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Fogg Art Museum Scrapbook, January 1929-December 1931

ARCH.2003.25, Rendition: 794005

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The image shows a newspaper article with several sections and a photograph. The article appears to be discussing various art exhibits and lectures related to English art, focusing on the works of Benjamin West and Sir Anthony Van Dyck. The text mentions the Fogg Museum at Harvard, which features an exhibition of English paintings and a lecture by Professor Chauncey B. Tinker on English art. The article also discusses a portrait of Isabella, Lady de La Warr, painted by Van Dyck, which is now part of the Museum of Fine Arts collection. Additionally, there is an illustration at the bottom of a painting titled "An Old Hulk" by J.M.W. Turner, dated 1775-1851, which is part of the same exhibition. The newspaper is aged, with a yellowed appearance, and has visible creases and stains, indicating it may be a vintage clipping.

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The image is a scanned page from a newspaper or magazine, featuring multiple columns of text with a focus on art and historical topics. The page is divided into several sections, each with its own headline and body text. Here is a detailed description of the content:

Left Column:

  1. Headline: "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibit of Masters at Fogg Museum, Harvard"

    • The article discusses a portrait canvas by Benjamin West, an American-born artist who became the second president of the British Royal Academy. It mentions the painting's significance in linking English and American art and its inclusion in an exhibition at the Fogg Museum.
    • The article is written by Albert Franz Cochrane and provides historical context about West's life, his artistic journey, and the impact of his work on other artists.
  2. Subsection: "When Stuart Was Penniless and Discouraged"

    • This subsection appears to be a brief anecdote or quote about an artist named Stuart, who was helped by another artist, West, during a time of financial hardship.
  3. Subsection: "Benjamin West's Place in Art"

    • This section discusses the critical opinions about Benjamin West's place in art history, highlighting the divided views on his significance but acknowledging his unique role in American art.

Middle Column:

  1. Headline: "Prof. Tinker to Lecture on English Art at Fogg"

    • This section announces a lecture by Professor Chauncey B. Tinker of Yale University on 18th-century English painting, to be held at the Fogg Museum. The lecture is titled "When Stuart Was Penniless and Discouraged" and is scheduled for Monday, May 12, at 4:30 P.M.
  2. Image: "An Old Hulk," by J.M.W. Turner (1775-1851)

    • There is a black-and-white image of a watercolor painting by J.M.W. Turner, depicting an old ship. The caption mentions that the painting is part of the exhibition of English art at the Fogg Museum, Harvard, and includes a pencil sketch of the same subject.

Right Column:

  1. Headline: "Van Dyck’s Lady de La Warr for Museum"

    • This article discusses a full-length portrait of Isabella, Lady de La Warr, painted by Sir Anthony Van Dyck. The painting has been acquired by the Museum of Fine Arts and is now hanging in the Hamilton Palace Room. The article provides background information about the painting, its subject, and its acquisition.
  2. Subsection: "A Comely Subject"

    • This subsection describes the subject of the painting, a young woman of distinguished lineage and great beauty, and the artistic qualities of the work.
  3. Subsection: "A Young and Not Inconsolable Widow"

    • This subsection discusses the portrait's admiration by a distinguished English critic, Sir Lionel Cust, and its listing in his monumental work on Van Dyck. It also mentions the painting's historical and artistic significance.

The page is well-organized with clear headings and subheadings, making it easy to read and follow the different sections. The inclusion of the image of Turner's painting adds a visual element to the text-heavy page.

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This image displays a collection of aged, yellowed newspaper clippings mounted on a light-colored, possibly off-white or beige, background board. The clippings are arranged in a slightly staggered, overlapping fashion, with three main articles visible.

Here is a description of the content of each visible article:


Left Article:

  • Headline: "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibit of Masters at Fogg Museum, Harvard" by Albert Franz Cochran.
  • Summary: This article discusses an exhibition at the Fogg Museum at Harvard, focusing on the painting "Portrait of Robert Auriol Hay Drummond, ninth Earl of Kinnoull" by American artist Benjamin West. The piece, created during West's time in England, is highlighted for its significance in connecting English and colonial American art. The article recounts West's biography, his success as a painter in London, his role as a mentor to other American artists, and his eventual return to the United States. It also touches on the importance of English art on American artists like West and notes that the exhibition includes seven paintings by Turner and other significant works. The article ends by describing West's place in art history as a bridge between the two traditions.

