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ARCH.2003.25, Rendition: 794018
The image is a photograph of a document that contains articles and images related to Japanese folk paintings and prints, specifically from the exhibition at the Fogg Art Museum at Harvard University in 1930. The document appears to be a collection of newspaper articles or notices from the "Post" and "Herald" dated May 24 and 25, 1930. It features detailed descriptions of the artworks, such as an eagle from a folk painting. The eagle is depicted with a detailed, almost ornamental, style, and the text describes the broad, vigorous treatment of the painting compared to the delicacy of Ukiyo-e prints. The document also contains information about the loan exhibition of Otsu-e, a type of Japanese folk painting, and mentions the lenders of the collection, including Muneyoshi Yanagi, N. Miura, and T. Yamamoto. The bottom of the document includes a note about the Fogg Art Museum's opening hours and a list of special exhibitions, including a loan exhibition of drawings, an exhibition of watercolors, a peasant painting in Japan, and 18th-century English painting.
This image is a scanned document featuring news clippings from two different newspapers, dated May 1930. The clippings are focused on an exhibition at the Fogg Art Museum in Harvard University showcasing primitive Japanese art prints. The document appears to be a compilation of two separate articles, each with its own photograph of a Japanese folk painting of an eagle, and a caption that identifies the art as "Otsu-e prints." The text discusses the significance of these prints, their origins from the village of Otsu near Kyoto, and their rarity and value as early examples of Japanese peasant paintings. The articles highlight the exhibition's educational value for students of Oriental art and provide details about the museum's opening hours and ongoing exhibitions. The document has been hole-punched for filing and has handwritten notations indicating the dates of the newspapers from which the clippings were taken.
This image is a scanned page from a newspaper or press clippings collection, dated May 24–25, 1930. It is a clipping from the Boston Post and Boston Herald, detailing an exhibition at the Fogg Art Museum at Harvard University.
The page features articles and reproductions about a Loan Exhibition of Japanese Folk Painting, specifically focusing on rare Otsu-e prints from the 17th–18th centuries.
1. Headline & Main Image (Left Side):
2. Headline & Main Image (Right Side):
3. Main Article: “Interesting Japanese Prints Shown In Fogg Art Museum at Harvard”
4. Sidebar / Boxed Text:
The page celebrates the introduction of Otsu-e — a largely unknown, rustic, and humorous form of Japanese folk art — to a Western audience. It highlights the cultural significance of the exhibition and acknowledges the pioneering role of Muneyoshi Yanagi and the Mingei (folk craft) movement in preserving and promoting non-elite Japanese art forms.
The newspaper layout with multiple sources and clippings suggests this was likely compiled for archival purposes, perhaps by the museum or the press office of the university.
This clipping is a valuable historical artifact documenting early 20th-century cross-cultural art appreciation and the efforts to bring Japanese folk traditions to Western institutions.
The image appears to be a clipping from an old newspaper or magazine article. The article discusses an exhibition of Japanese folk paintings at the Fogg Art Museum at Harvard University. The article provides details about the exhibition, which features paintings from the village of Otsu near Kyoto, Japan.
The article mentions that the paintings are from the 17th century and are characterized by their broad, vigorous treatment in contrast to the delicacy of the Ukiyo-e prints. The exhibition is described as offering an unusual opportunity for students of Oriental Art to view many fine examples of Otsu folk painting.
The article also includes a photograph of one of the paintings, which depicts an eagle. The article notes that the eagle is a dignified symbol in Japanese culture, representing a sense of dignity and uprightness.
Overall, the article provides an informative overview of the exhibition and the unique qualities of the Japanese folk paintings on display.
The image shows a newspaper clipping from May 24, 1930, featuring an article about an exhibition of Japanese folk painting at the Fogg Art Museum. The clipping is part of a scrapbook and includes two sections of the newspaper article.
The first section, titled "Japanese Folk Painting at Fogg," discusses an exhibition of Japanese folk painting made in the village of Otsu near Kyoto. The article highlights the broad, vigorous treatment of the paintings, contrasting them with the delicacy of the Ukiyo-e school of Japanese art. It mentions that these paintings are characterized by their naiveté and sense of humor, and they are forerunners of Japanese prints of the XVIII century. The Fogg Art Museum is fortunate to hold an exhibition of such fine examples of Otsu folk painting, offering an unusual opportunity to students of Oriental art.
The second section, titled "Primitive Japanese Art Print," features an article about interesting Japanese prints shown at the Fogg Art Museum. It mentions that the exhibition includes prints from the villages of Otsu, Hokusai, and Utagawa Kunisada, among others. The article also notes that the museum is open to the public daily from 10 a.m. to 5 p.m., except Sundays, and that there is a current exhibition of watercolor drawings.
The clipping includes two images: one of a Japanese peasant painting on the left and another of an eagle print on the right. The images are in black and white and appear to be reproductions of the original artworks. The text is written in a serif font and is organized into paragraphs with headings. The clipping is attached to the scrapbook with two metal rings, indicating that it is part of a collection of similar items.
