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This image is a historical newspaper clipping from the April 6, 1930, edition of the New York Times. It features several works of art, with captions identifying each piece. The works are part of the Naumburg Collection of paintings from the Italian, Spanish, and Flemish schools, which were bequeathed to the Fogg Museum of Art at Harvard University by Mrs. Nettie Goldsmith Naumburg, the widow of Aaron Naumburg, a manufacturer and philanthropist.

Here is a description of the artworks shown in the image:

1. Top Left Panel: "The Oldenburg Rembrandt: Portrait of an Old Man" - This is a portrait of an older man, likely by an artist associated with Rembrandt, as indicated by the caption.

2. Top Right Panel: "A Holy Family" - This painting is attributed to Murillo, depicting the Holy Family with Jesus, Mary, and possibly an angel.

3. Bottom Left Panel: "Portrait of a Man" - This portrait is by Frans Hals, known for his portraits of the Dutch Golden Age.

4. Bottom Right Panel: "Portrait of His Wife" - This is by Peter Paul Rubens, depicting his wife, also a common subject for Rubens.

5. Bottom Center Panel: "Driving the Money Changers Out of the Temple" - This painting is by El Greco, depicting a scene from the New Testament where Jesus drives the money changers from the Temple.

6. Bottom Right Panel: "Part of the Room Which Is to Be Preserved Intact" - This shows the setting of the room where the collection was housed, including paintings, tapestries, and other artworks.

The article accompanying the images discusses the bequest and the plans for housing the collection at Harvard University. It highlights that the collection includes works by significant artists such as Rembrandt, El Greco, Rubens, Frans Hals, and Murillo.

This is a vintage news feature from the New York Times dated April 6, 1930, titled "Masterpieces From the Naumburg Collection of Paintings of the Italian, Spanish and Flemish Schools, Bequeathed to the Fogg Museum of Art at Harvard University." The article discusses a recent bequest of paintings from the late Mrs. Nettie Goldsmith Naumburg to the Fogg Museum of Art at Harvard University. The bequest includes a collection of paintings, tapestries, jewels, and textiles to be housed in the original room setting from New York where the collection was displayed. The article mentions that Mrs. Naumburg provided $100,000 for the transportation, housing, and maintenance of the collection at the museum.

The page features six images of paintings by prominent artists such as Rembrandt, Frans Hals, El Greco, and Peter Paul Rubens:

1. Top Left: "The Oldenburg Rembrandt: Portrait of an Old Man" by Rembrandt, one of the famous canvases of the master.
2. Top Right: "A Holy Family" by Bartolomé Esteban Murillo.
3. Middle Left: "Portrait of a Man" by Frans Hals.
4. Middle Right: "Portrait of His Wife" by Peter Paul Rubens.
5. Bottom Left: "Driving the Money Changers Out of the Temple" by El Greco.
6. Bottom Right: "Part of the Room Which Is to Be Preserved Intact," showing the original setting for the collection which is to be taken to Cambridge.

The article is accompanied by a photograph of the room where the collection was originally displayed, emphasizing the significance of preserving the room's original setting.

This image displays a vintage, sepia-toned newspaper page, specifically from The New York Times, dated April 6, 1930. The page is titled “Masterpieces From the Naumburg Collection of Paintings of the Italian, Spanish and Flemish Schools, Bequeathed to the Fogg Museum of Art at Harvard University.”

The page is laid out as a photo-essay or special feature, combining several large, high-quality photographic reproductions of famous oil paintings with a central block of explanatory text.

Content Breakdown:

Headline & Central Text:

• The main headline announces a significant bequest from Mrs. Nettie Goldsmith Naumburg (widow of Aaron Naumburg, a New York manufacturer and philanthropist) to the Fogg Museum of Art at Harvard University.
• The gift includes paintings, tapestries, jewels, and textiles, with a $100,000 donation specifically for the construction of proper foundations and transportation of the collection from New York to Cambridge.
• The text notes that the collection (assembled in New York) will be re-erected in the museum in Cambridge and used for lectures, receptions, and scholarly purposes.
• It names Rembrandt, El Greco, Rubens, Frans Hals, and Murillo as the most important artists represented.

