintage newspaper clipping from an article dated September 10, 1930, as handwritten in the upper right corner. The article’s headline reads:

“Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians”

It discusses the Paris exhibition of paintings by Edmond Quincy, a descendant of a prominent Boston mayoral family (son, grandson, great-grandson, and great-great-grandson of Boston mayors). Quincy exhibited his works at the Salon d’Automne in Paris, offering European audiences a uniquely American — and specifically Bostonian — perspective through his art.

Key Points from the Article:

• Edmond Quincy is introduced as a young Bostonian, son of the late Mayor Quincy, who exhibits his paintings at the Galerie d’Art Contemporain, 15 Boulevard Raspail in Paris.
• The article addresses a common European perception that American artists are overly reliant on European styles and lack originality in portraying native scenes. Quincy’s work, however, challenges this notion by showcasing distinctly American, and specifically Bostonian, urban and suburban landscapes with an "intimate and picturesque aspect."
• His subjects are not the typical scenes Europeans expect — such as skyscrapers or the Brooklyn Bridge — but rather “indigenous American scenes”: the South End, Beacon Hill, Charlestown Heights, the wooden cottages on Monument Square, and even an “expansive and placid elegance” in Dorchester.
• The article notes Quincy’s artistic approach: he paints “without fussiness,” focusing on quiet, everyday scenes — “a little cul de sac on Charlestown Heights,” “a South End house,” or “a three-flat house in Dorchester.” These are rendered with “urban pleasure” and a “charming sense of detail and composition.”
• Quincy is described as having “the reverent fervor of one whose family has lived there for eight generations,” bringing emotional authenticity to his depictions of Boston.
• The article includes commentary from Thomas Charles Darby, a Bostonian writer for the Paris edition of the Chicago Tribune, who praises Quincy’s ability to portray Boston as having “the atmosphere and a past” comparable to Paris or London — particularly noting “the quaint charm and comparative antiquity of the subjects.”
• The article also critiques European conceptions of America as overly focused on industrialism and modernity, contrasting them with Quincy’s focus on “the dramatic obviousness of Brooklyn Bridge” and “the Woolworth Tower,” which he deliberately avoids.

Visual Elements:

• The clipping features two black-and-white illustrations:
  1. A left-hand illustration: Depicts an urban street scene, likely Boston, with a horse-drawn carriage on a cobblestone street, leafless trees, and brick buildings with awnings and signage. It shows a low-rise, historic streetscape with people walking — a quiet moment in daily life.
  2. A right-hand illustration: Shows a more formal, stately street or public space — possibly the Custom House Tower area or Beacon Hill — with an ornate, multi-story brick or stone building fronted by an arcaded colonnade. A flag flies, and pedestrians are visible on the sidewalk. The architecture suggests 19th-century urban grandeur.
• The illustrations appear to be woodcut or lithographic reproductions typical of newspapers of the era.
• The paper itself is aged, with visible creases and a yellowish-brown tint, suggesting it’s preserved from the 1930s.
• The article is printed in dense, justified columns with a serif font, characteristic of early 20th-century newsprint.

Context & Significance:

The article reflects a moment in transatlantic cultural exchange — a Boston-born artist interpreting his native city for Parisian audiences, asserting the legitimacy and depth of American urban scenery in the face of European skepticism. It also underscores the pride in local heritage and the artistic value of depicting the “everyday” over the monumental.

In summary, this clipping is a historical document capturing the reception and promotion of American regional art in Europe, centered on the work of Edmond Quincy — a painter who sought to show that Boston, despite its lack of European grandeur, possessed its own rich architectural and emotional landscape worthy of attention and respect.

The image is a page from a newspaper, dated September 10, 1926. The headline reads, "Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians." The article discusses Edmond Quincy, a Bostonian artist, who has exhibited his paintings of Boston in Paris. The article highlights the interest of Parisians in American art and the lack of recognition American artists receive from their own country. The article also mentions the beauty and charm of Boston as depicted in Quincy's paintings, which have surprised Parisians. The image includes two illustrations, one of a building and another of a street scene in Boston.

