Archives Scrapbooks

The image is a page from a scrapbook or compilation of various articles and clippings related to art and museum news from August 1930. Here is a detailed summary of the content:

1. Top Left Corner:

   • Image and Caption: There is a black-and-white image of a painting titled "Salvator Mundi" by Botticelli. The caption below the image reads:
     "AMERICA BOUND: 'Salvator Mundi,' a Botticelli lost for centuries and rediscovered but a year ago in private hands in England, has been bought from Assisi by the Fogg Art Museum of Cambridge, Mass., the town of Harvard University."

2. Top Right Section:

   • Article from "International Studio" (August 1930):
     • The article discusses staff changes at the Cincinnati Museum. Key points include:
       • Walter Siple became the Director after the previous director left.
       • Charles H. Sawyer, a Professor of Fine Arts at Oberlin College, became the Curator of Paintings.
       • Professor Paul J. Sachs of the Fogg Art Museum at Harvard was appointed as an Honorary Trustee.

3. Middle Section:

   • Article from "The Art Digest" (August 1930):
     • A brief article mentions the Allyn Gallery of Art in New Bedford, with Winthrop Ames as the Director.

4. Bottom Right Section:

   • Clipping from "In the Museums" (August 30):
     • This clipping lists various museum exhibitions and events:
       • Fogg Art Museum: Gothic stone and wood sculpture, French paintings.
       • Worcester Art Museum: Exhibition of drawings by Walter Shirlaw.
       • Museum of Fine Arts, Boston: Exhibition of paintings by Charles Hopkinson.
       • Metropolitan Museum of Art: Exhibition of French paintings.

The page is labeled "page 62" and includes a handwritten note "Aug 30" in the bottom right corner. The clippings and articles are pasted onto a larger sheet, indicating a collection of news related to art and museum activities from August 1930.

The image shows a page from what appears to be a scrapbook or a clipping album, containing several different articles and images, all related to art and museums, from the year 1930.

1. At the top left, there is an image of a religious artwork titled "AMERICA BOUND: 'Salvator Mundi,' a Botticelli sent for conservation but found to be a copy, last year, ago in the collection of Prince Doria Pamphili in Rome. It was bought from Agnew by the Fogg Art Museum of Cambridge, Mass., the loan of Harvard University." The image shows a figure that resembles traditional depictions of Jesus Christ.

2. To the right, there is an article from "International Studio" dated August 1930. The article mentions that the Cincinnati Museum has had several additional members on its staff since Mr. Walter Siple became Director the previous fall. It highlights that Professor Paul J. Sachs of the Fogg Art Museum has become an Honorary Trustee of the Museum. Mr. Sachs, known as one of the foremost patrons of art in America, is also a Professor of Fine Arts at Harvard University. The article is labeled as being from page 62.

3. Below that, another clipping from "The Art Digest" dated August 1930 mentions a short article about the Allyn Gallery of Art in New Bedford, where Winslow Ames made the Director.

4. On the lower right, there is a clipping from a section titled "IN THE MUSEUMS," which includes mentions of various art exhibits and events. Specific details include:

   • The Fogg Art Museum presenting an exhibition of the work of Professor Denman Ross, featuring 21 still-life paintings, drawings, and prints, from August 15 to September 30.
   • The busiest day at the Museum of Modern Art being Saturday, with a record attendance of 1,300 on a recent Saturday afternoon.
   • The Metropolitan Museum planning to open on Columbus Day with an important exhibition of early Italian art, including a giant Madonna by Duccio, not shown in this country before.

The page is dated with "The Sphere, July 12, 1930 (London)" written at the very top, suggesting that some of these clippings or the page itself were collected or organized on this date.

The image is a collage of several clippings from various publications, all dating around the year 1930. Here's a detailed summary of each section:

1. Top Left (The Sphere, July 12, 1930):

   • This clipping features an image of a religious artwork, specifically a depiction of Jesus Christ. The caption below the image reads, "America Bound: 'Salvator Mundi,' a Botticelli bought last year ago in London by Mr. Robert Benson for the collection of Prince Pio Falco, is now on its way to Colombia, Mo.—the loan of Harvard University."

