Archives Scrapbooks

The image appears to be a page from a newspaper or magazine, dated February 22, 1930. It contains multiple articles and notices.

1. Top Article (London Times, February 22, 1930):

   • Title: Professor C. H. Moore
   • Content: The article discusses the late Professor C. H. Moore, who was the Dean of Norwich. It mentions his interest in medieval architecture, particularly in France and England. Moore believed that Gothic architecture was confined to France and was critical of English Gothic architecture. The article also references Moore's book "The Medieval Church Architecture of England" and his views on French Gothic architecture, which he saw as a logical and consistent style. The author of the article praises Moore's work for being thought-provoking and stimulating readers to think critically.

2. Bottom Left Article (Miss McCauley's Point of View by Lena M. McCauley):

   • Title: Color Triumphs Over Line
   • Content: This article discusses the artistic traditions of France in the nineteenth century, focusing on the use of color versus line in painting. It references Henry S. Francis, a former curator of prints at Cleveland, who wrote about the shift from line to color in French art. The article mentions artists like Gericault and Delacroix and their influence on this shift. It also discusses the use of lithography and etching in this artistic movement.

3. Bottom Right Article (Girl World Magazine of The Chicago Economy Club, February 16, 1930):

   • Content: This section appears to be a list of events or exhibitions at the Fogg Art Museum, including various lectures and exhibitions on art and architecture. It mentions specific events such as "French Lithographs of the Nineteenth Century" and "Exhibition of Early Christian and Byzantine Art."

The page is a compilation of articles and notices related to art, architecture, and cultural events, providing insights into the artistic and intellectual discussions of the time.

The document is a newspaper article from the London Times, dated February 22, 1930. The article is titled "PROFESSOR C. H. MOORE" and is a letter to the editor from the Dean of Norwich, discussing the architectural views of the late Professor C. H. Moore. The Dean highlights Moore's controversial stance that Gothic architecture was confined to the Ile de France, and his emphasis on the concentration of pressure and abutment in Gothic structures. The Dean praises Moore's work as thought-provoking and significant for its structural insights, comparing it to the work of Viollet le Duc. The article also references an accompanying piece by Miss McCauley on the role of color in art, which discusses the use of color in historical and contemporary art, and its potential to challenge linear dependencies. The document includes annotations and a stamp from the Art World Magazine of the Chicago Evening Post, dated February 23, 1930.

The image contains a clipping from the London Times dated February 22, 1930, featuring two main articles:

1. Professor C. H. Moore:

   • The Dean of Norwich writes a letter to supplement the notice of the late Professor C.H. Moore.
   • The letter highlights Professor Moore's attraction to medieval architecture, especially in France, and his controversial view that true Gothic architecture is almost confined to the Île de France.
   • Moore emphasized that the Medieval Church Architecture of England was influenced more by French Gothic logic, a point he defended against critics like Sir Thomas Jackson.
   • He defined Gothic architecture by the convergence of pointed arch, ribbed vaulting, and flying buttresses, a stance that was provocative yet stimulating for students and readers to re-examine their own understanding of Gothic architecture principles.
   • The Dean personally feels that no book on Gothic architecture's structural aspects since Viollet-le-Duc's work has been as significant as Moore's.

2. Miss McCauley's Point of View by Lena M. McCauley:

   • This article discusses the significance of color in art, particularly focusing on the work of French artists in the nineteenth century.
   • It mentions that the tradition of France in the nineteenth century saw artists like Delacroix and Ingres valuing color and line, respectively.
   • Henri S. Frantz, in his article, notes the similarity between the graphic arts and painting, emphasizing the importance of color.
   • The article also describes the evolution of printmaking, where artists like Gérard and Delacroix used color not just for decoration but for its intrinsic value, influencing modern lithography.
   • The romantic resurgence, led by artists such as Renoir and Cézanne, marked a significant development in the use of color.

Additionally, there are smaller mentions of other articles and features from various publications like Vogue, Art World Magazine, and the Chicago Evening Post. These snippets suggest a broader context of art critique and analysis prevalent at the time.

The image shows a page from the London Times, dated February 22, 1930. It includes two main articles:

1. Professor C. H. Moore:

   • The Dean of Norwich writes about Professor C. H. Moore, mentioning that Moore was particularly interested in medieval architecture in France.
   • Moore's first important work, "Gothic Architecture," was controversial, with many considering it chauvinistic for its assertion that Gothic architecture originated in France.
   • The Dean explains that Moore's views were challenged by other critics, including Sir Thomas Jackson, who pointed out the inadequacy of Moore's definition.
   • The Dean emphasizes that Moore's work was influential and thought-provoking, despite its provocative nature, and feels personally that no other book on the structural side of Gothic architecture has matched Moore's work since Viollet-le-Duc's.