The image is a newspaper clipping with a headline that reads, "Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians." The clipping features an article about Edmond Quincy, who is the son, grandson, and great-grandson of Boston mayors. Edmond Quincy has an exhibition of Boston paintings in Paris.

The article is accompanied by two black-and-white photographs of Boston streets and buildings. The first photograph shows a street with a large tree and a building on the left side. The second photograph depicts a street with several buildings, including a large building with many windows on the right side.

The article discusses Edmond Quincy's exhibition in Paris, which showcases his paintings of Boston. The author notes that there are many American artists in Paris who come to learn from the city's landscapes, but they often struggle to capture the unique character of Boston. Edmond Quincy, on the other hand, is praised for his ability to bring a sense of Boston's charm and character to his paintings.

The article also highlights the Quincy family's long history of political involvement in Boston, with Edmond Quincy's great-grandfather, grandfather, and father all serving as mayors of the city. The author suggests that Edmond Quincy's paintings offer a unique perspective on Boston, one that is informed by his family's deep connection to the city.

Overall, the newspaper clipping presents Edmond Quincy as a talented artist who is able to capture the essence of Boston in his paintings, and who comes from a family with a rich history of political involvement in the city.

The image is a scanned newspaper clipping from September 10, 1930, titled "Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians." The article discusses the work of Edmond Quincy, a Bostonian artist and the son, grandson, and great-grandson of Boston mayors. The piece highlights Quincy's participation in the "Commode de l’Art" exhibition in Paris, where he showcased his paintings of Boston.

Key Elements of the Image:

Left Side: Article Text

• The article begins with a headline emphasizing Quincy's lineage and his role in interpreting Boston for a Parisian audience.
• It discusses the interest in Bostonian artists in Paris and the unique perspective Quincy's work offers. The text mentions that Quincy’s paintings reflect the charm, history, and character of Boston, capturing scenes such as:
  • Lowell’s railway tracks and New England colonial doorways.
  • Beacon Hill, described as a "picturesque street" that contrasts with the modern phase of American urban life.
  • Charles Street, noted for its charm and historical significance.
  • The Bates House, an example of early American architecture.
• The article emphasizes Quincy's ability to convey the essence of Boston, including its industrial landmarks (e.g., steel elevators in Pittsburgh) and its colonial heritage.

Right Side: Illustrations

The right side of the image features two detailed illustrations that accompany the article:

1. Top Illustration:

   • Title: "Bringing a Bit of Boston to Paris"
   • Caption: "Typical Views of Old Boston Which Are Reported to Have Surprised Parisian Gallery Visitors Because of the Quaint Charm and Comparative Novelty of the Scenes Depicted. The Canvas Are Somewhat Probably Considered by the Late Mayor and Josiah Quincy."
   • Content: The illustration depicts a charming, old Boston street scene. Key elements include:
     • A low railway track running alongside a row of colonial-style houses.
     • A doorway that appears quintessentially New England, with a colonial architectural style.
     • Trees and greenery lining the street, adding to the picturesque quality.
     • The overall composition evokes a sense of nostalgia and historical charm, typical of Boston’s colonial-era neighborhoods.

2. Bottom Illustration:

   • Title: "Scenes Indigenously American"
   • Caption: (Not fully visible in the image, but implied to showcase uniquely American scenes.)
   • Content: This illustration portrays another iconic Boston scene:
     • A view of the Charles River, with its gentle slope and reflective surface.
     • A wooden wharf or dock, emphasizing the maritime heritage of Boston.
     • A small building or structure near the river, possibly a boathouse or dockhouse, adding to the scene’s authenticity.
     • The illustration captures the serene and historic atmosphere of Boston’s waterfront, highlighting its connection to water and industry.

Additional Text Elements:

• The article includes quotes and commentary from Edmond Quincy and other sources, discussing the reception of his work in Paris and the unique perspective his paintings offer.
• It also touches on the broader context of American artists in Paris and the appeal of Boston’s historical and architectural charm to European audiences.