The image is a scanned page from a newspaper or magazine dated May 24, 1930, featuring an article titled "Interesting Japanese Prints Shown In Fogg Art Museum at Harvard." The article discusses an exhibition of Japanese folk paintings and prints at the Fogg Art Museum, highlighting the unique and rare nature of the displayed works.
Layout:
Illustrations:
Left Illustration (Japanese Folk Painting):
Right Illustration (Primitive Japanese Art Print):
Text Content:
Additional Details:
The image presents a historical snapshot of an art exhibition at the Fogg Art Museum, showcasing rare Japanese folk paintings and prints from the 17th century. The detailed illustrations and descriptive text highlight the cultural and artistic significance of these works, emphasizing their uniqueness and the museum's role in preserving and showcasing such treasures. The layout and design reflect the style of early 20th-century print media, with clear headings, illustrations, and informative captions.
This image appears to show two newspaper clippings from May 1930 that feature articles about Japanese art prints. The dates on each clipping are noted at the top-right corner of their respective pages. Both articles discuss exhibitions of Japanese prints; specifically, they mention the Fogg Art Museum at Harvard University.
On the left, the heading "Japanese Folk Painting at Fogg" is followed by an image of a Japanese folk art print depicting a robust, darkly colored rooster with patterned feathers. The article beneath the illustration discusses the broad and vigorous treatment of the subjects in these types of paintings and mentions that these are from the collection of Mueyonsei Yanagi, which was on exhibit at the Fogg Art Museum at that time.
On the right, the heading "PRIMITIVE JAPANESE ART PRINT" precedes another image of a bird, this time a more stylized and dignified eagle from an otate print, which is notable for its contrasting detail and simplicity. The article titled "Interesting Japanese Prints Shown In Fogg Art Museum at Harvard" gives a brief overview of the collection, mentioning that these works are from the Mueyonsei Yanagi collection as well. The article speaks to the uniqueness of the collection and the artistic value of the prints being showcased.
Both articles contribute to an understanding of the appreciation and scholarly interest in Japanese art within Western cultural institutions during the early 20th century. The newspaper pages also show signs of aging, including discoloration, and have been filed with holes punched on their left margins, likely for archiving in a binder.
This image is a scrapbook page featuring newspaper clippings dated around May 1930. The clippings highlight the exhibition of Japanese folk art, specifically peasant paintings of the 17th century, at the Fogg Art Museum at Harvard University.
The page includes:
Two large clippings with illustrations of a dignified eagle, showing a distinctive and bold style of Japanese peasant art.
An article titled "Interesting Japanese Prints Shown In Fogg Art Museum at Harvard" by F.W. Coburn, discussing the characteristics of the exhibited prints, the background of their creation, and the generosity of several individuals that made the exhibition possible.
An additional smaller clipping titled "Fogg Art Museum" that provides details of the Loan Exhibition of Otsu paintings, noting the broad, vigorous treatment of the peasant paintings and their notable characteristics like strong sense of humor and bold lines.
Handwritten dates on the page indicate:
These clippings are organized neatly on the page with apparent holes punched on the left side for placement in a binder or scrapbook.
The image shows a page with two newspaper clippings and two smaller printed text blocks related to an exhibition of Japanese folk painting at the Fogg Art Museum.
The left clipping is titled "Japanese Folk Painting at Fogg" and includes a black-and-white image of an eagle, described as a detail from Japanese peasant paintings of the 17th century. The text praises the broad, vigorous treatment and naive sense of humor in these works. It references an exhibition at the Fogg Art Museum featuring prints from Otsu, near Kyoto, with mention of important figures like Mr. Muneyoshi Yanagi, N. Miura, and T. Yamamoto. This clipping is from the "Post," dated May 25, 1930, as handwritten above.
The right clipping is titled "Primitive Japanese Art Print" and includes the same eagle image, described as a dignified eagle from Otsu prints in Japan exhibited for the first time in the United States. The article, by F.W. Coburn, talks about interesting Japanese prints shown at the Fogg Art Museum at Harvard, mentioning several artists and the significance of the exhibition. It discusses the unique style of these prints, their themes, and their rarity. This clipping comes from the "Herald," dated May 24, 1930, as handwritten above.
Below the left clipping is a typed note titled "FOGG ART MUSEUM" explaining the exhibition and the importance of the prints on loan from Otsu. It emphasizes the rarity and significance of these early peasant paintings and mentions the generosity of the lenders.
Below the right clipping is a smaller text block providing details about the Fogg Art Museum's public visiting hours and noting that the exhibition includes various types of traditional Japanese art along with an English painting.
Handwritten notes appear at the top and bottom of the page, indicating the sources and dates of the clippings: "Post, May 25, 1930," "Herald, May 24, 1930," "Gazette, May 24, 1930," and "Post, May 25." The page itself has two punched holes on the left side for filing.