Right Article:

  • Headline: "Van Dyck's Lady de La Warr for Museum"
  • Summary: This article details the acquisition of Sir Antony Van Dyck's portrait of "Lady de La Warr, painted by Sir Anthony Van Dyck" for the museum. It explains that the painting was acquired by the museum through the Hamilton Palace Fund and was a gift from Mrs. Fredric L. Bromley. The piece is noted as one of the major gifts to the museum. The article describes the painting as a "comely subject" portraying a young woman in a dark dress with a white lace collar, her left hand extended while her right hand rests on her hip. Her pose is described as relaxed and gracious. The background features a "characteristic treatment of foliage and landscape vistas." The text notes that the subject, Lady de La Warr, is the daughter of Sir Thomas Edmonds and was married in 1642 to Thomas West, 11th Baron De La Warr. The article concludes by noting that the portrait, previously owned by the Sackville-West family, is considered by the author to be "in my opinion one of the best."

Bottom Center Article:

  • Headline: A small, centered piece titled "Prof. Tinker to Lecture on English Art at Fogg".
  • Summary: This is an announcement for a lecture by Professor Chauncey B. Tinker of Yale University. He will give a lecture on "Eighteenth Century English Painting as Illustrated in Current Loan Exhibition" on May 12th at 4:30 P.M. in the large lecture hall of the Fogg Art Museum, open to the public.

Additional Features:

  • Between the left and right articles, a small captioned image appears to be a black-and-white reproduction of an early watercolor by Turner, titled “An Old Hall,” with text noting it is "Belong[s] to the Fogg Museum Collection by Anonymous Gift."
  • Below the left article, there is a section titled "Benjamin West’s Place in Art," which begins with the sentence, "Critical opinion is quite asunder in the estimation of Benjamin West as an artist..."
  • The overall presentation suggests a scrapbook or historical collection, preserving articles about significant art acquisitions and exhibitions from a specific period, likely the early to mid-20th century, given the style of the newspaper and the mention of the Fogg Museum's activities.

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This image is of a newspaper clipping. The clipping is from the Harvard Crimson, dated March 12, 1928. The clipping contains several articles related to the Fogg Museum at Harvard University.

The main article is titled "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibition of Masters at Harvard". It discusses an exhibition of paintings by the English painter Benjamin West at the Fogg Museum. The article describes West's career and influence, highlighting his portrait of Robert Audley Hay Drummond as one of the most notable works in the exhibition.

The clipping also contains other articles related to the Fogg Museum and English art, including:

  • "Prof. Tinker to Lecture on English Art at Fogg Museum" - an announcement of a lecture by Professor Chauncey B. Tinker on English art.

  • "A Portrait of Isabella Edmands Countess of La Warre by Van Dyck" - an article about a portrait by Van Dyck in the Fogg Museum collection.

  • "A Young and Not Inconsolable Widow" - an article about a portrait by Lionel Cust of Isabella Edmands, Countess of La Warre.

  • An image of an old painting titled "An Old Hulk" by J.M.W. Turner.

The clipping provides an interesting glimpse into the history of the Fogg Museum and the exhibition of English art at Harvard University in the late 1920s.

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The image shows a newspaper clipping with several articles on the left side and a picture of a ship on the right side. The articles discuss various topics, including the exhibition of English art at the Fogg Museum, Harvard, the portrait of Robert Audley Hay by Sir Thomas Lawrence, and the portrait of Isabella by Anthony Van Dyck. The ship in the picture is titled "An Old Hulk" by J.M.W. Turner and is part of the Fogg Museum collection. The clipping appears to be from a newspaper, with the articles written in a black font on a white background.

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The image is a scanned page from a newspaper or magazine article discussing an art exhibition. The page is titled "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibition of Masters at Fogg Museum, Harvard" and is authored by Albert Franz Cochrene. The article is divided into two main sections, each accompanied by illustrations and captions.

