Archives Scrapbooks

The image shows a newspaper article with several sections and a photograph. The article appears to be discussing various art exhibits and lectures related to English art, focusing on the works of Benjamin West and Sir Anthony Van Dyck. The text mentions the Fogg Museum at Harvard, which features an exhibition of English paintings and a lecture by Professor Chauncey B. Tinker on English art. The article also discusses a portrait of Isabella, Lady de La Warr, painted by Van Dyck, which is now part of the Museum of Fine Arts collection. Additionally, there is an illustration at the bottom of a painting titled "An Old Hulk" by J.M.W. Turner, dated 1775-1851, which is part of the same exhibition. The newspaper is aged, with a yellowed appearance, and has visible creases and stains, indicating it may be a vintage clipping.

The image is a scanned page from a newspaper or magazine, featuring multiple columns of text with a focus on art and historical topics. The page is divided into several sections, each with its own headline and body text. Here is a detailed description of the content:

Left Column:

1. Headline: "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibit of Masters at Fogg Museum, Harvard"

   • The article discusses a portrait canvas by Benjamin West, an American-born artist who became the second president of the British Royal Academy. It mentions the painting's significance in linking English and American art and its inclusion in an exhibition at the Fogg Museum.
   • The article is written by Albert Franz Cochrane and provides historical context about West's life, his artistic journey, and the impact of his work on other artists.

2. Subsection: "When Stuart Was Penniless and Discouraged"

   • This subsection appears to be a brief anecdote or quote about an artist named Stuart, who was helped by another artist, West, during a time of financial hardship.

3. Subsection: "Benjamin West's Place in Art"

   • This section discusses the critical opinions about Benjamin West's place in art history, highlighting the divided views on his significance but acknowledging his unique role in American art.

Middle Column:

1. Headline: "Prof. Tinker to Lecture on English Art at Fogg"

   • This section announces a lecture by Professor Chauncey B. Tinker of Yale University on 18th-century English painting, to be held at the Fogg Museum. The lecture is titled "When Stuart Was Penniless and Discouraged" and is scheduled for Monday, May 12, at 4:30 P.M.

2. Image: "An Old Hulk," by J.M.W. Turner (1775-1851)

   • There is a black-and-white image of a watercolor painting by J.M.W. Turner, depicting an old ship. The caption mentions that the painting is part of the exhibition of English art at the Fogg Museum, Harvard, and includes a pencil sketch of the same subject.

Right Column:

1. Headline: "Van Dyck’s Lady de La Warr for Museum"

   • This article discusses a full-length portrait of Isabella, Lady de La Warr, painted by Sir Anthony Van Dyck. The painting has been acquired by the Museum of Fine Arts and is now hanging in the Hamilton Palace Room. The article provides background information about the painting, its subject, and its acquisition.

2. Subsection: "A Comely Subject"

   • This subsection describes the subject of the painting, a young woman of distinguished lineage and great beauty, and the artistic qualities of the work.

3. Subsection: "A Young and Not Inconsolable Widow"

   • This subsection discusses the portrait's admiration by a distinguished English critic, Sir Lionel Cust, and its listing in his monumental work on Van Dyck. It also mentions the painting's historical and artistic significance.

The page is well-organized with clear headings and subheadings, making it easy to read and follow the different sections. The inclusion of the image of Turner's painting adds a visual element to the text-heavy page.

This image displays a collection of aged, yellowed newspaper clippings mounted on a light-colored, possibly off-white or beige, background board. The clippings are arranged in a slightly staggered, overlapping fashion, with three main articles visible.

Here is a description of the content of each visible article:

Left Article:

• Headline: "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibit of Masters at Fogg Museum, Harvard" by Albert Franz Cochran.
• Summary: This article discusses an exhibition at the Fogg Museum at Harvard, focusing on the painting "Portrait of Robert Auriol Hay Drummond, ninth Earl of Kinnoull" by American artist Benjamin West. The piece, created during West's time in England, is highlighted for its significance in connecting English and colonial American art. The article recounts West's biography, his success as a painter in London, his role as a mentor to other American artists, and his eventual return to the United States. It also touches on the importance of English art on American artists like West and notes that the exhibition includes seven paintings by Turner and other significant works. The article ends by describing West's place in art history as a bridge between the two traditions.

Right Article:

• Headline: "Van Dyck's Lady de La Warr for Museum"
• Summary: This article details the acquisition of Sir Antony Van Dyck's portrait of "Lady de La Warr, painted by Sir Anthony Van Dyck" for the museum. It explains that the painting was acquired by the museum through the Hamilton Palace Fund and was a gift from Mrs. Fredric L. Bromley. The piece is noted as one of the major gifts to the museum. The article describes the painting as a "comely subject" portraying a young woman in a dark dress with a white lace collar, her left hand extended while her right hand rests on her hip. Her pose is described as relaxed and gracious. The background features a "characteristic treatment of foliage and landscape vistas." The text notes that the subject, Lady de La Warr, is the daughter of Sir Thomas Edmonds and was married in 1642 to Thomas West, 11th Baron De La Warr. The article concludes by noting that the portrait, previously owned by the Sackville-West family, is considered by the author to be "in my opinion one of the best."

