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ARCH.2003.25, Rendition: 793944
The image appears to be a collection of newspaper clippings and articles related to the acquisition of a painting by the Renaissance artist Sandro Botticelli, titled "Saviour with the Crown of Thorns," by the Fogg Art Museum at Harvard University. The clippings are from various newspapers and include a photograph of the painting, which is of a figure of Christ wearing a crown of thorns and holding a blessing gesture. The articles discuss the rediscovery of the painting, its historical significance, and its purchase by the museum. The collection also includes an article from "The Arts" journal for February 1930, which mentions the painting and the artist. The clippings are affixed to a larger paper, possibly for archiving or study.
The image is a scanned collection of newspaper clippings from February 1930, reporting on the acquisition of a lost Botticelli painting by the Fogg Art Museum at Harvard University. The clippings are from various newspapers, including the Crimson, the Herald, and Punch.
The top left clipping, dated February 10, 1930, is from the Crimson and describes the acquisition of a rare Botticelli painting titled "Saviour with the Crown of Thorns," which was lost for centuries and rediscovered by Agnew and Company of New York City. The painting was purchased using the Friends of the Fogg Museum Fund and is now on display in Gallery XII. The article also mentions an ongoing exhibition of Persian painting.
The top right clipping, dated February 8, 1930, is from the Herald and includes a photograph of the Botticelli painting. The caption describes it as a painting by a Florentine master, lost for centuries, and acquired by Harvard. The painting shows a figure under a canopy with curtains drawn to the sides by cords.
The bottom left clipping, dated February 7, 1930, is also from the Herald and provides more details about the painting's history and acquisition. It mentions that the painting was discovered in the collection of Prince Massimo of Rome about a year ago and sold to the Fogg Museum by Thomas Agnew & Sons of New York and London. The article notes that paintings by Botticelli are mostly in museums, and there are few in private possession, with an estimate of no more than a dozen works by this master in the country.
The bottom right clipping, dated February 19, 1930, is from Punch and humorously comments on the rediscovery of the Botticelli painting, expressing a fear that it may be lost again.
Additionally, there is a note at the bottom right about an article by Morton D. Zabel titled "Ingres in America," with a drawing lent by Paul J. Sachs.
This image displays a vintage newspaper clipping or press packet from February 1930, documenting the acquisition of a lost painting by the Italian Renaissance master Sandro Botticelli by the Fogg Art Museum at Harvard University.
The article, titled “Painting by Botticelli Lost for Centuries is Purchased for the Fogg Art Museum Collection — Persian Exhibition Continues,” details how the painting — identified as “Saviour with the Crown of Thorns” (or “Christ with the Crown of Thorns”) — was rediscovered and purchased after being lost for centuries. The acquisition was funded through “The Friends of the Fogg Museum Fund.”
Key elements of the clipping include:
Primary Article: Written by Dr. Raymond Von Marle, an art expert, who confirms the attribution to Botticelli after careful study. He notes the work is representative of Botticelli’s later, more tender and pensive style, and that while not among the artist’s most “imposing” works, it demonstrates his mastery.
Accompanying Illustration: A sepia-toned photograph of the painting shows a half-length depiction of Christ wearing a crown of thorns, with his right hand raised in a gesture of blessing. The image is captioned: “Painting by Florentine master, lost for centuries, which has been acquired by Harvard.”
Multiple Sources: The clipping includes excerpts from several publications:
Additional Context: A small note on the right side mentions a concurrent “loan exhibition of Persian Painting” in Gallery XIV, featuring loans from the Morgan Library and other institutions.
Attribution and Credits: At the bottom right, it is noted that the article was written by Morton D. Zabel for “THE ARTS,” February 1930, and that the drawing (painting) was lent by Paul J. Sachs.
The clipping is printed on aged, yellowed paper with three punch holes on the left edge, suggesting it was saved in a binder or file. It serves as a historical record of a significant art acquisition and reflects the excitement and scholarly attention surrounding the rediscovery of a major work by Botticelli in the early 20th century.
