Archives Scrapbooks

The image appears to be a scanned page from a historical document or publication, likely from the early 20th century. The page is cream-colored with printed text and includes three main sections with headlines and brief articles.

1. Top Left Section: This section is titled "Exhibit Honors Memory of Former Director of Fogg." It discusses a memorial exhibition of watercolors and drawings by Professor Charles Herbert Moore in the Fogg Art Museum, Cambridge. The text provides details about the professor, his career, and his contributions to the Fine Arts Department at Harvard University.

2. Top Right Section: This section has the headline "FOGG BEGINS EXHIBITION IN HONOR OF PROFESSOR." It appears to be a continuation of the information provided in the top left section, reiterating details about the memorial exhibition and its significance to Harvard alumni.

3. Bottom Left Section: This section contains information from the "Harvard Alumni Bulletin." It lists various alumni achievements and news, including the election of a member of the Unitarian Laymen’s League, a member of the junior class in Harvard College, and the president of the Japan Society of Boston.

The page also has annotations such as "June 5, 1930" and "Transcript June 4, 1930," indicating when the document was likely compiled or transcribed. The overall content suggests a focus on the history and achievements of Harvard University, particularly in the field of Fine Arts and the contributions of Professor Charles Herbert Moore.

This image is a scanned page from a document or a newspaper clipping dated June 14, 1930. The page contains several articles and notices related to the Fogg Art Museum and Harvard University. Here is a detailed description of the content:

Top Left Section:

• Headline: "Exhibit Honors Memory of Former Director of Fogg"
• Content: This article discusses a memorial exhibition of watercolors and drawings by Professor Charles Herbert Moore at the Fogg Art Museum in Cambridge. It mentions Moore's significant contributions to the teaching of Fine Arts at Harvard University, where he began in 1871. The article highlights his role as a pioneer in the field and his influence on the study of mediaeval architecture, particularly through his book "The Development and Character of Gothic Architecture." It also notes his exposure to the teachings of John Ruskin during trips to Europe in 1876-78, which greatly influenced his work.

Top Middle Section:

• Headline: "FOGG BEGINS EXHIBITION IN HONOR OF PROFESSOR"
• Content: This article reiterates the memorial exhibition of watercolors and drawings by Professor Charles Herbert Moore. It emphasizes the exhibition's special interest to alumni, detailing Moore's career at Harvard from 1871 to 1909. The article also mentions the influence of Ruskin on Moore's work and the lasting impact of his teachings on the Department of Fine Arts at Harvard.

Top Right Section:

• Headline: "Fogg Museum Director Reports Year's Progress"
• Content: This article reports on the activities of the Fogg Art Museum over the past year, as presented by Edward W. Forbes, the museum's director. It mentions the gifts to the institution, totaling more than a quarter of a million dollars, and the establishment of three Shady Hill Research Fellowships by Arthur Sachs in 1901. The fellowships are open to scholars of any nationality and are awarded annually. The article also notes an anonymous gift to support a museum staff member's travel, study, and pleasure.

Bottom Left Section:

• Headline: "Harvard Alumni Bulletin"
• Content: This section lists various appointments and recognitions of Harvard alumni. It includes:
  • Richard W. Sulloway of Franklin, N.H., elected as a member of the council of the Unitarian Laymen's League.
  • William H. Wheelock's son, Morgan Dix Wheelock, as a member of the present junior class in Harvard College.
  • Paul J. Sachs, Professor of Fine Arts and Associate Director of the Fogg Art Museum, appointed as an honorary trustee of the Cincinnati Art Museum.
  • Courtenay Crocker, LL.B. '05, re-elected as president of the Japan Society of Boston.

The page is slightly yellowed, indicating its age, and has some handwritten notes at the top left corner, including "Transcript June 14, 1930." There are also three holes punched on the right side, suggesting it was part of a binder or folder.

