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ARCH.2003.25, Rendition: 794035
The image appears to be a scanned copy of a newspaper article dated June 14, 1930. The article is titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain" and discusses the first three volumes of Prof. Chandler Rathfon Post's monumental work titled "Treat of Iberian Art Before the Renaissance." The article is written by Albert Franz Cochrane and is published in the Harvard University Press.
The article mentions that the first three volumes of the work are being issued and are priced at $25. It also includes a photograph of a Spanish Romanesque chapel from the Boston Museum, specifically noting a remarkably well-preserved twelfth-century fresco. The text elaborates on the content and scope of the work, emphasizing the cover of the earlier aspects of Iberian art, including the pre-Romanesque and Romanesque periods, the Franco-Gothic and Italo-Gothic manners of the fourteenth century, and the "international style" of the first half of the fifteenth century.
The article also discusses the Byzantine influence on Iberian art, the presence of miniatures of frescoes, and the theory about the early Spanish art being the work of visiting foreign artists. The tone of the article is informative and academic, aimed at scholars, students, and advanced dilettantes interested in the development of primitive and medieval Spanish art.
This image is a photograph of an old newspaper or magazine page, likely a clipping, featuring an article about the art history of Spain. The article is titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain" and is written by Albert Franz Cochrane. The page is dated "Transcript June 14 1930" in the top left corner.
The article discusses the first three volumes of Professor Chandler Rathon Post's monumental work on Iberian art before the Renaissance, which has been published by Harvard University Press. It mentions that the set of three volumes is priced at $25 and provides insights into Professor Post's approach to the subject, covering the pre-Romanesque and Romanesque periods, the Franco-Gothic and Italo-Gothic manners of the fourteenth century, and the "international style" of the first half of the fifteenth century.
There is a large black-and-white illustration in the center of the page, which appears to be a Spanish Romanesque chapel from the Boston Museum. The caption below the illustration describes it as a remarkably well-preserved twelfth-century fresco from the Catalanian Church of Santa Maria de Mur, noting that it is the only example of its kind in the country and perhaps the only one that has ever come out of Spain. It was purchased by the Boston Museum in 1921.
The text on the right side of the page delves into the influences on Spanish art, particularly the Byzantine influence and the impact of the Santiago pilgrimages. It also discusses the relationship between miniature painting and early frescoes, and the role of local artists in the development of early Spanish art.
The page has been punched with holes at the top, suggesting it was part of a binder or collection. The word "Over" is written at the bottom right corner, indicating that there is a continuation of the article on the next page.
This image displays a vintage newspaper clipping or magazine article, dated June 14, 1920, as handwritten in the top left corner. The document is mounted on a larger white sheet of paper, secured with two metal fasteners at the top.
The main headline reads: “Prof. Chandler R. Post of Harvard Chronicles Art History of Spain.”
The article, written by Albert Franz Cochran, announces the publication of the first three volumes of an extensive “History of Spanish Painting” by Professor Chandler Rathfon Post of Harvard University. The set is priced at $25 and covers Spanish art from pre-Romanesque and Romanesque periods through the Franco-Gothic and Anglo-Gothic manners of the fourteenth century, up to about 1450 A.D., excluding illuminated manuscripts and cave frescoes.
A large, detailed black-and-white illustration dominates the center of the page. It depicts a twelfth-century Romanesque fresco featuring a central, large, circular image (possibly a Christ figure or mandorla) surrounded by smaller scenes or figures, with a lower register showing a narrative scene with human figures and architectural elements.
Below this illustration is a caption:
“Spanish Romanesque Chapel in Boston Museum”
The sub-caption explains:
“This Remarkably Well Preserved Twelfth Century Fresco From the Catalonian Church of Santa Maria de Mur is the Only Example of Its Kind In This Country, and Perhaps the Only One That Has Ever Come Out of Spain. It Was Purchased by the Boston Museum in 1921.”
(Note: The purchase date of 1921 is an anachronism, since the article is dated 1920.)
The article proceeds with several columns of text discussing Professor Post’s methodology, his emphasis on the early, often-neglected periods of Spanish art, and the influence of Byzantine art on Iberian art. It notes that early Spanish artists were likely influenced by visiting foreign artists and that early frescoes were often mistaken for miniature paintings.
The text ends with the word “Over -” in the bottom right corner, indicating the article continues on another page.
The entire document is typewritten, with varied font sizes for headlines, subheadings, and body text, typical of early 20th-century print journalism.
In summary, this clipping documents an early scholarly effort to chronicle the development of Spanish art, contextualizing a newly acquired, rare Romanesque fresco in Boston’s museum as an example of the kind of art history Professor Post sought to illuminate.