2. Miss McCauley's Point of View: Color Triumphs Over Line:

   • This article discusses the artistic tendencies that prioritize color over line, focusing on the work of artists such as Henri S. Francis.
   • The article highlights a scholarly paper by Francis, which was presented at the Fogg Museum and later published in the museum's bulletin.
   • Francis argues that the distinction between painter-etchers (like Rembrandt and Goya) and painters who use etching as a means to an end (like Degas and Delacroix) is not as clear-cut.
   • The article concludes that Francis's work provides valuable insights into the craftsmanship of artists who use different mediums and techniques.

Additionally, there is a mention of an article from Art World Magazine titled "The Chicago Evening Post" dated February 1930, indicating that the page might be part of a clipping or a collection of articles.

The image shows a page from the London Times dated February 22, 1930. It includes two articles:

1. The first article is titled "PROFESSOR C. H. MOORE" and is a letter by the Dean of Norwich. The Dean writes to supplement a notice about the late Professor C. H. Moore, an American writer who was known for his work on medieval architecture in France. Moore's controversial book, "Gothic Architecture," argued that true Gothic architecture was confined to France. The Dean acknowledges the book's provocative nature but also its intellectual value, stating it made readers think deeply about the principles of Gothic architecture. The Dean mentions that Moore's book was influential and thought-provoking, despite its shortcomings.

2. The second article is titled "Miss McCauley's Point of View" and discusses the work of Lena M. McCauley. It talks about the trend in art where color triumphs over line, exemplified by artists like Henry S. Francis. The article mentions that while sketches were once valued for their graphic lines, modern artists emphasize color and the handling of wash, leading to a shift in the perception of value in artworks. The article references a paper by Mr. Francis and discusses the artistic techniques and values of the 19th century, contrasting them with modern trends.

Additionally, there are some advertisements and small text notes at the bottom of the page, including one for the "Fogg Art Museum" and another for "Art World Magazine" from the Chicago Evening Post dated February 14, 1930. The page also contains a small note about "This Week in Europe" and some other miscellaneous items related to art and museum exhibitions.

The image is a scanned page from a newspaper, specifically from the London Times dated February 22, 1930. The page contains two distinct articles.

1. The Main Article by Professor C. H. Moore:

   • This article is a letter written by the Dean of Norwich, addressed to Professor C. H. Moore. The Dean compliments Moore for his work on Gothic architecture, specifically his book "The Medieval Church Architecture of England." The Dean highlights that Moore's definition of Gothic architecture is controversial and points out that critics like Sir Thomas Jackson and others found his definition lacking when considering the structural aspects like ribbed vaulting and flying buttresses. The Dean expresses that Moore's work is thought-provoking and provides a stimulating perspective for readers to examine their own definitions and principles.

2. Miss McCauley’s Point of View:

   • This article, titled "Color Triumphs Over Line," is a piece by Lena M. McCauley. It discusses the historical tendencies in art, focusing on the differences between painter-etchers and painters. McCauley discusses the work of Henry S. Francis, who is noted for his etchings. She mentions that Francis' sketches, which were valuable for painting, show the interplay between linear and color elements. McCauley's text argues that the integration of color in art is crucial and can be found in the works of both Corot and Delaunay, emphasizing the significance of color in art beyond mere decoration.

Additionally, there is a small advertisement or reference to "Miss McCauley's Point of View" on the lower left, and a mention of the Art World Magazine and The Chicago Evening Post on the lower right side, dated February 1930. There is also a small notation about the week's events, specifically mentioning "this week in Eccles."

This image shows a yellowed, typewritten page likely taken from an old periodical or book, with the letterhead "LONDON TIMES, FEBRUARY 22, 1930." The typewritten text is predominantly an article or a letter to the editor about the late Professor C. H. Moore, discussing his views on medieval architecture, particularly Gothic architecture in France and England.