This image displays a single sheet of paper containing three newspaper-style articles, likely clipped and pasted onto the sheet, which appears to be from a scrapbook or archive. The paper is aged, with yellowed tones and visible punch holes along the right edge, suggesting it was stored in a binder.

At the top left, handwritten in pencil, is the note: “Transcript June 8, 1930”.

The layout consists of three distinct articles, each with a headline and body text, set in classic serif newspaper fonts. The articles are:

1. Left Column — “Harvard Alumni Bulletin” (dated June 5, 1930)
This is a smaller column from the Harvard Alumni Bulletin, listing updates on recent graduates and alumni activities. Key entries include:

• ‘90 — William H. Wheelock’s son, Morgan Dix Wheelock, joins the junior class at Harvard College.
• ‘90 — Paul J. Sachs, Professor of Fine Arts and Associate Director of the Fogg Art Museum, appointed honorary trustee of the Cincinnati Art Museum and vice-president of the American Association of Museums.
• ‘01 — Courtney Crocker, LL.B. ’05, elected president of the Japan Society of Boston.

This section serves as a standard alumni update.

2. Center Column — “FOGG BEGINS EXHIBITION IN HONOR OF PROFESSOR” and “SHOW IS OF ESPECIAL INTEREST TO ALUMNI”
This is the main article, prominently centered. It announces a memorial exhibition at the Fogg Art Museum honoring the late Professor Charles Herbert Moore. Key points:

• The exhibition features watercolors and drawings by Moore.
• It notes Moore was a pioneer in teaching Fine Arts at Harvard (starting in 1871), invited by Professor Norton.
• He became Curator of the Fogg Museum in 1895 and later its Director until his resignation in 1909.
• The article highlights his scholarly reputation, especially for his book “The Development and Character of Gothic Architecture.”
• It mentions that several of the exhibited works were painted during his tenure at Harvard and on trips to Europe between 1876–78.
• The exhibition is described as especially meaningful for alumni who knew Moore or studied under him, and it notes his lasting influence on the Department of Fine Arts at Harvard.

3. Right Column — “Fogg Museum Director Reports Year’s Progress”
This article, presented in a smaller format, features a report from Edward W. Forbes, Director of the Fogg Art Museum. Highlights include:

• The museum received over a quarter of a million dollars in gifts during the year.
• Specific endowments were mentioned, notably “Arthur Sachs, 1901, of three Shady Hill Research Fellowships,” each of $1000/year, to support scholars in art history or methods.
• The funds are designated for research, travel, and study, open to any nationality.
• The article also mentions the addition of a “forthcoming volume of Art Studies” that will include a summary of X-ray photographic methods used in art study.

Overall Context:
The document is an archival artifact from June 1930, documenting the cultural and institutional life of Harvard University, particularly its Fogg Art Museum. The central theme is the commemoration of Professor Charles Herbert Moore, a foundational figure in Harvard’s art history department. The articles collectively highlight scholarly achievements, alumni activities, and institutional giving, reflecting the museum’s prominence and its ties to alumni and benefactors.

This scrapbook page serves as a historical record of academic and cultural heritage at Harvard during the early 20th century.

The image is a transcript of a document titled "Harvard Alumni Bulletin" from June 1930. The document features multiple sections, each detailing different aspects of the Fogg Art Museum and its history. The first section, "Exhibit Honors Memory of Former Director of Fogg," discusses a memorial exhibition honoring Professor Charles Herbert Moore, a pioneering figure in the teaching of fine arts at Harvard University. The exhibit showcases watercolors, drawings, and sketches created by Professor Moore during his time at Harvard and his travels in Europe. The second section, "FoGG Begins Exhibition in Honor of Professor," details the opening of the memorial exhibition, highlighting the significance of Professor Moore's contributions to the museum and the university. The third section, "FoGG Museum Director Reports Year's Progress," provides an update on the museum's activities, including the acquisition of new artworks and the financial support received from various donors. The document also includes brief biographical notes on notable individuals associated with the museum and the university, such as Edward W. Forbes, director of the Fogg Art Museum, and Paul J. Sachs, Associate Director of the Fogg Art Museum. The overall tone of the document is celebratory, emphasizing the importance of the Fogg Art Museum and its role in preserving and promoting the arts at Harvard University.