Bottom Center Article:

• Headline: A small, centered piece titled "Prof. Tinker to Lecture on English Art at Fogg".
• Summary: This is an announcement for a lecture by Professor Chauncey B. Tinker of Yale University. He will give a lecture on "Eighteenth Century English Painting as Illustrated in Current Loan Exhibition" on May 12th at 4:30 P.M. in the large lecture hall of the Fogg Art Museum, open to the public.

Additional Features:

• Between the left and right articles, a small captioned image appears to be a black-and-white reproduction of an early watercolor by Turner, titled “An Old Hall,” with text noting it is "Belong[s] to the Fogg Museum Collection by Anonymous Gift."
• Below the left article, there is a section titled "Benjamin West’s Place in Art," which begins with the sentence, "Critical opinion is quite asunder in the estimation of Benjamin West as an artist..."
• The overall presentation suggests a scrapbook or historical collection, preserving articles about significant art acquisitions and exhibitions from a specific period, likely the early to mid-20th century, given the style of the newspaper and the mention of the Fogg Museum's activities.

This image is of a newspaper clipping. The clipping is from the Harvard Crimson, dated March 12, 1928. The clipping contains several articles related to the Fogg Museum at Harvard University.

The main article is titled "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibition of Masters at Harvard". It discusses an exhibition of paintings by the English painter Benjamin West at the Fogg Museum. The article describes West's career and influence, highlighting his portrait of Robert Audley Hay Drummond as one of the most notable works in the exhibition.

The clipping also contains other articles related to the Fogg Museum and English art, including:

• "Prof. Tinker to Lecture on English Art at Fogg Museum" - an announcement of a lecture by Professor Chauncey B. Tinker on English art.

• "A Portrait of Isabella Edmands Countess of La Warre by Van Dyck" - an article about a portrait by Van Dyck in the Fogg Museum collection.

• "A Young and Not Inconsolable Widow" - an article about a portrait by Lionel Cust of Isabella Edmands, Countess of La Warre.

• An image of an old painting titled "An Old Hulk" by J.M.W. Turner.

The clipping provides an interesting glimpse into the history of the Fogg Museum and the exhibition of English art at Harvard University in the late 1920s.

The image shows a newspaper clipping with several articles on the left side and a picture of a ship on the right side. The articles discuss various topics, including the exhibition of English art at the Fogg Museum, Harvard, the portrait of Robert Audley Hay by Sir Thomas Lawrence, and the portrait of Isabella by Anthony Van Dyck. The ship in the picture is titled "An Old Hulk" by J.M.W. Turner and is part of the Fogg Museum collection. The clipping appears to be from a newspaper, with the articles written in a black font on a white background.

The image is a scanned page from a newspaper or magazine article discussing an art exhibition. The page is titled "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibition of Masters at Fogg Museum, Harvard" and is authored by Albert Franz Cochrene. The article is divided into two main sections, each accompanied by illustrations and captions.

Left Section: "A Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibition of Masters at Fogg Museum, Harvard"

This section discusses an exhibition of English and American colonial art at the Fogg Museum, Harvard. Key points include:

1. Introduction to the Exhibition:

   • The article highlights the significance of a portrait canvas by West that connects the period of great English painting with colonial American art.
   • The exhibition features works by notable artists such as Robert West, Thomas Drummond, John Hay, Thomas Earl Kinne, James Drummond, James West, James Remington, James Chilion Chilion, and Lawrence Tinker.
   • The exhibition is described as a "portrait canvas of an American Academy of Painting," showcasing the evolution of art in both England and America.

2. Details About the Artists and Their Works:

   • Robert West is noted as a historical and portrait painter, a court painter and unofficial advisor in the Royal Academy, and a founder of the Royal Academy.
   • Thomas Drummond is mentioned as an artist who studied under West and was a significant figure in the early days of the Royal Academy.
   • John Hay is described as a portrait painter who held his own as an artist, with notable works including portraits of prominent figures.
   • James Chilion Chilion and Lawrence Tinker are also featured, with Tinker being noted for his interest in the subject of art and his lectures on English art at Harvard.

3. Exhibition Highlights:

   • The article emphasizes the historical and artistic significance of the exhibition, noting that it includes works from the 16th to the 18th century.
   • It mentions a discussion on the whole series of portraits, with a focus on the "little views and sketches" by John Hay, which provide insight into the artist's technique and style.

4. Critical Analysis:

   • The article critiques the exhibition, noting that it is "not even workable industry" but rather a "textbook" of colonial American art.
   • It discusses the works of Benjamin West, a significant figure in the history of American art, and his influence on the development of painting in America.

