Archives Scrapbooks

The image depicts a page from a document titled "BOOK CRITIQUES," dated June 1980. It contains two book reviews:

1. Review of "Agnolo Bronzino" by Arthur McComb:

   • The book is published by Harvard University Press, Cambridge, Massachusetts, in 1978.
   • The review discusses Bronzino's place among academic masters of the cinquecento in Florence.
   • It highlights Bronzino's transition from early Michelangelesque poses to elegant mannerism and his use of allegorical themes.
   • The reviewer praises McComb's monograph for its detailed analysis and comprehensive catalog of Bronzino's works, including authentic and attributed paintings, school pieces, and tapestries.
   • The reviewer notes McComb's clarity and objectivity but also points out some debatable attributions and the need for personal opinion in certain cases.
   • The review concludes by praising the book's completeness and its value as a reference work on Bronzino.

2. Review of "Attic Black-Figure: a Sketch" by J. D. Beazley:

   • The book is published by the British Academy in 1956.
   • The review discusses Beazley's interpretation of the black-figure style of Attic vase-painting.
   • It highlights Beazley's connoisseurship and his ability to attribute works to specific artists.
   • The reviewer praises Beazley's detailed analysis and the inclusion of excellent plates with reproductions of vases.
   • The review concludes by acknowledging Beazley's significant contribution to the field of Attic vase-painting.

The page also includes a handwritten note at the top, which appears to be a signature and date, "June 1980."

The image displays a page from a publication, likely a journal or magazine, with the title 'BOOK CRITIQUES' prominently at the top. The page contains two book reviews. The first review, by William Sener Rusk, critiques 'Agnolo Bronzino' by Arthur McComb, published by Harvard University Press in 1928. The review discusses Bronzino's place in academic art, his development, and the content of the monograph, which includes catalogues of paintings and drawings. The reviewer appreciates the clarity and detail of the study but notes some inconsistencies in the classification of attributed works.

The second review, by H. R. W. Smith, examines 'Attic Black-Figure: A Sketch' by J. D. Beazley, published in 1928. The book is described as an important contribution to the understanding of Attic vase-painting, particularly the black-figure style, and includes illustrations and detailed catalogues. The reviewer praises Beazley's expertise and the book's potential to be a standard reference for the field.

The page is dated June 1930, as handwritten at the top right corner.

The image is of a page from the journal "Arts & Decoration," dated June 1930. It contains two book critiques:

1. Book on Agnolo Bronzino:

   • Author: Arthur McComb
   • Publisher: Harvard University Press, Cambridge, Mass.
   • Year: 1928
   • Price: $7.50
   • Summary: This book by Arthur McComb solidifies Agnolo Bronzino’s place among the eminent painters of the cinquecento. Bronzino is noted for his elegant, polished portraits and the influence of Pontormo, blending Mannerist poses with refined details. McComb's work includes extensive catalogues of authentic and attributed paintings, drawings, tapestries, and lost works, although it misses some of Bronzino’s allegorical pieces. The critique praises McComb’s detailed analysis and clarity but notes a stylistic distance from Bronzino's personal touch.

2. Book on African Art:

   • Title: Africain Figures: a Sketch
   • Author: J. D. Beazley
   • Event: Annual Lecture on Aspects of Art, Henriette Hertz Trust of the British Academy, 1928
   • Publisher: Humphrey Milford, London
   • Year: 1929
   • Price: $2.50
   • Summary: This lecture by J. D. Beazley discusses the interpretation of the black-figured style in Attic vase-painting, drawing parallels with African art. Beazley highlights the work of great masters and their apprentices, noting the influence of Lysippidean and Achilles painters. He also addresses common misconceptions about African art, emphasizing the need to recognize its pathos and humor. The critique appreciates the study for its subtle and sure criticism. The author mentioned at the end of this critique is H. R. W. Smith.

The image is a page from a book review section titled "Book Critiques." It contains two reviews of art-related books.

1. Review of "Agnolo Bronzino" by Arthur McComb:

   • Author: Arthur McComb.
   • Publisher: Harvard University Press, Cambridge, Mass.
   • Publication Year: 1928.
   • Price: $7.50.
   • Description: The review discusses how Agnolo Bronzino is regarded as an academic master of the Cinquecento in Florence. The book provides a detailed study of Bronzino's works, including paintings, drawings, and tapestries. The reviewer notes that the book includes catalogues raisonnés of authentic and attributed works, with an emphasis on Bronzino’s influence on the academic tradition. The reviewer finds the book valuable for its comprehensive catalog and its detailed analysis of Bronzino's contributions to art history. The book is praised for its clarity and thoroughness, though the reviewer mentions some instances where attributions are unclear.

