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The image is of a letter from the College Art Association, dated June 10, 1930. The letter is addressed to the members of the College Art Association and discusses the Association's plans for traveling exhibitions for the coming year.

Key points of the letter include:

1. Introduction: The letter expresses hope that the members have received the May issue of Parnassus, which contains details about the Association's traveling exhibitions on page 51.

2. Request for Cooperation: The letter asks for the members' cooperation to successfully carry out the enlarged exhibition plans.

3. Artist Members: The Association encourages artist members to submit one or two examples of their work for consideration by the Committee.

4. Supporters and Collectors: The letter requests supporters to lend works from the foremost collectors in the country, acknowledging that such loans would be greatly beneficial.

5. Museum Directors and Curators: The letter asks museum directors and curators to suggest artists and works for the exhibitions and to arrange for the display of the exhibitions at their institutions.

6. Insurance and Acknowledgment: Each exhibit will be insured at the owner's valuation against all risks while in transit and on display. Acknowledgment will be made of the lender's generosity in contributing to the program's success.

7. Gratitude: The letter concludes by expressing deep gratitude for any help extended by the members.

The letter is signed "Very truly yours, COLLEGE ART ASSOCIATION." The letterhead includes the names of the Committee on Traveling Exhibitions and the address of the College Art Association at New York University, Washington Square East, New York.

The image displays a letter from the College Art Association, dated June 10, 1950, addressed to its members. The letter expresses hope that the May issue of their publication, possibly named "May Parnassus," was received well. It highlights the association's expanded traveling exhibitions program for the upcoming year and seeks cooperation from members.

The letter requests that artist members submit one or two canvases or sculptures for consideration by the committee. It also encourages non-artist members, including collectors, museum directors, curators, and heads of college fine arts departments, to support the program by lending artworks or arranging exhibitions at their institutions.

The letter assures that all exhibits will be insured and acknowledges the generosity of lenders. It emphasizes the importance of this cooperation for the success of their program and expresses gratitude for any assistance provided.

The letter is signed "Very truly yours, College Art Association." The letterhead indicates that the association is based at New York University, Washington Square East, New York. A committee list for traveling exhibitions, including names such as Mabel Cheate, Blake-More Godwin, and others, is also presented.

The image is a letter from the College Art Association of America, dated June 10, 1930. It is addressed to the members of the College Art Association and is from the Committee on Traveling Exhibitions. Here are the key points:

1. Introduction and Context:

   • The letter expresses hope that the members received the May issue of Parnassus and read about the Association’s traveling exhibitions on page 51.
   • It mentions that the exhibition program for the upcoming year is greatly expanded.

2. Request for Cooperation:

   • The committee seeks the members' cooperation to successfully carry out the expanded exhibition plans.

3. Call for Artwork Submissions:

   • Members who are artists are encouraged to submit one or two canvases or sculptures for consideration by the committee.

4. Request for Loans from Collectors:

   • Members who are collectors are asked to loan some of their important pieces to support the exhibitions.

5. Support from Institutions:

   • Heads of college fine arts departments and instructors are asked to arrange for at least one exhibition to be displayed at their institutions.

6. Suggestions and Advice:

   • Members are invited to suggest artists whose works or individuals who might be interested in assisting with the program.

7. Assurances for Lenders:

   • Each exhibit will be insured at the owner’s valuation against all risks while in transit and on display.
   • Acknowledgement of the lender’s generosity will be made, contributing to the success of the program.

8. Closing:

   • The letter emphasizes the value of the members' cooperation and expresses deep gratitude for any help extended.

The sign-off is "Very truly yours," followed by the name "COLLEGE ART ASSOCIATION."

The committee members listed at the top include:

• Mabel Chaote
• Blake More Godwin
• Gertrude Herdle
• A. Philip McMahon
• Audrey F. McMahon
• Everett V. Meeks
• Charles R. Morey
• Duncan Phillips
• Henry Schnakenberg
• Paul J. Sachs
• Lorado Taft

The image shows a letter from the College Art Association, dated June 10, 1930. The letter is addressed to the members of the College Art Association and is headed by the association's name and address: College Art Association of America, New York University, Washington Square East, New York.

The letter begins by informing the members that they hope the May issue of their publication, "Parnassus," reached them in good time and that they have read the account of the Association's traveling exhibitions on page 51. It states that the exhibition program is greatly enlarged for the coming year and requests the cooperation of its members to carry out these plans successfully.

