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The image is a transcript of an article titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain." The article, written by Albert Franz Coehrane and dated June 14, 1920, discusses the first three volumes of a series titled "A History of Spanish Painting," authored by Professor Chandler R. Post of Harvard. The series focuses on Iberian art before the Renaissance.

Key points from the article include:

1. Publication Details: The first three volumes, published by Harvard University Press, cover Spanish painting from the 12th to the 15th century. They include over 1500 illustrations and are printed at £25.

2. Content: The volumes cover various aspects of Iberian art, including the Visigothic, Mozarabic, Romanesque, and International styles. The text discusses the evolution of Spanish art and its influences, particularly the impact of French and Italian art.

3. Author's Research: Professor Post conducted extensive research, traveling through Spain to study and photograph artworks. He emphasizes the importance of understanding the historical context and the influence of different cultures on Spanish art.

4. Byzantine Influence: The article mentions the influence of Byzantine art on Spanish painting, particularly in the use of miniatures and illuminated manuscripts.

5. Miniatures of French Origin: The text discusses the similarities between Spanish and French miniatures, suggesting that many Spanish miniatures were likely created by French artists or under French influence.

6. Spanish Romanesque Chapel: The article also highlights a Spanish Romanesque chapel in the Boston Museum, which was originally part of the Cathedral Church of Santa Maria de Sijena in Spain. The chapel, purchased by the Boston Museum in 1921, is noted for its unique architectural features and historical significance.

The article is accompanied by an image of the Spanish Romanesque chapel, showcasing its intricate design and historical importance.

The image is a transcript of a newspaper article from June 1920 by Albert Franz Cochrane about the publication of the first three volumes of Professor Chandler R. Post's monumental work on the art history of Spain before the Renaissance.

The article discusses Professor Post's extensive research and the comprehensive nature of his book, titled "History of Spanish Painting." Cochrane highlights the meticulous approach Post took in covering the pre-Renaissance periods in Spanish art, including the Franco-Gothic and Italo-Romanesque styles, and the International style from the early fifteenth century onward. The article mentions that the work spans the entire period from the Romanesque to the early Renaissance.

The article also features an illustration of a Spanish Romanesque chapel in the Boston Museum, emphasizing the preserved twelfth-century frescoes from the Catalan Church of Santa Maria de Mur, which is noted as a unique example of Spanish art.

The article touches on the influence of Byzantine art on Spanish painting, noting that while the influence is often debated, it is undeniably present. Additionally, it mentions the preservation of illuminated manuscripts and the early works of Spanish painters, such as those from the school of Toledo.

The text includes a brief note on the complexities of determining the origins and influences of Spanish art, particularly the transition from Byzantine to local styles. It concludes with a mention of the significant impact the church's frescoes had on the development of Spanish art.

The image is a newspaper clipping titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain." The article, dated June 14, 1930 and authored by Albert Franz Cochrane, discusses the first three volumes of Professor Chandler R. Post's work on the history of Spanish painting. The article highlights Post's comprehensive approach, which includes the pre-Romanesque and Romanesque periods, the Franco-Gothic and Italo-Gothic schools, and the international style of the 15th century. It mentions that Post's work is based on extensive research and firsthand examination of paintings, manuscripts, and architectural remains. The article also includes an illustration of a Spanish Romanesque chapel in the Boston Museum, which is noted for its historical significance. The text is filled with detailed descriptions of the art and architecture, emphasizing the thoroughness and importance of Post's contributions to the field.

The image is a newspaper clipping from June 14, 1938, featuring an article titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain." The article, written by Albert Franz Cochran, discusses the first three volumes of Professor Post's monumental work, "History of Spanish Painting."

Summary of the Article:

Title:
Prof. Chandler R. Post of Harvard Chronicles Art History of Spain

Subtitle:
First Three Volumes of His Monumental Work Treat of Iberian Art Before the Renaissance

Content:

• Professor Chandler R. Post from Harvard University has authored the initial three volumes of an extensive series titled "History of Spanish Painting."
• Initially, Post conceived the idea for this work while preparing a course on Spanish art history. He found that existing literature was insufficient, prompting him to delve into comprehensive research.
• The three published volumes cover Iberian art from the pre-Romanesque period through the early Renaissance, focusing specifically on:
  • The Franco-Gothic and International styles of the 14th century.
  • The "international style" at the start of the 15th century.
  • The Hispano-Flemish style from around 1400 to 1500.