Adjacent to the main text column, there are two pasted clippings. The first is an excerpt titled "Miss McCauley's POINT OF VIEW" by LYNAM McCAULEY, discussing the topic of "COLOR TRIUMPHS OVER LINE." The small typed text beneath talks about color's varying implications in various artistic traditions including the Egyptian, Byzantine, and early Renaissance periods. The second pasted clipping appears to be from the "Cut World Magazine of The Chicago Evening Post" dated February 14, 1928, and discusses the topic 'The argument can go either way. The purist in line can bring up a perfect group of linear dependents...'

The page contains handwritten annotations and underlines made in black ink on the article and the pasted clippings, which indicate that someone was engaging with the content, possibly critiquing, analyzing, or studying it. There are three hole punches on the left-hand side of the page, indicating it might have been placed in a binder or a filing system.

This image shows a collage of several types of documents and newspaper clippings affixed to a larger sheet, resembling a scrapbook or research compilation. There is a primary focus on Professor C. H. Moore, with the main article being an excerpt from the London Times dated February 22, 1930. This article discusses Professor Moore's work and opinions on Gothic architecture, comparing French Gothic to English Gothic and examining his controversial stance.

Additionally, there are at least five other documents attached:

1. A clipping entitled "Miss McCauley's Point of View" by Lena M. McCauley discussing "COLOR TRIUMPHS OVER LINE," which examines artistic traditions and the significance of color in art.
2. A handwritten note in cursive stating "Art World Magazine of The Chicago Evening Post Feb. 14, 1930."
3. Two clippings from the Fogg Art Museum, attached here on the right-hand side.
4. A typed note expressing a debate over architectural elements, specifically contrasting the aesthetic values of color versus line in design.
5. A note indicating the timing, stating "This Week in Boston."

The entire compilation appears carefully arranged, possibly for educational or archival purposes, demonstrating research on art and architecture, with varied perspectives and excerpts from different sources.

This image shows a sheet of paper containing three separate clippings or typed excerpts related to art and architecture. At the top center, there is a typed article titled "PROFESSOR C. H. MOORE," dated "LONDON TIMES, FEBRUARY 22, 1930." The text appears to be a commentary by the Dean of Norwich on Professor C.H. Moore's views on Gothic architecture, particularly the distinction between French and English Gothic styles.

Below this are two smaller cuttings placed side by side:

1. On the left, an article titled "Miss McCauley's POINT OF VIEW by Lena M. McCauley," with the subtitle "COLOR TRIUMPHS OVER LINE." This piece discusses trends in 19th-century French graphic arts, emphasizing the use of color over line in painting and etching.

2. On the right, a very narrow column of text with the heading "FOGG ART MUSEUM," discussing exhibitions and collections at the Fogg Art Museum, including mentions of universities and specific collections of Persian and Chinese art.

In the center, between these two smaller articles, is a handwritten note reading:
"Art World Magazine
of
The Chicago Evening Post
Feb. 11, 1930."

There are annotations or dates at the bottom referencing "Feb. 23" and "Feb. 16," and a handwritten note along the right margin that says "This Week in Boston."

The entire sheet has three punched holes on the right side, suggesting it was stored in a binder or folder. The overall theme of the page is art criticism, historical architectural analysis, and museum exhibition notices from around 1930.

The image shows a page from a publication, likely a newspaper or magazine, dated February 22, 1930, from the London Times. The page features a letter or article titled "Professor C. H. Moore", written by The Dean of Norwich. The content discusses the work and views of the late Professor C.H. Moore, focusing on his controversial stance regarding Gothic architecture in France. The Dean defends Moore's position, arguing that Moore's emphasis on the "pure logic of French Gothic" was justified despite criticism. The text highlights Moore's rejection of the idea that Gothic architecture was purely an English phenomenon and his belief that French Gothic architecture was distinct and significant.

Below the main article, there is a section titled "Miss McCauley's Point of View" by Lena M. McCauley, which discusses the role of color in art, particularly in the context of graphic arts and painting. This section references Mr. Francis, an assistant to the director of the Fogg Museum, and mentions the use of color in sketches and preparatory drawings from the 19th century. The text emphasizes the importance of color as a guiding principle in art, contrasting it with linear emphasis.

The page also includes several clipped newspaper or magazine excerpts at the bottom, likely related to art exhibitions or museum events. These excerpts mention institutions such as the Fogg Art Museum, Harvard University, and the Chicago Evening Post, dated February 11, 1930. The excerpts appear to be about various art-related topics, including exhibitions, collections, and notable artists or works on display.

Overall, the image captures a historical snapshot of art criticism and scholarly discussion from 1930, focusing on architectural theory and the role of color in art.