Paintings Reproduced:

There are six images arranged in a grid:

1. Top Left: “The ‘Oldenburg Rembrandt’ — Portrait of an Old Man”

   • A powerful, dark-toned portrait of a bearded, elderly man, identified as one of the famous canvases by Rembrandt.
   • The name “Oldenburg” may refer to its prior ownership or location.

2. Top Right: “A Holy Family” by Murillo

   • A tender religious scene depicting the Virgin Mary, Saint Joseph, and the Christ Child with John the Baptist, rendered in soft, glowing tones characteristic of the Spanish Baroque master.

3. Middle Left: “Portrait of a Man” by Frans Hals

   • A dynamic, energetic portrait of a man with a dark beard and a crisp white ruff collar — a signature style of the Dutch Golden Age painter.

4. Middle Right: “Portrait of His Wife” by Peter Paul Rubens

   • An elegant, full-length portrait of a woman in lavish, flowing Baroque dress, likely Helena Fourment, Rubens’ second wife, known for her frequent appearances in his work.

5. Bottom Left: “Driving the Money Changers Out of the Temple” by El Greco

   • A dramatic, crowded scene filled with swirling figures and elongated forms, set in a temple interior — characteristic of El Greco’s expressive, spiritual style.

6. Bottom Right: “Part of the Room Which Is to Be Preserved Intact”

   • An architectural interior view of the room in Cambridge where the collection will be housed. It features wood-paneled walls, an ornate tapestry or altarpiece hanging above a table, and a formal, museum-like setting that reflects the period’s collecting practices.

Overall Impression:

This page is a historical artifact documenting a major cultural donation to an American university in the early 20th century. It’s designed to showcase the prestige of the bequest by presenting high-quality reproductions of world-renowned masterpieces alongside a narrative that highlights both the philanthropy and the artistic significance of the collection. The presentation style, with its large-scale images and authoritative text, aims to educate and impress the public, reflecting the New York Times’ role in promoting cultural institutions at the time.

The page appears to be part of a bound archive or collection, as evidenced by the three hole punches on the left margin.

The image is of a newspaper clipping with a sepia tone. The clipping has three images and text on the bottom. The first image is of an old man with a long beard. The second image is of a family with a baby. The third image is of a woman with a flower in her hair. The text on the bottom is about a collection of paintings from the Italian, Spanish, and Flemish schools bequeathed to the Fogg Museum of Art at Harvard University.

The image shows a vintage newspaper clipping with several illustrations and text. The clipping is from the New York Times, dated April 1910. It features four illustrations of paintings and portraits, along with accompanying text describing the artworks and their significance. The illustrations depict various subjects, including portraits of individuals, religious scenes, and historical events. The text provides context and information about the artists, the origins of the paintings, and their historical and cultural importance. The clipping likely serves as an article or feature about the artworks, showcasing their artistic and historical value.

The image is a vintage advertisement or promotional poster featuring a collection of artworks. It is titled "Masterpieces From the Naumburg Collection of Paintings of the Italian, Spanish and Flemish Schools, Bequeathed to the Fogg Museum of Art at Harvard University." The poster is designed as a collage of six distinct artworks, each accompanied by a caption identifying the piece and its artist. Here is a detailed description of each section:

Top Row:

1. Left Panel:

   • Title: "The 'Oldenberg Rembrandt' Portrait of an Old Man"
   • Artist: Attributed to Rembrandt.
   • Description: A portrait of an elderly man with a long, flowing beard and a stern expression. He is dressed in dark, period-appropriate clothing, suggesting a historical or aristocratic figure. The style is characteristic of Rembrandt's portraiture, with dramatic lighting and rich textures.

2. Right Panel:

   • Title: "A Holy Family"
   • Artist: Not explicitly named, but likely a Renaissance or Baroque work.
   • Description: A religious scene depicting the Holy Family—Mary, Joseph, and the Christ Child. Mary is holding the infant Jesus, while Joseph stands beside them, offering support. The composition is tender and intimate, with soft lighting and a warm, familial atmosphere.

Middle Row:

3. Left Panel:

   • Title: "Portrait of a Man"
   • Artist: Peter Paul Rubens.
   • Description: A portrait of a man with a short, curly beard and a composed expression. He is dressed in elaborate 17th-century attire, including a high-collared garment and a lace collar, reflecting the opulence of the Baroque period. The style is characteristic of Rubens' portraiture, with rich detail and a sense of grandeur.