The image is a scanned page from a newspaper or magazine featuring an article about Professor Chandler R. Post of Harvard's "Chronicles Art History of Spain." The article discusses the first three volumes of his monumental work, "Treat of Iberian Art Before the Renaissance," published by the Harvard University Press. The volumes cover the pre-Romanesque and Romanesque periods, the Franco-Gothic and Gothic manners of the fourteenth century, and the "international style" of the mid-fifteenth century.
The article highlights the comprehensive nature of the work, which incorporates the latest research and findings in the field. It also mentions the inclusion of illustrations and frescoes from Spanish Romanesque chapels, such as the one in the Boston Museum. The article praises Professor Post's ability to convey complex historical and artistic information in an accessible and engaging manner, making the work suitable for scholars, students, and enthusiasts alike.
The image depicts a newspaper clipping featuring an article about the first three volumes of Professor Chandler R. Post's monumental work on the art history of Spain. The clipping is from the Harvard Chronicles and is dated June 14, 1920. The article is titled "First Three Volumes of His Monumental Work Treat of Iberian Art Before the Renaissance."
The article is authored by Albert Franz Cochane and discusses Professor Post's extensive work on Spanish painting, which is published by Harvard University Press. The article highlights the comprehensive nature of Professor Post's work, which covers the pre-Romanesque and Romanesque periods, Gothic manuscripts and Italian Gothic, and the "international style" of the first half of the fifteenth century. It also mentions the inclusion of Spanish art from 1000 A.D. to 1450 A.D.
The clipping includes a photograph of a Romanesque chapel fresco from the Boston Museum, which is described as a remarkably well-preserved twelfth-century fresco from the Catalan Church of Santa Maria de Mur. The fresco is noted to be the only example of its kind in the country and was purchased by the Boston Museum in 1921.
The article emphasizes the importance of Professor Post's work for scholars, students, and admirers of Spanish art, as it provides a detailed and scholarly outline of the development of primitive and medieval Spanish art. The clipping also includes a watermark in the bottom right corner that reads "Over."
The image shows a scanned page from a transcript dated June 14, 1930, titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain." The page appears to be from an academic or scholarly publication, discussing the work of Professor Chandler R. Post, who was associated with Harvard University.
Overall, the image captures a scholarly discussion of Professor Chandler R. Post's contributions to the study of Iberian art, accompanied by a visual representation of a significant piece of Romanesque art housed in the Boston Museum.
The image displays an aged newspaper clipping. The top section has a handwritten note which reads "Transcript June 14 1920." The main headline of the article is "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain," followed by a subheading detailing that the first three volumes of his work pertain to Iberian art before the Renaissance.
The body text of the article is divided into columns and seems to review or describe the contents of Prof. Post's volumes, mentioning various historical periods and influences on Spanish art, including Romanesque and Gothic periods, as well as Byzantine influences.
On the right side of the article, there is a block of text that continues the column from the left, mentioning "measures of preciseness."
There are also two images within the newspaper clipping; the upper image is a circular design that could perhaps represent a mapped layout or an illustration from Prof. Post's work. Below that, there's an image of the interior of what appears to be a chapel or church, identified as "Spanish Romanesque Chapel in Boston Museum" in the caption. The images come with some descriptions or context in the surrounding text.
The paper is yellowed with age, and there are visible folding lines and some wear, indicating it might have been stored folded or in a binder. The detailed information, images, and captions aim to provide an overview of historical Spanish art while highlighting the significance of Prof. Post's academic contribution to the field.
The image is a page from a newspaper with the headline: "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain." The publication date is noted in handwriting as June 14, 1920. The article discusses the first three volumes of Professor Chandler Rathfon Post's work on Iberian art before the Renaissance and is authored by Albert Franz Cochrane.
The article is printed in multiple columns around a central image, which depicts a Spanish Romanesque chapel in the Boston Museum. The image appears to be a detailed fresco or mural from the chapel, with figures and artwork typical of Romanesque style. The caption below the image reads: "Spanish Romanesque Chapel in Boston Museum," and it describes the chapel's historical significance, noting that it was purchased by the Museum in 1913 and is a unique piece of 12th-century Spanish art in the United States.
The text of the article delves into the influences on Iberian art, mentioning Byzantine elements, the impact of pilgrimage, and the distinction of Spanish art. It also details Professor Post's scholarly approach and contributions to the study of Spanish art history, emphasizing its significance and depth. There is a focus on the originality and sustained merit of Spanish artistic traditions before the Renaissance.
The image is a reproduction of an article. Key features are:
It highlights the spread of Iberian art history knowledge.