2. Top Right (International Studio, August 1930):

   • This section includes an article about changes at the Cincinnati Museum. Walter Siple, the former Director, left, and his position was filled by Professor Paul J. Sachs of the Fogg Art Museum. Sachs is noted as one of the foremost patrons of art in America and a Professor of Fine Arts at Harvard University.

3. Center (Transcript Clipping):

   • This small clipping mentions a transition at the Fogg Art Museum. Walter Siple has resigned from his position to become the Director of the Cincinnati Art Museum. Charles Herbert Moore has been appointed as the acting director during the search for a permanent replacement.

4. Bottom Left (The Art Digest, August 1930):

   • This brief article discusses the Allyn Gallery of Art in New Bedford. Winslow Ames has been appointed as the Director of the gallery.

5. Rightmost Column (In The Museums):

   • This column appears to be a list of various museum activities and news, including acquisitions, exhibitions, and personnel changes. The details include mentions of the Fogg Art Museum, a Chinese bronze mirror being lent to the Royal Ontario Museum, and other museum-related events.

Overall, these clippings document various transitions, acquisitions, and notable art-related news from the summer of 1930.

The image shows a collection of clippings and notes from various publications dated around July and August 1930. Here's a detailed summary of each section:

1. Top Left Corner:

   • A clipping from "The Sphere" dated July 12, 1930, features a photograph of a painting titled "Salvator Mundi," attributed to Botticelli. The caption mentions that the painting was rediscovered and was believed to have been in the collection of Prince Louis of Hesse until it was bought by the Fogg Art Museum of Cambridge, Massachusetts, on loan from Harvard University.

2. Top Right Corner:

   • A clipping from "International Studio" dated August 1930.
   • The text states that the Cincinnati Museum has added several members to its staff since Mr. Walter Siple became Director. Chief among these is Professor Paul J. Sachs, who has consented to become an Honorary Trustee of the Museum. Professor Sachs is noted as one of the foremost patrons of art in America and is also a Professor of Fine Arts at Harvard University.

3. Middle Left:

   • A transcript from "Transcript" dated August 1930.
   • It provides information about the Fogg Art Museum, located at Quincy Street and Broadway in Cambridge, Massachusetts. The museum is open from 1 to 5 p.m. on weekdays and has free admission on Saturdays. The text also mentions an exhibition of Professor Sachs' drawings and prints.

4. Middle Right:

   • A note from "The Art Digest" dated August 1930.
   • It mentions a short article about the Allyn Gallery of Art in New Bedford, with Winslow Ames made Director.

5. Bottom Right:

   • A small note titled "In the Museums" from a publication dated August 24, 1930.
   • This note mentions an exhibition of Chinese porcelain at the Fogg Art Museum, which includes pieces lent by Paul J. Sachs and other collectors. The exhibition is noted to be of great interest.

Overall, these clippings provide a snapshot of art-related news and events from the early 1930s, highlighting museum acquisitions, exhibitions, and staff changes.

The image shows a collection of newspaper clippings and notes from the year 1930, related to art and museums. Here's a detailed summary of each section:

1. Top Left Corner:

   • A newspaper clipping from "The Sphere" dated July 12, 1930, titled "America Bound."
   • The article describes "Salvator Mundi," a Botticelli painting rediscovered and bought by the Fogg Art Museum of Harvard University from Agnes by the Fogg Art Museum of Cambridge, Massachusetts.

2. Top Right Corner:

   • A note from "International Studio," August 1930, mentions the Cincinnati Museum adding new staff members since the fall of Mr. Walter Siple, with Professor Paul J. Sachs of the Fogg Art Museum becoming an Honorary Trustee. Professor Sachs is noted as a prominent patron of art in America and a professor of Fine Arts at Harvard University.

3. Middle Left:

   • A photograph of "Salvator Mundi," the Botticelli painting, with a caption that reads "AMERICA BOUND."

4. Middle Right:

   • A transcript from August 1930 mentions the Fogg Art Museum, located on Quincy Street and opening from 10 a.m. to 5 p.m. on Saturdays, with special exhibitions of Professor Sachs' work, including drawings and prints.