The image shows a page from a Harvard Alumni Bulletin from June 1930. The page is divided into four sections, each containing text that appears to be an article or announcement. The top left section is titled "Exhibit Honors Memory of Former Director of Fogg" and describes a memorial exhibition of watercolors, drawings, and sketches by Professor Charles Herbert Moore. The top right section is titled "FOGG BEGINS EXHIBITION IN HONOR OF PROFESSOR" and provides additional details about the exhibition, including the display of watercolors, drawings, and sketches by Professor Moore. The bottom left section is titled "Harvard Alumni Bulletin" and lists the names of several Harvard alumni, including Alfred, Edward, Frank, Richard W. Sully, William H. Wheelock, Jr., Paul J. Sachs, and Courtenay Crocker. The bottom right section is titled "FOGG MUSEUM DIRECTOR REPORTS YEAR'S PROGRESS" and provides an update on the progress of the Fogg Museum, including the addition of new acquisitions and the expansion of the museum's collections.

The image shows a scanned page from a publication titled "Harvard Alumni Bulletin", dated June 1930. The page contains three distinct articles or sections, each separated by headings and subheadings. Here is a detailed description of the content:

Top Section: "Exhibit Honors Memory of Former Director of Fogg"

• Title: "Exhibit Honors Memory of Former Director of Fogg"
• Content: This section discusses a memorial exhibition honoring Professor Charles Herbert Moore, who served as the first director of the Fogg Art Museum at Harvard University. Key points include:
  • Moore was a pioneer in the teaching of Fine Arts at Harvard, having taught watercolor, drawing, sculpture, and design.
  • He was appointed director of the Fogg Art Museum in 1881 and served until his resignation in 1909.
  • Moore was known for his wide reputation as a scholar and writer, particularly for his study of Medieval Architecture, which was published as "The Development and Character of Gothic Architecture."
  • The exhibition features watercolors, drawings, and sketches produced by Moore during his time at Harvard, as well as finished compositions from his teaching period.
  • Moore’s work is noted for its influence on students, including trips to Europe and his inspiration drawn from Russian art.

Middle Section: "Fogg Begins Exhibition in Honor of Professor Watercolors, Drawings by C. H. Moore Displayed—Artist Was Pioneer in Fine Arts at Harvard"

• Title: "Fogg Begins Exhibition in Honor of Professor Watercolors, Drawings by C. H. Moore Displayed—Artist Was Pioneer in Fine Arts at Harvard"
• Content: This section elaborates on the memorial exhibition being held at the Fogg Art Museum. Key details include:
  • The exhibition features watercolors, drawings, and sketches by C. H. Moore, who was a pioneer in the teaching of Fine Arts at Harvard.
  • Moore began his teaching career at Harvard in 1871 and was appointed as the first director of the Fogg Art Museum in 1881.
  • His work is highlighted as being of special interest to alumni and the public, with an emphasis on his contributions to the Department of Fine Arts at Harvard.
  • Moore’s influence is noted, particularly his study of Medieval Architecture, which was a significant contribution to the field.
  • The exhibition is described as a fitting tribute to Moore’s legacy, with attendees encouraged to visit and view his work.

