Archives Scrapbooks

The image is a page from a document dated April 3, 1930, detailing treasures from the Aaron Nimberg Collection of New York that were donated to the Fogg Museum at Harvard. The page includes descriptions and images of several artworks.

1. Image on the Left (No. 7):

   • Title: "View of Post Elizabethan Hall in the Home of Mr. and Mrs. Aaron Nimberg."
   • Description: This is a view of a room from the home of Mr. and Mrs. Aaron Nimberg located at 1060 Fifth Avenue, New York. The room, approximately 12 by 20 feet, will be moved to the Fogg Museum to serve as a background for art objects and as a room for small gatherings and study activities. The room will be furnished with period furniture and adorned with paintings.

2. Image on the Right (No. 8):

   • Title: "Madonna and Child."
   • Artist: Giovanni della Robbia.
   • Description: This is a glazed terra cotta statuette in blue and white, depicting the Madonna and Child.

3. Text Descriptions:

   • No. 1: "Portrait of an Old Man" by Rembrandt, from the collection of Grand Duke Gallery, Gotha.
   • No. 2: "Portrait of a Lady" by Peter Paul Rubens, previously known as "Elizabeth Brant" but now identified as Rubens' second wife, Helena Fourment.
   • No. 3: "Turin Driving the Moors from Spain" by El Greco, a study given to El Greco by the Marquis of Santo Domingo.
   • No. 4: "Portrait of a Man" by Frans Hals, painted in 1638, depicting a Polish nobleman.
   • No. 5: "Madonna and Child" by Lorenzo di Credi, similar to one in the Strasbourg Museum.
   • No. 6: "View of Fireplace at End of the English Hall in the Nimberg Home," showing a painting of "Holy Family" by Murillo.

The text provides detailed information about each artwork, including their origins, artists, historical context, and significance.

The image is a document from April 5, 1930, detailing some of the treasures from the Aaron Naumburg Collection of New York, which were on display at the Fogg Museum at Harvard University. The document includes photographs and descriptions of several artworks.

1. Portrait of An Old Man by Frans Hals (No. 1):

   • The painting is from the Collection of the Grand Ducal Gallery, Oldenburg.
   • Frans Hals is noted for painting many madonnas in European galleries.

2. View of Post-Elizabethan Hall (No. 2):

   • This view is from the former residence of the late Mr. and Mrs. Aaron Naumburg, located at 17 West Sixty-seventh Street, New York.
   • The hall measures approximately 30 feet by 20 feet and is decorated with an unidentified English country estate's furnishings.
   • The room serves as a background for the art objects and is used for receptions and museum social activities.
   • The room is accompanied by a panelled entrance hall.

3. Portrait of a Man (No. 3):

   • Painted by Lorenzo di Credi in 1480-1490, this painting is part of the Stanislaus August Hozie Collection.
   • It is noted for its similarity to a painting by Leonardo da Vinci at the workshop of Verrocchio.

4. Portrait of a Lady by Peter Paul Rubens (No. 5):

   • This portrait was exhibited at the Royal Academy, London, in 1803.
   • The portrait was initially titled "Portrait of Elizabeth Brandt" but is now identified as the second wife of the painter.
   • The painting is a brush replica of Rubens’ "Charity Driving the Money Changers from the Temple."

5. View of the Fireplace at the Naumburg Residence (No. 7):

   • The fireplace shows a beautifully painted Holy Family by Murillo.
   • The painting is part of a collection of important acquisitions.
   • The fireplace also features a portrait by Bronzino and a glazed terra cotta statue by Giovanni della Robbia.
   • The subject of the portrait is believed to be Carela de Medici, a contentious attribution.

6. Madonna and Child (No. 8):

   • This piece is a glazed terra cotta statue in blue and white by Giovanni della Robbia.

The document provides detailed descriptions and historical context for each artwork, highlighting their significance and origins.