5. Bottom Left:

   • A note from "The Art Digest," August 1930, highlights a short article about the Allyn Gallery of Art in New Bedford, with Winslow Ames made Director.

6. Bottom Right:

   • A clipping titled "IN THE MUSEUMS," detailing an exhibit of Chinese bronze mirrors at the Museum of Fine Arts in Boston. It mentions that the exhibit will be open from 10 a.m. to 5 p.m. on Sundays and Wednesdays, and includes a brief description of the collection and its significance.

The clippings and notes provide a snapshot of the art world in 1930, highlighting significant acquisitions, new staff appointments, and exhibitions at various museums and galleries.

The image shows a collection of clippings and notes from various publications dated around August 1930. Here's a detailed summary of each section:

1. Top Left Clipping (The Sphere, July 12, 1930)

   • The clipping features an image of a Botticelli painting titled "Salvator Mundi."
   • The text describes that the artwork, rediscovered in a private collection, was purchased for the Cincinnati Museum.
   • It mentions that the painting was bought from a private collection in Cambridge, Massachusetts, and was previously owned by Harvard University.

2. Top Right Section (International Studio, August, 1930)

   • This clipping mentions that the Cincinnati Museum has added several new staff members since Mr. Walter Siple became Director.
   • One of the new additions is Professor Paul J. Sachs of the Fogg Art Museum, who has agreed to become an Honorary Trustee. Professor Sachs is known as a prominent patron of art in America and is a professor at Harvard University.

3. Middle Left Section (Transcript August 30)

   • This part includes a brief note about the Fogg Art Museum, mentioning it is open from 10 a.m. to 5 p.m. on weekdays and 1 to 5 p.m. on Saturdays.
   • It lists the hours for admission and details about the exhibitions, specifically mentioning an exhibition of Professor Sachs' drawings and prints.

4. Bottom Left Section (The Art Digest, August, 1930)

   • This clipping discusses a short article about the Allyn Gallery of Art in New Bedford.
   • Winslow Ames is noted as the Director of the gallery.

5. Bottom Right Section (In the Museums)

   • A list or brief mention of various museum-related activities and exhibitions:
     • It mentions a Chinese bronze mirror lent by Mr. A. Bidwell.
     • A note on exhibitions of drawings and prints by Paul Sachs.
     • Specific dates and times for viewing the exhibitions.

Overall, these clippings reflect the cultural and artistic activities centered around museums and galleries in the early 1930s, highlighting significant additions to staff and acquisitions of notable artworks.

This image shows a collection of newspaper clippings and articles affixed to a sheet of paper. At the top left corner, it mentions "The Sphere July 12, 1930 (London)." Below that is a black and white image depicting a person with folded hands, but part of the image has been obscured in the center.

On the top right side, there's an excerpt from "International Studio August, 1930," which talks about the Cincinnati Museum and mentions that it has added several new members to its staff, highlighting Professor Paul J. Sachs of Harvard University as one of the significant additions.

In the center right, a small titled section "Transcript August, 1930" appears partially cut off. Below it, there's another excerpt with the heading "The Art Digest" dated August, 1930, which refers to a short article about Allyn Gallery of Art in New Bedford, with Winslow Ames being made Director.

To the bottom right, there's a smaller article titled "IN THE MUSEUMS" but the content is too small to read in detail.

Varied-sized pieces of paper with these articles appear to be pinned or pasted onto the larger background sheet, which has three holes punched along the left side, suggesting that it might have been stored in a binder or folder. The paper has yellowed with age, indicating that it is rather old.

This image contains a collage of newspaper clippings and annotations related to art events and information from the year 1930. There is an image of a statue or artwork labeled "AMERICA BOUND" - "Madonna and Child" - by Botticelli, rediscovered in 1927 in England. Accompanying text notes the exhibition of this piece at the Fogg Art Museum at Harvard University and its significance.