Post's research is notable for its meticulous examination of art history, often challenging previously accepted attributions. For instance, he reattributed works that were formerly believed to be by artists like Jorge Inglés.

• The article also mentions that Post’s work may almost be considered the definitive history of Spanish art, given the thoroughness and originality of his findings.
• Additionally, the article highlights the importance of Professor Post’s work in understanding the broader context of art, including its relationship with Byzantine influences and the development of miniature painting and frescoes.

Additional Feature:

Spanish Romanesque Chapel in Boston Museum:

• The article briefly mentions the Well Preserved Twelfth Century Fresco from the Catalonian Church of Santa Maria de Mur, now displayed at the Boston Museum of Fine Arts. These frescoes were removed from Spain and acquired by the museum in 1921, offering valuable insights into the religious and artistic practices of the Romanesque period.

Visual Elements:

• The clipping includes two images:
  1. A decorative illustration of a manuscript or architectural design.
  2. A depiction of a Romanesque chapel fresco, showing a row of figures in religious attire.

This comprehensive article underscores the significance of Professor Post's contributions to the field of art history, particularly in Spanish art.

The image is a newspaper clipping dated June 14, 1920, titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain." The article is by Albert Franz Cochrane and discusses the first three volumes of Chandler R. Post's monumental work, "History of Spanish Painting," published by Harvard University Press.

The article explains that Post's work covers the pre-Romanesque and Romanesque periods of Spanish art, specifically focusing on the Franco-Gothic and Italo-Byzantine influences. It highlights Post's extensive research and the comprehensive nature of his work, which traces the development of Spanish art from the 5th century to the 12th century. The text mentions that the first volume covers art from the 5th century to 1000 A.D., including the remains of prehistoric cave paintings and early Christian illuminated manuscripts.

The article also includes a brief historical note on the Boston Museum's acquisition of a well-preserved 12th-century fresco from the Catalan Church of Santa Maria de Mur, which is the only example of its kind in the country. The fresco, purchased in 1921, is noted for its historical and artistic value.

Additionally, the article discusses the influence of Byzantine art on Spanish art, highlighting that Post's work provides a detailed and scholarly analysis of these influences. It mentions that while Byzantine influences were significant, they were often blended with local traditions, and Post's work is praised for its clear and engaging presentation of these complex themes.

The image is a newspaper clipping from the Harvard Chronicles, dated June 14, 1920. The article is titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain" and discusses the first three volumes of Professor Chandler R. Post's monumental work titled "History of Spanish Painting."

The article, written by Albert Franz Cochrane, highlights the comprehensive nature of the work, which spans from pre-Romanesque art to the Renaissance. Professor Post's approach includes a detailed examination of Iberian art before the Renaissance, covering periods such as the pre-Romanesque, Romanesque, Gothic, and the "International style" from the early 15th century.

Key points mentioned include:

• The extensive research and authority Professor Post brings to the subject.
• The inclusion of the remains of pre-Romanesque illuminated manuscripts and early Christian art.
• The work's consideration of Spanish art from the 8th century onwards.
• The influence of Byzantine art and the debate over its impact on Spanish art.
• The significance of the 12th-century frescoes from the Catalan Church of Santa Maria de Mur, which are considered unique within Spain.

The article also touches on the preservation of frescoes, suggesting that the originals have been lost and replaced with copies, and the difficulties in accurately attributing the work of early Spanish artists. Additionally, it mentions the purchase of these frescoes by the Boston Museum in 1921.

The image displays an aged newspaper clipping. The top section has a handwritten note which reads "Transcript June 14 1920." The main headline of the article is "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain," followed by a subheading detailing that the first three volumes of his work pertain to Iberian art before the Renaissance.

The body text of the article is divided into columns and seems to review or describe the contents of Prof. Post's volumes, mentioning various historical periods and influences on Spanish art, including Romanesque and Gothic periods, as well as Byzantine influences.

On the right side of the article, there is a block of text that continues the column from the left, mentioning "measures of preciseness."

There are also two images within the newspaper clipping; the upper image is a circular design that could perhaps represent a mapped layout or an illustration from Prof. Post's work. Below that, there's an image of the interior of what appears to be a chapel or church, identified as "Spanish Romanesque Chapel in Boston Museum" in the caption. The images come with some descriptions or context in the surrounding text.

The paper is yellowed with age, and there are visible folding lines and some wear, indicating it might have been stored folded or in a binder. The detailed information, images, and captions aim to provide an overview of historical Spanish art while highlighting the significance of Prof. Post's academic contribution to the field.