The image is a page from a document titled "Treasures of the Aaron Naumburg Collection of New York for The Fogg Museum, Harvard." It appears to be a transcript or a catalog from April 1930, detailing several artworks from the collection.

The page features two images of artworks and descriptions of them:

1. Left Image (No. 2)

   • Description: This is an oval-shaped illustration of a room with a painting in the background. The text mentions it is a "View of Post-Elizabethean Hall" from the former residence of the late Mr. and Mrs. Aaron Naumburg, located at 91 West 67th Street, New York.
   • Details: The room is described as an unidentified English country estate, approximately 30 feet by 20 feet, with a fireplace, a room for social activities, and a panelled entrance hall. The painting is accompanied by a description of its background and significance.

2. Right Image (No. 8)

   • Description: This is a rectangular illustration of a statue of a woman holding a child. The text describes it as a "View of fireplace at end of the English hall in the Naumburg residence, showing a beautifully painted Holy Family," by Murillo.
   • Details: It mentions that the fireplace is an important accession to the collection, and the right of the fireplace may be seen in a portrait by Bronzino.

Text Details:

• No. 1: "Portrait of an Old Man" by Rembrandt, from the Collection of the late Mr. and Mrs. Aaron Naumburg, located in the Grand Ducal Gallery, Oldenburg.
• No. 3: "Portrait of a Man" by Lorenzo di Credi, from the collection of Stanislaus August, last king of Poland. It mentions a similar painting by the same artist in the Strasbourg Museum.
• No. 5: "Portrait of a Lady" by Peter Paul Rubens, originally titled "Elizabeth Brandt" but now identified as the second wife of the Earl of Arundel, with several replicas.
• No. 7: "Portrait of a Man" by Verrocchio, with a note about the painting's significance and its provenance.
• No. 8: A detailed description of the fireplace and its artwork, noting the inclusion of a painting by Murillo and its historical significance.

The document also references other pieces from the collection and their current or past locations, such as the Metropolitan Museum and the Fogg Museum. The text is a blend of historical information and artistic context, providing a comprehensive overview of the artworks and their background.

The image is a page from a document titled "Treasures of the Aaron Naumburg Collection of New York for The Fogg Museum, Harvard," dated April 5, 1930. The page is divided into sections with accompanying illustrations.

1. Top Left Section:

   • The section features an oval illustration showcasing an interior view of what appears to be a historical or museum room with paintings and other artworks. The caption describes this as a view of the Post-Elisabethan Hall, a part of the Naumburg residence, now located at the Fogg Museum.

2. Top Right Section:

   • This section includes a rectangular illustration showing a statue or sculpture of a woman holding a child. The caption mentions it as a "Madonna and Child" statue.

3. Bottom Section:

   • The detailed description provides information on several artworks from the Naumburg collection:
     • No. 1: A "Portrait of an Old Man" by Rubens, from the collection of the Grand Ducal Gallery, Olmütz. It is a well-known work now in the Fogg Museum.
     • No. 2: A "View of Post-Elisabethan Hall," which is now a part of the Fogg Museum's entrance hall.
     • No. 3: A "Portrait of a Man," by Frans Hals, from the Stanislaus Augst collection, last king of Poland. It is a version of a work by Lorenzo il Credet.
     • No. 4: A "Portrait of a Lady" by Peter Paul Rubens, known for its historical significance and exhibited at the Royal Academy, London.
     • No. 5: Another illustration of a "Madonna and Child" by Murillo, known as "Holy Family," housed in the Naumburg residence.

The text and illustrations together detail the historical and artistic significance of the pieces from the Aaron Naumburg Collection that were being transferred to the Fogg Museum.

The image shows a page from a catalog or brochure titled "Treasures of the Aaron Naumburg Collection of New York for The Fogg Museum, Harvard." The page is dated April 5, 1930, and features two black and white photographs of artworks, each with a description below.