2. Review of "Attic Black-Figure: A Sketch" by J. D. Beazley:

   • Author: J. D. Beazley.
   • Publisher: Annual Lecture on Aspects of Art, Henriette Hertz Trust of the British Academy.
   • Publication Year: 1928.
   • Price: $2.50.
   • Description: This review covers a lecture by J. D. Beazley on Attic black-figured pottery. The reviewer highlights Beazley's expertise in interpreting the black-figured style of Attic vase-painting, providing historical context and appreciating the craftsmanship. The lecture is noted for its detailed attributions and reproductions of various vases, which help in understanding the development of black-figure painting. The reviewer appreciates Beazley's work as a significant contribution to the study of ancient Greek art.

The page also includes a handwritten note dated "June 1930" with the words "Art & Archaeology" written at the top.

The image is a page from a book titled "Book Critiques" published in June 1930. It contains two book reviews:

1. Agnolo Bronzino by Arthur McComb:

   • The book is a comprehensive monograph on Agnolo Bronzino, a prominent artist from the Florentine Mannerist school.
   • The review praises the book for its detailed catalogues raisonnés of Bronzino's authentic paintings and school pieces, as well as its discussions on attributions and catalogues of paintings.
   • McComb's work is noted for its clarity and thoroughness, though some attributions are questioned.
   • The reviewer, William Senior Rusk, mentions the book's detailed examination of Bronzino's works and its contributions to understanding his style and the Mannerist tradition.

2. Attic Black-Figure: A Sketch by J. D. Beazley:

   • This book is an annual lecture on aspects of art, specifically focusing on Attic black-figured pottery.
   • Beazley's work is described as a detailed study and appreciation of Attic vase-painting, which includes an outline of its history and a catalog of works.
   • The review highlights the book's significance in recognizing the contributions of lesser-known vase painters and its wide appeal among connoisseurs.
   • The reviewer, H. R. W. Smith, notes the book's extensive cataloging and the value it provides for those interested in the study of ancient art.

The page also includes bibliographic details for each book, such as publication information, price, and number of plates. The page is signed by the reviewer, William Senior Rusk.

The image displays a page from a publication titled "Book Critiques." The page contains two book reviews written by different authors.

1. Review of Agnolo Bronzino by Arthur McComb:

   • Title: Agnolo Bronzino, by Arthur McComb
   • Publisher: Harvard University Press, Cambridge, Mass., 1928
   • Pages: xx, 173; 61 plates
   • Price: $7.50
   • The review discusses McComb's monograph on Agnolo Bronzino, which is highly regarded for its detailed analysis and catalogues of Bronzino’s works. It covers Bronzino's early years in Florence, his works, and his evolution from a student of Michelangelo to a painter of portraits and religious works. McComb’s work is noted for its clarity and comprehensive approach, with detailed discussions and attributions of Bronzino's pieces.

2. Review of Attic Black-Figure by J. D. Beazley:

   • Title: Attic Black-Figure: A Sketch, by J. D. Beazley
   • Publisher: Annual Lecture on Aspects of Art, Henriette Herz Trust of the British Academy, 1928
   • Volume: Vol. xiv
   • Pages: pp. 50; 16 plates; paper binding
   • Price: $2.50
   • The review discusses Beazley's lecture on aspects of Attic vase-painting, particularly focusing on black-figure style. It highlights Beazley's extensive research and detailed illustrations of the history and appreciation of the black-figure style in ancient Greek art. Beazley's work is noted for its path-finding connoisseurship and thorough examination of the Lysippides and Acheloos painters, providing a comprehensive reference.

The reviews are signed by William Senior Rusk and H. R. W. Smith, respectively. The date in the top right corner of the page is June 1930.

This is an image of a typed document with the heading "BOOK CRITIQUES." The document appears to be a page from a publication, likely a journal or a magazine. At the top right corner, there's a handwritten note that seems to say "Oct - Archaeology - June 1930." The paper shows signs of age, as indicated by its slightly yellowed color and the slight wrinkles or folds.

The text on the page features reviews of scholarly books. The first review details a book by Arthur McComb on Agnolo Bronzino, an Italian Mannerist painter. It provides specific information about the publication, such as the number of plates it includes and the publishing details: "Harvard University Press, Cambridge, Mass. 1928. $7.50."

The critique provides an overview of the book, reflecting on how it situates Bronzino's work in the context of the artistic and intellectual currents of the Renaissance period. It discusses how the book delves into Bronzino's style, subject matter, and influence. There is also a mention of appended bibliographies and certain attributions of artworks.

Lower on the page, another book review begins with references to the author William Shearer Busk, but the rest of the review is cut off at the bottom edge of the document.

