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ARCH.2003.25, Rendition: 793950
The document is a page from a publication, likely a newspaper or magazine, featuring an article titled 'PERSIAN ART SHOWN AT FOGG MUSEUM.' The article discusses a significant collection of Persian art, including a large number of miniatures, many attributed to the renowned artist Riza-i-Abbasi. The exhibition spans from the 17th to the 19th century, with notable pieces on loan from various sources such as the Boston Museum, the Library of Congress, and private collections. The article highlights the evolution of Persian art, influenced by European models, and the transition from vigorous early styles to more delicate later works. Additionally, the page includes a calendar of events for February 1930, listing lectures and concerts at Harvard University, including talks by Professor Heathcote William Garrod and a performance by the Stradivarius Quartet. The page also notes the Fogg Art Museum's open hours and special exhibitions, such as Chinese pottery and an exhibition of Persian painting.
The image is a page from a historical document containing information about a Persian art exhibition at the Fogg Art Museum. Here's a detailed summary:
Main Content:
Exhibition Schedule:
Calendar Notes:
Additional Information:
This page essentially combines an informative description of an art exhibition with practical information about visiting hours and additional events at the Fogg Art Museum.
The image contains several pages from a document, primarily focusing on an exhibition of Persian art at the Fogg Art Museum. Here's a detailed summary:
Exhibition Details:
Additional Notes:
Museum Hours and Events:
Lectures:
Miscellaneous:
The document appears to be a historical record or a program guide for the events and exhibitions at the Fogg Art Museum in early 1930.
The image is a page from a newspaper or a magazine, specifically a clipping from 1930. The main article on the page is titled "Persian Art Shown at Fogg Museum" and is a continuation from page 12.
The article discusses the quality and evolution of Persian art, highlighting that although many works are attributed to a particular artist, the popularity of his art led to a vast amount of imitation. It notes a shift from expensive, elaborate coloring to simpler, more linear treatments. The article also mentions the influence of European models and the character of Persian painting from the early Mongolian schools, specifically the Timurid period, up to the time of Shah Abbas.
The exhibition includes works from various periods and artists:
There is a photograph of a painting titled "Timur Shah on a Hunting Party" from the Timurid style, which is loaned anonymously to the exhibition.
Additionally, there is a transcript section at the bottom left of the page with various dates and events related to the Fogg Art Museum, such as open hours and special exhibitions. It mentions specific exhibitions like early Chinese pottery and Persian painting.
The right side of the page features a notice for a concert by the Stradivarius Quartet of New York City, scheduled for February 14, 1930, at 8:30 p.m. in the Court of the Fogg Art Museum. There are also details about the Charles Eliot Norton Lectures, which are scheduled for February 25, March 4, and March 11, with Professor Heathcote William Garrod delivering the lectures on various poetry-related topics. The lectures will be followed by times when Professor Garrod will be available for meetings with students.
The image is a newspaper clipping from the Harvard Crimson, detailing various events and exhibitions related to art, specifically Persian art, during February 1936.
Persian Art Shown at Fogg Museum:
Calendar of Events:
February 13:
February 14:
February 15:
February 19:
February 20:
February 24:
February 25:
February 25-29:
Overall, the clipping provides a detailed schedule of art-related events, lectures, and exhibitions taking place at Harvard University, particularly focusing on Persian art at the Fogg Museum.
The image is a page from a 1930 publication, specifically a calendar or event schedule from Harvard University. The main content is divided into two sections: an article and a list of events.
Article:
The article, titled "Persian Art Shown at Fogg Museum," discusses an exhibition of Persian art at the Fogg Art Museum. It highlights the extensive quantity and variety of works attributed to Timurid artists, emphasizing the brilliance of Persian works from the XVth century. The article notes the influence of Chinese art on Persian painting and the evolution of the Timurid style, which is characterized by a "brilliant coloring" and "an animated treatment of compositional groups." The works on display include manuscripts, paintings, and pottery from the XVth century, with notable pieces such as a page from the "Shah Nameh" by Sultan Muhammad and an illustration from a manuscript by Bihzad.
Events:
The lower part of the page lists various events scheduled at the Fogg Art Museum and other locations:
Feb 15, 1930:
Feb 19, 1930:
Feb 23, 1930:
Feb 26, 1930:
Feb 28, 1930:
Feb 2, 1930:
Feb 14, 1930:
Feb 25, 1930:
Mar 4, 1930:
Mar 11, 1930:
Additionally, there is a note indicating that Professor Garrod will be available to students in his rooms at Gray Hall on Thursday afternoons at five o'clock.
The page also includes a photograph of a Persian painting titled "Timur Shah on a Hunting Party," which is a XVth-century artwork loaned to the Fogg Art Museum.
The image displays a page from what appears to be a newsletter or publication. The page contains an article with a headline that reads "PERSIAN ART SHOWN AT FOGG MUSEUM" and features a black and white reproduction of an artwork with the title "TIMUR SHAH ON A HUNTING PARTY" TIMURID STYLE XVI CENTURY. The image of the artwork shows a number of figures, both human and animal, with several individuals on horseback, presumably engaging in a hunt. The style of the art suggests Persian influence, with elaborate designs and patterns.
Below the primary article and image, there's a schedule of events with dates ranging from February 5, 1930, through February 26, 1930. The schedule includes exhibitions and lectures at various locations, such as the Fogg Art Museum and Grays Hall, indicating the events are related to Harvard University. One notable event is a concert featuring a Stradivarius Quartet from New York City at the Fogg Art Museum on February 14, 1930. Additionally, there's mention of the Charles Eliot Norton Lectures, which seems to be a series of lectures on poetry and criticism.
The page has a date stamp of "FEB 8 1930" and a handwritten note in the top right corner that says, "Keep for M.E. Moore." The page appears to be part of a collection for archival purposes.
The image appears to be a collage of various newspaper clippings, notices, and an image focused on Persian art displayed at the Fogg Museum. It includes text details relating to the art and exhibits, with annotations indicating dates and sources of the publications. The central piece of the collage discusses "Timur Shah on a Hunting Party," a Timurid style artwork from the XVth century, with accompanying explanatory text about Persian art shown at the museum. Additional notices mention upcoming events, such as concerts and lectures, with specific dates mentioned in handwritten annotations.
This image shows a scrapbook page with several newspaper clippings and an illustration related to the Fogg Art Museum and events there, dated around 1930.
The page contains several handwritten date notations like "Feb 8, 1930," "Feb. 15," "Feb. 19," "Feb. 23," and a note "Transcript, 1930" indicating the approximate archival date of the clippings.
The image is a newspaper clipping from the 1930s featuring an article about Persian art exhibitions at the Fogg Art Museum at Harvard University. The article discusses the popularity of Persian art and the shift in artistic styles over time. It mentions that the exhibition covers the early Mongol period to the Timurid period and includes works by notable artists like Sultan Mohammed and Philip Hofer. The article also provides details about the exhibition's dates and locations, including the Fogg Art Museum and the Peabody Museum. Additionally, it mentions the Charles Eliot Norton Lectures, which were a series of lectures given by Merton Heathcote William Garrod, the third holder of the Charles Eliot Norton Chair of Poetry at Harvard University.