Bottom Section: "Fogg Museum Director Reports Year's Progress"

• Title: "Fogg Museum Director Reports Year's Progress"
• Content: This section provides an update on the activities and achievements of the Fogg Art Museum under the direction of Edward W. Forbes. Key points include:
  • Forbes reports on the museum’s progress, noting that the museum received more than a quarter of a million dollars in gifts during the year.
  • The museum established Arthur Sachs Fellowships, one of which was awarded to Shady Hill Research Fellows.
  • The museum also awarded annual open anonymous gifts to women of any nationality, totaling $2,000, to enable them to pursue advanced studies in the Fine Arts.
  • The museum purchased field and laboratory equipment, valued at over $3,000, to support its educational and research activities.
  • A long list of gifts and bequests is mentioned, including notable donations from individuals such as Arthur Sachs, Shady Hill Research Fellows, and others.
  • The museum also reported on its accessions by gift and purchase, including valuable loans and donations.
  • The section concludes with a mention of a forthcoming volume of Art Studies, a continuation of the museum’s efforts to study and document art through methods such as the X-ray.

Additional Details

• Header: The top of the page includes the publication name, "Harvard Alumni Bulletin," and the date, June 1930.
• Layout: The page is formatted in a typical newspaper or bulletin style, with clear headings and subheadings for each section.
• Content Focus: The articles collectively highlight the legacy of C. H. Moore, the ongoing activities of the Fogg Art Museum, and its contributions to art education and scholarship at Harvard University.

This page serves as a historical record of the Fogg Art Museum’s activities, the legacy of its early director, and the museum’s commitment to art education and research.

The image presents a collection of newspaper clippings, each with a distinct headline and content. The clippings are arranged in a collage style, with some overlapping or partially covering others.

• Exhibit Honors Memory of Former Director of Fogg
  • A memorial exhibition of watercolors and drawings by Professor Charles Herbert Moore is being held in the Fogg Art Museum, Cambridge. Professor Moore was the Professor of Fine Arts in Harvard University, where he came in 1871. He gave a course on the Principles of Design, Painting, Sculpture and later the Director, remaining professor until his resignation in 1909. Professor Moore's wide reputation as a scholar and writer came principally from his study of medieval architecture, "The Development and Character of Gothic Architecture." It has been thought fitting on this occasion to exhibit a number of sketches and finished compositions which were produced by Professor Moore during his period of teaching here at Harvard, a number of which were painted subsequent to his meeting with Ruskin and on trips to Europe during 1876-78. His interest and devotion to the examination of Ruskin inaugurated will long be a recognized inspiration in the work of the Department of Fine Arts at Harvard.
• FOGG BEGINS EXHIBITION IN HONOR OF PROFESSOR
  • Watercolors. Drawings by C. H. Moore Displayed—Artist Was Pioneer in Fine Arts at Harvard
  • SHOW IS OF ESPECIAL INTEREST TO ALUMNI
  • Beginning today, a memorial exhibition of watercolors and drawings by Professor Charles Herbert Moore will be held in the Fogg Art Museum. Professor Moore was one of the pioneers in the teaching of Fine Arts in Harvard University, where he came in 1871.
  • At the invitation of Professor Norton. In 1874, he gave a course on the Principles of Design, Painting, Sculpture and Architecture. In 1885 he was made Curator of the Fogg Museum and a year later the Director, remaining professor of Fine Arts until his resignation in 1909. Professor Moore's wide reputation as a scholar and writer came principally from his study of Medieval Architecture, the results of which are embodied in his book, "The Development and Character of Gothic Architecture."
  • It has been thought fitting on this occasion to exhibit a number of sketches and finished compositions which were produced by Professor Moore during his period of teaching here at Harvard, a number of which were painted subsequent to his meeting with Ruskin and on trips to Europe during 1876-78. His interest and devotion to the examination of Ruskin inaugurated will long be a recognized inspiration in the work of the Department of Fine Arts at Harvard.
• Fogg Museum Director Reports Year's Progress
  • Edward W. Forbes, director of the Fogg Art Museum, reports the president of Harvard University on the accomplishments of the past year, and the gifts to the institution of more than a million dollars, is pleased to mention as a matter of importance in the museum, although not confined strictly to its establishment by Mr. Edward S. Harkness, the establishment of the William Hayes Fogg Fellowship, one of 5000 a year, the other with an income each of $1000 to enable them to pursue in any part of the world advanced studies in the history, principles or methods of the Fine Arts. These are open to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to 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and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any 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and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and to men and women of any nation and

This image is a page from a scrapbook or archive, featuring newspaper clippings related to the Fogg Art Museum at Harvard University. The clippings are arranged in a collage style, with some overlapping each other.

