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ARCH.2003.25, Rendition: 793977
This image appears to be a scanned page containing several printed notices and a handwritten note, likely from the early 20th century. Here's a breakdown of the content:
Top Section:
Middle and Bottom Sections:
The page appears to be part of a scrapbook or a collection of memorabilia, possibly related to art, literature, and cultural events in 1930.
This image appears to be a page from a scrapbook or a collection of clippings and notes related to art and publications from April 1930. The page contains several sections:
International Studio: A note dated April, 1930, mentions an article by Henry Russell Hitchcock, Jr., titled "Italian Baroque Art at Hartford." It highlights two artworks: "Two Boys Playing Cards" by Caravaggio and "Saint Jerome" by Ribera, both lent by the Fogg Art Museum.
Harvard Publications: A list of books published by Harvard University Press since November 30, 1929. The list includes various titles such as "Santal Folk Tales, Volume III" by Boddington P. O., "The Great Investment" by Thomas H. Briggs, and "The Development of Harvard University, 1869-1929" edited by Samuel E. Morison, among others.
Bulletin of the Museum of Fine Arts: A note dated April, 1930, refers to an article about Crivelli in the Bulletin of the Museum of Fine Arts, volume XXVIII, number 166, page 1.
Fogg Art Museum Information: Two notes dated April 2, 1930, and April 6, 1930, provide information about the Fogg Art Museum, located at the corner of Quincy Street and Broadway in Cambridge. The museum is open weekdays from 9 to 5 and Sundays from 1 to 5, with free admission. The notes mention special exhibitions, including etchings by Rembrandt van Rijn, early Chinese pottery and rubbings of Chinese stone of the Han dynasty from the Charles Bain Hoyt collection, and a loan exhibition of drawings.
The page is beige with three hole punches on the right side, suggesting it was part of a binder. The text is typed and some parts are handwritten.
This image displays a single, aged, off-white page from a scrapbook or archive, likely from April 1930. The page has three punched holes along its right edge, suggesting it was stored in a binder. It is composed of several pasted-on clippings of typewritten and printed text on various shades of yellowed paper.
The content is organized into distinct sections, documenting publications and museum activities from that period.
Top Section:
Middle-Left Section:
Middle-Right Section:
Bottom Section:
Overall Significance:
This scrapbook page serves as a historical record of cultural and academic output in April 1930, centered around Harvard University and its affiliated institutions (especially the Fogg Art Museum). It documents scholarly publications, museum exhibitions, and art criticism, reflecting the intellectual and artistic interests of the era. The inclusion of articles mentioning specific artworks (like those by Caravaggio and Ribera) and the details about the Fogg’s exhibitions highlight a vibrant art scene centered in Cambridge, Massachusetts.
The image shows a two-page document from April 5, 1930. The left page is titled "INTERNATIONAL STUDIO" and includes an article by Henry Russell Hitchcock, Jr., about Italian Baroque Art at the Hartford Museum. It mentions "Two Boys Playing Cards" by Caravaggio and "Saint Jerome" by Ribera, lent by the Fogg Art Museum. The right page lists Harvard publications since November 30, 1929, including books on various topics such as folk tales, sculpture, and poetry. There is also a bulletin from the Museum of Fine Arts, Boston, mentioning an article about Crivelli and a loan exhibition of Chinese drawings. The document concludes with information about the Fogg Art Museum's hours and upcoming exhibitions.
The image shows a page from a bulletin or newsletter, likely from the 1930s, based on the date mentioned on the page. The page is divided into two main sections, with the top section featuring an article titled "ITALIAN BAROQUE ART AT HARTFORD" by Henry Russell Hitchcock, Jr. The article mentions "Two Boys Playing Cards" by Caravaggio and "Saint Jerome" by Ribera, both lent by the Fogg Art Museum.
The bottom section of the page lists various books published by Harvard University Press since November 30, 1929. The list includes titles such as "Sanskrit Folk Tales, Volume III" by P.O. Bodding, "The Great Investment" by Thomas H. Briggs, "The Sculpture of the Nike Temple Parapet" by Rhys Carpenter, and many others.
The page also includes some additional information, such as the address of the Fogg Art Museum and the dates of its opening hours. The overall design of the page is simple and straightforward, with a clean layout and easy-to-read typography.
The image shows a scanned page from a publication or document dated April 5, 1930. The page appears to be a compilation of various articles, announcements, and references, likely from academic or art-related sources. Here's a detailed breakdown of the content:
The image depicts a page from an academic or art-related publication dated April 5, 1930. It includes an article about Italian Baroque art at Hartford by Henry Russell Hitchcock, Jr., a list of Harvard University Press publications from late 1929, and details about exhibitions and bulletins from the Fogg Art Museum and the Museum of Fine Arts. The page serves as a summary of cultural and academic events and publications from that time.
The image shows a piece of paper with a list of publications from Harvard University Press, including the title, author, and publication date. The paper is yellowed and has a hole punch on the right side, suggesting it may be a page from a binder or folder.
Overall, the image appears to be a page from a binder or folder that contains information about publications from Harvard University Press and the International Studio magazine. The page provides a list of articles and books published by these organizations, along with their publication dates and authors.
This image is a scanned page from an old document, featuring a collection of typed and printed text on yellowed paper. The page appears to be a compilation of various articles and publications related to art, with a focus on the Harvard University Press.
Top Section:
The top section of the page contains a typed article titled "INTERNATIONAL STUDIO" dated April 1930. The article discusses an exhibition at the Fogg Art Museum, featuring works by Henry Russell Hitchcock Jr., including "Italian Baroque Art at Hartford" and "Two Boys Playing Cards" by Caravaggio and "Saint Jerome" by Ribera.
Middle Section:
Below the article, there is a list of Harvard Publications, including books published by the Harvard University Press since November 30, 1929. The list includes titles such as "Bodding, P. O.: Santal Folk Tales, Volume III" and "Briggs, Thomas H.: The Great Investment."
Right Section:
On the right side of the page, there is a bulletin from the Museum of Fine Arts, dated April 1930, which discusses an article about Crivelli.
Bottom Section:
At the bottom of the page, there are two small inserts with text that appears to be related to the Fogg Art Museum. One insert mentions an exhibition of Chinese pottery and rubbings, while the other discusses a loan exhibition of drawings.
Overall, this image provides a glimpse into the world of art and academia in the early 20th century, highlighting the importance of publications and exhibitions in shaping our understanding of art and culture.
The image depicts a document featuring a collection of clippings and notes related to art and publications from April 1930.
The document is a cream-colored sheet of paper with three punch holes on the right side, indicating that it was once part of a binder or folder. The paper appears aged, with a yellowish tint and visible creases.
The document contains three clippings, each with a distinct topic and date.
Additionally, there are handwritten notes on the document, including dates and postmarks.
Overall, the document provides a snapshot of the art world in April 1930, highlighting notable publications, exhibitions, and events.
The image presents a scanned document, likely a page from a binder or folder, featuring various typed and handwritten notes, as well as printed inserts. The document is divided into sections, each containing distinct information.
In summary, the document appears to be a collection of notes and inserts related to art, publications, and museum exhibitions from April 1930. It includes references to specific articles, artworks, and events, suggesting that it may have been used for research or organizational purposes.