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The image appears to be a document from the College Art Association of America, dated June 10, 1930. It is addressed "To the Members of the College Art Association" and discusses the expansion of the organization's traveling exhibitions program for the upcoming year. The document outlines the need for member cooperation to successfully implement the new plans. It mentions the possible contribution of artists, collectors, museum directors or curators, and college fine arts department heads or instructors to the exhibition program. The document also notes that each exhibit will be insured and expresses gratitude for any help extended. The letter is written on a light-colored paper, and there are several sections with text, a list of committee members, and a closing salutation from the College Art Association. The paper shows some stains or discoloration, possibly from age or handling.

This image shows a letter dated June 10, 1930, from the College Art Association of America, specifically the Committee on Traveling Exhibitions. The letterhead includes the name and address of the organization, which is based at New York University, Washington Square East, New York. The letter is addressed to the members of the College Art Association.

The letter discusses the association's traveling exhibitions program and requests the cooperation of its members to support the program. It mentions the May Parnassus publication, which contains details about the traveling exhibitions on page 51. The letter encourages members, who are artists, to submit their works for consideration, collectors to lend their artworks, and museum directors and college fine arts department heads to arrange for the display of the exhibitions at their respective institutions.

The letter also highlights that each exhibit will be insured against all risks during transit and display, and that acknowledgment will be given to the lenders. It concludes by expressing gratitude for any cooperation and assistance provided by the members.

The letter is signed "Very truly yours," followed by the name of the College Art Association. There are visible stains on the paper, and the document appears to be slightly aged. The letter has three holes punched in the right margin, suggesting it was part of a binder or folder.

This is a scanned image of a vintage, typewritten letter on aged, slightly yellowed paper with noticeable foxing (brownish spots caused by aging). The document is from the College Art Association of America and is dated June 10, 1930.

Header:

• At the top center, it reads: “COLLEGE ART ASSOCIATION / OF AMERICA / NEW YORK UNIVERSITY / WASHINGTON SQUARE EAST / NEW YORK”.
• On the upper left, a list of names is titled “COMMITTEE ON TRAVELING EXHIBITIONS,” including:
  • Mabel Choate
  • Blake-More Godwin
  • Belle da Costa Greene
  • A. Philip McMahon
  • Audrey F. McMahon
  • Everett V. Meeks
  • Charles R. Morey
  • Duncan Phillips
  • Dan Fellows Platt
  • Paul J. Sachs
  • Lorado Taft

Body:
The letter is addressed “To the Members of the College Art Association” and discusses the Association’s expanded traveling exhibition program for the coming year, referencing an article in the May issue of “Parnassus” (on page 51).

The main purpose is to solicit cooperation from members:

• Artists among the members are asked to submit one or two artworks (canvases or sculptures) for consideration.
• Supporters who are major collectors are asked to consider loans.
• Members who are museum directors, curators, or heads of college fine arts departments are asked to arrange for exhibitions at their respective institutions.

The Association assures members that:

• All exhibits will be insured at the owner’s valuation during transit and display.
• Lenders will be publicly acknowledged.
• The Association deeply values and is grateful for any help provided.

Closing:

• Signed: “Very truly yours, / COLLEGE ART ASSOCIATION”

Physical Details:

• The letter appears to have been removed from a binder or file, as evidenced by three punched holes along the right margin.
• The paper shows signs of age, with stains and discoloration, especially along the top edge and corners.
• The typewritten text is in a classic serif font, characteristic of early 20th-century office documents.

Overall, this is a formal, collaborative appeal from a major American arts organization in 1930, seeking member participation to expand its exhibition program.

The image is a scanned document that appears to be a letter from the College Art Association of America, dated June 10, 1930. The letter is addressed to the members of the College Art Association and discusses the organization's plans for traveling exhibitions.

The letter begins by acknowledging the May issue of the College Art Association's newsletter, which includes an article about the organization's traveling exhibitions. The letter then states that the exhibition program for the coming year is greatly enlarged and that the success of these plans depends on the cooperation of the members.

The letter goes on to highlight the various ways in which members can contribute to the exhibition program, including by lending artworks, providing space for exhibitions at their institutions, and offering advice on artists who may be interested in participating.

The letter emphasizes the importance of member cooperation in making the exhibition program a success and expresses gratitude for any help extended. The letter is signed by the Committee on Traveling Exhibitions, which includes several names.

Overall, the image appears to be a formal and professional document that seeks to engage the College Art Association's members in the organization's efforts to promote art exhibitions.

The image is a letter written on June 10, 1930, by the College Art Association of America, New York University, Washington Square East, New York. The letter is addressed to the members of the College Art Association. The letter is written on a beige-colored paper with a brown border. The text is written in black ink. The letter is signed by Mabel Choate, Blake-More Godwin, Belle da Costa Greene, A. Philip McMahon, Audrey P. McMahon, Everett V. Meeks, Charles R. Morey, Duncan Phillips, Dan Pellowe Platt, Paul J. Sachs, and Lorado Taft. The letter is written in a formal tone and is addressed to the members of the College Art Association. The letter requests the members' cooperation in the exhibition program for the coming year. The letter also mentions that there are many artists among the members, and the association should appreciate their submissions. The letter also mentions that the association has many members who are directors or curators in museums, heads of college fine arts departments, or instructors in these departments. The letter requests the members' advice in suggesting artists who may be interested in assisting the association. The letter also mentions that each exhibit will be insured at the owner's valuation, against all risks while in transit and on display. The letter also mentions that acknowledgement will be made at all times of the lender's generosity in contributing to the success of the program. The letter concludes by expressing gratitude for any help extended by the members.