4. Right Panel:

   • Title: "Portrait of His Wife"
   • Artist: Peter Paul Rubens.
   • Description: A portrait of a woman, likely the spouse of the man in the adjacent portrait. She is elegantly dressed in period clothing, with a delicate lace collar and a composed, serene expression. The style is consistent with Rubens' work, emphasizing grace and refinement.

Bottom Row:

5. Left Panel:

   • Title: "Driving the Money Changers Out of the Temple"
   • Artist: Peter Paul Rubens.
   • Description: A dynamic and dramatic scene depicting Jesus driving the money changers from the Temple. The composition is lively, with multiple figures in motion, showcasing Rubens' mastery of movement and emotion. The scene is set in a grand architectural space, emphasizing the historical and religious significance of the event.

6. Right Panel:

   • Title: "Part of the Room Which Is to Be Preserved Intact. The Setting for the Collection Which Is in the Fogg Museum in Cambridge"
   • Description: An interior view of a room, likely part of a museum or gallery space. The room features ornate furniture, including a large wooden table with intricate carvings, decorative wall panels, and framed artworks. The setting suggests a carefully curated environment designed to preserve and display the collection, highlighting the importance of the artworks in their historical and cultural context.

Overall Design and Context:

• The poster is formatted as a grid of six images, each showcasing a different artwork from the Naumburg Collection.
• The text at the top indicates that the collection was bequeathed to the Fogg Museum of Art at Harvard University by Mrs. Nettie Goldmith Naumburg, the widow of Aaron Naumburg, a manufacturer and philanthropist.
• The advertisement highlights the historical and artistic significance of the collection, emphasizing its value to the museum and the public.
• The overall aesthetic is reminiscent of early 20th-century promotional materials, with a focus on classical and Baroque art, and the poster serves as both an advertisement and an educational piece, inviting viewers to appreciate the masterpieces in the collection.

This image effectively combines visual art with textual information to celebrate the legacy of the Naumburg Collection and its contribution to the Fogg Museum.

The image presents a collection of six paintings from the Naumburg Collection, accompanied by a brief description of the collection and its significance.

• Top-left painting:
  • Title: "Portrait of an Old Man"
  • Artist: Rembrandt
  • Description: A portrait of an elderly man with a long white beard.
• Top-right painting:
  • Title: "A Holy Family"
  • Artist: Murillo
  • Description: A depiction of the Holy Family, featuring Mary, Joseph, and Jesus.
• Middle-left painting:
  • Title: "Portrait of a Man"
  • Artist: Rembrandt
  • Description: A portrait of a man with a serious expression.
• Middle-right painting:
  • Title: "Portrait of a Woman"
  • Artist: Murillo
  • Description: A portrait of a woman with a gentle expression.
• Bottom-left painting:
  • Title: "Visiting the Money Changers Out of the Temple"
  • Artist: Rembrandt
  • Description: A scene depicting Jesus driving the money changers out of the temple.
• Bottom-right painting:
  • Title: "Part of the Room Where Is to Be Preserved Intact"
  • Artist: Murillo
  • Description: A painting of a room, likely part of a larger work.

The Naumburg Collection is a significant collection of paintings from the Italian, Spanish, and Flemish schools, bequeathed to the Fogg Museum of Art at Harvard University. The collection includes works by renowned artists such as Rembrandt and Murillo, showcasing their mastery of portraiture and religious themes. The collection's significance lies in its representation of the artistic styles and techniques of the time, providing valuable insights into the cultural and historical context of the era.

The image presents a vintage newspaper clipping featuring a collection of paintings from the Naumburg Collection, which was bequeathed to the Fogg Museum of Art at Harvard University. The clipping is dated April 6, 1930, and it showcases six paintings in total.