The letter highlights three main areas where members can contribute:

1. Offering artworks: Members are encouraged to submit one or two canvases or sculptures for consideration by the Committee.
2. Loan support: The Association seeks loans from collectors, museums, and any individuals who can lend artworks.
3. Institutional support: Members who are heads of college fine arts departments or instructors can assist by arranging for the display of exhibitions at their respective institutions.

The letter assures that each exhibit will be insured and that the Association will acknowledge the generosity of lenders. It concludes by expressing deep gratitude for any help extended and signing off as "Very truly yours, College Art Association."

The letter lists the members of the Committee on Traveling Exhibitions, including names like Mabel Choate, Blake-More Godwin, and others.

The image shows a letterhead from the College Art Association of America, dated June 10, 1950. The letter is addressed to the members of the College Art Association.

Key points of the letter include:

1. Committee on Traveling Exhibitions: The letter lists several members of the Committee on Traveling Exhibitions, including Mabel Cheate, Blake-More Godwin, and others.

2. Content of the Letter:

   • The letter begins by mentioning that the May Parnassus issue of the association's publication has been sent out and that the article on the traveling exhibitions on page 51 should have reached the members.
   • It outlines the expanded exhibition program for the coming year and requests the cooperation of the members to make these plans successful.
   • The letter highlights that many artists among the members are willing to submit one or two canvases or sculptures for consideration.
   • It also mentions that the association appreciates the support of collectors and museums, encouraging them to lend works and arrange for displays.
   • The letter requests that heads of college art departments and instructors assist by arranging for the display of at least one exhibition at their institutions.
   • Members are asked to suggest artists or others who may be interested in assisting the association.
   • The letter assures that each exhibit will be insured during transit and on display and acknowledges the lenders' generosity.

3. Closing:

   • The letter emphasizes the value of the members' cooperation and expresses deep gratitude for any help extended.

The letter is signed by the College Art Association.

The image shows a letter from the College Art Association of America, dated June 10, 1950. The letter is addressed to the members of the association.

The letter's content can be summarized as follows:

1. Introduction and Background:

   • The letter mentions that the May issue of the association's publication, "May Parnassus," has been sent and contains an account of their traveling exhibitions on page 51.
   • The association's traveling exhibition program is significantly expanded for the upcoming year, and the success of this program depends on the cooperation of its members.

2. Call for Participation:

   • Members are asked to help by submitting one or two canvases or sculptures for consideration by the committee.
   • The letter highlights the association's supporters among the foremost collectors in the country, encouraging them to consider lending works.
   • Members who are directors, curators, or heads of fine arts departments at colleges are asked to assist by displaying exhibitions at their respective institutions.

3. Insurance and Acknowledgement:

   • Each exhibit will be insured against risks while in transit and on display, with the valuation set by the owner.
   • The association acknowledges the generosity of lenders and expresses gratitude for their contributions.

4. Request for Advice:

   • The letter requests members to provide advice by suggesting artists who might be interested in exhibiting their works or others who can assist in the program.

5. Closing:

   • The letter concludes by emphasizing the importance of this cooperation and expresses gratitude for any help extended.

The committee members listed on the letter are:

• Mabel Cheate
• Blake-More Goodwin
• John Greene
• A. Philip McMahon
• Audrey F. McMahon
• Everett V. Meeks
• Charles R. Morey
• Duncan Phillips
• Susan Fellows Platt
• Pancho
• Lurado Taft

The letter is signed by the College Art Association, indicating their commitment to the successful execution of the traveling exhibitions.

This is an image of a typed letter on a letterhead that reads "COLLEGE ART ASSOCIATION OF AMERICA" located at "NEW YORK UNIVERSITY, WASHINGTON SQUARE EAST, NEW YORK." The letter is dated "June 10, 1930" and appears to be addressed "To the Members of the College Art Association."

The letter speaks directly to the members, referring to a May issue of "Parnassus" (probably a publication or newsletter related to the association) and discusses an exhibition program. The letter encourages members to exhibit their works or suggest other artists who might be interested in exhibiting. There's a call for cooperation from various stakeholders, such as collectors, museum directors or curators, college art departments, or instructors, to contribute toward the success of their plans, particularly in displaying works at exhibitions at respective institutions.

Moreover, it mentions insurance for exhibits during transit and display. There is a tone of appreciation at the end, with the assertion that the value of cooperation cannot be overstated and an expression of gratitude for any assistance offered.

The letter is signed, "Very truly yours, COLLEGE ART ASSOCIATION."

The physical condition of the letter suggests age, and there are stains visible, as well as three hole punches on the left side of the page, indicating that it may have been stored in a binder or filing system.

This image shows a typed letter on official letterhead from the College Art Association of America, dated June 10, 1930. The letterhead includes the association's name and address at New York University's Washington Square East, New York.

