Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.25, Rendition: 794042
The image appears to be a page from a newspaper or a publication from 1930. The text is divided into two main sections with headlines.
Top Section:
Bottom Section:
The page is marked with punches on the left side, suggesting it is part of a bound or loose-leaf collection. The paper shows some signs of aging with slight discoloration. The date at the top of the page is "Crimson, June 6, 1930," which likely refers to the name of the publication and the date it was printed or published.
This image is a scanned copy of a page from a publication titled "The Crimson" dated June 6, 1930. The page appears to be part of a vintage newspaper or magazine. The text is printed in black on a yellowed, aged paper, which suggests it is from an older publication. The page has three holes punched on the left side, indicating it was likely part of a binder or a collection of papers.
The main article on the page is titled "Early Puritans' Books Exhibited in Widener," which discusses an exhibition of books and manuscripts in the Widener Treasure Room. The article mentions that the books have a special connection to Harvard and are significant in the context of the Tercentenary. It references figures such as Increase Mather and Cotton Mather, and discusses the Salem witchcraft trials.
Below this article, there is a smaller section titled "Japanese Folk-Paintings Are On View in Fogg," which discusses a display of seventeenth-century Japanese folk paintings at the Fogg Museum. The article highlights the unique characteristics of these paintings, such as their broad, vigorous treatment and sense of humor.
The page also includes a continuation note at the bottom, indicating that the article continues from page one. The text is neatly arranged in columns, typical of newspaper layouts from that era. The overall appearance of the page suggests it is a historical document, likely used for educational or archival purposes.
This image displays a single, aged sheet of paper, likely a page from a newsletter, bulletin, or internal report, dated “Crimson, June 6, 1930” at the top. The paper is off-white or cream-colored with visible signs of aging — including slight yellowing, minor discoloration, and three punched holes along the left margin, suggesting it was once filed or bound in a ring binder.
The content is typewritten in black ink, with two main article sections, each featuring a bold, underlined headline:
1. “EARLY PURITANS’ BOOKS EXHIBITED IN WIDENER”
This article discusses a collection of Tercentenary books and manuscripts on display in the Widener Treasure Room (at Harvard University). It highlights the historical connections of some volumes to Harvard, specifically mentioning former owner Increase Mather and his son Cotton Mather (who graduated from Harvard in 1678 and was involved in the Salem witchcraft trials). The piece also references a humorous controversy between Roger Williams and John Cotton, with quotes from their exchanged pamphlets — “The Bloody Tenent Washed and Made White in the Blood of the Lambe” and “The Bloody Tenent Yet More Bloody.”
The article also notes the presence of historically significant works such as “Good News from New England” and accounts of the storm centered around Ann Hutchison in 1636 and 1637.
2. “JAPANESE FOLK-PAINTINGS ARE ON VIEW IN FOGG”
This shorter section, partially overlaid on the first, announces an exhibition of 17th-century Japanese folk paintings at the Fogg Museum (Harvard’s art museum at the time). It describes the works as “examples of the most rare” and characterized by “broad, vigorous treatment and by its naiveté and sense of humor.” The specific style mentioned is “Oiseo,” a type of Japanese folk painting made near Kyoto, which is noted to be very rare even in Japan.
Visual Layout:
In summary, this is a historical document from Harvard University’s Crimson (likely the Harvard Crimson newspaper or a related campus publication) from 1930, reporting on two concurrent cultural exhibitions: one of Puritan-era books in Widener Library and another of rare Japanese folk paintings in the Fogg Museum. The document’s physical state and layout reflect its age and likely function as an internal informational pamphlet or clipping.
The image is a page from a magazine or newspaper. It features a mix of articles and advertisements. The top section of the page has a title "Early Puritans' Books Exhibited in Widener" with a brief description of the exhibition. Below that, there is a smaller article titled "Settlers' Religious Austerity Often Made Unintentional Descents Into Bathos" which discusses the religious practices of early settlers. The bottom section of the page has an article titled "Japanese Folk-Paintings Are On View in Fogg" which describes an exhibition of Japanese folk paintings at the Fogg Art Museum. There is also an advertisement for a book titled "Crimson, June 6, 1930" which is placed in the upper left corner of the page.