The image shows a formal letter dated June 10, 1930, from the College Art Association of America, specifically from the Committee on Traveling Exhibitions at New York University, located at Washington Square East, New York. The letter is addressed to the Members of the College Art Association.

Key Details from the Letter:

1. Purpose of the Letter:

   • The letter discusses the College Art Association's traveling exhibitions program, which is planned to be greatly enlarged for the coming year.
   • It seeks cooperation from members to successfully execute these plans.

2. Call for Participation:

   • Artists: Members who are artists are encouraged to submit one or two canvases or sculptures for consideration by the Committee.
   • Collectors: The letter highlights the importance of support from foremost collectors in the country, who can loan works conveniently.
   • Museum Professionals: Members who are directors or curators of museums, as well as heads of college fine arts departments or instructors, are asked to assist by arranging for the display of at least one exhibition at their respective institutions.

3. Acknowledgment and Insurance:

   • Each exhibit will be insured against all risks during transit and display, at the owner's valuation.
   • Acknowledgment will be made of the lender's generosity in contributing to the success of the program.

4. Gratitude for Cooperation:

   • The letter emphasizes the value of cooperation and expresses deep gratitude for any help extended by members.

5. Committee Members:

   • The letter lists the members of the Committee on Traveling Exhibitions, including:
     • Mabel Choate
     • Blake-More Godwin
     • Belle de Coste Greene
     • A. Philip McMahon
     • Audrey F. McMahon
     • Everett V. Meeks
     • Charles R. Morey
     • Duncan Phillips
     • Dan Fellows Platt
     • Paul J. Sachs
     • Lorado Taft

6. Contextual Information:

   • The letter references a previous document, the May Parnassus, which presumably contains details about the Association's traveling exhibitions on page 51 of the current issue.

Visual Description:

• The document is a typed letter on light brown paper, giving it an aged, historical appearance.
• The text is neatly formatted, with a formal tone appropriate for an official communication.
• The header includes the College Art Association of America logo and the address of New York University.
• The date (June 10, 1930) is prominently displayed at the top right.
• The letter is signed off with the phrase "Very truly yours," followed by the College Art Association.

Overall Impression:

The letter reflects the organizational efforts of the College Art Association in the early 20th century to expand its traveling exhibitions program. It emphasizes collaboration among artists, collectors, museum professionals, and educators to support the arts and promote cultural exchange. The formal tone and structured request for participation underscore the professional and collaborative nature of the Association's work.

This is an image of a typed letter on a letterhead that reads "COLLEGE ART ASSOCIATION OF AMERICA" located at "NEW YORK UNIVERSITY, WASHINGTON SQUARE EAST, NEW YORK." The letter is dated "June 10, 1930" and appears to be addressed "To the Members of the College Art Association."

The letter speaks directly to the members, referring to a May issue of "Parnassus" (probably a publication or newsletter related to the association) and discusses an exhibition program. The letter encourages members to exhibit their works or suggest other artists who might be interested in exhibiting. There's a call for cooperation from various stakeholders, such as collectors, museum directors or curators, college art departments, or instructors, to contribute toward the success of their plans, particularly in displaying works at exhibitions at respective institutions.

Moreover, it mentions insurance for exhibits during transit and display. There is a tone of appreciation at the end, with the assertion that the value of cooperation cannot be overstated and an expression of gratitude for any assistance offered.

The letter is signed, "Very truly yours, COLLEGE ART ASSOCIATION."

The physical condition of the letter suggests age, and there are stains visible, as well as three hole punches on the left side of the page, indicating that it may have been stored in a binder or filing system.

This image shows a typed letter on official letterhead from the College Art Association of America, dated June 10, 1930. The letterhead includes the association's name and address at New York University's Washington Square East, New York.

The letter is addressed "To the Members of the College Art Association:" and discusses the association's traveling exhibitions. The letter mentions the enlargement of the exhibition program for the coming year and requests cooperation from members. It emphasizes the need for artists among the members to submit their work for consideration and notes the involvement of collectors, museum directors, curators, and heads of college fine arts departments. The letter also ensures that exhibits will be insured against risks in transit and on display and expresses gratitude for any assistance from members.

The letter ends with a courteous sign-off: "Very truly yours, COLLEGE ART ASSOCIATION."

The letter shows signs of age, visible through the yellowing and discoloration around the edges, and it is punctuated with evenly spaced holes, suggesting it might have been stored in a binder.

A vintage organizational letter on aged, tan paper.

• Format: A single sheet, two-hole punched along the left edge, with heavy aging and brownish stain patches.
• Heading: College Art Association of America, with references to New York University and Washington Square East, New York. Date: June 10, 1930.
• Left column: A list under “Committee on Traveling Exhibitions” with several names.
• Body: A formal letter beginning “To the Members of the College Art Association,” discussing the association’s traveling exhibition program, its expansion for the coming year, and a request for member cooperation—including lending canvases or sculptures and other forms of support.
• Closing: “Very truly yours, College Art Association.”
• Overall impression: An official 1930s organizational correspondence, printed/typewritten, with noticeable aging and staining.

This is a letter from the College Art Association of America, dated June 10, 1930, on letterhead. The letterhead includes the organization's name, its affiliation with New York University, and its address at Washington Square East, New York.

The document is addressed to the members of the College Art Association and discusses topics related to the association's traveling exhibition program. It mentions the need for contributions such as artwork, collaboration from members, and the assistance of prominent collectors, curators, and educators. It emphasizes measures taken for the safety and insurance of art during transportation and display and expresses gratitude for any help offered in the success of the exhibition initiatives.

The letter is typed, with a professional tone, and has light-brown discoloration, likely due to age. The page has pre-punched holes along its left margin, suggesting it was stored in a binder. The letter ends with the signature block "Very truly yours," followed by the College Art Association’s name.