The letter is addressed "To the Members of the College Art Association:" and discusses the association's traveling exhibitions. The letter mentions the enlargement of the exhibition program for the coming year and requests cooperation from members. It emphasizes the need for artists among the members to submit their work for consideration and notes the involvement of collectors, museum directors, curators, and heads of college fine arts departments. The letter also ensures that exhibits will be insured against risks in transit and on display and expresses gratitude for any assistance from members.

The letter ends with a courteous sign-off: "Very truly yours, COLLEGE ART ASSOCIATION."

The letter shows signs of age, visible through the yellowing and discoloration around the edges, and it is punctuated with evenly spaced holes, suggesting it might have been stored in a binder.

This image shows an aged typewritten letter from the College Art Association of America, dated June 10, 1930, on cream or light brown paper with signs of discoloration or aging. The letterhead at the top reads "COLLEGE ART ASSOCIATION of America" with the address "NEW YORK UNIVERSITY, WASHINGTON SQUARE EAST, NEW YORK" below it.

On the left side, there is a list titled "COMMITTEE ON TRAVELING EXHIBITIONS" with the following names:

• Mabel Choate
• Blake-More Godwin
• Belle da Costa Greene
• A. Philip McMahon
• Audrey F. McMahon
• Everett V. Meeks
• Charles R. Morey
• Duncan Phillips
• Dan Fellows Platt
• Paul J. Sachs
• Lorado Taft

The main body of the letter is addressed "To the Members of the College Art Association" and discusses the association's traveling exhibitions program for the upcoming year, seeking cooperation from members. It mentions support from artists, collectors, directors, curators, and heads of college fine arts departments, encouraging the submission or loan of artworks for exhibition. The letter assures that all exhibits will be insured while in transit and on display and that acknowledgment of lenders' generosity will be made. The letter concludes with gratitude for the cooperation and is signed, "Very truly yours, COLLEGE ART ASSOCIATION."

There are three punch holes on the right margin, indicating the letter may have been stored in a binder. The paper shows uneven fading and discolorations, especially noticeable around the edges and near the letterhead.

The image shows a formal letter dated June 10, 1930, from the College Art Association of America, specifically from the Committee on Traveling Exhibitions at New York University, located at Washington Square East, New York. The letter is addressed to the Members of the College Art Association.

Key Details from the Letter:

1. Purpose of the Letter:

   • The letter discusses the College Art Association's traveling exhibitions program, which is planned to be greatly enlarged for the coming year.
   • It seeks cooperation from members to successfully execute these plans.

2. Call for Participation:

   • Artists: Members who are artists are encouraged to submit one or two canvases or sculptures for consideration by the Committee.
   • Collectors: The letter highlights the importance of support from foremost collectors in the country, who can loan works conveniently.
   • Museum Professionals: Members who are directors or curators of museums, as well as heads of college fine arts departments or instructors, are asked to assist by arranging for the display of at least one exhibition at their respective institutions.

3. Acknowledgment and Insurance:

   • Each exhibit will be insured against all risks during transit and display, at the owner's valuation.
   • Acknowledgment will be made of the lender's generosity in contributing to the success of the program.

4. Gratitude for Cooperation:

   • The letter emphasizes the value of cooperation and expresses deep gratitude for any help extended by members.

5. Committee Members:

   • The letter lists the members of the Committee on Traveling Exhibitions, including:
     • Mabel Choate
     • Blake-More Godwin
     • Belle de Coste Greene
     • A. Philip McMahon
     • Audrey F. McMahon
     • Everett V. Meeks
     • Charles R. Morey
     • Duncan Phillips
     • Dan Fellows Platt
     • Paul J. Sachs
     • Lorado Taft

6. Contextual Information:

   • The letter references a previous document, the May Parnassus, which presumably contains details about the Association's traveling exhibitions on page 51 of the current issue.

Visual Description:

• The document is a typed letter on light brown paper, giving it an aged, historical appearance.
• The text is neatly formatted, with a formal tone appropriate for an official communication.
• The header includes the College Art Association of America logo and the address of New York University.
• The date (June 10, 1930) is prominently displayed at the top right.
• The letter is signed off with the phrase "Very truly yours," followed by the College Art Association.

Overall Impression:

The letter reflects the organizational efforts of the College Art Association in the early 20th century to expand its traveling exhibitions program. It emphasizes collaboration among artists, collectors, museum professionals, and educators to support the arts and promote cultural exchange. The formal tone and structured request for participation underscore the professional and collaborative nature of the Association's work.