The image is a newspaper clipping from the Crimson, dated June 6, 1930. The clipping features two distinct articles. The first article, titled "EARLY PURITANS' BOOKS EXHIBITED IN WIDENER," discusses an exhibition of early Puritan books at the Widener Library. The article mentions that the collection includes rare bits of humor, such as satirical works like "The Bloody Tenent Yet More Bloody" by Roger Williams, and other significant volumes that reflect the religious and social context of the time. The books are said to have been owned by notable figures such as Increase Mather and Cotton Mather.
The second article, titled "JAPANESE FOLK-PAINTINGS ARE ON VIEW IN FOGG," describes an exhibition of Japanese folk paintings at the Fogg Museum. The paintings are characterized by their broad, vigorous treatment and sense of humor, with examples on display being rare even in Japan. The article highlights the historical and cultural significance of these artworks, noting their connection to the village of Obuse near Kyoto.
The clipping is printed on a beige-colored paper with a slightly yellowish tint, and the text is in black ink. The layout is straightforward, with the two articles separated by a horizontal line. The top of the clipping includes the publication's name, "Crimson," and the date, "June 6, 1930," centered at the top.
The image depicts a page from a publication dated June 6, 1920, titled "Crimson." The page features two main articles:
This page appears to be from a historical or cultural publication, likely focusing on art, literature, and historical exhibitions.
The image shows a scanned page from a publication dated June 6, 1930, titled "Crimson". The headline of the article is "EARLY PURITANS’ BOOKS EXHIBITED IN WIDENER", and the subtitle indicates that the settlers' religious austerity often made untraditional descents into baths. Below this is another heading that reads "JAPANESE FOLK-PAINTINGS ARE ON VIEW IN FOGG".
The body of the text seems to describe an exhibition involving rare Puritan books in the Widener collection and at the same time, an exhibition of Japanese folk paintings at the Fogg Museum. Furthermore, there is a historical and cultural emphasis on various important figures and events related to the Puritans. The article continues onto another page, as indicated by the words "Continued from Page Museum" at the bottom.
There are punch holes on the left side of the page, suggesting that this page was once part of a bound document or filed in a binder. The paper has aged to an off-white color, and the top right corner shows some wear, which is all consistent with the document's age. The scan captures some shadows on the left margin and the bottom right corner, indicating a slight curl in the paper.
This image depicts a historical newspaper article from "Crimson" dated June 6, 1930. The article is titled "EARLY PURITANS' BOOKS EXHIBITED IN WIDENER," and has a subtitle reading "Settlers' Religious Austerity Often Made Unintentional Descents Into Bathos." Another segment titled "JAPANESE FOLK-PAINTINGS ARE ON VIEW IN FOGG" is also included within the same article.
The newspaper clipping discusses an exhibition currently taking place, featuring early 17th-century books and manuscripts in the Widener Library Treasure Room. It highlights the selection and importance of these works in terms of their historical value, emphasizing the connection with Harvard University and its history.
Additionally, the article mentions a simultaneous exhibit of Japanese folk paintings from the 18th century at the Fogg Museum, showcasing the unique qualities of these artworks, including their broad and vigorous treatment of themes and shapes, which are rare even in Japan.
The document shows signs of aging, including some discoloration around the edges and slight wear. The article appears mounted or affixed on a larger sheet, which has punched holes likely indicating it has been placed in an archive or binder for preservation.
A small newspaper clipping mounted on a light page, likely from a scrapbook. The clipping’s headline reads “Early Puritans’ Books Exhibited in Widener” with a subhead about “Japanese Folk-Paintings Are on View in Fogg.” The text is in a narrow two-column format and the page shows aging—yellowed, with a faint orange stain at the bottom left. There are three binder holes along the left margin, and a handwritten note at the top of the page that appears to say something like “Crimson, June 6, 1930.” The right side of the page is mostly blank, giving the clipping a lot of surrounding empty space.
This is an image of a newspaper clipping mounted on a blank sheet of paper with small holes for insertion into a binder or storage. The clipping appears to be from the "Crimson," dated June 6, 1930, as handwritten at the top.
The headline reads, "EARLY PURITANS' BOOKS EXHIBITED IN WIDENER," with subheadings discussing religious austerity and the exhibition. It also features a section titled "JAPANESE FOLK-PAINTINGS ARE ON VIEW IN FOGG," describing an exhibit of rare Japanese artwork. The article covers historical books and displays of Japanese paintings, with descriptions of their themes and significance. The text below continues about the Puritan works and further discusses the Japanese exhibit, noting its rarity and cultural importance.
The clipping and paper have visible aging, with yellowing and light brown discoloration around the edges.