The image shows a collage of newspaper clippings about a painting by Botticelli that was lost for centuries and has been acquired by the Fogg Art Museum at Harvard University. The painting, titled "Saviour with the Crown of Thorns," depicts Christ with his right hand raised in a gesture of blessing and his left hand indicating his wounds. The articles discuss the significance of the painting, its rediscovery, and its acquisition by the Fogg Museum, which is part of Harvard University.
The image is a collage of newspaper clippings and articles, featuring a painting by the Florentine master Sandro Botticelli. The painting, titled "Savior with the Crown of Thorns," was lost for centuries before being rediscovered and purchased by the Fogg Art Museum at Harvard University.
The clippings are from various newspapers and magazines, including The Crimson, The Herald, and The Arts. They provide details about the painting's history, its rediscovery, and its acquisition by the Fogg Art Museum.
The main article, from The Crimson, describes the painting as a "little picture on linen under consideration we observe intent, simple, and spontaneous; it is direct, similar to direct instruction to produce plastic effects." The article also mentions that the painting was purchased by Dr. Raymond Von Marle, an art expert, and later donated to the Fogg Art Museum by his widow, Mrs. John D. Rockefeller, Jr.
Another article, from The Herald, provides additional information about the painting's history and its significance in the context of Botticelli's work. It mentions that the painting is the second work by the great master in the Metropolitan Museum of Art in New York City and that it is the second Metropolitan Museum on loan to the Detroit Museum of Art.
Overall, the image provides a detailed account of the rediscovery and acquisition of a lost painting by Botticelli, highlighting its historical and artistic significance.
The image is a collage of newspaper clippings and an article related to the rediscovery and acquisition of a lost painting by Sandro Botticelli. Here's a detailed description:
This collage effectively communicates the excitement and importance of the rediscovery and acquisition of a significant artwork by a master painter.
The image depicts a collection of newspaper clippings or articles related to artworks, particularly focusing on a piece by Botticelli. The main article appears to be from "Crimson," dated "Feb. 10, '30," discussing the acquisition of a long-lost painting by Botticelli for the Fogg Art Museum Collection. There's mention of a Persian exhibition that continues alongside this news.
The other visible articles also refer to Botticelli and the Fogg Art Museum at Harvard, indicating that the museum has come into possession of important artwork. Dates like "Feb. 1, '30" and "February, 1930" suggest the period when these articles were published. There are references to various individuals and potential quotes from them regarding the significance of the acquisition and exhibition of the artwork. The articles have aged and yellowed with time, indicating they are historical documents.
This image consists of a collage of newspaper clippings about a painting by Botticelli that was lost for centuries and has been acquired by the Fogg Art Museum at Harvard. The headlines and text are mainly focused on the significance of the painting, the historical context, and details surrounding its acquisition. The articles are dated from February 1930, and they include mentions of other exhibitions and relevant individuals such as Morton D. Zabel and Paul J. Sachs. The main clipping highlights the joy and importance of having the lost Botticelli painting in the museum's collection.
This image is a collage of newspaper clippings, seemingly arranged as a scrapbook or presentation page. The text focuses on the discovery and purchase of a Botticelli painting, "Saviour with the Crown of Thorns," by the Fogg Art Museum at Harvard University. The clippings are dated February 1930 from various sources, such as "The Herald," and discuss the significance of the painting's recovery, its artistic qualities, and its historical context.
One section prominently features an article titled, "Painting by Botticelli Lost for Centuries is Purchased for the Fogg Art Museum Collection." Another clipping headlines, "Lost Painting by Botticelli Comes to Fogg Art Museum at Harvard." There's a black-and-white image accompanying the text (partially obscured), possibly showing the painting itself or a depiction related to the written topic.
Additionally, there’s a typeset text block at the bottom-right titled "The Arts" documenting a related February 1930 article about "Ingres in America," with a reference to a drawing lent by Paul J. Sachs. Three-hole punches are visible, suggesting the page was part of a larger binder or collection.