The image is a page from a newspaper with the headline: "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain." The publication date is noted in handwriting as June 14, 1920. The article discusses the first three volumes of Professor Chandler Rathfon Post's work on Iberian art before the Renaissance and is authored by Albert Franz Cochrane.

The article is printed in multiple columns around a central image, which depicts a Spanish Romanesque chapel in the Boston Museum. The image appears to be a detailed fresco or mural from the chapel, with figures and artwork typical of Romanesque style. The caption below the image reads: "Spanish Romanesque Chapel in Boston Museum," and it describes the chapel's historical significance, noting that it was purchased by the Museum in 1913 and is a unique piece of 12th-century Spanish art in the United States.

The text of the article delves into the influences on Iberian art, mentioning Byzantine elements, the impact of pilgrimage, and the distinction of Spanish art. It also details Professor Post's scholarly approach and contributions to the study of Spanish art history, emphasizing its significance and depth. There is a focus on the originality and sustained merit of Spanish artistic traditions before the Renaissance.

The image is of a newspaper clipping featuring an article titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain." The article discusses the first three volumes of an extensive work on the history of Spanish painting, authored by Professor Chandler Rathfon Post of Harvard University. It is written by Albert Franz Cochrane and details Post's coverage of Iberian art from the eleventh century onwards, including pre-Romanesque, Romanesque, Franco-Gothic, and Italo-Gothic styles.

In the center of the clipping, there is a black-and-white photograph of the Spanish Romanesque Chapel in the Boston Museum. The caption explains that the image shows a remarkably well-preserved twelfth-century fresco from the Catalonian Church of Santa Maria de Mur, noted as the only example of its kind in the United States and possibly the only one that has come out of Spain. The fresco was purchased by the Boston Museum in 1921.

The article discusses various aspects of Spanish art, including Byzantine influence, miniature paintings, and frescos, and highlights the scholarly importance of Post's work. The entire clipping has a slightly aged, yellowed appearance, and there are three punched holes along the top edge, indicating that this clipping was likely stored in a binder or folder. Handwritten notes on the left margin read "Transcript June 14 1930," indicating the date of the transcript.

The image shows a scanned page from a transcript dated June 14, 1930, titled "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain." The page appears to be from an academic or scholarly publication, discussing the work of Professor Chandler R. Post, who was associated with Harvard University.

Key Elements of the Image:

Header:

• The title at the top reads: "Prof. Chandler R. Post of Harvard Chronicles Art History of Spain."
• Below the title, there is a subheading: "First Three Volumes of His Monumental Work Treat of Iberian Art Before the Renaissance," attributed to Albert Franz Cochrane.

Main Text:

• The body of the text is a detailed review or commentary on Professor Post's work, specifically focusing on the first three volumes of his monumental study of Iberian art before the Renaissance.
• The review highlights the significance of Post's work, noting that it is the result of lectures he delivered at Harvard. The text emphasizes the comprehensiveness of the work, which covers the pre-Romanesque and Romanesque periods, the Franco-Gothic style, and the International and Italian styles.
• The review discusses the historical and artistic context of Spanish art, mentioning periods from 1000 to 1400 A.D., and notes the inclusion of early Romanesque manuscripts and the evolution of artistic styles in Spain.
• The text also touches on the influence of Byzantine art on Romanesque painting in Europe and the role of Spain as a conduit for these influences.

Illustration:

• On the right side of the page, there is an illustration labeled "Spanish Romanesque Chapel in Boston Museum."
• The illustration depicts an architectural interior, likely a chapel, with detailed carvings and decorative elements typical of Romanesque art. The caption explains that this chapel is a well-preserved 12th-century fresco from Catalonia, Spain, and was the only example of its kind in the United States at the time it was purchased by the Boston Museum of Fine Arts in 1921.
• The chapel is described as having been kept in darkness until recently, with occasional lighting affecting its condition.

Footer:

• At the bottom of the page, there is a partial note or marking that reads "OVER," suggesting this is part of a larger document or transcript.

Contextual Observations:

• The page is part of a transcript, as indicated by the label "Transcript June 14 1930" in the top-left corner.
• The content is academic in nature, focusing on art history, specifically the study of Iberian art before the Renaissance.
• The illustration serves as a visual complement to the textual discussion, providing a concrete example of the art being studied.

Overall, the image captures a scholarly discussion of Professor Chandler R. Post's contributions to the study of Iberian art, accompanied by a visual representation of a significant piece of Romanesque art housed in the Boston Museum.