The top-left clipping is titled "Exhibit Honors Memory of Former Director of Fogg" and discusses a memorial exhibition of watercolors and drawings by Professor Charles Herbert Moore, who was one of the pioneers in the teaching of Fine Arts in Harvard University. The top-right clipping is titled "Fogg Begins Exhibition in Honor of Professor" and provides more information about the exhibition, including the fact that it will feature watercolors, drawings, and sculptures by Professor Moore.

The bottom-left clipping is titled "Harvard Alumni Bulletin" and appears to be a newsletter or bulletin from Harvard University. It includes a list of alumni who have been elected to various positions, including the council of the Unitarian Laymen's League and the honorary trustee of the Cincinnati Art Museum.

The bottom-right clipping is titled "Fogg Museum Director Reports Year's Progress" and discusses the progress made by the Fogg Art Museum during the past year. It mentions that the museum has acquired several new works of art, including a painting by the French artist Pierre-Auguste Renoir.

Overall, this image provides a glimpse into the history of the Fogg Art Museum and its connection to Harvard University. It highlights the museum's commitment to showcasing the work of local artists and its role in promoting the arts in the community.

The image is a scanned page of a transcript dated June 4th, 1930, featuring three newspaper clippings related to the Fogg Art Museum and Harvard University.

Transcript Details

• The transcript is typed on off-white paper with a subtle yellowing effect.
• The date "June 4, 1930" is handwritten at the top center of the page.
• Three holes are punched along the right edge, indicating that the page was once part of a binder or folder.

Newspaper Clippings

The three clippings are arranged in a column on the left side of the page, with the largest clipping on the right side. The clippings are:

• Left Column
  • "Exhibit Honors Memory of Former Director of Fogg" (undated)
  • "Harvard Alumni Bulletin" (June 5, 1930)
• Right Side
  • "FOGG BEGINS EXHIBITION IN HONOR OF PROFESSOR" (undated)
  • "Fogg Museum Director Reports Year's Progress" (undated)

Content of Clippings

The clippings discuss various events and news related to the Fogg Art Museum and Harvard University, including:

• An exhibition honoring the memory of a former director of the Fogg Art Museum
• A report on the progress of the Fogg Museum director
• News and updates from the Harvard Alumni Bulletin

Overall

The image appears to be a historical document or archive related to the Fogg Art Museum and Harvard University, providing insight into the events and activities of the time.

The image presents a scanned or photographed page from an archival collection, featuring three newspaper clippings pasted onto a sheet of paper. The clippings are arranged in two columns, with one on the left and two on the right.

Newspaper Clippings:

• Left Column:
  • Exhibit Honors Memory of Former Director of Fogg
    • A memorial exhibition of watercolors and drawings by Professor Charles Herbert Moore is being held in the Fogg Art Museum, Cambridge.
    • Professor Moore was one of the pioneers in the teaching of Fine Arts at Harvard University, where he came in 1871.
    • At the invitation of Professor Norton, in 1874, he gave a course on the Principles of Design, Painting, Sculpture, and Architecture.
    • In 1885 he was made Curator of the Fogg Museum and a year later the director, remaining as professor of Fine Arts until his resignation in 1909.
    • Professor Moore's wide reputation as a scholar and writer came principally from his study of medieval architecture, the results of which are embodied in his book, "The Development and Character of Gothic Architecture."
    • It has been thought fitting on this occasion to exhibit a number of sketches and finished compositions which were produced by Professor Moore during his period of teaching here at Harvard, a number of which were painted subsequent to his meeting with Ruskin and on trips to Europe during 1876-78.
    • His interest and devotion to the cause which Ruskin inaugurated will long be a recognized inspiration in the work of the Department of Fine Arts at Harvard.
    • This exhibition will undoubtedly appeal to those of the University who knew Professor Moore and alumni returning at Commencement are especially invited to visit the Fogg Museum to see examples of his work.
  • Harvard Alumni Bulletin
    • sons—Alfred, aged twenty; Edward, aged eight; Frank, aged six; and Richard, who is a year and a half old.
    • '28—Richard W. Sulloway of Franklin, N.H., has been elected a member of the council of the Uzinarian Lyceum.
    • '28—William H. Wheelock's son, Morgan Dix Wheelock, is a member of the present junior class in Harvard College.
    • '06—Paul J. Sachs, Professor of Fine Arts at Harvard, has been appointed an honorary trustee of the Cincinnati Art Museum. He is also a trustee of Smith College, president of Harvard Alumni Association of Museums, an editor of "Art Studies" and of the "Art Bulletin" published by the College Art Association, and a member of the consultative committee of the Burlington Magazine.
    • '13—Courtenay Crocker's, LL.B. '15, has been reelected president of the Japan Society of Boston.
• Right Column:
  • Fogg Begins Exhibition in Honor of Professor
    • Watercolors, Drawings by C. H. Moore Displayed—Artist Was Pioneer in Fine Arts at Harvard
    • SHOW IS OF ESPECIAL INTEREST TO ALUMNI
    • Beginning today, a memorial exhibition of watercolors and drawings by Professor Charles Herbert Moore will be held in the Fogg Art Museum.
    • Professor Moore was one of the pioneers in the teaching of Fine Arts at Harvard University, where he came in 1871.
    • At the invitation of Professor Norton, in 1874, he gave a course on the Principles of Design, Painting, Sculpture, and Architecture.
    • In 1885 he was made Curator of the Fogg Museum and a year later the director, remaining as professor of Fine Arts until his resignation in 1909.
    • Professor Moore's wide reputation as a scholar and writer came principally from his study of medieval architecture, the results of which are embodied in his book, "The Development and Character of Gothic Architecture."
    • It has been thought fitting on this occasion to exhibit a number of sketches and finished compositions which were produced by Professor Moore during his period of teaching here at Harvard, a number of which were painted subsequent to his meeting with Ruskin and on trips to Europe during 1876-78.
    • His interest and devotion to the cause which Ruskin inaugurated will long be a recognized inspiration in the work of the Department of Fine Arts at Harvard.
    • This exhibition will undoubtedly appeal to those of the University who knew Professor Moore and alumni returning at Commencement are especially invited to visit the Fogg Museum to see examples of his work.
  • Fogg Museum Director Reports Year's Progress
    • Edward W. Forbes, director of the Fogg Art Museum, reporting to the president of Harvard University on the activities of the past year, announces that as a result of more than a quarter of a million dollars. He also mentions as of importance to the Museum the establishment by Arthur Sachs, Class of 1909, of three Study Fellowships, one of which is to be awarded to others with an income each of $800 a year. The fellowships are offered to students of proved ability, students, instructors, or others who desire to enable them to pursue in any part of the world advanced studies in the history, principles or methods of the fine arts as they are open to women of any nationality and to be competitive.
    • An endowment of Art Studies to enable one member of its staff to purchase, also valuable loans, is announced as also made of a forth- coming volume of Art Studies to contain a brief summary of methods of looking at pictures by means of the X-ray.

Page Details:

• The page has a light yellowish-beige color.
• There are three holes punched along the right side of the page, indicating that it was once part of a binder or folder.
• The top of the page bears handwritten text: "Transcript June 4, 1930."
• The date "June 5 1930" is handwritten on the left side of the page.

Overall, the image appears to be a scanned or photographed page from an archival collection, likely from a university or museum archive, showcasing newspaper clippings related to the Fogg Art Museum and its director, Charles Herbert Moore.