1. The first photograph on the left depicts an interior view of a room with several art pieces. The description identifies it as "No. 2—View of Post-Elizabeathan Hall, in former residence of the Late Mr. and Mrs. Aaron Naumburg, No. 1 West Sixty-seventh Street, New York." The room, measuring approximately 30 by 35 feet, is noted for its undifferentiated English country estate style. It previously belonged to the Grand Ducal Gallery in Weimar and was brought to the Fogg Museum and other institutions for an exhibition.

2. The second photograph on the right shows a classical statue of a woman holding a child, identified as "No. 3—'Madonna and Child,' by Lorenzo il Credi (1459-1537)." This painting, similar to one in the Strasbourg Museum by the same artist, was a favorite of the Medici family and is a copy of a work by Leonardo da Vinci. The piece is described as being previously in the collection of the Grand Duke of Tuscany and later acquired by the Fogg Museum.

The page provides detailed art historical context and provenance for each item, highlighting their significance and origins.

The image is a page from a publication dated April 3, 1936, detailing artworks from the Aaron Naumburg Collection in New York that were transferred to the Fogg Museum at Harvard. The page features descriptions and illustrations of several notable pieces:

1. Illustration on the Left (No. 1):

   • Title: "Portrait of an Old Man"
   • Artist: Rembrandt
   • Details: This artwork, originally from the Collection of Grand Duke of Oldenburg, measures approximately 27 by 20 feet and is framed with an unidentified English country estate in the background.

2. Illustration on the Right (No. 8):

   • Title: "Christ Driving the Money Changers from the Temple"
   • Artist: El Greco
   • Details: This small painting (17 x 21 inches) is noted for its depiction of the biblical event where Christ expels the money changers from the temple. It has been shown in several exhibitions, including those at the Royal Academy and the New York Metropolitan Museum.

Text Descriptions:

• No. 1: "Portrait of an Old Man" by Rembrandt, from the Collection of the Grand Duke of Oldenburg, showing a room from an unidentified English country estate.

• No. 2: "View of Post-Elizabethan Hall," the former residence of the late Mr. and Mrs. Aaron Naumburg in New York, depicting a room filled with various art objects and a paneled dining room.

• No. 3: "Portrait of a Man" by Frans Hals, part of the former collection of Standish Annan.

• No. 4: "Madonna and Child" by Lorenzo di Credi (1459-1537), originally from the Strasbourg Museum and previously attributed to Leonardo da Vinci.

• No. 5: "Portrait of a Lady" by Peter Paul Rubens, exhibited at the Royal Academy in London in 1903 and previously part of the Helen Forbes Collection.

• No. 7: "Madonna and Child" by Verrocchio, a newly acquired piece for European galleries.

• No. 8: Detailed description of "Christ Driving the Money Changers from the Temple" by El Greco, highlighting its exhibition history and significance.

• No. 9: Another "Madonna and Child," a glazed terra cotta sculpture in blue and white by Giovanni della Robbia, believed to be part of the Medici collection and related to works at the Minneapolis Institute of Arts.

The descriptions offer insight into the provenance, historical context, and significance of each piece in the collection.

The image appears to be a scanned page from a catalog or an article featuring images and descriptions of artwork. On the left, there is an oval-shaped image of an elegant interior space with a fireplace, and above the fireplace hangs a painting that features a figure with a child. Surrounding the fireplace are ornamental items and what seems to be framed artworks or mirrors.

To the right of the page, there is a rectangular image showcasing a painting or print of a woman holding a young child or infant; the style suggests it might be a depiction of Madonna and Child.

Below these images is text that likely provides information about the artworks featured in the images. The document itself is identified as coming from "Transcript" dated "April 5, 1930." The header "Treasures of the Aaron Naumburg Collection of New York for The Fogg Museum, Harvard" suggests that the images are part of an article or catalog describing artworks from a collection destined for an exhibit at Harvard's Fogg Museum.

It is important to note that the page shows signs of aging, such as discoloration and the presence of holes on the side, typical for bound documents. It's also worth mentioning that the actual artworks in the images cannot be clearly identified due to the limitations of the image scanning and the inherent loss of detail in the reproduction process.

