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ARCH.2003.25, Rendition: 794029
The image depicts a portrait of John Roberts, painted by Richard Wilson. The portrait is presented in a sepia-toned style, suggesting it may be a historical photograph of an older image. The text below the portrait provides context about the painting and its donation to the Fogg Museum of Art at Harvard University in 1930. It mentions that the painting was given to the museum by Robert C. Vose of Boston, who contributed several masterpieces of the English school to the museum's exhibition in May 1930. The text also notes that the painting is part of the museum's permanent collection and attests to the fine craftsmanship of Wilson, who is referred to as a pioneer British landscape artist. The year "1930" is handwritten at the bottom of the image.
This image is a sepia-toned reproduction of a portrait painting titled "Portrait of John Roberts," created by the artist Richard Wilson. The portrait depicts a man dressed in formal attire typical of the 18th century. He is wearing a dark coat, a white shirt, and a cravat, with his shirt sleeves rolled up. The man has a stern expression, with his mouth slightly open, and his gaze is directed towards the viewer. The background is dark, which highlights the subject and his clothing.
Below the portrait is a caption providing information about the artwork. It mentions that the portrait was given to the Fogg Museum of Art at Harvard University by Robert C. Vose of Boston. The text also notes that Robert C. Vose lent several masterpieces of the English school to the museum's great English exhibition in May 1930. The caption further states that the portrait attests to the fine craftsmanship of Richard Wilson, who is generally known as a pioneer British landscape artist. The year "1930" is mentioned at the bottom right corner of the image.
This image is a vintage, sepia-toned printed clipping, likely from a newspaper or museum newsletter, dated "1930" in handwritten script at the bottom.
It features a reproduction of a portrait painting of a man identified in the caption as John Roberts. He is depicted in a formal, three-quarter pose, looking directly at the viewer with a serious expression. He has dark hair, a high forehead, and is dressed in early 19th-century attire: a dark coat with a high collar and a voluminous, elaborately tied white cravat. The background of the portrait is dark and plain, which makes the subject stand out.
Below the portrait is a printed caption that provides historical context:
PORTRAIT OF JOHN ROBERTS, by Richard Wilson.
It was given to the Fogg Museum of Art, Harvard University, by Robert C. Vose of Boston, who lent several masterpieces of the English school to the museum’s great English exhibition of May, 1930. In the permanent collection at the Fogg Museum it attests the fine craftsmanship of Wilson, generally known as a pioneer British landscape artist.
This text clarifies that the portrait was painted by Richard Wilson, a renowned British landscape painter, and was donated to the Fogg Museum of Art at Harvard University by Robert C. Vose of Boston. The donation was connected to a major exhibition of English art held in May 1930. The caption notes the irony that Wilson, famous for landscapes, also demonstrated exceptional skill in portraiture.
In summary, the image is a historical document commemorating the acquisition of Richard Wilson’s “Portrait of John Roberts” by the Fogg Museum, highlighting its significance as a rare portrait by an artist primarily celebrated for landscapes.
A vintage photograph of a man named John Roberts, who is dressed in a white shirt and a black coat. The photograph is displayed on a white background with a black border. The image is accompanied by a description of the photograph, which reads, "Portrait of John Roberts, by Richard Wilson. It was given to the Fogg Museum of Art, Harvard University, by Robert C. Vose of Boston, who lent several masterpieces of the English school to the museum's great English exhibition of May, 1930."
The image shows a portrait of John Roberts by Richard Wilson. The portrait is in black and white, and it is printed on a piece of paper. The paper has a border around it. The portrait shows a man wearing a coat and a white shirt underneath. The man has a serious expression on his face. The portrait is accompanied by a description of the portrait and the artist.
The image shows a framed portrait of a man named John Roberts, painted by Richard Wilson. The portrait is a formal depiction, featuring the subject in period attire, including a white shirt and a dark jacket. The background is dark, which contrasts with the subject's lighter clothing, drawing attention to his face and upper body. The portrait is presented within a simple, rectangular frame with a light border, giving it a classic and formal appearance.
Below the portrait, there is a descriptive caption that provides context about the artwork. The text reads:
"PORTRAIT OF JOHN ROBERTS, by Richard Wilson. It was given to the Fogg Museum of Art, Harvard University, by Robert C. Vose of Boston, who lent several masterpieces of the English school to the museum's great English exhibition of May, 1930. In the permanent collection at the Fogg Museum it attests the fine craftsmanship of Wilson, generally known as a pioneer British landscape artist. 1930."
The caption explains that the portrait was donated to the Fogg Museum of Art at Harvard University by Robert C. Vose of Boston. It also highlights that the painting is part of the museum's permanent collection and emphasizes Richard Wilson's reputation as a pioneering British landscape artist. The year "1930" is noted at the bottom of the caption, likely indicating the year of the exhibition or donation. The overall presentation suggests the portrait is part of a historical or academic collection, reflecting the artistic and cultural significance of the subject and the artist.
The image is a newspaper clipping featuring a portrait of John Roberts by Richard Wilson, with a caption that reads:
PORTRAIT OF JOHN ROBERTS, by Richard Wilson. It was given to the Fogg Museum of Art, Harvard University, by Robert C. Vose of Boston, who lent several masterpieces of the English school to the museum's great English exhibition of May, 1930. In the permanent collection at the Fogg Museum it attests the fine craftsmanship of Wilson, generally known as a pioneer British landscape artist.
The clipping is in sepia tone and features a portrait of a man in a dark jacket and white shirt, set against a dark background. The clipping is placed on a light gray background.
This image is a newspaper clipping featuring a portrait of John Roberts by Richard Wilson. The clipping includes a caption that reads: "PORTRAIT OF JOHN ROBERTS, by Richard Wilson. It was given to the Fogg Museum of Art, Harvard University, by Robert C. Vose of Boston, who lent several masterpieces of the English school to the museum's great English exhibition of May, 1930. In the permanent collection at the Fogg Museum it attests the fine craftsmanship of Wilson, generally known as a pioneer British landscape artist."
The clipping is dated 1930 and features a sepia-toned photograph of the painting, which depicts a man in a dark jacket and white shirt. The background of the image is a light gray color.
The image is a sepia-toned newspaper clipping featuring a portrait of John Roberts, painted by Richard Wilson. The clipping is rectangular in shape and has a worn, aged appearance.
Overall, the image presents a historical newspaper clipping that showcases a portrait of John Roberts, painted by Richard Wilson. The caption provides context and information about the artwork, while the background adds a subtle contrast to the clipping.
The image presents a vintage newspaper clipping featuring a portrait of John Roberts, created by Richard Wilson. The clipping is set against a light gray background.
In summary, the image showcases a vintage newspaper clipping featuring a portrait of John Roberts by Richard Wilson, accompanied by a descriptive caption that provides context about the artwork's origin and significance.