Left Section: "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibition of Masters at Fogg Museum, Harvard"

This section discusses an exhibition of English and American colonial art at the Fogg Museum, Harvard. Key points include:

  1. Introduction to the Exhibition:

    • The article highlights the significance of a portrait canvas by West that connects the period of great English painting with colonial American art.
    • The exhibition features works by notable artists such as Robert West, Thomas Drummond, John Hay, Thomas Earl Kinne, James Drummond, James West, James Remington, James Chilion Chilion, and Lawrence Tinker.
    • The exhibition is described as a "portrait canvas of an American Academy of Painting," showcasing the evolution of art in both England and America.
  2. Details About the Artists and Their Works:

    • Robert West is noted as a historical and portrait painter, a court painter and unofficial advisor in the Royal Academy, and a founder of the Royal Academy.
    • Thomas Drummond is mentioned as an artist who studied under West and was a significant figure in the early days of the Royal Academy.
    • John Hay is described as a portrait painter who held his own as an artist, with notable works including portraits of prominent figures.
    • James Chilion Chilion and Lawrence Tinker are also featured, with Tinker being noted for his interest in the subject of art and his lectures on English art at Harvard.
  3. Exhibition Highlights:

    • The article emphasizes the historical and artistic significance of the exhibition, noting that it includes works from the 16th to the 18th century.
    • It mentions a discussion on the whole series of portraits, with a focus on the "little views and sketches" by John Hay, which provide insight into the artist's technique and style.
  4. Critical Analysis:

    • The article critiques the exhibition, noting that it is "not even workable industry" but rather a "textbook" of colonial American art.
    • It discusses the works of Benjamin West, a significant figure in the history of American art, and his influence on the development of painting in America.

Right Section: "Van Dyck's Lady de La Warr for Museum"

This section focuses on a portrait by Anthony van Dyck of Isabella Lady de La Warr, which is being considered for acquisition by the Fogg Museum. Key points include:

  1. Description of the Portrait:

    • The portrait is described as a "full-length portrait of Isabella Lady de La Warr," painted by Anthony van Dyck.
    • It is noted as one of the finest examples of van Dyck's work, showcasing his skill in capturing the subject's grace and elegance.
  2. Historical Context:

    • The portrait is part of the Handlin Collection, which was donated to the Fogg Museum during her lifetime.
    • The article mentions that the portrait was one of the last gifts Isabella Lady de La Warr received before her death.
  3. Van Dyck's Style:

    • The portrait is praised for its "rare ease and lace-trimmed beauty," with the subject portrayed in a graceful pose.
    • The background features a characteristic landscape, with the subject's hand extended in a gesture that reflects van Dyck's mastery of composition.
  4. Exhibition and Acquisition:

    • The article notes that the portrait has always remained in the Handlin Collection and is now being considered for acquisition by the Fogg Museum.
    • It highlights the historical and artistic value of the portrait, emphasizing its importance in the study of van Dyck's work and the period it represents.

Additional Elements:

  • Illustrations:

    • The page includes several small illustrations, such as a portrait of Isabella Lady de La Warr by van Dyck and a sketch of Benjamin West by John Hay.
    • These images are accompanied by captions that provide context and detail about the artworks.
  • Other Content:

    • The bottom of the page includes a smaller article titled "An Early Stuart Was Prone", which discusses an oil painting by J. M. W. Turner (1776–1851), depicting an early Stuart period scene.
    • There is also a mention of a "Young and Not Inconceivable Widow" by van Dyck, described as a distinguished English admiral's wife.

Overall Impression:

The page is a detailed and informative article that combines art criticism, historical context, and exhibition highlights. It provides readers with insights into the significance of the artworks featured, the artists involved, and the broader cultural and historical context of the period. The inclusion of illustrations and captions enhances the reader's understanding of the visual elements discussed.

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The image presents a page from an old newspaper or magazine, featuring a prominent article about an art exhibit at the Fogg Museum in Harvard. The article is accompanied by a photograph of a painting titled "An Old Hulk" by J.M.W. Turner.