Right Section: "Van Dyck's Lady de La Warr for Museum"

This section focuses on a portrait by Anthony van Dyck of Isabella Lady de La Warr, which is being considered for acquisition by the Fogg Museum. Key points include:

1. Description of the Portrait:

   • The portrait is described as a "full-length portrait of Isabella Lady de La Warr," painted by Anthony van Dyck.
   • It is noted as one of the finest examples of van Dyck's work, showcasing his skill in capturing the subject's grace and elegance.

2. Historical Context:

   • The portrait is part of the Handlin Collection, which was donated to the Fogg Museum during her lifetime.
   • The article mentions that the portrait was one of the last gifts Isabella Lady de La Warr received before her death.

3. Van Dyck's Style:

   • The portrait is praised for its "rare ease and lace-trimmed beauty," with the subject portrayed in a graceful pose.
   • The background features a characteristic landscape, with the subject's hand extended in a gesture that reflects van Dyck's mastery of composition.

4. Exhibition and Acquisition:

   • The article notes that the portrait has always remained in the Handlin Collection and is now being considered for acquisition by the Fogg Museum.
   • It highlights the historical and artistic value of the portrait, emphasizing its importance in the study of van Dyck's work and the period it represents.

Additional Elements:

• Illustrations:

  • The page includes several small illustrations, such as a portrait of Isabella Lady de La Warr by van Dyck and a sketch of Benjamin West by John Hay.
  • These images are accompanied by captions that provide context and detail about the artworks.

• Other Content:

  • The bottom of the page includes a smaller article titled "An Early Stuart Was Prone", which discusses an oil painting by J. M. W. Turner (1776–1851), depicting an early Stuart period scene.
  • There is also a mention of a "Young and Not Inconceivable Widow" by van Dyck, described as a distinguished English admiral's wife.

Overall Impression:

The page is a detailed and informative article that combines art criticism, historical context, and exhibition highlights. It provides readers with insights into the significance of the artworks featured, the artists involved, and the broader cultural and historical context of the period. The inclusion of illustrations and captions enhances the reader's understanding of the visual elements discussed.

The image displays an aging newspaper page. The page is slightly yellowed by time and shows some creases, indicating it has been folded or handled extensively. It contains several columns of text, suggesting these are article excerpts or full articles. The text size is quite small and dense, typical of printed newspapers.

At the center of the page, there is a black-and-white image featuring a maritime scene, which is a reproduction of an artwork. The caption under the artwork reads: "'An Old Billy,' by J. M. W. Turner (1775-1851). An Early Water Color of a Packet Beating to the Quayside of Calais at the Time When Turner Psalmist Mused on the Transformation of Anchises at the Ferryman's Collection by Anonymous Gift." This caption attributes the artwork to the famous British painter J. M. W. Turner and describes the subject of the scene.

The newspaper seems to contain various articles related to art history or museum exhibitions, as suggested by the headings and content in view. There are references to portraits, lectures on English art, and specific artworks, indicating a focus on fine art and possibly an educational or cultural publication context.

The image shows an old newspaper clipping. The clipping contains three columns of text and a black and white image at the bottom. The text appears to be reporting on topics related to English painting and art exhibitions at the Fogg Museum at Harvard. The left column features an article titled "Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibit of Masters at Fogg Museum, Harvard". The middle column contains a heading "Van Dyck's Lady de La Warr for Museum". The right column's heading reads "Prof. Tinker to Lecture on English Art at Fogg", and it discusses a lecture by Professor Chauncey B. Tinker on English art history.

The black and white image at the bottom features a painting titled "An Old Hull" by J.M.W. Turner, showcasing an old marine vessel. Below this, there is a caption that explains the painting and its inclusion in the exhibition of English art at the Fogg Museum, highlighting its significance. The newspaper clipping is mounted on a white background sheet with three punch holes at the top, suggesting it may have been stored in a binder. The edges of the clipping are slightly discolored, indicating its age.

The image shows a single sheet of aged, light-brown paper that looks like a collage of vintage newspaper clippings about art. The clippings are arranged in several narrow columns with small serif text and a few headlines visible, such as references to West, Van Dyck, and lectures on English art. There are small illustrations or engravings embedded in the columns, and at the bottom center is a reproduction of a Turner painting titled something like “An Old Hull” with a harbor scene and ships. The sheet has two small punched holes near the top edge, suggesting it was once kept in a binder. Overall it looks like a retro art-clipping page mounted on a light background.

This is an old newspaper or article clipping, formatted in multiple columns. The article's title, "Portrait Canvas by West Links the Period of Great English Painting with Colonial American Art in Exhibit of Masters at Fogg Museum, Harvard," is prominent in the top left. It's accompanied by a smaller subheading or subtitle on the right titled "Van Dyck’s Lady de L’ Étang for Museum." The text is dense and structured in a serif typeface.

Towards the bottom of the clipping, a black-and-white image is included. It depicts a painting or artwork, featuring a shipwreck scene, likely by J. M. W. Turner, titled "An Old Hulks," with captions providing details about the piece. There are two hole-punch marks at the top on the document, suggesting it may have been part of a binder. The aged paper is yellow-brown, indicative of its age.