This image is a newspaper or magazine page called 'Treasures of the Aaron Naumberg Collection of New York for The Fogg Museum, Harvard.' Dated April 5, 1930, the page contains two photographs of artworks and descriptive text about them.

On the left side is an oval-shaped photograph captioned '7,' showing a room interior with ornate decor featuring a framed painting above a fireplace. There is another framed painting visible on the left and other decorative items around the room.

On the right side is a rectangular-shaped photograph captioned '8,' of a Madonna holding a child, reminiscent of classical religious artwork.

Below the images, a column of text describes the artworks featured in the Aaron Naumberg Collection at Harvard's Fogg Museum. The article mentions notable pieces such as 'Portrait of an Old Man' by Rembrandt and others by Peter Paul Rubens, Frans Hals, Leonardo da Vinci, Murillo, and Giovanni della Robbia.

The image depicts a page from a catalog or exhibition guide titled "Treasures of the Aaron Naumberg Collection of New York for The Fogg Museum, Harvard." The page is structured with a combination of textual descriptions and illustrative images, providing details about various artworks in the collection.

Layout and Content:

Left Side:

• Textual Description:
  The left side contains a detailed description of several artworks, each numbered and accompanied by brief historical and contextual information. The text includes:
  • No. 1 – Portrait of an Old Man: Attributed to Rembrandt, from the Collection of the Grand Ducal Gallery, Oldenburg.
  • No. 2 – View of Post-Elizabethan Hall: Formerly the residence of Mr. and Mrs. Aaron Naumberg, located at 27 West Fifty-Seventh Street, New York.
  • No. 3 – Portrait of a Man: By Frans Hals, dated 1768, once part of the famous collection of Stanisław August, King of Poland.
  • No. 4 – Madonna and Child: By Lorenzo di Credi (c. 1495-1537), part of the same collection as the Frans Hals portrait.

Right Side:

• Illustrations:
  Two images are prominently displayed on the right side:

  1. Left Illustration (Oval Frame):
     A detailed, oval-framed illustration depicts an interior scene, likely a historical or domestic setting. The scene includes a figure seated in a chair, possibly a portrait, with a background that suggests a room with furniture, drapery, and possibly a fireplace. The style of the illustration appears to be an engraving or a detailed drawing, consistent with historical catalog illustrations.

  2. Right Illustration (Rectangular Frame):
     A black-and-white photograph or detailed illustration shows a figure, likely a child, being held by an adult. The adult is dressed in period clothing, and the child is also dressed in historical attire. The setting appears to be formal, possibly a portrait or a scene from a historical narrative.

Additional Details:

• Header:
  The top of the page includes a handwritten note that reads "Transcript April 5, 1930," suggesting that this is a transcript or catalog entry from an exhibition or archive dated April 5, 1930.

• Page Numbers:
  The page is numbered with the Roman numerals "7" and "8" at the bottom, indicating it is part of a larger document or catalog.

Overall Context:

The page serves as a historical catalog entry, providing both textual descriptions and visual representations of artworks from the Aaron Naumberg Collection. The combination of detailed descriptions and illustrations reflects the scholarly and curatorial nature of the document, aimed at art historians, collectors, or museum-goers interested in the collection's treasures. The inclusion of both textual and visual elements suggests a comprehensive approach to documenting and showcasing the artworks.

This image is a page from a book or document featuring a collection of treasures from the Aaron Naumberg Collection of New York. The page has two images, one on the left and one on the right. The left image shows a view of a room with a fireplace and a painting of an old man, while the right image shows a portrait of a woman and a child. The text on the page describes the treasures and their significance, including a portrait of an old man by Rembrandt, a view of a Post-Elizabethan Hall, and a portrait of a lady by Peter Paul Rubens. The text also mentions the Naumberg Collection's intention to bring art objects and furnish the room as a background for receptions and other museum social activities.