This image captures a historical academic discourse, with critiques likely written by a scholar or a critic well-versed in the subjects of art history and archaeology. It indicates the academic practices and discussions of the early 20th century. The typewritten text and layout are consistent with documents produced before the widespread use of modern word processors and desktop publishing.

The image depicts a single-page book critique from a publication in June 1930, as indicated by the handwritten note at the top of the page. The critique covers three books, with detailed analysis and discussion for each.

1. Agnolo Bronzino by Arthur McComb:
   This critique focuses on McComb's monograph about the artist Agnolo Bronzino. The author elaborates on Bronzino's place among the academic masters of the sixteenth century in Florence, noting his progression from influences and preoccupations with previous artists like Pontormo and Michelangelo to his personal style of portraiture. McComb classifies various artworks, highlighting notable pieces and providing insights on artistic rediscovery and classifications.

2. Attic Black-Figure: A Sketch by J.D. Beazley:
   This review is concentrated on Beazley's examination of Attic vase-painting, discussing its history, artistic value, and appreciations. Beazley's book is praised for its meticulous attribution work, the rich illustrations, and the detailed historical context provided.

The critique page includes selections from different scholars and emphasizes the critical reception and academic assessment of the works. The page is hole-punched, likely for insertion into a binder, and shows some aging with discoloration, particularly around the edges.

The image shows a single page from a book or magazine titled "BOOK CRITIQUES." The page contains two detailed critiques or reviews about art books. The reviews are in black printed text on a white or light beige background. The first review discusses a book about Agnolo Bronzino by Arthur McComb, published by Harvard University Press in 1928, focusing on the artist's work and the quality of the monograph. The second review is about "Attic Black-Figure: a Sketch" by J. D. Beazley, published in 1929, which explores black-figured style Attic vase-painting.

At the top right corner of the page, there is a handwritten note in cursive ink that says "Art & Archaeology" followed by "June 1930," indicating the publication or review date. The page has three hole punches on the left side, suggesting it was once part of a binder or folder. There are some minor brownish stains or discoloration marks on the page, especially near the edges.

The image depicts a page from a book or publication titled "BOOK CRITIQUES". The page appears to be from a scholarly or academic review section, discussing various works of art and literature. The content is formatted in a structured, typographic style typical of academic journals or art criticism publications.

Key Observations:

1. Title and Header:

   • The page is titled "BOOK CRITIQUES", indicating that it contains reviews or critiques of books.
   • At the top right, there is a handwritten note: "Art & Archaeology June 1930", suggesting the publication date and subject matter.

2. Content Layout:

   • The page is divided into several sections, each reviewing different books or works.
   • The text is dense and formatted in a columned layout, typical of academic journals.

3. Reviewed Works:

   • The first review is titled "Agno Bronzino. By Arthur McComb. Pp. xx, 173. 61 Plates. Harvard University Press, Cambridge, Mass. 1928. $7.50."

     • This review discusses a monograph on the artist Agnolo Bronzino, authored by Arthur McComb. The review highlights the book's value as a reference work, its comprehensive catalog of Bronzino's works, and its contributions to understanding the artist's place in the Renaissance and Baroque periods.
     • The reviewer, H. R. W. Smith, praises the clarity of McComb's writing and the book's detailed bibliography but notes some challenges in attributing certain works.

   • The second review is titled "Attic Black-Figured: A Sketch. By J. D. Beazley. Annual Lecture on the Aspects of Art, Henriette Hertz Trust of the British Academy, 1928. Vol. xxx. Pp. 50; 10 plates; paper binding. Humphrey Milford, London. 1929. $2.50."

     • This review discusses a lecture by J. D. Beazley on Attic black-figure painting. The reviewer appreciates Beazley's expertise and the lecture's value as a concise overview of the subject, though they suggest it may be more suited for specialists due to its specialized focus.

4. Typography and Formatting:

   • The text is printed in a serif font, consistent with academic publications of the early 20th century.
   • Subheadings, such as the titles of the books being reviewed, are bolded or emphasized for clarity.
   • The page includes page numbers, citations, and references, indicating a scholarly tone.

5. Handwritten Note:

   • In the top right corner, there is a handwritten note: "Art & Archaeology June 1930", which likely indicates the issue or volume of the publication.

Overall Impression:

The page is a well-organized and scholarly critique of two books, reflecting the academic and artistic discourse of the early 20th century. It combines detailed analysis, critical evaluation, and references to other works, making it a valuable resource for readers interested in art history and criticism. The inclusion of both a monograph on a Renaissance artist and a lecture on ancient Greek art suggests a broad scope of interest in art history across different periods.