Overall Impression:

The image combines textual and visual elements to tell a story about Edmond Quincy’s artistic contribution. It highlights how his paintings bring the essence of Boston—its colonial architecture, industrial landmarks, and maritime heritage—to a Parisian audience, offering a glimpse into the city’s history and character through an artist’s lens. The illustrations serve as visual proofs of Quincy's ability to capture the charm and uniqueness of Boston, making the article both informative and visually engaging.

The image is a newspaper clipping from September 10, 1930, featuring an article about the Quincy family of Boston mayors and their interpretation of the city of Paris for Parisians.

• The headline reads "Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians."
• The article includes two photographs of paintings by Edmond Quincy, a member of the Quincy family, depicting scenes of Boston.
• The article discusses how the Quincy family has been involved in politics and public service in Boston for many years.
• It also mentions that Edmond Quincy's paintings are on display at the Paris Exhibition of Boston Paintings.
• The article provides a brief overview of the history of the Quincy family and their contributions to Boston.

Overall, the image provides a glimpse into the history of the Quincy family and their connection to Boston, as well as their artistic talents.

The image presents a newspaper clipping from 1930, featuring an article titled "Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians." The article is accompanied by two illustrations of Boston cityscapes.

Article Content:

• The article discusses the artistic style of Edmond Quincy, a descendant of Boston mayors, and his exhibition in Paris.
• It highlights Quincy's unique perspective on Boston, which is distinct from that of other American artists who have painted the city.
• The article also mentions Quincy's use of color and his ability to capture the essence of Boston's architecture and atmosphere.

Illustrations:

• The two illustrations depict different scenes of Boston, showcasing the city's architecture and streets.
• The illustrations are rendered in a realistic style, with attention to detail and texture.

Overall Impression:

• The article and illustrations provide a glimpse into the artistic interpretation of Boston in the early 20th century.
• They highlight the unique perspective of Edmond Quincy and his contribution to the city's artistic heritage.

The image is a scanned newspaper clipping, likely from 1930, featuring an article about Edmond Quincy's Paris Exhibition of Boston Paintings. The article is titled "Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians" and includes two black-and-white images of Quincy's artwork.

Key Features:

• Title: "Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians"
• Date: September 10, 1930 (handwritten at the top of the clipping)
• Article: Discusses Edmond Quincy's Paris Exhibition of Boston Paintings, highlighting his artistic style and the reception of his work in Paris
• Images: Two black-and-white images of Quincy's artwork, showcasing his depiction of Boston scenes
• Layout: The article is divided into three columns, with the title and images prominently displayed at the top
• Background: The clipping is set against a light gray background, suggesting it may be a digital scan or reproduction of the original newspaper article

Overall Impression:

The image presents a well-structured and informative article about Edmond Quincy's artistic endeavors, accompanied by visual examples of his work. The use of a light gray background and clear typography makes the content easily readable. The image appears to be a scanned or digitized version of a historical newspaper clipping, providing a glimpse into the artistic and cultural landscape of the time.

The image presents a vintage newspaper clipping, featuring two black-and-white photographs of Boston street scenes. The article's title, "Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians," is prominently displayed at the top.

Newspaper Clipping Details:

• Title: Scion of a Family of Boston Mayors Interprets the City of His Fathers for Parisians
• Photographs:
  • Two black-and-white images of Boston street scenes
• Article Content:
  • Discusses Edmond Quincy, son, grandson, great-grandson, and great-great-grandson of Mayors Quincy
  • Describes his Paris Exhibition of Boston Paintings
  • Explores European conceptions of America and American artists' interpretations of Boston

Visual Elements:

• Background: Light gray
• Clipping Appearance: Yellowed with age, featuring handwritten notes and holes from being pinned up

Overall Impression:

The image provides a glimpse into the artistic interpretation of Boston by Edmond Quincy, a member of a prominent Boston family, and his exhibition in Paris. The article highlights the unique perspectives of American artists and the challenges of capturing the essence of a city through art.