Additionally, various typed and handwritten notes are present:

1. Top Left: The Sphere (London) dated July 12, 1930.
2. Top Middle: International Studio August, 1930 details staff changes at The Cincinnati Museum and Fogg Art Museum, mentioning Mr. Walter Siple and Professor Paul J. Sachs.
3. Middle Right: Transcript, August 1930, contains a small snippet of news concerning art museums.
4. Bottom Middle: The Art Digest August, 1930 mentions a short article about Allyn Gallery of Art in New Bedford and Winlow Ames as Director.
5. Bottom Right: A newspaper clipping titled "IN THE MUSEUMS" discussing various art-related updates and events.

Handwritten notes provide additional context and dates for the sources of these clippings.

The image shows a scrapbook or scrapbook page with various clippings and a photograph attached to it. The items on the page include:

1. A small black-and-white photograph in the top left corner of a man with long dark hair and a beard making a gesture with his raised right hand. The photo is labeled "AMERICA BOUND. 'Salvator Mundi,' da Botticelli lost for centuries and rediscovered but a year ago in the collection of Prince Massimo in Rome, has been bought from Agnew by the Fogg Art Museum of Cambridge, Mass. - the team of Harvard University." Above the photograph, handwritten text reads "The Sphere (London) July 12, 1930."

2. A typed clipping in the top right corner from "International Studio August, 1930," discussing additions to the Cincinnati Museum staff, mentioning Mr. Walter Siple as Director, and Professor Paul J. Sachs of the Fogg Art Museum becoming an Honorary Trustee and noted as a Professor of Fine Arts at Harvard University. The clipping is from page 62.

3. A very small typed clipping labeled "Transcript Aug. 30," which mentions an art sale and workshop involving over 400 paintings, drawings, and prints.

4. A typed clipping in the bottom left corner, from "The Art Digest August, 1930," giving a short article about Allyn Gallery of Art in New Bedford and noting that Winslow Ames was made Director.

5. A vertical clipping on the right side titled "IN THE MUSEUMS," discussing museum-related matters and dated August 24. It contains a list or summary of museum news and developments.

The page appears to be a collection of art-related news and announcements from around 1930.

The image shows a page from a scrapbook or archive containing a collection of clippings and notes from art-related publications dated August 1930. The page is organized into three distinct sections, each providing different types of information:

Top Left Section:

• Caption: "The Sphere July 12, 1930 (London)"
• Visual Content: A black-and-white photograph of a religious figure, likely a depiction of Jesus Christ, based on the pose and attire. The figure is shown with a solemn expression, wearing a hooded garment, and gesturing with one hand raised and the other holding an object, possibly a book or scroll.
• Text Below the Image:
  • "AMERICA BOUND. 'Salvator Mundi,' a Botticelli lost for centuries and rediscovered but a year ago in the collection of Prince Massimo in Rome, has been bought from Agnès by the Fogg Art Museum of Cambridge, Mass—the town of Harvard University."

Top Right Section:

• Title: "International Studio August, 1930"
• Content: A short article discussing recent additions to the staff of the Cincinnati Museum. It mentions:
  • Walter Sipe becoming the Director.
  • Paul J. Sachs, Chief of the Fogg Art Museum, being appointed as an Honorary Trustee of the Museum.
  • Sachs is noted as a prominent figure in American art, being a Professor of Fine Arts at Harvard University.
• Page Number: "page 62"

Bottom Section:

• Title: "The Art Digest August, 1930"
• Content: A brief note about the Allyn Gallery of Art in New Bedford, mentioning that Winslow Ames has been made Director.

Additional Notes:

• Handwritten Notes: On the right side of the page, there is a vertical column of handwritten notes, likely annotations or summaries of the clippings. These notes appear to be in a different handwriting style and include details such as dates, locations, and references to other publications or individuals.
• Overall Layout: The page is neatly arranged, with typed text for the clippings and handwritten notes for additional context or commentary. The visual and textual elements suggest this is part of an art historian's or collector's archive, documenting significant art news and acquisitions from August 1930.

Summary:

The image depicts a page from an art-related scrapbook or archive dated August 1930. It includes a photograph of a religious figure ("Salvator Mundi" by Botticelli), a news clipping about staff changes at the Cincinnati Museum, and a note about the Allyn Gallery of Art. Handwritten annotations provide additional context, indicating the page's use for documenting and analyzing art-related events and acquisitions of the time.