  • Article Title and Content
    • The article is titled "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibit of Masters at Fogg Museum, Harvard."
    • It discusses the exhibit's significance, highlighting the connection between English and American art.
    • The article mentions the inclusion of works by notable artists such as Benjamin West and John Singleton Copley.
  • Photograph of "An Old Hulk"
    • The photograph showcases a painting by J.M.W. Turner, titled "An Old Hulk."
    • The painting depicts a shipwreck scene, with the vessel lying on its side in the water.
    • The image is likely a reproduction of the original painting, which is part of the Fogg Museum's collection.
  • Additional Text and Information
    • The page also includes additional text and information about the exhibit, including the names of other artists featured and the dates of the exhibit.
    • There are also some advertisements and other articles on the page, but they are not as prominent as the main article and photograph.

In summary, the image provides a glimpse into an art exhibit at the Fogg Museum in Harvard, featuring a range of works by English and American artists. The main article discusses the significance of the exhibit, while the photograph showcases a notable painting by J.M.W. Turner.

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The image presents a newspaper clipping featuring an article about the Fogg Museum's exhibition of English paintings. The clipping is divided into two columns, with the left column titled "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibit of Masters at Fogg Museum, Harvard" and the right column titled "Van Dyck's Lady de La Warr for Museum."

The article discusses the significance of the exhibition, which showcases a collection of English paintings from the 18th century. The author highlights the importance of the exhibition in linking the period of great English painting with colonial American art. The article also mentions the inclusion of a portrait canvas by Benjamin West, which is considered one of the most important works in the exhibition.

In addition to the article, the clipping includes a photograph of a painting titled "An Old Hulk" by J.M.W. Turner, which is part of the exhibition. The photograph provides a visual representation of the artwork and allows readers to appreciate its beauty and significance.

Overall, the newspaper clipping provides valuable information about the Fogg Museum's exhibition of English paintings and highlights the importance of this event in the art world. It is a valuable resource for art enthusiasts and historians who are interested in learning more about the exhibition and its significance.

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The image is a scanned newspaper page featuring an article about an art exhibition at the Fogg Museum, Harvard.

The article is titled "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibit of Masters at Fogg Museum, Harvard" and is written by Albert Franz Coehran. The article discusses the significance of a portrait canvas by Benjamin West, a prominent American artist, and its connection to the colonial American art period.

The page is yellowed and has two holes punched at the top, indicating that it was once part of a binder or scrapbook. The text is in black ink and is arranged in a formal, newspaper-style layout. There are several other articles and advertisements on the page, including one about a lecture by Professor Tinker on English art at the Fogg Museum.

At the bottom of the page, there is a black-and-white image of a painting titled "An Old Hulk," by J.M.W. Turner (1775-1851). The painting depicts a shipwreck on a rocky coastline, with a figure standing on the shore in the foreground. The overall design of the page suggests that it is from a newspaper or magazine published in the early 20th century.

The background of the image is a plain gray color, which helps to highlight the details of the newspaper page.

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The image presents a vintage newspaper clipping, likely from the early 20th century, featuring a collection of articles and reviews related to art exhibitions. The clipping is yellowed with age and has a rectangular shape with a rough texture.

Newspaper Clipping:

  • The clipping is divided into several sections, each containing a different article or review.
  • The top section features a headline that reads "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibit of Masters at Fogg Museum, Harvard."
  • The article discusses the work of Benjamin West, an American artist who was active in England during the 18th century.
  • Another section includes a review of an exhibition of English art at the Fogg Museum, Harvard, which features works by various artists, including Van Dyck.
  • A smaller inset article is titled "Van Dyck's Lady de La Warr for Museum" and provides information about a portrait by Anthony Van Dyck that has been acquired by the museum.
  • A third section features an article titled "Prof. Tinker to Lecture on English Art at Fogg," which announces a lecture by Professor Chauncey B. Tinker on English art.
  • At the bottom of the clipping, there is a black-and-white photograph of a painting titled "An Old Hulk" by J.M.W. Turner.

Background:

  • The background of the image is a light gray color, which provides a neutral backdrop for the newspaper clipping.
  • The clipping appears to be attached to a white sheet of paper using two holes punched at the top, suggesting that it may have been part of a scrapbook or binder.

Overall, the image provides a glimpse into the art world of the early 20th century, highlighting the work of notable artists and exhibitions of the time.