Paintings:

• Top Left: A portrait of an old man with a long white beard, titled "The 'Oldenburg' Rembrandt."
• Top Right: A painting depicting the Holy Family, titled "A Holy Family, by Murillo."
• Middle Left: A portrait of a man, titled "Portrait of a Man, by Franz Hals."
• Middle Right: A painting of a woman, titled "Portrait of His Wife, by Rubens Paul Rubens."
• Bottom Left: A painting titled "Driving the Money Changers Out of the Temple, by B. Greuze."
• Bottom Right: A painting titled "Part of the Room Which Is to Be Preserved Intact, The Setting for the Collection Which Is to Be Taken to Cambridge."

Article:

The article accompanying the paintings provides information about the Naumburg Collection and its significance. It mentions that the collection was bequeathed to the Fogg Museum of Art by Mrs. Netta Goldsmith Naumburg, widow of Aaron Naumburg, manufacturer and philanthropist of New York. The article also notes that the collection includes paintings, tapestries, jewels, and textiles, which were housed in rooms where they were assembled in New York.

Conclusion:

In conclusion, the image presents a fascinating glimpse into the Naumburg Collection, which is now part of the Fogg Museum of Art at Harvard University. The paintings showcased in the clipping demonstrate the diversity and richness of the collection, and the article provides valuable context about the history and significance of the collection.

The image is a scanned or photographed page from an old newspaper, specifically the New York Times, dated April 6, 1930. The page features a collection of sepia-toned images showcasing various artworks.

• Newspaper Clipping
  • The clipping is from the New York Times, dated April 6, 1930.
  • It is titled "Masterpieces From the Naumburg Collection of Paintings of the Italian, Spanish and Flemish Schools, Bequeathed to the Fogg Museum of Art at Harvard University."
  • The article discusses a bequest made by Mrs. Nette Naumburg to Harvard University, which includes a collection of paintings, tapestries, jewels, and textiles.
  • The bequest is valued at $100,000 and is intended to support the Fogg Museum of Art.
• Artworks Featured
  • The page features six artworks, including:
    • A portrait of an old man by Rembrandt
    • A holy family by Murillo
    • A portrait of a man by Frans Hals
    • A portrait of his wife by Paul Cézanne
    • "Driving the Money Changers Out of the Temple" by El Greco
    • A room in the Fogg Museum of Art, showcasing the Naumburg collection
• Statistics and Information
  • The bequest is valued at $100,000.
  • The collection includes paintings, tapestries, jewels, and textiles.
  • The artworks are from the Italian, Spanish, and Flemish schools.

In summary, the image is a scanned or photographed page from the New York Times, dated April 6, 1930, featuring a collection of sepia-toned images showcasing various artworks from the Naumburg collection, which was bequeathed to the Fogg Museum of Art at Harvard University. The article discusses the bequest and its significance, highlighting the value and importance of the artworks included.

The image presents a vintage newspaper clipping featuring six photographs of artwork, accompanied by a central article. The clipping is set against a light blue background.

• Top-left photograph:
  • A portrait of an older man with a long white beard and hair.
  • The title "Portrait of an Old Man" is written below the image.
• Top-right photograph:
  • A depiction of the Holy Family, consisting of Mary, Joseph, and Jesus.
  • The title "A Holy Family" is written below the image.
• Middle-left photograph:
  • A portrait of a man with a beard and ruff.
  • The title "Portrait of a Man" is written below the image.
• Middle-right photograph:
  • A sculpture of a woman's head.
  • The title "Portrait of His Wife" is written below the image.
• Bottom-left photograph:
  • An illustration of people driving money changers out of the temple.
  • The title "Driving the Money Changers Out of the Temple" is written below the image.
• Bottom-right photograph:
  • A picture of a room with a large tapestry on the wall.
  • The title "Part of the Room Which Is to Be Preserved Intact" is written below the image.
• Central article:
  • The article discusses the Naumburg Collection of Paintings, which has been bequeathed to the Fogg Museum of Art at Harvard University.
  • The collection includes works by notable artists such as Rembrandt, El Greco, Rubens, Hals, and Murillo.
  • The article also mentions that Mrs. Naumburg gave $100,000 to Harvard University for the expense of holding the proper foundations and for the conversion of the collection and the rooms are the most important artists who are represented in the collection of pictures.

In summary, the image showcases a collection of artwork from the Naumburg Collection, including portraits, sculptures, and illustrations, along with an article discussing the bequest of the collection to the Fogg Museum of Art at Harvard University.