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ARCH.2003.25, Rendition: 794035
The image appears to be a scanned copy of a newspaper article dated June 14, 1930. The article is titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain" and discusses the first three volumes of Prof. Chandler Rathfon Post's monumental work titled "Treat of Iberian Art Before the Renaissance." The article is written by Albert Franz Cochrane and is published in the Harvard University Press.
The article mentions that the first three volumes of the work are being issued and are priced at $25. It also includes a photograph of a Spanish Romanesque chapel from the Boston Museum, specifically noting a remarkably well-preserved twelfth-century fresco. The text elaborates on the content and scope of the work, emphasizing the cover of the earlier aspects of Iberian art, including the pre-Romanesque and Romanesque periods, the Franco-Gothic and Italo-Gothic manners of the fourteenth century, and the "international style" of the first half of the fifteenth century.
The article also discusses the Byzantine influence on Iberian art, the presence of miniatures of frescoes, and the theory about the early Spanish art being the work of visiting foreign artists. The tone of the article is informative and academic, aimed at scholars, students, and advanced dilettantes interested in the development of primitive and medieval Spanish art.
This image is a photograph of an old newspaper or magazine page, likely a clipping, featuring an article about the art history of Spain. The article is titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain" and is written by Albert Franz Cochrane. The page is dated "Transcript June 14 1930" in the top left corner.
The article discusses the first three volumes of Professor Chandler Rathon Post's monumental work on Iberian art before the Renaissance, which has been published by Harvard University Press. It mentions that the set of three volumes is priced at $25 and provides insights into Professor Post's approach to the subject, covering the pre-Romanesque and Romanesque periods, the Franco-Gothic and Italo-Gothic manners of the fourteenth century, and the "international style" of the first half of the fifteenth century.
There is a large black-and-white illustration in the center of the page, which appears to be a Spanish Romanesque chapel from the Boston Museum. The caption below the illustration describes it as a remarkably well-preserved twelfth-century fresco from the Catalanian Church of Santa Maria de Mur, noting that it is the only example of its kind in the country and perhaps the only one that has ever come out of Spain. It was purchased by the Boston Museum in 1921.
The text on the right side of the page delves into the influences on Spanish art, particularly the Byzantine influence and the impact of the Santiago pilgrimages. It also discusses the relationship between miniature painting and early frescoes, and the role of local artists in the development of early Spanish art.
The page has been punched with holes at the top, suggesting it was part of a binder or collection. The word "Over" is written at the bottom right corner, indicating that there is a continuation of the article on the next page.
This image displays a vintage newspaper clipping or magazine article, dated June 14, 1920, as handwritten in the top left corner. The document is mounted on a larger white sheet of paper, secured with two metal fasteners at the top.
The main headline reads: “Prof. Chandler R. Post of Harvard Chronicles Art History of Spain.”
The article, written by Albert Franz Cochran, announces the publication of the first three volumes of an extensive “History of Spanish Painting” by Professor Chandler Rathfon Post of Harvard University. The set is priced at $25 and covers Spanish art from pre-Romanesque and Romanesque periods through the Franco-Gothic and Anglo-Gothic manners of the fourteenth century, up to about 1450 A.D., excluding illuminated manuscripts and cave frescoes.
A large, detailed black-and-white illustration dominates the center of the page. It depicts a twelfth-century Romanesque fresco featuring a central, large, circular image (possibly a Christ figure or mandorla) surrounded by smaller scenes or figures, with a lower register showing a narrative scene with human figures and architectural elements.
Below this illustration is a caption:
“Spanish Romanesque Chapel in Boston Museum”
The sub-caption explains:
“This Remarkably Well Preserved Twelfth Century Fresco From the Catalonian Church of Santa Maria de Mur is the Only Example of Its Kind In This Country, and Perhaps the Only One That Has Ever Come Out of Spain. It Was Purchased by the Boston Museum in 1921.”
(Note: The purchase date of 1921 is an anachronism, since the article is dated 1920.)
The article proceeds with several columns of text discussing Professor Post’s methodology, his emphasis on the early, often-neglected periods of Spanish art, and the influence of Byzantine art on Iberian art. It notes that early Spanish artists were likely influenced by visiting foreign artists and that early frescoes were often mistaken for miniature paintings.
The text ends with the word “Over -” in the bottom right corner, indicating the article continues on another page.
The entire document is typewritten, with varied font sizes for headlines, subheadings, and body text, typical of early 20th-century print journalism.
In summary, this clipping documents an early scholarly effort to chronicle the development of Spanish art, contextualizing a newly acquired, rare Romanesque fresco in Boston’s museum as an example of the kind of art history Professor Post sought to illuminate.
The image is a scanned page from a newspaper or magazine featuring an article about Professor Chandler R. Post of Harvard's "Chronicles Art History of Spain." The article discusses the first three volumes of his monumental work, "Treat of Iberian Art Before the Renaissance," published by the Harvard University Press. The volumes cover the pre-Romanesque and Romanesque periods, the Franco-Gothic and Gothic manners of the fourteenth century, and the "international style" of the mid-fifteenth century.
The article highlights the comprehensive nature of the work, which incorporates the latest research and findings in the field. It also mentions the inclusion of illustrations and frescoes from Spanish Romanesque chapels, such as the one in the Boston Museum. The article praises Professor Post's ability to convey complex historical and artistic information in an accessible and engaging manner, making the work suitable for scholars, students, and enthusiasts alike.
The image depicts a newspaper clipping featuring an article about the first three volumes of Professor Chandler R. Post's monumental work on the art history of Spain. The clipping is from the Harvard Chronicles and is dated June 14, 1920. The article is titled "First Three Volumes of His Monumental Work Treat of Iberian Art Before the Renaissance."
The article is authored by Albert Franz Cochane and discusses Professor Post's extensive work on Spanish painting, which is published by Harvard University Press. The article highlights the comprehensive nature of Professor Post's work, which covers the pre-Romanesque and Romanesque periods, Gothic manuscripts and Italian Gothic, and the "international style" of the first half of the fifteenth century. It also mentions the inclusion of Spanish art from 1000 A.D. to 1450 A.D.
The clipping includes a photograph of a Romanesque chapel fresco from the Boston Museum, which is described as a remarkably well-preserved twelfth-century fresco from the Catalan Church of Santa Maria de Mur. The fresco is noted to be the only example of its kind in the country and was purchased by the Boston Museum in 1921.
The article emphasizes the importance of Professor Post's work for scholars, students, and admirers of Spanish art, as it provides a detailed and scholarly outline of the development of primitive and medieval Spanish art. The clipping also includes a watermark in the bottom right corner that reads "Over."
The image shows a scanned page from a transcript dated June 14, 1930, titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain." The page appears to be from an academic or scholarly publication, discussing the work of Professor Chandler R. Post, who was associated with Harvard University.
Overall, the image captures a scholarly discussion of Professor Chandler R. Post's contributions to the study of Iberian art, accompanied by a visual representation of a significant piece of Romanesque art housed in the Boston Museum.
The image depicts a newspaper clipping featuring an article about the art history of Spain, specifically focusing on the work of Prof. Chandler R. Post of Harvard Chronicles. The clipping is titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain" and includes a subheading that reads "First Three Volumes of His Monumental Work Treat of Iberian Art Before the Renaissance." The article is written by Albert Franz Cochrane and provides information about the first three volumes of Prof. Post's work, which cover the earlier aspects of Iberian art, covering the pre-Romanesque and Romanesque periods. The article also mentions that the volumes are written in Spanish and have been published by the Harvard University Press.
The clipping also features a photograph of a Spanish Romanesque chapel in Boston Museum, which is described as "remarkably well preserved" and "a model of its kind." The article highlights the importance of Prof. Post's work in shedding light on the art history of Spain and its influence on European art.
Overall, the image provides a glimpse into the art history of Spain and the work of Prof. Chandler R. Post, highlighting his contributions to the field and the significance of his publications.
This image depicts a newspaper clipping featuring an article about the history of Spanish art, specifically highlighting the work of Professor Chandler R. Post of Harvard University. The clipping is titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain" and includes a large illustration of a Spanish Romanesque chapel in Boston Museum.
The article discusses Professor Post's monumental work on Iberian art before the Renaissance, which is divided into three volumes. The first volume focuses on the pre-Romanesque and Romanesque periods, while the second volume covers the Franco-Gothic and Italo-Gothic manners of the fourteenth century. The third volume explores the international style of the first half of the fifteenth century.
The article also mentions that Professor Post has written a book on the subject, which is expected to be expanded into a more comprehensive treatise. 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The image is a scanned newspaper clipping featuring an article about Professor Chandler R. Post's work on the history of Spanish art, specifically his monumental treatise on Iberian art before the Renaissance.
The clipping is dated June 14, 1920, and is titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain." The article discusses Post's three-volume work, which covers the history of Spanish painting from the pre-Romanesque period to the 15th century.
The clipping includes a large illustration of a Spanish Romanesque chapel in the Boston Museum, which is described as a remarkably well-preserved 12th-century fresco from the Catalonian Church of Santa Maria de Mur.
The article highlights Post's expertise in the field and his ability to provide a comprehensive and authoritative account of Spanish art history.
Overall, the image provides a glimpse into the early 20th-century art historical scholarship and the significance of Post's work in the field.
The image presents a vintage newspaper clipping, yellowed with age, featuring an article about Professor Chandler R. Post's work on the art history of Spain. The clipping is mounted on a white sheet of paper, which is slightly larger than the clipping itself.
Newspaper Clipping:
White Sheet of Paper:
Background:
Overall, the image provides a glimpse into the art history of Spain, specifically highlighting Professor Chandler R. Post's work on the subject. The vintage newspaper clipping and handwritten notes add a sense of historical significance and authenticity to the image.